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Thich Nhat Hanh wrote that every little thing is contained in everything else. When you look hard enough at a piece of paper, you can see the tree it came from, the rain that grew the tree, the cloud that gave the rain, the birds that soared on the wind from the cloud. It's how all things are connected. See the tiger in the raindrop? It's proof of reincarnation! :)
Autographed Dale Jr. #3 AC Delco Fender From the crash that Dale Jr. got into during practice the day before the race with Picture Proof Photos of getting the fender and of getting it signed by Dale Jr. and crew chief Steve Himle.
a small story that goes with this fender:
You could buy a 3 day pit pass for $50.00 for the NASCAR Truck and Busch race held on a off weekend of the Winston Cup Race at the Milwaukee Mile Speedway.
What most people didn't know was that 3 day pit pass was actually let you into their garages, a Garage Pass!!!
So that year, 1999, there was a lot more people in the garage area than other years, and they all were at Dale Jr.'s garage area. so when practice started, Dale Jr. went out for a couple of laps, had a hard time coming into the garage because of all the fans standing around.
When it was time for him to go back on the track, he could get out, so Dale Jr. floored the pedal going backward almost hitting some fans if they did jump out of the way.
A Milwaukee Mile Speedway official came up to the front of Dale Jr.'s car and slammed his hands on the front hood, then pointed his finger at Dale Jr. in the car and yelled "Slow Down".
Dale Jr. made it out to the track and made about 2 laps before he crashed into the wall and hurt his shoulder.
Did he crash because he was so mad at the fans and the official? Only he knows!! But the next year, that was the end of having full access to the Busch Series garage area!!!!
When they towed the car in the pits, the crew started to cut the fender off and laying the pieces on the ground behind them to gain access to some parts that they were going to exchange to the back up car. I took pictures of the pieces laying on the ground, but what you don't see is about 150 fans that were standing with watching this.
After I took the Photo of the fender, while the crew had their back towards me, I walked up to the fender, picked it up like I was inspecting it. I then turned to do a 180 and rush into the crowd. You could here the whole crowd sigh saying What? in disbelieve that the piece was gone.
I ran to my car and put it in. I figured if I didn't do it, some else would have!!!!
The next day, I ran into Steve Hieml (Dale Jr.'s crew chief) and asked him to sign it. He asked me if that was from yesterday's crash. I said yes, He signed it and said "That's a nice collectable!!!".
Six Months later I met Dale Jr. at the Championships Drivers Banquet in Rosemont, Ill. and he signed it.
First proofs for Anna....
I'm starting to get back in the swing of things! I'll be posting some available proofs
soon so keep a look out for those!
Another item my sister bought and had delivered HERE!
Gosh, this lady has a LOT of these videos of me . . .
She says they're deleted as soon as she emails them to the customer ( my sister in this case )
Look - proof I'm in DC!
Last night we had dinner in Havre de Grace MD. We ate at a restaurant called the Tidewater Grill. It was right on the Bay. The SO, Z, and I had lobster ravioli, french fries, and santa fe salad respectively. Then there was a great dessert called Italian Love Cake. It had chocolate cake, whipped cream, mousse, and cream cheese.
Today we hit the American History Museum. The ruby slippers and first ladies' dresses were a hit with the kid. Everything else was not. She was most thrilled with the hot dog vendor. Traveling with a six year old is different. Her highlights so far are changing rooms during the night, riding the trains, and soaking her feet in the WWII memorial. Knock on a whole lot of wood but she still hasn't had a fit.
We did the big memorials outside today. It is meltingly hot. Refill the water bottle at every fountain, splash water on your head hot. I've never seen it so crowded here either. I finally understand how people can get trampled. A subway platform was full and the escalator was still dumping people off when there was nowhere to go. Someone brilliant finally hit the emergency stop on the escalator! Disaster averted.
We are on the train back to Aberdeen now.
Sent from my Verizon Wireless BlackBerry
I was going to have business cards made to hand out at the shows I have this spring, but that's not my style. Instead, I'll hand these to inquiring minds.
A little more carving and they'll be ready.
First pulled proof
relief print
6"x9"
Well today was D day for the Worlds Greatest Shave and here is the proof that I am true to my word :)
Then, the student takes over the work of rotating the cylinder over the platen.Finally, checking the outcome—a name crad of themselves!
Proof: rapture trails over Thames Ditton as the righteous, admittedly small in number, ascend to heaven
An image from a day at work, here proof load (110% of normal maximum capacity) testing overhead cranes in a new factory. This test was to 70.4 tonne and used the big orange water load bags to apply the weight.
The Chronicles Being Read to the King
Wood-engraved proof, 1880
Dalziel after Arthur Boyd Houghton
Pencil and white bodycolour on unengraved boxwood block, c1863
Arthur Boyd Houghton
Like Simeon Solomon, Houghton's work for Dalziels' Bible Gallery (1880) is striking in seeking to bring an authenticity to the Middle-Eastern figures represented. Houghton was born in India and his early background and international interests can be seen in many of his designs for illustrations. Generally, comparing Houghton's preparatory drawings with the Dalziel prints made after them reveals the firm's different approach; Dalziel engravers sometimes exaggerate orientalising elements to make these more legible to their readers.
Houghton himself noticed this and was frustrated by it; in the upper margin of this proof for Dalziels' Bible Gallery, he tersely comments: 'no turban on this Head in Drawing'. Dalziel valued Houghton's original drawing on the woodblock; it survives because it was photographically transferred onto another block in order to be engraved.
[British Museum]
Taken during from the exhibition
The Woodpecking Factory Victorian Illustrations by the Brothers Dalziel
(May to September 2022)
From Pre-Raphaelite fantasies of Arthurian legends to Alice boldly adventuring in Wonderland, the Victorian visual imagination has left an enduring legacy.
But the craftspeople (affectionately known as 'woodpeckers') who engraved such illustrations after designs by John Tenniel and Dante Gabriel Rossetti, to illustrate iconic writings by Lewis Carroll, Christina Rossetti, Charles Dickens and others, are too frequently forgotten.
This intriguing display highlighted over 50 works engraved on wood by the Brothers Dalziel firm, illustrating literary and commercial work published throughout the Victorian period.
In 1913 the British Museum acquired the firm's entire company archive of 54,000 proof wood engravings, now catalogued as part of the Dalziel Project (Opens in new window) in partnership with the University of Sussex. It investigates the vast body of visual art produced by the Brothers Dalziel for everything from popular novels to commercial adverts, global exhibitions and journalism.
Wood engraving revolutionised the mass production of images in the Victorian era. Established in 1839, the Brothers Dalziel (one of whom was a sister – Margaret – a talented senior engraver) became the most successful wood-engraving company in Britain, employing dozens of engravers.
The Brothers Dalziel had enormous cultural power in Victorian Britain, shaping the way people visualised art, goods and ideas. Mostly the engravers made images after designs by draughtspeople, including major artists such as Frederic Leighton and John Everett Millais, and it's these artists who were widely credited and remembered. However, the process was collaborative and the skill of the 'peckers' was considerable.
[British Museum]
Since I got a few flickr mails asking to see the proof albums I make myself I thought I'd show an example. Not sure if I'll use this one since I ordered a bound proof book from WHCC for this session, but hey, it's an example.
The cover is a just a plain black report cover with a clear plastic cover and a linen texture. I think these were on sale for $4.99 for a pack of 5. I used to have some with a darling black toile print right on the plastic but I just ran out of those and can't seem to find anymore.
Amelia didn't believe me when I told her she fell asleep in the middle of the movie the other day. Good thing I had proof!
proof from stephanie's headshot session. not for public consumption; for review purposes only.
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Credit: VISIT FLORIDA (Chris Joy)
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