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Intention: The goal was to show controlled motion, so I went with a creative zooming effect to draw attention to the middle branches of the tree.
Reference to Reading: David DuChemin talks about how you can use slower shutter speeds to create motion effects.
Outcome: The image fit my vision and was fun to experiment with. This generally works better with more colorful subjects but I used the lack of color here to add to the dramatic effect.
Edits: -Saturation, +Exposure, +Contrast, -Highlights, +Shadows, +Whites, -Blacks, +Texture, +Clarity, +Dehaze, Color Grading for Shadows, Midtones and Highlights, and a Levels Adjustment.
Life Like belvedere hotel kitbash for project buildings This building took two kits. Motar is pastel finger pressed inbetween bricks. for that used look
shades and window glazing is not in the kits but was added . This building is building 1 of 4 of a new housing project in West Philadelphia
Canon PowerShot SX430 IS
F stop 5.6
ISO 1600
Shutter Speed 1/250
Taken Jan 27, 2019
Taken around 5:45 pm
As I was messing around with the settings on my camera, This pudgy Nothern Cardinal landed on my porch! I thought it was so cute so I decided to shoot a couple of photos! This photo, in particular, it looks like it's peeking over its shoulder.
An interesting scheme, but again the samples are too small to see clearly the proportions of colour. This scheme disappear into the board as the smaples are mostly pale and very small in size.
The colour choice for the display case is not ideal as jewels need to be lit so they sparkle and shine at their best. The feature wall treatment is a lovely addition but would work better with darker matt walls as the impact is lost in this pale scheme.
Life Like belvedere hotel kitbash for project buildings This building took two kits. Motar is pastel finger pressed inbetween bricks. for that used look
shades and window glazing is not in the kits but was added . This building is building 1 of 4 of a new housing project in West Philadelphia
I love a mix of elements in urban settings. The dark against the bright colors makes the message stand out.
This is a good scheme but needs an injection of a deeper colour, such as red, to make it the intimate, sensual French dining experience as outlined in the brief. Red stimulates the appetie and goes particularly well with meat-based dishes and red wine, which are predominant in French cuisine.
This monochromatic scheme really has the feel of an informal French bistro-tyoe environment, rather than an intimate French restaurant because of the large fabric sample in blue check for the roman blinds. This checked fabric is synonymous with Bistro style.
Again, the paint samples are a little too small to clearly see the scheme you are proposing - you mention the walls are to be in an indigo blue but the sample is too small to create the impression of a large expanse of wall and the image has white walls, mkaing it difficult to visualise your proposal. Colour no.7 is described as "French Grey", which is actually more of a green colour, seen typically on the exterior woodwork (shutters etc) of houses in the South of France.
The accent colour again is quite small so it doesn't have much impact on the overall scheme. It is also too pale in hue to denote the soft gold, a deeper, stronger yellow would be more suitable.
Tutor's comment: "This is a good calming scheme without being boring. The inclusion of accent colours of fuchsia and yellow adds drama and interest to the otherwise neutral palette. You have chosen practical colours and textures for an office environment and your choice of flooring works particularly well - it pulls the other elements of the scheme together and is also a very practical choice in terms of maintenance and wear and tear". (19/25 for the entire project1)
Nir Arieli: Anima - www.flickr.com/photos/nirarieli2/sets/72157622735726530/
In this photo the model was an older man (in his thirties) who was in touch with his emotions and felt comfortable expressing himself. We found it more comfortable to shoot without a shirt as it created a more vulnerable environment for him.
In the photographing process we learned how different male and female models are expected to look and pose. It was a challenge to think up (or look up) typical female poses, but this was one that seemed to work.
In the shoot we opted to not use makeup or feminine clothing, unlike photographer Nir Arieli's Anima photoset, because we wanted to try with expression and pose alone to capture femininity.
Full story here
www.flickr.com/groups/creative_tabletop_photography/discu...
This shows the double refection obtained when ordinary glass is used, not desireable for a nice crisp relection.
This is a great colour scheme for a busy office, it is harmonious but in stimulating hues. A better colour could have been chosen for the walls than white. A soft warm grey would have offset the pale wood and greens better than the white.
Likewise, consider the colour for the desk charis, There is no samples included to indicate what finish (leather, wool, felt, linen etc) but a predominant accent colour of brown - office chairs are visually quite large and there will be a lot of them - is not very visually appealing and may not work with the pale, honey-coloured wood floor. Your justification is good and your accompanying image to show the style getts your proposal across very well.