View allAll Photos Tagged progress.

My first upload in over a year. Hopefully something should be arriving weekly now, as John and I have restarted our photo challenge.

 

My first word was 'progress'. This is rather a literal interpretation, but also has metaphorical meaning behind it as this train journey started in a place of sadness and ended at a place a hope.

 

John's word was 'roots' and you can see his photo here.

Nikon FM / Pentacon 50mm F1.8 / Kodak400

weil am rhein 2015 - leica M3 - leica summaron 35mm with goggles - kodak tri-x 400 tx pro

Works in Central Library basement continue, comprising of: mechanical and electrical works and the installation of archive storage.

added third and final color to the 'ragged' camo scheme, and a light wash.

Cat-Mai - Mai with the Catwa Magy head - is well on her way to becoming a character your Mai could live with as an avatar (because, though you found her beautiful sweetie, your wife couldn't make a 'habit' of the embryonic Cat-Mai as she looks in those 'Dancing Zen' pictures).

 

Here Cat-Mai is born again with some modified facial proportions, most noticeably her mouth and lips, which are now literally Golden (ie. PHI = 1:1.618 = 62% on the SL Lip Ratio slider), a move that does give her face a je ne sais quoi in your Mai's eyes and renders her attractive enough now to 'live with' more than just now and then. If you like her, love, I can 'be' Cat-Mai more often.

 

Cat-Mai is showing off the Analexa small-breasted body, with a slimmer shape than even Slink-Mai used to wear. And she's been given a new LAQ skin (Natasha) which sets off her nose and mouth a bit more than the Camille skin Slink-Mai and MaiChai wear.

 

Hope you like her and these pics which really got me going on the Black & White and F-S conversions! For some reason they do this particular face more justice than plain colour does - whether that's a good sign I'm not quite sure. ♥X

an illustrated short history of progress by ronald wright.

iss071e124981 (May 28, 2024) -- The Progress 86 cargo spacecraft is pictured undocking from the Poisk module as the International Space Station orbited 261 miles above China.

Part of Tadashi Kawamata's "Work in Progress" in Zug Switzerland

March of Progress 24“x24” acrylic on wood

www.cathiejoyyoung.com

On exhibit at Portland International Airport, Concourse A through March 13th, 2011

blogged: monaw.blogspot.com

I've noticed that PNG often mounts their entire cutout and arrester assembly when using chicken wing brackets.

remember the panoramic view i did couple weeks back of our church in it's old setting > it's here

 

this is what it looked like earlier this week from about the same viewing point. the preachers stand is down, the hall empty of chairs and stuff and the organ has been disassembled and stored. the builders have come in and started their demolision all over the place, removing fixtures, floors and ceilings.

 

(i uploaded a larger images this time for all the pixel peepers (whom will notice the stichting flaws of course!, i need to a) read up on doing this properly without a panoramic head or B) buy a panoramic head (yeah right...))

 

Nikon D90 - Tokina 12-14 @ 12mm - 7 shot portrait stitch - slight HDR - total weight = 40.4 megapixels

Lily and I were dismayed to see that one of our favourite forest walking paths has been cleared for an industrial park.

Made us both sad. Oh well, more exploring required!

press L

to see in light box or www.flickr.com/photos/25386365@N06/7144852769/in/photostr...

 

abstract_work in progress_by Diane Kramer-

Artist in Residence work at Arts Academy in the woods, wood, paper, paint, wax, metals and other mixed media, grandma Barica’s embroidery, accordion bits

studiokramer.blogspot.com/

Quote:

The policy of being too cautious is the greatest risk of all.

Jawaharlal Nehru

 

Image:

"Überhang, surplomb, strapiombo"

www.flickr.com/photos/cdm/71082193

Progress of the eclipse. The first six pictures are spaced roughly ten minutes apart. The last six cover a total period of about 7 minutes. The penultimate one shows the moment of annularity, and the last one is (fairly) close to center.

1924 Burrell showmans engine, works No.3950.

 

Gloucestershire Steam Extravaganza 2018.

Bit by little bit...been working on carving the top corner of this block for the past 2 hours...the carvings probably fill 1/16 of a tsp - ha! “MUSIC OF THE SPHERES” will be a 16” x 20” color woodcut print, this block plus 2-3 others to add some twilight glows beyond. Price on the pre-order will go up when this key block is carved & ready to transfer. Follow link for more info!

 

www.tugboatprintshop.com/woodcut_musicofthespheres.htm

 

#wip #woodcut #printmaking #woodblock #woodcarving #traditionalprint #handdrawn #handcarved #musicofthespheres #moonandstars #crescentmoon #tugboatprintshop #valerielueth

I ALSO UPDATED the lock in the diagram which looks better than the one here! You can get Freehand 11 for diagramming here: ufile.io/ef6be (ver 11 upd included). Anything needed afterwards should be easy to find. Should be done in another 10 steps. YES diagramming tessellations step wise takes time

but it can be done.

windows and dormers were installed a few weeks ago. also glued on some of the newly stained shingles! love this stain colour!!

A hike up the impressive Creux de Van in Switzerland in pretty suboptimal conditions. Stunning landscape and in the end it seems like it was better that way than on a sunny summerday.

Blackpool Borough Council Transport 683, a Metropolitan-Cammell Carriage and Wagon Company Limited ‘Progress Twin-Car’ trailer with Maley & Taunton Limited Type 796 bogies and a The English Electric Company Limited DB1 Z6 controller with a Metropolitan-Cammell B61CD+6 body built 1960 propelled by Blackpool Borough Council Transport 673, a The English Electric Company Limited tram with English Electric 4’ wheel base equal wheel bogies, two English Electric 305E 57 horsepower motors and an English Electric DB1 Z6 controller with an English Electric B53CD+6 body built 1935 runs along the reserved track on the Promenade at Blackpool near the Central Pier with

 

Note, 673 was originally built for Blackpool Corporation as a The English Electric Company Limited series 2 Railcoach with the fleet number 273. It was rebuilt by Blackpool Corporation as a Progress Twin-Car motor-car in 1960, the seating being altered from B48CD and was renumbered 673 in early 1968. Blackpool Corporation became Blackpool Borough Council on 1st April 1974 due to local government reorganisation. Blackpool Borough Council Transport’s operations passed to Blackpool Transport Services Limited on 26th October 1986 due to bus deregulation. 673 was withdrawn from service in October 2010 and stored at Rigby Road tram depot. It was sold for private preservation, being moved into store at HMP Kirkham on 16th January 2012. 673 was moved to Fleetwood for further storage on 10th November 2014. The owner died in 2017 and 673 passed to the Fleetwood Heritage Leisure Trust

 

683 was originally owned and operated by Blackpool Corporation as number T3, being renumbered 683 in early 1968. Blackpool Corporation became Blackpool Borough Council on 1st April 1974 due to local government reorganisation. Blackpool Borough Council Transport’s operations passed to Blackpool Transport Services Limited on 26th October 1986 due to bus deregulation. 683 was withdrawn from service in October 2010 and stored at Rigby Road tram depot. It was sold for private preservation, being moved into store in Fleetwood on 17th January 2012. The owner died in 2017 and 683 passed to the Fleetwood Heritage Leisure Trust

 

Ref no 06106

We use to look out onto open fields at the back of our house, not anymore, progress means we'll be able to look at 600 houses in our back yard.

Snowmaking continued through the day today on Kings Landing, and the progress is looking good.

A bit of progress this winter season 2020. The station and it's yard tracks have been completed. Also solved some annoying bottlenecks in the trackplan, and changed the access and exit tracks of the hidden yard. Decided not to run the trains full automatic DCC (programmed), but 'by hand' only. The points will be DCC automated. Time to make a start with the scenery I suppose.

Center For American Progress. by Jay Baker at Washington, DC.

I know, I know. I just posted a similar photo of Pepe playing with string, but I have a story to tell tonight. Now, whenever I enter into the room, Pepe is excited to see me. He is still cautious, but as soon as string appears, he leaps into action. If I don't wiggle the shoelace for any length of time (I'm doing my homework for the course I'm taking at church in their room), Pepe retreats to a corner. Fifi, on the other hand, crawls all over my book, my notebook, and me.

 

All of that said, the tears in my eyes have nothing to do with Pepe and Fifi. At least not directly. No, the moisture tickling my eyelash line emerged watching Lulu tonight. I had reached the point of wondering whether I should just get her spayed and return her to her stomping grounds. Lulu hisses when I approach, and she has been crouching at the window staring out, obviously dreaming of being anywhere but the bathroom. Her disdain for her current lot in life had pierced my heart. And having Pepe idolize Lulu has been distressing as Pepe remains challenging given he feeds off her energy. So, why the tears? Tonight, when Fifi and Pepe played with the string, Lulu did something I had never ever witnessed. She turned and faced the kittens, then sat up and stretched, and watched their every move. As her eyes followed them (Pepe in particular), her eyes softened, and I caught a glimpse of the kitten inside her feral existence. Lulu longed to play with that string, she longed for that carefree life. Now, maybe I am personifying, but maybe, just maybe, I am correct. I clearly saw Lulu's guard soften, but she always caught herself when she thought to join the scampering youngsters.

 

How could I not well up with tears witnessing the first crack in Lulu's defensive armor? I so want to play with Lulu at the other end of the shoelace, and when that day arrives my heart will be singing, dancing, and doing cartwheels within my chest. Not sure how long it'll take, but tonight's glimpse has me believing that day will come.

 

[SOOC, f/1.4, ISO 640, shutter speed 1/400]

1 2 ••• 12 13 15 17 18 ••• 79 80