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Quote via Bret Victor worrydream.com/dbx/
Image via Max Pixel - Electrician Craftsmen Elektroniker Repair Lego maxpixel.freegreatpicture.com/Electrician-Craftsmen-Elekt...
The Canon camera of the 1980s, the AE-1 Program had one feature that set it apart from the previous AE-1 model, fully automatic exposure settings. All you had to do was set the focus and press the shutter.
Read the full review online
www.alexluyckx.com/blog/index.php/2015/02/20/ccr-review-4...
Canon AE-1 Program - Canon FD Lens 50mm 1:1.4 - Ilford Delta 400
Ilford DD-X (1+4) 8:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015)
Brighter Bites is a collaborative effort designed to improve access to healthy, affordable food and provide nutrition education. The University of Texas School of Public Health, KIPP Schools, the Houston Food Bank and Texas Children's Hospital have partnered to offer the 16-week program to third-grade children enrolled at KIPP Explore Academy and their parents. As you can see from the photos, those healthy kale smoothies are a hit!
Warner Bros. released it's 1935 production of Shakespeare's A Midsummer Night's Dream" to much fanfare, with professional-looking theatrical programs given to attendees at the cinema.
This one dates to c. 1936 at the Warner Theatre in Morgantown, WV.
PRESIDIO OF MONTEREY, Calif.-- Exceptional Family Member Program families took to the skating rink at the Water City Hockey and Sports Center in Marina Nov. 16.
In addition to open skating, families participated in coordinated group activities, which included the hokey pokey and limbo.
The EFMP program offers free monthly-recreational events to families enrolled in the program.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Joseph Kumzak, Presidio of Monterey Public Affairs
Programmable thermostats are now a standard feature in Landmark’s homes. Thermostats are completely at the whim of the occupant, but a well-used programmable thermostat can save up to 30 per cent on heating bills. Photo David Dodge, Green Energy Futures www.greenenergyfutures.ca/episode/81-chasing-net-zero-go-...
I'm going for "The Matrix" feel... so expect more shots with the green hue
This shot reminds me of the battle between Neo& Agent Smith in Matrix Revolutions
It wasn't until just recently that I saw Tron Legacy and finally understood what the costumes these dancers wear in Electronica were supposed to be. Now that I know, I don't really care either way. I do like photographing them though.
Rásaí na Gaillimhe
Dé Domhnaigh 22.30
Eoin Ó Riada, Pwen Roas mar Noel Lacey agus Darine Ní Dhonnchadha mar Denise Reilly
Seo an dráma a thuill an líon is mó lucht féachana riamh do TG4. Seacht gclár atá ann, ina bhfuil an paisean agus an greann (agus beagán den ghruaim) ag féile mhór rásaíochta an tSamhraidh mar chúlra le snáthanna éagsúla an scéil. Cuirtear an dráma i láthair thar sheachtain iomlán fhéile na Gaillimhe agus tá ceann de na seacht bpeacaí marfacha mar théama breise (nó mar mhana) le gach eagrán Déardaoin is teideal don eagrán seo Lá na mBan ag na rásaí. Cuireann Aoife chuile shórt i mbaol nuair a fhéachann sí ar chomhaid chás le Liam Reilly. Tá an brú ag cur as do Noel agus deireann Denise leis go n-imeoidh sí uaidh mura gcuireann sé cuma air féin. Cuireann Creed ina luí ar Keane aithne a chur ar Chiara chun a fháil amach cén t-eolas atá aici maidir leis an timpiste.
The Soviet space program comprised the rocketry and space exploration programs conducted by the former Soviet Union (USSR) from the 1930s until its dissolution in 1991. Over its sixty-year history, this primarily classified military program was responsible for a number of pioneering accomplishments in space flight.
Zaini Abdullah dan Muzakir Manaf yang terpilih sebagai Gubernur dan Wakil Gubernur Aceh periode 2012-2017 pernah berjanji akan memberikan uang Rp 1.000.000,- perbulan kepada setiap kepala keluarga.
Dick Ockerbloom, Cummings Foundation; Anne Comber, Alray Scholars Program; and Neil Swidey, Alray Scholars Program
Warner Bros. released it's 1935 production of Shakespeare's A Midsummer Night's Dream" to much fanfare, with professional-looking theatrical programs given to attendees at the cinema.
This one dates to c. 1936 at the Warner Theatre in Morgantown, WV.
Brooklyn, New York: “When I first came as an audience member, from the minute that I walked into the theatre, I felt like I was a part of the ensemble, not only a member of the audience.” The Visalakshi Naranan Scholarship Fund
Danny and Dad conducting a little Agile sprint and doing some pair programming. "Python's cool dad!"
"Sure is son - watch what I do with this iterator!"
"This pair stuff is fine but I really think I need an OLPC, dad!"
"Sorry boy, Mommy spent all the money on her new MacBook!"
Had a Keithley 224 for repair. From the 80s, still very useful because very precise. Button No. 4 is missing, was replaced later.
As you can see, it is up and runnig again.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.
um "printscreen" do meu programa de catalogação de moedas
...a printscreen from my own coin's software catalogue