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2016 SCCA National Championship Runoffs by Garmin VIRB
Mid-Ohio Sports Car Course - Lexington, OH
SCCA Club Racing
* This is not a program but instead, just an event media guide, as there were no programs from the event.
Programa de celebración del 30 aniversario de la carrera de Químico Clínico Biólogo de la Universidad de Montemorelos, realizado el 15 de noviembre del 2013 en la Capilla de Teología. Fotografía: Aljafet Chablé.
Prihatin Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddinmelawat warga PPRT di Kampung Batu Uban
Program Masyarakat Madani di Perkampungan Batu Uban dirasmikan oleh Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddin dan ADUN Batu Uban, YB Raveentharan
Program Temu Duga Skim Latihan 1 Malaysia - TRACE
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Universiti Malaysia Sarawak
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I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their mainstage production of Puccini’s Tosca. The next slides in the album feature every spread in the 36-page program. the program was set up in Adobe InDesign and features elements from Photoshop and Illustrator. I worked hard to infuse the show's branding wherever possible.
Tosca was the most challenging of the seven productions to create artwork for because I had so much to work with. The artwork for Susannah leapt fully formed from my mind onto the computer canvas, while the artwork for Tosca had many rounds of revisions and went back to the drawing board on several occasions.
I worked on the artwork for the two mainstage shows first and in tandem because this branding would be carried through the entire season. The result of their marriage is dark and brooding artwork that combines the themes and iconography from the two seemingly unrelated operas. Lust, loss of innocence and faith – strong women are torn down by their corrupt and supposedly religious leaders in both shows.
Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, as opposed to the traditional year 1800 Napoleonic setting. This new World War II setting added yet another layer of meaning to an already emotionally complex show. Because I had plenty to work with, it was at first hard to narrow down what I wanted the focus of the artwork to be.
The artwork for Tosca relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. Besides the hand-lettered title lockup, the other fonts used for the show are Rhodes for subheadings and Gotham for all body copy.
The end result has the title of Tosca larger than life, hand-lettered in a way that is reminiscent of World War II propaganda posters. The “T” in Tosca is the dagger that is used to kill Scarpia, and it drips blood onto a cross designed to resemble the German Iron Cross. The dagger itself is modeled after one owned by Benito Mussolini. In this production Mussolini is represented in the ruthless Scarpia. I wanted to include the figures of Tosca and Scarpia in the artwork but ended up choosing to exclude them so as to keep the messaging clear and uncluttered.
Dr. Vânio Cardoso Lisboa - Tesoureiro do SIMESC e Diretor Jurídico da FENAM
Foto: Juliana Stadnik / Agência AL
02.08.2024 - Presidente da República, Luiz Inácio Lula da Silva, durante a cerimônia de assinatura da Medida Provisória que institui o Programa Mover, dos Projetos de Lei nº 858/2024, que autoriza o Poder Executivo a criar o Fundo de Investimento em Infraestrutura Social (FIIS), e nº 2308/2023, que institui o marco legal do hidrogênio de baixa emissão de carbono, e do Decreto que aprova o regulamento do Fundo de Desenvolvimento do Nordeste (FDNE), no Porto do Pecém. Caucaia - CE.
Foto: Ricardo Stuckert / PR