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Volunteer Summer MacCool Nicaragua Managua April May 2014 Children/Orphanage/Street Children program: Feeding poor neighborhood, and giving schools supplies donations. Thank you Summer for your work and donations.
www.abroaderview.org/volunteers/nicaragua
#volunteer #nicaragua #managua #abroaderview #children #programs
Throughout the training program visuals relating to the city—ranging from spectacular environments to souvenirs and high-energy activities—help create a rapport with those who will soon be representing Vancouver to prospective travelers.
View full case study here.
Thanks
I was thanked at the bottom of the Meigs County Chamber of Commerce Annual Meeting program. I ran sound for Eric.
October 27, 2018 at Ceramics Program, Office for the Arts at Harvard
It was an honor to have Wilma Tosa, from Jemez Pueblo, New Mexico join us for a half day workshop. Wilma demonstrated her vessel forming techniques as well as her distinctive burnishing and etching techniques. Wilma Tosa, accompanied by her husband Aaron, first visited our studio in 2016 to demonstrate her coiling, burnishing, and carving techniques for students in the Harvard College course “Fundamentals of Archaeological Methods and Reasoning” taught by Matt Liebmann, John and Ruth Hazel Associate Professor of the Social Sciences, and Rowan K. Flad, John E. Hudson Professor of Archaeology. Wilma and Aaron are in Boston once again to work with this course at the Ceramics Program and provided this demonstration for our greater Boston clay community.
Artist Bio:
Wilma Baca, (New Wheat), was born to John and Linda Baca in Jemez Pueblo in September 1967. She was inspired to make pottery by her grandmother, Marie Reyes Shendo. Marie taught Wilma the fundamentals of making pottery the traditional way using ancient methods passed down from their ancestors.
Wilma specializes in hand coiled, stone polished and traditionally decorated Jemez pottery. She makes redware bowls, jars, seed pots, vases and wedding vases. She has been etching her pottery using the free-hand sgraffito technique since 1989. Her favorite piece to make is the wedding vase because of its meaning: "The spouts represent two separate lives, the bridge across the middle unites these separate lives as one," she says.
Grabaciones del programa de televisión "Un camino a la música", producido por el Conservatorio de Música de la Universidad de Montemorelos, el 8 y 9 de marzo del 2015 en el Auditorio Universitario. Fotografía: Benjamín García.
Secretary Marcia L. Fudge and Deputy Secretary Adrianne Todman visit program offices during the welcome back event.
Auguste Renoir - French, 1841 - 1919
Young Woman Braiding Her Hair, 1876
West Building, Main Floor — Gallery 82
A young woman with peachy skin shaded with ice blue and pale, mint green is shown from the chest up wearing a low-cut, white garment in this vertical portrait painting. The painting is created with blended brushstrokes, giving it a soft, blurred effect. The woman’s body is angled to our left and she looks off in that direction with blue eyes, her head tipped a little toward us. She has a straight nose and full, rosy pink lips. Thick, blond bangs sweep across her forehead, and her hair is partially pulled back. She holds one long lock with her left hand, on our right, in front of her shoulder. One small gold ball earring adorns the ear we can see. Her low-cut, white garment falls off her shoulders and is belted with a blue sash at her waist. The background is made up of a field of royal and turquoise blue behind her head and shoulders, and rust brown behind her body. The artist signed and dated the work with dark paint in the lower left corner: “Renoir.76.”
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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My teens voiced to me that they disliked that Valentine's Day focuses on romantic love. I created a set of passive programs for Valentine's Day that promoted self love/self esteem, appreciation for others, and self care.
Size: 64" x 86"
From the program: I saw a quilt similar to this at the Snowshoe Quilters quilt show in 2003. This event was part of the town of Patten's Pioneer Days. I finally had time to make the pattern. I like the soft and scrappy look. Machine quilted.
Natalie: I love the appearance of 1930s reproduction fabrics. They're so cheery! I like this setting as well.
Volunteer Summer MacCool Nicaragua Managua April May 2014 Children/Orphanage/Street Children program: Feeding poor neighborhood, and giving schools supplies donations. Thank you Summer for your work and donations.
www.abroaderview.org/volunteers/nicaragua
#volunteer #nicaragua #managua #abroaderview #children #programs
Prefeitura lança Programa Maior Cuidado, que destina kit banheiro e acompanhamento domiciliar aos idosos
The third and fourth grade music program, "Disney...Through The Years," was held in the auditorium on Thursday, April 11, 2013.
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Photo by Todd Race
U.S.-Election-Program-USEP-GEO-Conference-DC,Conference-Event-Photography-DC-Marriott Marquis Washingtonphotographers-DC,eventphotojournalism