Canon AE-1 Program
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tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
2016-07-15 21.12.26
Check this photo's creation on my website...
www.brandonhilder.com/canadian-recycling-program/
Thanx for Viewin, Favin, and Commentin on my Stream!<
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
An Eastbound UP tank train passes by the Oak Park green line Subway station, in Oak Park outside Chicago. Leading is UP’s Employee Assistance Program unit, which caught me off guard completely until I saw the stickers on the side.
There is quite a difference in winter versus the warm months in observing the eating habits of pheasants. In the summer time unless you are out very early in the mornings or happen to catch them searching for bits of gravel to serve as grit to help their digestion, pheasants often are more hidden as they seek things to eat. They normally have a menu with more entries on it than they do during the winter.
The phrase “scratching out a living” goes all the way back to the 14th-15th centuries when in the older farming communities the farmers “scratched” the land using more primitive tools.
By the 18th-19th centuries, the use of the phrase gained uses beyond that of farming to include anyone who was barely making ends meet in their day to day struggle.
Jump ahead until today and the phrase applies to a broad spectrum of normally physically hard, low paying jobs or an unstable work life.
I grew up in an era when there were only a few government help agencies and can well remember my folks talking about people around them during the Depression and beyond who spent many years on community “poor farms”.
Poor farms were quite prevalent at one time in the US and folks who were unable to work due to age, disability or other factors were housed and fed in exchange for helping to produce food and maintain a farm. Local governments ran the farms as they were considered a cost-effective way to care for the needy rather than simply doling out monies to individuals.
It carried negative connotations for participants, particularly because they were labeled “inmates.”
Poor farms gradually petered out by the middle of last century with many in Minnesota closing in the 1930s due to government programs starting up such as Social Security in 1935 and the growing prevalence of nursing homes.
(Photographed near Cambridge, MN)
Program:Manual
Lens:18-105mm f/3.5-5.6 G VR
F:11.0
Speed:1/250
ISO:100
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:4.22 m
Dof:inf (1.09 m - inf)
HyperFocal:1.47 m
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Program:Manual
Lens:50mm f/1.4 G
F:8.0
Speed:1/60
ISO:640
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (5.56 m - inf)
HyperFocal:10.40 m
Program:Manual
Lens:50mm f/1.4 G
F:13.0
Speed:1/200
ISO:64
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (4.17 m - inf)
HyperFocal:6.40 m
Think of me as programmable soda
Too much cherry?
Baby then you can just add cola
Think of me as programmable soda
'Cause you can
Can be a cruel fella
So okay, then I just back off
The vanilla
Think of me as programmable soda
'cause I've come
I've come to accept that
For lovelies you are a fanatic
But I can't
I can't let that throw me
Into a genital panic
Think of me as programmable soda
Too much cherry?
Baby then you can just add cola
Think of me as programmable soda
When you think
And boy when you drink
When you think of me
~Tori Amos
(in case anyone's curious there are 7 skins and 6 hairstyles all mashed together)
Bronze Star Medal Recipient Staff Sgt. (P) James Slough, the Harrisburg Opportunity Center assistant station commander, talks about how motivation and preparation has helped him have a successful career in the U.S. Army Sept. 30 during the discussion panel at the Youth and Education Services Career Day at the Maple Grove Raceway in Mohnton, Pa. Slough was chosen as the Harrisburg Recruiting Battalion’s Hometown Hero as part of the U.S. Army participation in the 27th Annual Toyo Tires National Hot Rod Association Nationals at the Maple Grove Raceway. Other members of the discussion panel were NHRA Seven-Time World Champion Tony “Sarge” Schumacher and -Time Motorcycle Champion Steve Johnson. U.S. Army photo by Christine June.
The early 393 led me to the start path, chasing through Mechanic Falls, Oxford, Paris and Bryant Pond. Here at Mechanic Falls, you can already see the light starting to draw lower, so the challenge again this time of year is to get some great parting shots but luck was with me today as I had light all the way through Oxford. Seen at the 'Dish' Apartment in downtown Mechanic Falls with a bit of hustle.
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
NEW JERSEY 2017 BALD EAGLE PROJECT REPORT
ANOTHER PRODUCTIVE YEAR FOR NJ’S EAGLES
by Larissa Smith, CWF Wildlife Biologist
The Conserve Wildlife Foundation of NJ in partnership with the NJ Endangered and Nongame Species Program has released the 2017 NJ Bald Eagle Project Report. In 2017, 178 eagle nests were monitored during the nesting season. Of these nests 153 were active (with eggs) and 25 were territorial or housekeeping pairs. One hundred and ninety young were fledged.
In 2017 the number of active nests was three more than in 2016, but the number young fledged decreased by 27 from a record high of 216 fledged in 2016. The productivity rate this season of 1.25 young/active nest is still above the required range of 0.0 to 1.1 for population maintenance. Productivity could be lower this season for many reasons including weather, predation and disturbance to the nesting area. In 2017 nest monitors reported several instances of “intruder” eagles at nests which did disrupt the nesting attempts of several pairs. One of these “eagle dramas” unfolded at the Duke Farms eagle cam watched by millions of people. An intruder female attempted to replace the current female. This harassment interrupted the pairs bonding and copulation and no eggs were laid.
This year’s report includes a section on Resightings of banded eagles. Resightings of NJ (green) banded eagles have increased over the years, as well as eagles seen in NJ that were banded in other states. These resightings are important, as they help us to understand eagle movements during the years between fledging and settling into a territory, as well as adult birds at a nest site.
For more info: www.conservewildlifenj.org/blog/2017/12/06/new-jersey-201...
New Jersey Bald Eagle Project Report | 2017 may be downloaded here: www.state.nj.us/dep/fgw/ensp/pdf/eglrpt17.pdf
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]