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... to the wet, grey weather outside !

 

HBW !

 

A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany

tune: www.youtube.com/watch?v=mHaXDWqpHy8

 

The woman watching tv at the right is from deposit photos.

textures and color washes are mine.

Avatar: BeSpoke Designs - Monster Nemesis

 

Outfit: E.K. - JOEL Jumpsuit Orange

 

Pose: Lavarock Poses - Male Bento Pose Set 5

Canon AE-1 Program (1981)

Canon FD 28 mm F:2.8

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Los fariseos de los últimos días (Programa de variedades)

 

El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25:6). "Mis ovejas oyen mi voz […]" (Juan 10:27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.

 

Recomendación: He aquí yo estoy a la puerta y llamo

 

Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com

  

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:8.0

Speed:1/1000

ISO:280

Focal Length:280 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:133.35 m

Dof:130.54 m (94.71 - 225.25)

HyperFocal:326.16 m

 

Great Blue Heron hiding out in the lake, Wildwood Lake, Harrisburg, Pennsylvania

Shannon O'Shea Wildlife Photography

www.flickr.com/photos/shannonroseoshea

Program:Manual

Lens:24-70mm f/2.8 G VR

F:16.0

Speed:1.6

ISO:64

Focal Length:70 mm

AF Fine Tune Adj:+16

Focus Mode:AF-S

AF Area:Unknown (5)

Shooting Mode:Delay

VR:Off

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:13.34 m

Dof:inf (5.79 m - inf)

HyperFocal:10.19 m

 

Program:Manual

Lens:15mm f/2.4 G

F:11.0

Speed:0.3

ISO:400

Focal Length:15.0 mm (35 mm equivalent 15.0 mm)

Focus Mode:Manual

Shooting Mode:Single-Frame, [3], [9]

VR:Off

WB:Auto0

Picture Control:Neutral

Focus Distance:14.13 m

Dof:inf (0.65 m - inf)

HyperFocal:0.68 m

 

Program:Manual

Lens:24-70mm f/2.8 G VR

F:6.3

Speed:30

ISO:400

Focal Length:34.0 mm (35 mm equivalent 51.0 mm)

Focus Mode:Manual

Shooting Mode:Continuous, IR Control

VR:Off

EV:-1/3

Metering Mode:Multi-segment

WB:Auto1

Focus Distance:14.13 m

Dof:inf (5.56 m - inf)

HyperFocal:9.16 m

AF Fine Tune:+11

 

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:7.1

Speed:1/1250

ISO:450

Focal Length:280 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:Off

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:133.35 m

Dof:111.14 m (97.90 - 209.05)

HyperFocal:367.51 m

 

When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.

Chanee jee, September 2010

Education And More is a Christian, Fair Trade charitable organization providing assistance to artisans and their families through student sponsorship educational opportunities and Fair Trade.

 

The artisan weavings and handcrafts that are sold by Education And More are made by several artisan groups in the villages around Lake Atitlan, Guatemala.

 

Education And More is a proud member of the Fair Trade Federation!

 

Learn more at www.educationandmore.org

Program:Manual

Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED

F:8.0

Speed:1/200

ISO:160

Focal Length:18.0 mm (35 mm equivalent 27.0 mm)

Focus Mode:AF-A

AF Area:Dynamic Area

Shooting Mode:Single-Frame, [3]

VR:On

WB:Auto

Flash:Normal

Flash type:Optional,TTL

Focus Distance:5.62 m

Dof:inf (1.49 m - inf)

HyperFocal:2.02 m

 

Program:Manual

Lens:35mm f/1.8 G

F:2.2

Speed:1/500

ISO:250

Focal Length:35.0 mm (35 mm equivalent 52.0 mm)

AF Fine Tune Adj:+4

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO

VR:Off

EV:-1/3

Metering Mode:Multi-segment

WB:Auto1

Picture Control:Standard

Focus Distance:0.50 m

Dof:0.017 m (0.493 - 0.510)

HyperFocal:27.53 m

 

My new project for the BrickLink Designer Program that could become the next set with your support.

 

A boy’s dream becomes reality as he and his parents spend their holidays on the farm. Explore a model full of little stories and details of the farm life. The farm comes with a big farmhouse, a barn with a garden, a tree, a van, and many accessories such as a wheelbarrow and a kite.

 

_______

 

This is a digital rendering, but I built a 'proof of concept' to make sure it works with real bricks too.

Hunter recites his part during the Worland 4th Grade Veteran's Day program.

...

 

...

 

What's this about?

I dunno.

*...programs rustling...*

It says, 'Do you remember this?'

 

...

 

...

 

So this is the performance??

I don't get it!!

Since the program says 'Do you remember this?' maybe you have to be really, really old??

 

...

 

...

 

ARGH!

It's a mystery.

Maybe one day it will be revealed.

  

A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.

This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.

View the APF set

[1Jul70_35sE31]

Many years ago at the Saarbrücken library I started reading my kid a story from a book of Russian fairy tales. It was quite long (a story of twists and turns it was) so we left the pretty princess emprisonned in an impregnable copper tower to be delivered by her hardy hearted suitor on the next Saturday. Damnation... the book was gone. And the next week it was not back yet. It didn'tshow up the week afterwards either. Then we moved out of Saarbrücken, and to this day, wonder how the story went on. And this is why I insist on owning the books I read. The facade here reminded me of the copper tower, but that still doesn't tell me the end of the story.

 

Canon AE-1 Program and Canon FD 35-70mm 1:2.8-3.5 S.S.C., Agfa Precisa CT 100 slide film developed at DM and digitalized using the kit lens with extension rings.

 

Thank you everyone for your visits, faves and comments, they are always appreciated :)

158/365

This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.

 

And i guess the concept behind this photo is all explained in the title.

 

View Large Please!

 

I really appreciate any constructive feedback/ critiques :)

 

website|facebook|tumblr<---- Reblog On TUMBLR :)

Program:Manual

Lens:70-300mm f/4-5.6 G VR

F:10.0

Speed:1/800

ISO:72

Focal Length:200 mm

AF Fine Tune Adj:-1

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:Off

EV:-2

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:28.18 m

Dof:12.40 m (23.29 - 35.68)

HyperFocal:133.13 m

 

Canon AE1 Program | Kodak Color Plus 200

 

Lyon, France | August 2018

Excerpt from the Toronto Star of August 30, 2009:

 

As a teenager growing up south of the Junction, Joshua Barndt would wander around and spray graffiti on abandoned walls.

 

Last month, the 23-year-old returned to the neighbourhood with paint in hand – this time because the city wanted him there.

 

From July 7 to Aug. 5, Barndt and artist Jamie Bradbury, 27, led a team of five teenaged artists in painting a 122-metre mural along Dupont St. at Dundas St. W. underneath the new West Toronto Railpath for cyclists and pedestrians.

 

Art Starts, a non-profit organization that promotes local art, last week launched the mural, named after the Toronto Cyclists Union's motto: "Strength in Numbers."

 

"For me, it's coming back to old roaming ground and doing something that I'm allowed to do," Barndt said. "This is a neighbourhood ... (where) there's not a lot of access to contemporary artwork, so it's important to bring it down into the streets."

 

The $18,000 project was funded by the city's Graffiti Transportation Investment Program and the Toronto and Ontario Arts Councils.

 

As the viewer moves westward, the mural's colourful images present a narrative, first depicting the Junction's history, then themes about cycling in the city, followed by environmental issues, and ending at a utopia where nature coexists with city life.

 

"We've taken a corner that was undesirable," Bradbury said, "and within a matter of a month, it's completely changed the whole feeling of the area."

 

pentax super program

My granddaughter is in this choir. Can you spot her, lol?

Canada Travel - Halifax, NS To Montreal, QC

 

Camera: Canon AE-1 Program (1981)

Lens: FD 50mm f/1.8

Year: 2010

 

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The Canon AE-1 Program is a 35 mm single-lens reflex camera that uses Canon's FD mount lenses. It was introduced in 1981 as the successor to the Canon AE-1, five years after that camera's introduction. The major difference was the addition of the Program AE mode first seen in the A-1 (wiki)

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