Theater & Concert Tickets Programs & Playbills - Ephemera
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tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25：6). "Mis ovejas oyen mi voz […]" (Juan 10：27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/100
ISO:2800
Focal Length:24.0 mm (35 mm equivalent 24.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
WB:Auto0
Picture Control:Neutral
Focus Distance:1.19 m
Dof:0.42 m (1.02 - 1.43)
HyperFocal:6.85 m
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:1/80
ISO:64
Focal Length:15 mm
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:Off
WB:Auto1
Picture Control:Auto
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:5.6
Speed:1/640
ISO:280
Focal Length:300.0 mm (35 mm equivalent 300.0 mm)
Focus Mode:AF-C
AF Area:Single Area
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:0.73 m (13.77 - 14.50)
HyperFocal:534.89 m
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:7.1
Speed:1/1250
ISO:450
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:111.14 m (97.90 - 209.05)
HyperFocal:367.51 m
Education And More is a Christian, Fair Trade charitable organization providing assistance to artisans and their families through student sponsorship educational opportunities and Fair Trade.
The artisan weavings and handcrafts that are sold by Education And More are made by several artisan groups in the villages around Lake Atitlan, Guatemala.
Education And More is a proud member of the Fair Trade Federation!
Learn more at www.educationandmore.org
The early 393 led me to the start path, chasing through Mechanic Falls, Oxford, Paris and Bryant Pond. Here at Mechanic Falls, you can already see the light starting to draw lower, so the challenge again this time of year is to get some great parting shots but luck was with me today as I had light all the way through Oxford. Seen at the 'Dish' Apartment in downtown Mechanic Falls with a bit of hustle.
Program:Manual
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:8.0
Speed:1/200
ISO:160
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
Focus Mode:AF-A
AF Area:Dynamic Area
Shooting Mode:Single-Frame, [3]
VR:On
WB:Auto
Flash:Normal
Flash type:Optional,TTL
Focus Distance:5.62 m
Dof:inf (1.49 m - inf)
HyperFocal:2.02 m
Program:Manual
Lens:35mm f/1.8 G
F:2.2
Speed:1/500
ISO:250
Focal Length:35.0 mm (35 mm equivalent 52.0 mm)
AF Fine Tune Adj:+4
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:Off
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:0.50 m
Dof:0.017 m (0.493 - 0.510)
HyperFocal:27.53 m
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
"The Canon AE-1 Program builds upon the legacy of its predecessor, the Canon AE-1, which revolutionized the photography industry upon its release in 1976. The AE-1 was among the first SLR cameras to feature a microprocessor, making it more accessible to amateur photographers with its aperture-priority auto-exposure mode. With its user-friendly design and reliability, the AE-1 became one of the best-selling cameras of its time, solidifying Canon's reputation as a leader in the industry.
The AE-1 Program, introduced in 1981, further refined the original AE-1 model by adding program auto-exposure mode, hence the "Program" designation. This new feature allowed the camera to automatically select both aperture and shutter speed, providing even greater convenience for photographers while still offering manual control options.
Together, these cameras represent milestones in the evolution of SLR photography, combining technological innovation with user-friendly design to make high-quality photography accessible to enthusiasts of all levels."
Above written with help from ChatGPT.
Bought mine when 15ish year old, still work like a watch.
Program:Aperture-priority AE
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:11.0
Speed:1/250
ISO:200
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:On
Metering Mode:Multi-segment
WB:Sunny
Picture Control:Standard
Focus Distance:5.62 m
Dof:inf (1.79 m - inf)
HyperFocal:2.61 m
It hadn’t even been six hours since I had arrived back him from my trip and I already found myself glued next to one of the local mainlines.
My flight home from Chile on AA912 wasn’t terrible, somehow managing to catch some sleep in a fully packed Boeing 777-223ER, and a lengthy phone call with friends upon arriving back at Miami Int’l Airport at 05:00 would further wake me up that morning. Leaving the house to hunt some train movements seemed like the ideal plan. No room for sleep anymore; after all, the rest of the family was knocked out at that hour. I wasn’t trying to be nuisance at home.
While on the aforementioned phone call, I’d receive confirmation regarding FEC Train 101-27’s consist for the day: a complete “Champion”-painted power set with a solid train of solely intermodal traffic for Port Everglades and Hialeah. Definitely something worth photographing in this day and age of the Florida East Coast Railway. Making it out to Dania Beach around 10:00, a short waiting period would play out while waiting for 101-27 to arrive at Port Everglades and make their setout.
Bypassing the Hialeah-bound freight occupying the East Main by PEV Storage, BLF 723-27 takes on the curve—aptly named by some local buffs as ‘Dania Curve’—at Milepost 347 on its morning southbound revenue run from Orlando Int’l Airport to MiamiCentral, now five miles away from its Aventura station stop. A pair of second order SCB-40’s bracket a five-car BrightBlue train set, a shiny #BLF113 on the point of the train breezing past lush trackside shrubbery. With how regular these trains are along the mainline, they make for fantastic photo angle test subjects… you could say it was warmup. Safe to say this was one of the rare ‘keeper’ test shots from that morning.
•
Dania, FL
FEC Mainline
Date: 01/27/2025 | 10:45
ID: BLF 723-27
Type: Passenger [Intercity]
Direction: Southbound
Car Count: 5
1. BLF SCB-40 #113
2. BLF SCB-40 #120
•
© Vicente Alonso 2025
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/800
ISO:72
Focal Length:200 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:-2
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:12.40 m (23.29 - 35.68)
HyperFocal:133.13 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/250
ISO:5000
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-F
AF Area:Contrast-detect (normal area)
Shooting Mode:Continuous, Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:0.60 m
Dof:0.011 m (0.590 - 0.601)
HyperFocal:58.24 m
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/250
ISO:100
Focal Length:70.0 mm (35 mm equivalent 105.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Continuous
VR:On
WB:Auto1
Picture Control:Standard
Focus Distance:28.18 m
Dof:inf (13.11 m - inf)
HyperFocal:24.46 m
Program:Manual
Lens:35mm f/1.8 G
F:1.8
Speed:1/60
ISO:160
Focal Length:35.0 mm (35 mm equivalent 52.0 mm)
AF Fine Tune Adj:+4
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO
VR:Off
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:5.01 m
Dof:1.52 m (4.37 - 5.88)
HyperFocal:33.65 m
Learn about the San Diego Zoo's successful koala loan program: zoonooz.sandiegozoo.org/zoonooz/have-pouch-will-travel-2/
Gwynedd has to be my very county in the world. It has so much to offer for the lovers of the outdoors. The weather was no with us all day on this trip but I did like this photo approaching Stwlam dam coming across from the old slate mines.
Photo was taken on my Canon AE-1 Program using Kodak Portra 400. I have converted this in to B&W using an old version of Lightroom from the original scan.
This Saturday 10 volunteers organized a workshop to learn programming with the Scratch visual programming software and robotics with the Lego Wedo and Mindstorms kits to kids.
There have been a lot of other sessions for 3 years since we've started to promote this type of workshop.
Thanks to all these people and the organizations that provides knowledge, computers, resources kits and snacks (ADN Ouest, La ruche numérique, La cantine numérique, Devoxx4Kids, Coder Dojo, Coding Gouter, ...., as well as a large number of companies that are sponsors for these events)
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/250
ISO:125
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:5.96 m
Dof:1.22 m (5.41 - 6.63)
HyperFocal:58.24 m