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Natascha McElhone - Natascha Abigail Taylor (born 14 December 1971), known professionally as Natascha McElhone is an English actress and producer, who has worked extensively in film and television in both the United Kingdom and the United States. She is known to television audiences for her roles as Karen on the Showtime comedy-drama series Californication (2007–14), First Lady Alex Kirkman on Designated Survivor (2016–17), Penelope Knatchbull, Lady Romsey on The Crown (2022), and Dr. Catherine Halsey Halo (2022–24).
McElhone is also known for her roles in films like Surviving Picasso (1996), Ronin (1998), The Truman Show (also 1998), Kenneth Branagh's Love's Labour's Lost (2000), Solaris (2002), and Carmen (2021). She was also the voice of Marie Belmont in the video game Castlevania: Lords of Shadow (2010) and its sequel Castlevania: Lords of Shadow 2 (2014). She is a Satellite Award, Saturn Award, and an Irish Film & Television Award nominee.
Early life - She was born Natascha Abigail Taylor in Surrey, in 1969 to Noreen and Mike Taylor, who were both journalists. She took her mother's maiden name as her stage name. McElhone has a scriptwriter brother, Damon, who lives in Los Angeles, and two half-brothers, Alexander and Nicholas, who live in Stockholm. Her parents separated when she was two and her Irish mother moved the family to Brighton, and later married journalist and columnist Roy Greenslade.
McElhone, who took lessons in Irish dancing from ages 6–12, was educated at St. Mary's Hall School for Girls, an independent boarding school in Brighton, Sussex. She graduated from the London Academy of Music and Dramatic Art in 1993.
Natascha McElhone, is an English actress of stage, screen and television, best known for her roles in American films such as Ronin, The Truman Show and Solaris, and most recently for her role as Karen van der Beek on the Showtime series Californication. She also provides a voice for the Castlevania video-games.
LINK to video - Natascha McElhone interview at Mediterrane Film Festival, Malta - www.youtube.com/watch?v=BhLM7iiMCYY
LINK to video - Natascha McElhone Reflects on The Truman Show & Eddie Murphy - www.youtube.com/watch?v=CnQC5G71wpk
Grace Beverly Jones (b19 May 1948) is a Jamaican singer, songwriter, supermodel, record producer, and actress. Born in Jamaica, she moved when she was 13, along with her siblings, to live with her parents in Syracuse, New York. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
In 1977, Jones secured a record deal with Island Records, initially becoming a star of New York City's Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. Her most popular albums include Warm Leatherette (1980), Nightclubbing (1981), and Slave to the Rhythm (1985). She scored Top 40 entries on the UK Singles Chart with "Pull Up to the Bumper", "I've Seen That Face Before", "Private Life", and "Slave to the Rhythm". In 1982, she released the music video collection A One Man Show, directed by Goude.
Jones appeared in some low-budget films in the US during the 1970s and early 1980s. In 1984, she made her first mainstream appearance as Zula in the fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger and Sarah Douglas, and subsequently appeared in the 1985 James Bond movie A View to a Kill as May Day. In 1986, she played a vampire in Vamp, and acted in and contributed a song to the 1992 Eddie Murphy film Boomerang. She appeared alongside Tim Curry in the 2001 film Wolf Girl. For her work in Conan the Destroyer, A View to a Kill, and Vamp, she was nominated for Saturn Awards for Best Supporting Actress.
In 1999, Jones ranked 82nd on VH1's 100 Greatest Women of Rock and Roll, and in 2008, she was honored with a Q Idol Award. Jones influenced the cross-dressing movement of the 1980s and has been an inspiration for artists including Annie Lennox, Lady Gaga, Rihanna, Lorde, Róisín Murphy, Brazilian Girls, Nile Rodgers, Santigold, and Basement Jaxx. In December 2016, Billboard magazine ranked her as the 40th most successful dance artist of all time.[10]
1948–73: Early life, and modeling career
Grace Jones was born in 1948 (though most sources say 1952) in Spanish Town, Jamaica, the daughter of Marjorie (née Williams) and Robert W. Jones, who was a local politician and Apostolic clergyman The couple already had two children, and would go on to have four more.[19] Robert and Marjorie moved to the East Coast of the United States,[19] where Robert worked as an agricultural labourer until a spiritual experience during a failed suicide attempt inspired him to become a Pentecostal minister.[20] While they were in the US, they left their children with Marjorie's mother and her new husband, Peart.[21] Jones knew him as "Mas P" ('Master P') and later noted that she "absolutely hated him"; as a strict disciplinarian he regularly beat the children in his care, representing what Jones described as "serious abuse".[22] She was raised into the family's Pentecostal faith,[23] having to take part in prayer meetings and Bible readings every night.[24] She initially attended the Pentecostal All Saints School,[25] before being sent to a nearby public school.[26] As a child, shy Jones had only one schoolfriend and was teased by classmates for her "skinny frame", but she excelled at sports and found solace in the nature of Jamaica.[27]
"[My childhood] was all about the Bible and beatings. We were beaten for any little act of dissent, and hit harder the worse the disobedience. It formed me as a person, my choices, men I have been attracted to... It was a profoundly disciplined, militant upbringing, and so in my own way, I am very militant and disciplined. Even if that sometimes means being militantly naughty, and disciplined in the arts of subversion. ."
— Grace Jones, 2015.[28]
Marjorie and Robert eventually brought their children – including the 13 year old Grace – to live with them in the US, where they had settled in Lyncourt, Salina, New York, near Syracuse.[29][30] It was in the city that her father had established his own ministry, the Apostolic Church of Jesus Christ, in 1956.[31] Jones continued her schooling and after she graduated, enrolled at Onondaga Community College majoring in Spanish.[32][33] Jones began to rebel against her parents and their religion; she began wearing makeup, drinking alcohol, and visiting gay clubs with her brother.[34] At college, she also took a theatre class, with her drama teacher convincing her to join him on a summer stock tour in Philadelphia.[35][33] Arriving in the city, she decided to stay there, immersing herself in the Counterculture of the 1960s by living in hippie communes, earning money as a go-go dancer, and using LSD and other drugs.[36] She later praised the use of LSD as "a very important part of my emotional growth... The mental exercise was good for me".[37]
She moved back to New York at 18 and signed on as a model with Wilhelmina Modelling agency. She moved to Paris in 1970.[33][38] The Parisian fashion scene was receptive to Jones' unusual, androgynous, bold, dark-skinned appearance. Yves St. Laurent, Claude Montana, and Kenzo Takada hired her for runway modelling, and she appeared on the covers of Elle, Vogue, and Stern working with Helmut Newton, Guy Bourdin, and Hans Feurer.[39] Jones also modelled for Azzedine Alaia, and was frequently photographed promoting his line. While modelling in Paris, she shared an apartment with Jerry Hall and Jessica Lange. Hall and Jones frequented Le Sept, one of Paris's most popular gay clubs of the 1970s and '80s, and socialised with Giorgio Armani and Karl Lagerfeld.[40] In 1973, Jones appeared on the cover of a reissue of Billy Paul's 1970 album Ebony Woman.
1974–79: Transition to music, and early releases
Jones was signed by Island Records, who put her in the studio with disco record producer, Tom Moulton. Moulton worked at Sigma Sound Studios in Philadelphia, and Portfolio, was released in 1977. The album featured three songs from Broadway musicals, "Send in the Clowns" by Stephen Sondheim from A Little Night Music, "What I Did for Love" from A Chorus Line and "Tomorrow" from Annie. The second side of the album opens up with a seven-minute reinterpretation of Édith Piaf's "La Vie en rose" followed by three new recordings, two of which were co-written by Jones, "Sorry", and "That's the Trouble". The album finished with "I Need a Man", Jones' first club hit.[41] The artwork to the album was designed by Richard Bernstein, an artist for Interview.
In 1978, Jones and Moulton made Fame, an immediate follow-up to Portfolio, also recorded at Sigma Sound Studios. The album featured another reinterpretation of a French classic, "Autumn Leaves" by Jacques Prévert. The Canadian edition of the vinyl album included another French language track, "Comme un oiseau qui s'envole", which replaced "All on a Summers Night"; in most locations this song served as the B-side of the single "Do or Die". In the North American club scene, Fame was a hit album and the "Do or Die"/"Pride"/"Fame" side reached top 10 on both the US Hot Dance Club Play and Canadian Dance/Urban charts. The album was released on compact disc in the early 1990s, but soon went out of print. In 2011, it was released and remastered by Gold Legion, a record company that specialises in reissuing classic disco albums on CD.[42] Jones' live shows were highly sexualized and flamboyant, leading her to be called "Queen of the Gay Discos."[4]
Muse was the last of Jones' disco albums. The album features a re-recorded version "I'll Find My Way to You", which Jones released three years prior to Muse. Originally appearing in the 1976 Italian film, Colt 38 Special Squad in which Jones had a role as a club singer, Jones also recorded a song called "Again and Again" that was featured in the film. Both songs were produced by composer Stelvio Cipriani. Icelandic keyboardist Thor Baldursson arranged most of the album and also sang duet with Jones on the track "Suffer". Like the last two albums, the cover art is by Richard Bernstein. Like Fame, Muse was later released by Gold Legion.[43]
1980–85: Breakthrough, Nightclubbing, and acting
With anti-disco sentiment spreading, and with the aid of the Compass Point All Stars, Jones transitioned into new wave music with the 1980 release of Warm Leatherette. The album included covers of songs by The Normal ("Warm Leatherette"), The Pretenders ("Private Life"), Roxy Music ("Love Is the Drug"), Smokey Robinson ("The Hunter Gets Captured by the Game"), Tom Petty and the Heartbreakers ("Breakdown") and Jacques Higelin ("Pars"). Sly Dunbar revealed that the title track was also the first to be recorded with Jones.[44][45] Tom Petty wrote the lyrics to "Breakdown", and he also wrote the third verse of Jones' reinterpretation.[46] The album included one song co-written by Jones, "A Rolling Stone". Originally, "Pull Up to the Bumper" was to be included on the album, but its R&B sound did not fit with the rest of the material.[47] By 1981, she had begun collaborating with photographer and graphic designer Jean-Paul Goude, with whom she also had a relationship.[48]
The 1981 release of Nightclubbing included Jones' covers of songs by Flash and the Pan ("Walking in the Rain"), Bill Withers ("Use Me"), Iggy Pop/David Bowie ("Nightclubbing") and Ástor Piazzolla ("I've Seen That Face Before"). Three songs were co-written by Jones: "Feel Up", "Art Groupie" and "Pull Up to the Bumper". Sting wrote "Demolition Man"; he later recorded it with The Police on the album Ghost in the Machine. "I've Done It Again" was written by Marianne Faithfull. The strong rhythm featured on Nightclubbing was produced by Compass Point All Stars, including Sly and Robbie, Wally Badarou, Mikey Chung, Uziah "Sticky" Thompson and Barry Reynolds. The album entered in the Top 5 in four countries, and became Jones' highest-ranking record on the US Billboard mainstream albums and R&B charts.
Nightclubbing claimed the number 1 slot on NME's Album of the Year list.[49] Slant Magazine listed the album at No. 40 on its list of Best Albums of the 1980s.[50] Nightclubbing is now widely considered Jones' best studio album.[51] The album's cover art is a painting of Jones by Jean-Paul Goude. Jones is presented as a man wearing an Armani suit jacket, with a cigarette in her mouth and a flattop haircut. While promoting the album, Jones slapped chat-show host Russell Harty live on air after he had turned to interview other guests, making Jones feel she was being ignored.[52]
Having already recorded two reggae-oriented albums under the production of Compass Point All Stars, Jones went to Nassau, Bahamas in 1982 and recorded Living My Life; the album resulted in Jones' final contribution to the Compass Point trilogy, with only one cover, Melvin Van Peebles's "The Apple Stretching". The rest were original songs; "Nipple to the Bottle" was co-written with Sly Dunbar, and, apart from "My Jamaican Guy", the other tracks were collaborations with Barry Reynolds. Despite receiving a limited single release, the title track was left off the album. Further session outtakes included "Man Around the House" (Jones, Reynolds) and a cover of "Ring of Fire", written by June Carter Cash and Merle Kilgore and popularized by Johnny Cash, both of which were included on the 1998 compilation Private Life: The Compass Point Sessions. The album's cover art resulted from another Jones/Goude collaboration; the artwork has been described as being as famous as the music on the record. It features Jones' disembodied head cut out from a photograph and pasted onto a white background. Jones' head is sharpened, giving her head and face an angular shape.A piece of plaster is pasted over her left eyebrow, and her forehead is covered with drops of sweat.
Jones' three albums under the production of the Compass Point All Stars resulted in Jones' One Man Show, a performance art/pop theatre presentation devised by Goude and Jones in which she also performed tracks from the albums Portfolio ("La Vie en rose"), Warm Leatherette, ("Private Life", "Warm Leatherette"), Nightclubbing ("Walking in the Rain", "Feel Up", "Demolition Man", "Pull Up to the Bumper" and "I've Seen That Face Before (Libertango)") and from Living My Life, "My Jamaican Guy" and the album's title track. Jones dressed in elaborate costumes and masks (in the opening sequence as a gorilla) and alongside a series of Grace Jones lookalikes. A video version, filmed live in London and New York City and completed with some studio footage, was nominated for a Grammy Award for Best Long-Form Music Video the following year.
After the release of Living My Life, Jones took on the role of Zula the Amazonian in Conan the Destroyer (1984) and was nominated for a Saturn Award for Best Supporting Actress. In 1985, Jones starred as May Day, henchman to main antagonist Max Zorin in the 14th James Bond film A View to a Kill; Jones was also nominated for a Saturn Award for Best Supporting Actress. That same year, she was featured on the Arcadia song "Election Day". Jones was among the many stars to promote the Honda Scooter; other artists included Lou Reed, Adam Ant, and Miles Davis Jones also, with her boyfriend Dolph Lundgren posed nude for Playboy.
After Jones' success as a mainstream actress, she returned to the studio to work on Slave to the Rhythm, the last of her recordings for Island. Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn wrote the material, and it was produced by Horn and Lipson. It was a concept album that featured several interpretations of the title track. The project was originally intended for Frankie Goes to Hollywood as a follow-up to "Relax", but was given to Jones.All eight tracks on the album featured excerpts from a conversation with Jones, speaking about many aspects of her life. The interview was conducted by journalist Paul Morley. The album features voice-overs from actor Ian McShane reciting passages from Jean-Paul Goude's biography Jungle Fever. Slave to the Rhythm was successful in German-speaking countries and in the Netherlands, where it secured Top 10 placings. It reached number 12 on the UK Albums Chart in November 1985 and became the second-highest-ranking album released by Jones. Jones earned an MTV Video Music Award nomination for the title track's music video.
After her success with Slave to the Rhythm, Island released Island Life, Jones' first best-of compilation, which featured songs from most of her releases with Island (Portfolio, Fame, Warm Leatherette, Nightclubbing, Living My Life and Slave to the Rhythm). American writer and journalist Glenn O'Brien wrote the essay for the inlay booklet. The compilation charted in the UK, New Zealand and the United States.The artwork on the cover of the compilation was of another Jones/Goude collaboration; it featured Jones' celestial body in a montage of separate images, following Goude's ideas on creating credible illusions with his cut-and-paint technique. The body position is anatomically impossible.
The artwork, a piece called "Nigger Arabesque" was originally published in the New York magazine in 1978, and was used as a backdrop for the music video of Jones' hit single "La Vie en rose". The artwork has been described as "one of pop culture's most famous photographs". The image was also parodied in Nicki Minaj's 2011 music video for "Stupid Hoe", in which Minaj mimicked the pose.
1986–89: Slave to the Rhythm, Island Life, further films, Jones teamed up with music producer Nile Rodgers of Chic, whom Jones had previously tried to work with during the disco era.[67] The album was recorded at Skyline Studios in New York and post-produced at Atlantic Studios and Sterling Sound. Inside Story was the first album Jones produced, which resulted in heated disputes with Rodgers. Musically, the album was more accessible than her previous albums with the Compass Point All Stars, and explored different styles of pop music, with undertones of jazz, gospel, and Caribbean sounds. All songs on the album were written by Jones and Bruce Woolley. Richard Bernstein teamed up with Jones again to provide the album's artwork. Inside Story made the top 40 in several European countries. The album was Jones' last entry to date on US Billboard 200 albums chart. The same year, Jones starred as Katrina, an Egyptian queen vampire in the vampire film Vamp. For her work in the film, Jones was awarded a Saturn Award for Best Supporting Actress.
In 1987, Jones appeared in two films, Straight to Hell, and Mary Lambert's Siesta, for which Jones was nominated for Golden Raspberry Award for Worst Supporting Actress. Bulletproof Heart was released in 1989, produced by Chris Stanley, who co-wrote, and co-produced the majority of the songs, and was featured as a guest vocalist on "Don't Cry Freedom". Robert Clivillés and David Cole of C+C Music Factory produced some tracks on the album.
1990–2004: Boomerang, soundtracks, and collaborations
In 1990, Jones appeared as herself in the documentary, Superstar: The Life and Times of Andy Warhol. 1992 saw Jones starring as Helen Strangé, in the Eddie Murphy film Boomerang, for which she also contributed the song "7 Day Weekend" to its soundtrack. Jones released two more soundtrack songs in 1992; "Evilmainya", recorded for the film Freddie as F.R.O.7, and "Let Joy and Innocence Prevail" for the film Toys. In 1994, she was due to release an electro album titled Black Marilyn with artwork featuring the singer as Marilyn Monroe. "Sex Drive" was released as the first single in September 1993, but due to unknown reasons the record was eventually shelved. The track "Volunteer", recorded during the same sessions, leaked in 2009.[68]
In 1996, Jones released "Love Bites", an up-tempo electronic track to promote the Sci-Fi Channel's Vampire Week, which consisted of a series of vampire-themed films aired on the channel in early November 1996. The track features Jones singing from the perspective of a vampire. The track was released as a non-label promo-only single. To this day, it has not been made commercially available.[69] In June 1998, she was scheduled to release an album entitled Force of Nature, on which she worked with trip hop musician Tricky.[70] The release of Force of Nature was cancelled due to a disagreement between the two, and only a white label 12" single featuring two dance mixes of "Hurricane" was issued at the time;[71] a slowed-down version of this song became the title track of her comeback album released ten years later while another unreleased track from the album, "Clandestine Affair" (recycling the chorus from her unreleased 1993 track "Volunteer"), appeared on a bootleg 12" in 2004.[72] Jones recorded the track "Storm" in 1998 for the movie The Avengers, and in 1999, appeared in an episode of the Beastmaster television series as the Umpatra Warrior.
The same year, Jones recorded "The Perfect Crime", an up-tempo song for Danish TV written by the composer duo Floppy M. aka Jacob Duus and Kåre Jacobsen. Jones was also ranked 82nd place on VH1's "100 Greatest Women of Rock & Roll".[citation needed] In 2000, Jones collaborated with rapper Lil' Kim, appearing on the song "Revolution" from her album The Notorious K.I.M. In 2001, Jones starred in the made-for-television film, Wolf Girl (also known as Blood Moon), as an intersex circus performer named Christoph/Christine. In 2002, Jones joined Luciano Pavarotti on stage for his annual Pavarotti and Friends fundraiser concert to support the United Nations refugee agency's programs for Angolan refugees in Zambia. In November 2004, Jones sang "Slave to the Rhythm" at a tribute concert for record producer Trevor Horn at London's Wembley Arena
Vintage postcard, no. 12. Photo: Kalem.
George H. Melford (1877-1961) was an American stage and film actor, director, producer, and screenwriter. Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.
George H. Melford was born George Henry Knauff in Rochester, New York, in 1877 (though older sources state 1888). He was the son of German immigrant Henrietta Knauff. Melford had four sisters. Melford graduated from McGill University in Montreal, Quebec, Canada. He was an accomplished stage actor working in Cincinnati, Ohio, before joining the Kalem Company in New York City in 1909. Hired by director Sidney Olcott for character actor roles, in the fall of 1910 he was sent to work with a film crew on the West Coast. In 1911, with Robert Vignola, he co-directed Ruth Roland in his first short film, Arizona Bill based on a script he had written. From there, Melford went on to direct another 30 films for Kalem until 1915. Then he was hired by Jesse L. Lasky to direct feature-length films for Lasky's Feature Play Company. That same year, Melford became one of the founding members of the Motion Picture Directors Association. In 1916 Melford directed To Have and to Hold, a film based on the Mary Johnston novel that had been the bestselling novel in the United States for 1900. Another hit was The Sea Wolf (George Melford, 1920) based upon the 1904 novel by Jack London. The film starred Noah Beery as the brutal sea captain Wolf Larsen, sometimes referred to as "The Sea Wolf."
In 1921 George Melford directed what is probably his most famous silent film—The Sheik (George Melford, 1921), starring Rudolph Valentino as Sheik Ahmed Ben Hassan and Agnes Ayres. The film was a box-office hit and made Valentino an international star and one of the first male sex symbols of the screen. Melford directed Valentino again in the silent adventure drama Moran of the Lady Letty (George Melford, 1922) also with Dorothy Dalton. Melford remained with Lasky's company for ten years, then joined Universal Pictures, where he directed in 1929 his first talkie, The Woman I Love (George Melford, 1929). The following year, he co-directed four Spanish-language films including the acclaimed Spanish version of Dracula (George Melford, 1931), starring Carlos Villarías. Melford filmed it simultaneously with the English version on the same sets at night using a different cast and crew. Somewhat of controversy has arisen about this film. Some sources say that Melford was assigned the job because he could speak Spanish, but other sources claim that Melford could not speak a word of Spanish and had to use a translator to communicate with the actors. The issue was cleared up when actress Lupita Tovar—who was the leading lady in the film—said in an interview on the 75th anniversary DVD of the film that Melford, in fact, did not speak Spanish and had to use a translator.
George Melford's last major work as a director came in 1937 when he co-directed the 15-episode, five-hour-long adventure film Jungle Menace (Harry L. Fraser, George Melford, 1927), Columbia Pictures' first serial, starring Frank Buck and Reginald Denny. At age 60, the workaholic Melford needed to slow down and decided to give up the stressful job of directing to take on simple character actor roles. In 1946 material from this serial was re-edited into the 70-minute feature film adaptation called Jungle Terror. Melford loved the film business, and although financially independent, he never stopped working. Having directed more than 140 films, he continued to work in small character roles. In the 1940s he was part of Preston Sturges' unofficial 'stock company' of character actors, appearing in six films, including the classic screwball comedy The Miracle of Morgan's Creek (1943), written and directed by Sturges. He also made a notable appearance in the epic The Ten Commandments (Cecil B. DeMille, 1956), starring Charlton Heston and Yul Brynner. At the age of 84, he appeared in his last film, the British thriller Bluebeard's Ten Honeymoons (W. Lee Wilder, 1960) starring George Sanders. George Melford died in Hollywood in 1961, of heart failure. He is interred in Valhalla Memorial Park Cemetery in North Hollywood, Los Angeles, California. Melford was married to Louise Leroy from 1904 to 1924. He also was married to actress Diana Miller.
Sources: Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
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Vintage Italian postcard. Ed. A. Traldi, Milano, No. 13. Photo by Fontana.
Lucio D'Ambra, pseudonym of Renato Eduardo Manganella (Rome, 1 September 1880 - Rome, 31 December 1939), was an Italian writer, director and film producer. According to some sources, his full name was Renato Tommaso Anacleto Manganella, while the date of birth is uncertain. D'Ambra was also a journalist, literary and theatre critic, playwright and artistic director of theatre companies (Ettore Petrolini reduced his play Ambasciatori to one of his shows) as well as a screenwriter for the cinema. An academic of Italy and author of novels (among others, I due modi di avere vent'anni, published by Arnoldo Mondadori in 1934), he had the writer and poet Tullio Colsalvatico as his secretary and was in contact with the philosopher and critic Adriano Tilgher, with whom he polemised at length. D'Ambra was also the animator of a literary salon that allowed him to come into contact with literary figures and personalities from the world of art (he was friends with the writer Arturo Olivieri Sangiacomo, the playwright Tito Marrone and the founder of the Bagutta Prize Marino Parenti, among others). In 1923, he founded the company called Teatro degli Italiani at the Teatro Eliseo in Rome, together with Mario Fumagalli and Santi Severino (which had little luck, however), whose aim was to promote Italian dramaturgy.
While occasionally already writing the script for the 1913 film Il bacio di Cirano by Carmine Gallone and starring Soava Gallone, in 1916 D'Ambra steadily started his film career as screenwriter for the company Medusa Film, first for the delicious Lubitsch-like comedy La signorina Ciclone (Augusto Genina, 1916) with Suzanne Armelle as a dynamic New Yorkese heiress who keeps all of her seven admirers on a leash like dogs but in the end prefers a European who possesses all seven sins the admirers represent individually. D'Ambra also wrote scripts for star vehicles, such as Effetti di luce (Ugo Falena, 1916) with Stacia Napierkowska and La chiamavano 'Cosetta' (Eugenio Perego, 1917) with Soava Gallone, La storia dei tredici (Carmine Gallone, 1917) and Carnevalesca (Amleto Palermi, 1918) both with Lyda Borelli, and so on. D'Ambra also scripted for Medusa Il re, le torri, gli alfieri (Ivo Illuminati, 1920), a now lost film which seems to have had affinities with Italian Futurism. It was based on D'Ambra's own novel. The story was a kind of dramatisation of a chess game, where the characters were dressed as the various pieces and moved around on a chessboard floor. For the company Do-Re-Mi D'Ambra directed in 1918-19 a series of films starring Mary Corwyn/ Maria Corvin: Napoleoncina (1918), Ballerine (1918), La commedia dal mio palco (1918), Passa il dramma a Lilliput (1919), and La valse bleue (1919), in which the actress often was paired with Romano Calò.
In 1919, in collaboration with the Piedmontese entrepreneur Alfredo Fasola, Lucio D'Ambra founded his own production company, D'Ambra-Film, with which directors Carmine Gallone, Augusto Genina and others collaborated, e.g. for Nemesis (Carmine Gallone, 1920) and La peccatrice senza peccato (Augusto Genina, 1922), both starring Soava Gallone. Yet, many films were directed by D'Ambra himself, such as Il girotondo degli undici lancieri (1919) with Mary Corwyn and Romano Calò, and the witty short comedy L'illustre attrice Cicala Formica (1920), with Lia Formia as a wannabe actress who to the frustration of her family pursues with all means to become a diva, but utterly fails. The film clearly mocked the Italian diva and epic films, amateurism in the film world, but also the Italian family. Yet, D'Ambra also directed serious drama, such as the Ugo Foscolo adaptation Le ultime lettere di Jacopo Ortis (1921), on a man's despair about his inability to obtain the woman of his dreams. Until 1922 D'Ambra continued to direct and script various films at his company, often with Lia Formia in the lead, the last one being Tragedia su tre carte (1922). Together with the collapse of the Italian film industry, D'Ambra's film adventures collapsed. From the late 1930s he returned but only as screenwriter, and only for a small amount of films.
On D'Ambra's film career, Italian scholar Gianni Rondolino wrote in the Enciclopedia Treccani: "A largely independent author and director, he was able to deal with themes and topics, situations and characters from the high society, but also from everyday life, with great fluency, in a style that took into account the linguistic peculiarities of cinema, skillfully using close-ups and camera movements, scenic effects and daring narrative solutions. His films, considered forerunners of those of Ernst Lubitsch for the lightness of touch and the environments described, constitute a not inconsiderable chapter in the history of Italian silent films, for their formal innovation, after the more conventional splendour of the previous years, among historical reconstructions, novels of appendices, melodramas and farces."
Sources: Italian Wikipedia, IMDb, Enciclopedia Treccani.
Scale: 1:25
Producer: PNSO
Released: 2016
Time: Middle Jurassic Eurasia
Commentary: dinotoyblog.com/forum/index.php?topic=3390.msg159943#msg1...
North Sea Producer..... docked next to the Riverside Stadium - Middlesbrough - Uk.
Built in 1983/4, the product tanker Dagmar Maersk worked in the MacCulloch oil field, 250km north-east of Aberdeen, for ConocoPhillips.
It was then converted on the Tees from 1996-97, in the same dock it’s in now, into an FPSO (floating production storage and offloading) vessel, eventually sailing off back, renamed North Sea Producer, into the North Sea.
It could operate at a water depth of 92 metres, is 236m long and had a daily production capacity of 76,000 barrels of oil, plus a storage capacity of 560,000 barrels.
Actor & Model John Quinlan as US Army Captain Nixon - 'A Sense of Purpose' 2016 Philadelphia Film by Producer & Director Jillian Bullock.
Photo by Sandra Kimball
www.johnjosephquinlan.com/actor-model-john-quinlan-as-us-...
#JohnQuinlan
Barry Callebaut invited two brave female managers from Côte d'Ivoire to visit its factory in Wieze/Belgium and talked about their challenges on the ground: “Barry Callebaut fully supports women empowerment activities, and wants to give role models like Marie Zae Zea and N’Goran née Brou Oussu a forum to share their knowledge and expertise. People like them inspire us and are key to making the cocoa supply chain more sustainable,” says Erika De Vos, HR Director of Barry Callebaut Belgium.
NASA TV producer of “The Color of Space” Jori Kates gives remarks prior to the screening of the documentary at Howard University’s Cramton Auditorium in Washington, Saturday, June 18, 2022. Premiering on Juneteenth, the federal holiday commemorating the end of slavery in the United States, “The Color of Space” is an inspirational documentary that tells the stories of NASA’s Black astronauts determined to reach the stars. Photo Credit: (NASA/Bill Ingalls)
Running April 18 - May 13, 2018
Featuring:
Max Bialystock: Matthew McGee*
Leo Bloom: James Larosa*
Ulla: Gretchen Beiber*
Roger Debris: Scott Daniel*
Carmen Ghia: Alex Ringler*
Franz Liebkind: Jim Sorensen*
Ensemble - Hold Me Touch Me: Lauren Buglioli
Ensemble – Usherette: April Berry*
Ensemble – Usherette: Courtney McLaren
Ensemble – Showgirl: Kellyanna Polk
Ensemble – Showgirl: Emily Bainbridge
Ensemble – Showgirl: Alyssa Elrod
Ensemble – Showgirl: Alicia Thomas
Ensemble – Marx/Green: Tyler Fish*
Ensemble – Scott: Charles Logan*
Ensemble – Kevin: Emanuel Carrero
Ensemble – Bryan: Tyler Pirrung
Ensemble – Sabu: Tato Castillo
Ensemble – Black Irish: Dequan Mitchell
Ensemble – Lead Tenor: Trenton Bainbridge
CREATIVE
Rye Mullis (Director)
Shain Stroff (Choreographer) Jeremy D. Silverman (Music Director) Jerid Fox (Scenic Design / Properties Master)
Mike Wood (Lighting Design)
Jill Castle (Costume Coordinator)
Scott Daniel (Wig and Make-up Design)
Steve Kraack (Sound Design)
Allison Davis (Scenic Painter)
Rachel Harrison* (Stage Manager)
Susan Haldeman* (Assistant Stage Manager)
*Members of Actors' Equity Association
Photo by Mike Wood
I attented the Scott Kelby Worldwide Photowalk yesterday. I was fortunate enough to be able to take this portrait of one of my fellow "photo walkers".
In spite of my best efforts, I'm afraid I've forgotten most of the names I heard. Please accept my sincere aplology for not remembering your names. So if you don't mind, tag yourself in this portrait please :)
And thanks again for letting me take your photograph!
The most important men (including his children, who are now grown up, but I decided to post some pictures of them with daddy) in his life. John and Phil Spector. Phil was John's producer in his solo years. He produced, among others, the highly acclaimed 'Imagine' album.
A variety of fruits and vegetables are included in a typical Community Supported Agriculture (CSA) produce box from Huerta del Valle (HdV), this one prepared by Co-Founder and Executive Director Maria Alonso at the 4-Acre organic Community Supported Garden and Farm in the middle of a low-income urban community, where U.S. Department of Agriculture (USDA) Natural Resources Conservation Service (NRCS) Redlands District Conservationist Tomas Aguilar-Campos works closely with her as she continues to improve the farm operation in Ontario, California, on Nov. 13, 2018.
USDA NRCS has helped with hoop houses to extend the growing season, low-emission tractor replacement to efficiently move bulk materials and a needed micro-irrigation system for this San Bernardino County location that is in a severe drought condition (drought.gov). Huerta del Valle is also a recipient of a 4-year USDA National Institute of Food and Agriculture (NIFA) Community Food Projects (CFP) grant and a USDA funded California Department of Food and Agriculture (CDFA) Agricultural Marketing Service (AMS) Specialty Crop Block Grant Program (SCBGP). She and her staff grow nearly 150 crops, including papayas and cactus. CSA customers pick up their produce on site, where they can see where their food grows. To pay, they can use the Supplemental Nutrition Assistance Program (SNAP) Electronic Benefits Transfer (EBT) cards. The price of a produce box is based on the customerâs income.
Alonsoâs inspiration came from her desire to provide affordable organic food for her child. This lead to collaborators that included students and staff from Pitzer College's âPitzer in Ontario Programâ and the Claremont Colleges, who implemented a project plan and started a community garden at a public school. Shortly after that, the City of Ontario was granted $1M from the Kaiser Permanente Healthy Eating Active Living (HEAL) Zone initiative. Huerta del Valle was granted $68,000 from that grant for a three-year project to increase the scale of operation. The city of Ontario supported the project above and beyond the grant by providing a vacant piece of land next to a residential park and community center. Alonso says that this spot, nestled near an international airport, two major interstate highways, suburban homes, and warehouses, is a âgreen space to breathe freely.â
She far exceeded Kaiser's expectations by creating 60 10â X 20â plots that are in full use by the nearby residents. Because of the demand, there is a constant waiting list for plots that become available.
As the organization grew, it learned about the NRCS through an advertisement for the high-tunnel season extension cost-sharing program. The ad put them in touch with the former district manager Kim Lary who helped Huerta del Valle become federal grant ready with their Data Universal Numbering System (DUNS) and System for Award Management (SAM) registrations and connected the young organization to NRCS as well as the Inland Empire Resource Conservation District (IERCD.) Since then, Alonso has worked closely with them sharing her knowledge with a broader community including local colleges such as the Claremont Colleges and California State Polytechnic University, Pomona (Cal Poly Pomona).
Cal Poly Pomona is an example where education institutions help the community. Cal Poly Pomona Plant Science Nursery Manager Monica Salembier has produced plant seedlings (plant trays) for transplant at HdV for many years. Aaron Fox and Eileen Cullen in the Plant Science department have hosted HdV in their classes and brought many groups on tours of the farm to learn about sustainable urban growing practices.
The shaded picnic tables in the center of the garden have been the site of three USDA NRCS workshops for regional farmers, students, and visitors. The site also serves as a showcase for students and other producers who may need help with obtaining low-emission tractors, micro-irrigation, and high tunnel âhoop houses.â
Alonso says, âevery day is a good day, but especially at the monthly community meetings where I learn from my community.â
For more information, please see www.usda.gov and www.nal.usda.gov/afsic/community-supported-agriculture
Farm Production and Conservation (FPAC) is the Departmentâs focal point for the nationâs farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.
The agencies and service supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).
Natural Resources Conservation Service has a proud history of supporting Americaâs farmers, ranchers, and forest landowners. For more than 80 years, we have helped people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.
As the USDAâs primary private lands conservation agency, we generate, manage, and share the data, technology, and standards that enable partners and policymakers to make decisions informed by objective, reliable science.
And through one-on-one, personalized advice, we work voluntarily with producers and communities to find the best solutions to meet their unique conservation and business goals. By doing so, we help ensure the health of our natural resources and the long-term sustainability of American agriculture.
For more information, please see www.usda.gov.
USDA Photo by Lance Cheung.
Portrait shot in the freezing cold Chicago December. Location was the northwest corner of the loop.
Website: www.dannyjive.com
Facebook: on.fb.me/f2tj4J
Portrait
Theo at work
Amazigh festival's photos
Many thank to Theo for is permission
to publish in this site .
Lazos mediterraneos
Retrato de Theo
Documentalista
Australiano -Griego
que brinda apoyo ,con su saber y tiempo ,
a los eventos culturales representativos
de la diversidad .
Theodore Fatseas – Writer/Director/Producer
Theo's focus as a documentary filmmaker is to make films that give an in-depth view into people's lives, painting a picture that helps us to understand a little more about who we are, where we've been and where we are going. He established Transition Films in 2006 with "Touching Palestine" as his film debut (currently in post production). He also recently completed a short film, "The Secret Bar" and has started production on a half hour documentary called "60 years and a day in Gaza".
Theo is passionate about building honest and genuine relationships which reflect the honesty and truth in his work. Forever keen to go the extra mile he is dedicated to capturing images that help to tell a compelling story.
www.transitionfilms.com.au/index.html
Looking for for posibilities of signifier of the word TRANSITION
I coming whii this ...and found taht have a surrealist touch for any one that is not n astrofisic :
Transition to the normal state of superconducting Y1Ba2Cu3O7- δ thin films induced by high current densities
Currás, S. R.; Wagner, P.; Ruibal, M.; Viña, J.; Osorio, M. R.; González, M. T.; Veira, J. A.; Maza, J.; Vidal, F.
Superconductor Science and Technology, Volume 14, Issue 9, pp. 748-753 (2001).
We report measurements at zero applied magnetic field of the characteristic curves (E-J) in Y1Ba2Cu3O7-δ thin films in the high current density regime, up to current densities which induce the transition to the normal state. To minimize spurious heating effects due to Joule dissipation, the E-J curves were measured with a pulse technique and with the samples submerged in a liquid nitrogen bath, changing the temperature by varying the nitrogen vapour pressure. This experimental set-up allows us to observe not only the abrupt voltage jump appearing at current densities J* much larger (typically one order of magnitude) than the critical current density, Jc, but also the entire transition up to the normal state. Our results show that the product J*ρn is roughly sample independent, ρn being the slope of the E-J curves for J>J*. This finding is in qualitative agreement with the existing models that explain the jump at J* in terms of a vortex instability at high flux-flow velocities.
Cheers ff mendoza
Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977), often referred to mononymously as Elvis, was an American singer and actor. Dubbed the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy.
Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley's classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage him for more than two decades. Presley's first RCA Victor single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the United States. Within a year, RCA would sell ten million Presley singles. With a series of successful network television appearances and chart-topping records, Presley became the leading figure of the newly popular sound of rock and roll; though his performative style and promotion of the then-marginalized sound of African Americans[6] led to him being widely considered a threat to the moral well-being of the White American youth.
In November 1956, Presley made his film debut in Love Me Tender. Drafted into military service in 1958, Presley relaunched his recording career two years later with some of his most commercially successful work. He held few concerts, however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. Some of his most famous films included Jailhouse Rock (1957), Blue Hawaii (1961), and Viva Las Vegas (1964). In 1968, following a seven-year break from live performances, he returned to the stage in the acclaimed television comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, Aloha from Hawaii. Years of prescription drug abuse and unhealthy eating habits severely compromised his health, and he died suddenly in 1977 at his Graceland estate at the age of 42.
Having sold over 400 million records worldwide, Presley is recognized as the best-selling solo music artist of all time by Guinness World Records. He was commercially successful in many genres, including pop, country, rhythm & blues, adult contemporary, and gospel. Presley won three Grammy Awards, received the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame. He holds several records, including the most RIAA-certified gold and platinum albums, the most albums charted on the Billboard 200, the most number-one albums by a solo artist on the UK Albums Chart, and the most number-one singles by any act on the UK Singles Chart. In 2018, Presley was posthumously awarded the Presidential Medal of Freedom.
Elvis Aaron Presley was born on January 8, 1935, in Tupelo, Mississippi, to Vernon Elvis (April 10, 1916 – June 26, 1979) and Gladys Love (née Smith; April 25, 1912 – August 14, 1958) Presley in a two-room shotgun house that his father built for the occasion. Elvis's identical twin brother, Jesse Garon Presley, was delivered 35 minutes before him, stillborn. Presley became close to both parents and formed an especially close bond with his mother. The family attended an Assembly of God church, where he found his initial musical inspiration.
A photo of Elvis's parents at the Historic Blue Moon Museum in Verona, Mississippi
Presley's father Vernon was of German, Scottish and English origins. He was a descendant of the Harrison family of Virginia through his ancestor Tunis Hood. Presley's mother Gladys was Scots-Irish with some French Norman ancestry. His mother and the rest of the family believed that her great-great-grandmother, Morning Dove White, was Cherokee. This belief was restated by Elvis's granddaughter Riley Keough in 2017. Elaine Dundy, in her biography, supports the belief.
Vernon moved from one odd job to the next, showing little ambition. The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of altering a check written by his landowner and sometime-employer. He was jailed for eight months, while Gladys and Elvis moved in with relatives.
In September 1941, Presley entered first grade at East Tupelo Consolidated, where his teachers regarded him as "average". He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of Red Foley's country song "Old Shep" during morning prayers. The contest, held at the Mississippi–Alabama Fair and Dairy Show on October 3, 1945, was his first public performance. The ten-year-old Presley stood on a chair to reach the microphone and sang "Old Shep". He recalled placing fifth. A few months later, Presley received his first guitar for his birthday; he had hoped for something else—by different accounts, either a bicycle or a rifle. Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it."
In September 1946, Presley entered a new school, Milam, for sixth grade; he was regarded as a loner. The following year, he began bringing his guitar to school on a daily basis. He played and sang during lunchtime and was often teased as a "trashy" kid who played hillbilly music. By then, the family was living in a largely black neighborhood. Presley was a devotee of Mississippi Slim's show on the Tupelo radio station WELO. He was described as "crazy about music" by Slim's younger brother, who was one of Presley's classmates and often took him into the station. Slim supplemented Presley's guitar instruction by demonstrating chord techniques. When his protégé was 12 years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.
In November 1948, the family moved to Memphis, Tennessee. After residing for nearly a year in rooming houses, they were granted a two-bedroom apartment in the public housing complex known as the Lauderdale Courts. Enrolled at L. C. Humes High School, Presley received only a C in music in eighth grade. When his music teacher told him that he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, "Keep Them Cold Icy Fingers Off Me", to prove otherwise. A classmate later recalled that the teacher "agreed that Elvis was right when he said that she didn't appreciate his kind of singing". He was usually too shy to perform openly and was occasionally bullied by classmates who viewed him as a "mama's boy".
In 1950, he began practicing guitar regularly under the tutelage of Lee Denson, a neighbor two and a half years his senior. They and three other boys—including two future rockabilly pioneers, brothers Dorsey and Johnny Burnette—formed a loose musical collective that played frequently around the Courts. That September, he began working as an usher at Loew's State Theater. Other jobs followed at Precision Tool, Loew's again, and MARL Metal Products. Presley also helped Jewish neighbors, the Fruchters, by being their shabbos goy.
During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew his sideburns and styled his hair with rose oil and Vaseline. In his free time, he would head down to Beale Street, the heart of Memphis's thriving blues scene, and gaze longingly at the wild, flashy clothes in the windows of Lansky Brothers. By his senior year, he was wearing those clothes. Overcoming his reticence about performing outside the Lauderdale Courts, he competed in Humes' Annual "Minstrel" show in April 1953. Singing and playing guitar, he opened with "Till I Waltz Again with You", a recent hit for Teresa Brewer. Presley recalled that the performance did much for his reputation: "I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became in school after that."
Presley, who received no formal music training and could not read music, studied and played by ear. He also frequented record stores that provided jukeboxes and listening booths to customers. He knew all of Hank Snow's songs, and he loved records by other country singers such as Roy Acuff, Ernest Tubb, Ted Daffan, Jimmie Rodgers, Jimmie Davis, and Bob Wills. The Southern gospel singer Jake Hess, one of his favorite performers, was a significant influence on his ballad-singing style. He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African-American spiritual music. He adored the music of black gospel singer Sister Rosetta Tharpe.
Like some of his peers, he may have attended blues venues—of necessity, in the segregated South—only on nights designated for exclusively white audiences. He certainly listened to the regional radio stations, such as WDIA-AM, that played "race records": spirituals, blues, and the modern, backbeat-heavy sound of rhythm and blues. Many of his future recordings were inspired by local African-American musicians such as Arthur Crudup and Rufus Thomas. B.B. King recalled that he had known Presley before he was popular when they both used to frequent Beale Street. By the time he graduated from high school in June 1953, Presley had already singled out music as his future.
Graceland is a mansion on a 13.8-acre (5.6-hectare) estate in Memphis, Tennessee, United States, which was once owned by the rock and roll singer Elvis Presley. His daughter, Lisa Marie Presley, inherited Graceland after his death in 1977. Following Lisa Marie Presley's death in 2023, the mansion is to be inherited by her daughters. In addition to being the final resting place of Elvis Presley himself, the property contains the graves of his parents, paternal grandmother and grandson, and contains a memorial to Presley's stillborn twin brother. In addition, Lisa Marie Presley will be buried there.
Graceland is located at 3764 Elvis Presley Boulevard in the Whitehaven neighborhood, about nine miles (14 kilometers) south of central Memphis and fewer than four miles (6.4 km) north of the Mississippi border.[5] It was opened to the public as a house museum on June 7, 1982. The site was listed in the National Register of Historic Places on November 7, 1991, becoming the first site recognized for significance related to rock music. Graceland was declared a National Historic Landmark on March 27, 2006, also a first for such a site. Graceland attracts more than 650,000 visitors annually.
Graceland Farms was originally owned by Stephen C. Toof, founder of S.C. Toof & Co., the oldest commercial printing firm in Memphis. He worked previously as the pressroom foreman of the Memphis newspaper, the Memphis Daily Appeal. The "grounds" (before the mansion was built in 1939) were named after Toof's daughter, Grace. She inherited the farm/property from her father in 1894. After her death, the property was passed to her niece Ruth Moore, a Memphis socialite. Together with her husband, Thomas Moore, Ruth Moore commissioned construction of a 10,266-square-foot (953.7 m2) Colonial Revival style mansion in 1939. The house was designed by architects Furbringer and Ehrman.
After Elvis Presley began his musical career, he purchased a $40,000 home for himself and his family at 1034 Audubon Drive in Memphis. As his success and fame grew, especially after his appearances on television, the number of fans who would congregate outside the house multiplied. Presley's neighbors, although happy to have a celebrity living nearby, soon concluded that the constant gathering of fans and journalists was a nuisance.
In early 1957, Presley gave his parents, Vernon and Gladys Presley, a budget of $100,000 and asked them to find a "farmhouse"-like property to purchase, with buffer space around it. At the time, Graceland was located in southern Shelby County, several miles south of Memphis' main urban area. In later years, Memphis would expand with residential developments, resulting in Graceland being surrounded by other properties. Presley purchased Graceland on March 19, 1957, for the amount of $102,500.
Later that year, Presley invited Richard Williams and singer Buzz Cason to the house. Cason said: "We proceeded to clown around on the front porch, striking our best rock 'n' roll poses and snapping pictures with the little camera. We peeked in the not-yet-curtained windows and got a kick out of the pastel colored walls in the front rooms with shades of bright reds and purples that Elvis most certainly had picked out." Presley was fond of claiming that the US government had mooted a visit to Graceland by Nikita Khrushchev of the Soviet Union, "to see how in America a fellow can start out with nothing and, you know, make good."
After Gladys died in 1958 aged 46, Presley's father Vernon remarried to Dee Stanley in 1960, and the couple lived at Graceland for a time. There was some discord between Presley and his stepmother Dee at Graceland, however. Elaine Dundy, who wrote about Presley and his mother, said that
"Vernon had settled down with Dee where Gladys had once reigned, while Dee herself – when Elvis was away – had taken over the role of mistress of Graceland so thoroughly as to rearrange the furniture and replace the very curtains that Gladys had approved of." This was too much for the singer, who still loved his late mother deeply. One afternoon, "a van arrived ... and all Dee's household's goods, clothes, 'improvements,' and her own menagerie of pets, were loaded on ... while Vernon, Dee and her three children went by car to a nearby house on Hermitage until they finally settled into a house on Dolan Drive which ran alongside Elvis' estate."
According to Mark Crispin Miller, Graceland became for Presley "the home of the organization that was himself, was tended by a large vague clan of Presleys and deputy Presleys, each squandering the vast gratuities which Elvis used to keep his whole world smiling." The author adds that Presley's father Vernon "had a swimming pool in his bedroom", that there "was a jukebox next to the swimming pool, containing Elvis' favorite records", and that the singer himself "would spend hours in his bedroom, watching his property on a closed-circuit television." According to the singer's cousin, Billy Smith, Presley spent the night at Graceland with Smith and his wife Jo many times: "we were all three there talking for hours about everything in the world! Sometimes he would have a bad dream and come looking for me to talk to, and he would actually fall asleep in our bed with us."
Priscilla Beaulieu lived at Graceland for five years before she and Presley wed in Las Vegas, Nevada, on May 1, 1967. Their daughter Lisa Marie Presley was born on February 1, 1968, and spent the first years of her life on the estate. After her parents divorced in 1972, her mother moved with the girl to California. Every year around Christmas, Lisa Marie Presley and all her family would go to Graceland to celebrate Christmas together. Lisa Marie often returned to Graceland for visits.
When Elvis would tour, staying in hotels, "the rooms would be remodeled in advance of his arrival, so as to make the same configurations of space as he had at home – the Graceland mansion. His furniture would arrive, and he could unwind after his performances in surroundings which were completely familiar and comforting." 'The Jungle Room' was described as being "an example of particularly lurid kitsch."[
On August 16, 1977, Presley died aged 42 at Graceland. The official cause of death was cardiac arrhythmia, although later toxicology reports strongly suggested that polypharmacy was the primary cause of death; "fourteen drugs were found in Elvis' system, with several drugs such as codeine in significant quantities. Presley lay in repose in a 900-pound (410 kg), copper-lined coffin just inside the foyer; more than 3,500 of his mourning fans passed by to pay their respects. A private funeral with 200 mourners was held on August 18, 1977, in the house, with the casket placed in front of the stained glass doorway of the music room. Graceland continued to be occupied by members of the family until the death of Presley's aunt Delta in 1993, who had moved in at Elvis's invitation after her husband's death. Elvis's daughter, Lisa Marie Presley, inherited the estate in 1993 when she turned 25.
Presley's tombstone, along with those of his parents Gladys and Vernon Presley, and his grandmother Minnie Mae Presley, are installed in the Meditation Garden next to the mansion. They can be visited during the mansion tours or for free before the mansion tours begin. A memorial gravestone for Presley's stillborn twin brother, Jesse Garon, is also at the site.
In 2019, the owners of Graceland threatened to leave Memphis unless the city provided tax incentives. The Memphis City Council subsequently voted on a deal to help fund a $100 million expansion of Graceland.
Constructed at the top of a hill and surrounded by rolling pastures and a grove of oak trees, Graceland is designed by the Memphis architectural firm, Furbringer and Erhmanis. It's a two-story, five-bay residence in the Colonial Revival style, with a side-facing gabled roof covered in asphalt shingles, a central two-story projecting pedimented portico, and two one-story wings on the north and south sides. Attached to the wing is an additional one-story stuccoed wing, which was originally a garage that houses up to four cars. The mansion has two chimneys; one on the north side's exterior wall, the second rising through the south side's roof ridge. The central block's front and side facades are veneered with tan Tishomingo limestone from Mississippi and its rear wall is stuccoed, as are the one-story wings. The front facade fenestration on the first floor includes 9x9 double-hung windows set in arched openings with wooden panels above, and 6x6 double-hung windows on the second floor.
Flanked by two marble lions, four stone steps ascend from the driveway to the two-story central projecting pedimented portico. The pediment has dentils and a small, leaded oval window in the center while the portico contains four Corinthian columns with capitals modeled after architect James Stuart's conjectural porticos for the "Tower of the Winds" in Athens, Greece. The portico's cornered columns are matched by pilasters on the front facade. The doorway has a broken arched pediment, full entablature, and engaged columns while its transom and sidelights contain elaborate and colorful stained glass. And above the main entrance is another rectangular window, completed with a shallow iron balcony.
Graceland is 17,552 square feet (1,630.6 m2) and has a total of 23 rooms, including eight bedrooms and bathrooms. To the right of the Entrance Hall, through an elliptical-arched opening with classical details, is the Living Room. The Living Room contains a 15-foot-long (4.6 m) white couch against the wall overlooking the front yard. To the left are two white sofas, a china cabinet and a fireplace with a mirrored wall. The painting that hangs in the room was Elvis' last Christmas present from his father, Vernon, and also displayed are photographs of Elvis' parents Vernon and Gladys, Elvis and Lisa Marie. Behind an adjoined doorway is the Music Room, framed by vivid large peacocks set in stained glass and contains a black baby grand piano and a 1950s style TV. And the third adjacent room is a bedroom that was occupied by Elvis' parents. The walls, carpet, dresser, and queen size bed are bright white with the bed draped in a velvet-looking dark purple bedspread along with an en-suite full bathroom done in pink.
To the left of the Entrance Hall, mirroring the Living Room, is the Dining Room, headlined by a massive crystal chandelier. It features six plush chairs in golden metal frames set around a marble table, all of which are placed on black marble flooring in the center with carpet around the perimeter. Connected to the Dining Room is the Kitchen, which was used by Elvis' aunt Delta until her death in 1993 before it was opened to the public two years later.
The original one-story wing on the north end of the residence includes a mechanical room, bedroom, and bath. In the mid-1960s, Presley enlarged the house to create a den known as the Jungle Room which features an indoor waterfall of cut field stone on the north wall. The room also contains items both related to and imported from the state of Hawaii because, after starring in the tropical film "Blue Hawaii" (1961), the musician wanted to bring some memorabilia from The Aloha State to his mansion, which gives visitors the same feeling. In 1976, the Jungle Room was converted into a recording studio, where he recorded the bulk of his final two albums, From Elvis Presley Boulevard, Memphis, Tennessee (1976) and Moody Blue (1977); these were his final known recordings in a studio setting.[27] During the mid-1960s expansion of the house, Presley constructed a large wing on the south side of the main house that was a sidewalk, between the music room in the original one-story wing and the swimming pool area, that connected to the house by a small enclosed gallery. The new wing initially housed a slot car track and to store his many items of appreciation, but was later remodeled to what is now known as the Trophy Building, which now features an exhibit about the Presley family, and includes Priscilla's wedding dress, Elvis' wedding tuxedo, Lisa Marie's toy chest and baby clothes and more.
The Entrance Hall contains a white staircase leading to the house's second floor with a wall of mirrors. However, the second floor is not open to visitors, out of respect for the Presley family, and partially to avoid any improper focus on the bathroom which was the site of his death. Still, it features Elvis' bedroom at the southwest corner that connects to his dressing room and bathroom in the northwest. His daughter Lisa Marie's bedroom is in the northeast corner, and in the southeast is a bedroom that served as a private personal office for the musician. The floor has been untouched since the day Elvis died and is rarely seen by non-family members.
Downstairs in the basement is the TV room, where Elvis often watched three television sets at once, and was within close reach of a wet bar. The three TV sets are built into the room's south wall and there's a stereo, and cabinets for Elvis' record collection. And painted on the west wall is The King's 1970s logo of a lightning bolt and cloud with the initials TCB, both of which represent 'taking care of business in a flash'. And the last room in the mansion opposite of the TV room is the billiard room; an avid billiards player, Elvis bought the pool table in 1960 and had the walls and ceiling covered with 350–400 yards of pleated cotton fabric after the two basement rooms were remodeled in 1974. The pool balls are arranged just the way they were in the musician's final days along with a strict warning sign to visitors that says "Please Do Not Touch! Thank You!" in capital letters. And in one corner of the pool table, there's a rip in the green felt, which was caused by one of Elvis' friends in a failed attempt of a trick shot.
Critics such as Albert Goldman write: "Though it cost a lot of money to fill up Graceland with the things that appealed to Elvis Presley, nothing in the house is worth a dime." In chapter 1 of his book, Elvis (1981), the author describes Graceland as looking like a brothel: "it appears to have been lifted from some turn-of-the-century bordello down in the French Quarter of New Orleans. Lulu White or the Countess Willie Piazza might have contrived this plushy parlor for the entertainment of Gyp the Blood. The room is a gaudy mélange of red velour and gilded tassels, Louis XV furniture and porcelain bric-a-brac..." And he dismisses the interior as "bizarre," "garish" and "phony," adding that "King Elvis's obsession with royal red reaches an intensity that makes you gag."
In similar terms, Greil Marcus writes that people who visited the inside of Graceland—"people who to a real degree shared Elvis Presley’s class background, and whose lives were formed by his music—have returned with one word to describe what they saw: ‘Tacky.’ Tacky, garish, tasteless—words others translated as white trash."
According to Karal Ann Marling, Graceland is "a Technicolor illusion. The façade is Gone With the Wind all the way. The den in the back is Mogambo with a hint of Blue Hawaii. Living in Graceland was like living on a Hollywood backlot, where patches of tropical scenery alternated with the blackened ruins of antebellum Atlanta. It was like living in a Memphis movie theater... Diehard fans are sometimes disappointed by the formal rooms along the highway side of Graceland. They’re beautiful, in a chilly blue-and-white way, but remote and overarranged." The Jungle Room's "overt bad taste" lets nonbelievers "recoil in horror and imagine themselves a notch or two higher than Elvis on the class scale."
After purchasing the property Presley spent in excess of $500,000 carrying out extensive modifications to suit his needs including a pink Alabama fieldstone wall surrounding the grounds that has several years' worth of graffiti (signatures and messages) from visitors, who simply refer to it as "the wall". Designed and built by Abe Sauer is the wrought-iron front gate shaped like a book of sheet music, along with green colored musical notes and two mirrored silhouettes of Elvis playing his guitar. Sauer also installed a kidney shaped swimming pool and a racquetball court, which is reminiscent of an old country club, furnished in dark leather and a functional bar. There is a sunken sitting area with the ever-present stereo system found throughout Graceland, as well as the dark brown upright piano upon which Elvis played for what were to be his last songs, Willie Nelson's "Blue Eyes Crying in the Rain" and "Unchained Melody".
However, reports conflict about which one was the last song. The sitting area has a floor-to-ceiling shatterproof window designed to watch the many racquetball games that took place there when Elvis was alive. In the early hours of the morning on which Elvis died, he played a game of racquetball with his girlfriend Ginger Alden, his first cousin Billy Smith and Billy's wife Jo before ending the game with the song on the piano before walking into the main house to wash his hair and go to bed. Today the two story court has been restored to the way it was when Elvis used the building.
Elsewhere on the estate is a small white building that served as an office for Vernon, along with an old smokehouse that housed a shooting range and a fully functional stable of horses.
One of Presley's better known modifications was the addition of the Meditation Garden, designed and built by architect Bernard Grenadier. It was used by the musician to reflect on any problems or situations that arose during his life. It is also where his entire family is buried: himself (1935–1977), his parents Gladys (1912–1958) and Vernon (1916–1979), and grandmother Minnie Mae Hood (1890–1980) while a small stone memorializes his twin brother Jesse Garon, who died at birth thirty minutes before Elvis was born on January 8, 1935. In late 2020, Lisa Marie's son Benjamin Keough was laid to rest on the opposite end of the Meditation Garden after his death from suicide in July of that year. Lisa Marie Presley died from sudden cardiac arrest in January 2023 and is buried next to her son.
After Elvis Presley's death in 1977, Vernon Presley served as executor of his estate. Upon his death in 1979, he chose Priscilla to serve as the estate executor for Elvis's only child, Lisa Marie, who was only 11. Graceland itself cost $500,000 a year in upkeep, and expenses had dwindled Elvis's and Priscilla's daughter Lisa Marie's inheritance to only $1 million. Taxes were due on the property; those and other expenses due came to over $500,000. Faced with having to sell Graceland, Priscilla examined other famous houses/museums, and hired a CEO, Jack Soden, to turn Graceland into a moneymaker. Graceland was opened to the public on June 7, 1982. Priscilla's gamble paid off; after only a month of opening Graceland's doors the estate made back all the money it had invested. Priscilla Presley became the chairwoman and president of Elvis Presley Enterprises, or EPE, stating at that time she would do so until Lisa Marie reached 21 years of age. The enterprise's fortunes soared and eventually the trust grew to be worth over $100 million.
An annual procession through the estate and past Elvis's grave is held on the anniversary of his death. Known as Elvis Week, it includes a full schedule of speakers and events, including the only Elvis Mass at St. Paul's Church, the highlight for many Elvis fans of all faiths. The 20th Anniversary in 1997 had several hundred media groups from around the world that were present resulting in the event gaining its greatest media publicity.
One of the largest gatherings assembled on the 25th anniversary in 2002 with one estimate of 40,000 people in attendance, despite the heavy rain. On the 38th anniversary of Elvis's death, an estimated 30,000 people attended the Candlelight Vigil during the night of August 15–16, 2015. On the 40th anniversary of Elvis's death, on August 15–16, 2017, at least 50,000 fans were expected to attend the Candlelight Vigil. No official figure seems to have been released, maybe because, for the first time, attendees had to pay at least the lowest tour fare, $28.75, to cover the extra security costs due to a larger than usual crowd.
For many of the hundreds of thousands of people who visit Graceland each year, the visit takes on a quasi-religious perspective. They may plan for years to journey to the home of the 'King' of rock and roll. On site, headphones narrate the salient events of Elvis's life and introduce the relics that adorn the rooms and corridors. The rhetorical mode is hagiographic, celebrating the life of an extraordinary man, emphasizing his generosity, his kindness and good fellowship, how he was at once a poor boy who made good, an extraordinary musical talent, a sinner and substance abuser, and a religious man devoted to the Gospel and its music. At the meditation garden, containing Elvis's grave, some visitors pray, kneel, or quietly sing one of Elvis's favorite hymns. The brick wall that encloses the mansion's grounds is covered with graffiti that express an admiration for Presley as well as petitions for help and thanks for favors granted.
The Graceland grounds include a new exhibit complex, Elvis Presley's Memphis, which includes a new car museum, Presley Motors, which houses Elvis's Pink Cadillac. The complex features new exhibits and museums, as well as a studio for Sirius Satellite Radio's all-Elvis Presley channel. The service's subscribers all over North America can hear Presley's music from Graceland around the clock. Not far away on display are his two aircraft including Lisa Marie (a Convair 880 jetliner) and Hound Dog II (a Lockheed JetStar business jet). The jets are owned by Graceland and are on permanent static display.
In early August 2005, Lisa Marie Presley sold 85% of the business side of her father's estate. She kept the Graceland property itself, as well as the bulk of the possessions found therein, and she turned over the management of Graceland to CKX, Inc., an entertainment company (on whose board of directors Priscilla Presley sat) that also owns 19 Entertainment, creator of the American Idol TV show.
Graceland Holdings LLC, led by managing partner Joel Weinshanker, is the majority owner of EPE. Lisa Marie Presley's estate retains a 15% ownership in the company.
In August 2018, Gladys Presley's headstone, which contained the Jewish star of David on one side and a cross on the other and was designed by Elvis himself, which become publicly displayed when it placed in Graceland's Mediation Garden after being stored for many years in the Graceland Archive.
Lisa Marie Presley's estate, which is being held in trust for her daughters Riley Keough and Harper and Finley Lockwood, retain 100% sole personal ownership of Graceland Mansion itself and its over 13-acre original grounds as well as Elvis Presley's personal effects – including costumes, wardrobe, awards, furniture, cars, etc. Prior to her death in 2023, Lisa Marie Presley had made the mansion property and her father's personal effects permanently available for tours of Graceland and for use in all of EPE's operations.
According to Elvis Presley's Enterprises, staff at Graceland informally kept a list of celebrities who had visited in the first years following Elvis's death. This practice was not formalized for a decade. Muhammad Ali was an early celebrity visitor in 1978, as was singer Paul Simon. He toured Graceland in the early 80s and afterward wrote a song of the same name; it was the title track of his Grammy-winning album Graceland.
During the Joshua Tree Tour in 1987, U2 toured Graceland. The footage was filmed for the film Rattle & Hum. During the visit, drummer, Larry Mullen Jr., sat on Elvis Presley's motorcycle -- against the rules for Graceland visitors.
On June 30, 2006, then US President George W. Bush hosted Japanese Prime Minister Junichiro Koizumi for a tour of the mansion. It was one of the few private residences on United States soil to have been the site of an official joint-visit by a sitting US president and a serving head of a foreign government. On August 6, 2010, Prince Albert II, Head of State of the Principality of Monaco, and his fiancée (now Princess of Monaco) Charlene Wittstock, toured Graceland while vacationing in the US. On May 26, 2013, Paul McCartney of The Beatles visited Graceland. Prince William and Prince Harry, while in Memphis for a friend's wedding, visited Graceland on May 2, 2014.
The home has also been visited by former US President Jimmy Carter; the late Duchess of Devonshire, the sitting ambassadors of India, France, China, Korea and Israel to the United States; as well as several US governors, members of the US Congress, and at least two Nobel Prize winners, namely singer-songwriter Bob Dylan, a Literature Prize laureate, and the former President of Costa Rica, Oscar Arias, a Peace Prize honoree, who visited it on October 10, 2001.
In May 2016, Graceland welcomed a newlywed couple as its 20 millionth visitor.
In June 2022, actors Austin Butler and Tom Hanks visited the mansion and were interviewed virtually by the Good Morning America news program from the Jungle Room to talk about their biographical film Elvis.
In popular culture
Paul Simon named an album Graceland, as well as its title track. The song won the Grammy Award for Record of the Year in 1987.
The song "Walking in Memphis" by Marc Cohn mentions Graceland; in the second verse, he refers to the mansion and the Jungle Room. This song was later covered by Cher and Lonestar, among others.
The film 3000 Miles to Graceland is about a group of criminals who plan to rob a casino during an international Elvis week, disguised as Elvis impersonators. No scenes take place at or near the estate.
The film Finding Graceland stars Harvey Keitel with Johnathon Schaech. Keitel is an impersonator who claims to be the real Elvis after Schaech picks him up as a hitch-hiker.
In the rock music "mockumentary" This Is Spinal Tap, band members gather around Presley's grave at Graceland and attempt to sing a verse of "Heartbreak Hotel".
Pop punk group Groovie Ghoulies have a song called "Graceland" on their 1997 album Re-Animation Festival.
In the movie Zombieland: Double Tap, the protagonists venture to Graceland in hopes of shelter during a zombie apocalypse, but are distressed to find it in a ruined state.
During the credits of Lilo & Stitch, there's a photograph of Lilo, Nani, David and Stitch visiting the front gates of Graceland. Almost 20 years later, the original painting of that shot was put on display as part of the traveling Walt Disney Archives exhibition at Graceland.
In the season three episode of American Dad “The Vacation Goo”, Steve Smith asks Stan Smith if they can go to Graceland for their next vacation and Stan says “Steve, if you want to pay your respects to a fat man who died on the toilet, we can visit your Aunt Mary’s grave.”
Phoebe Bridgers has a song "Graceland Too" on her second studio album Punisher.
In the third episode of National Treasure: Edge of History, "Graceland Gambit," the main protagonist, Jess (portrayed by Lisette Olivera) is on a treasure hunt that leads her and her friends to Graceland.
Florence + The Machine reference Graceland and Elvis in their song "Morning Elvis" on their 2022 album Dance Fever.
Strobist : One Light
Today I had a quick portrait session with a very talented producer / rap artist from the Bay Area, Nay The Producer. Not only was she a pleasure to work with, I also got to hear the new Mix Tape Album she will be releasing in Dec of this year. I honestly must say, the album is great. Uploading more photos soon.
From Wikipedia, the free encyclopedia
Abhishek Bachchan (born 5 February 1976) is an Indian film actor, producer and occasional playback singer.
Bachchan made his acting debut in the drama film Refugee (2000). After earning little praise for his roles in a series of commercially unsuccessful films, he starred in the action thriller Dhoom (2004), a box office hit and the first film in the popular Dhoom series.[1] Bachchan received critical acclaim for supporting role in Yuva (2004), and starred in commercially successful films like Bunty Aur Babli (2005), Sarkar (2005), Kabhi Alvida Naa Kehna (2006) and Guru (2007).[2] He also starred in Dhoom 2 (2006), Dostana (2008), Paa (2009), Bol Bachchan (2012), Dhoom 3 (2013) and Happy New Year (2014).[2] He produced Paa along with Sunil Manchanda which won the National Film Award for Best Feature Film in Hindi.
Married to actress and former Miss World Aishwarya Rai, Bachchan comes from an illustrious Bollywood family.[3][4] His father Amitabh Bachchan is a leading actor in Hindi cinema and his mother Jaya Bhaduri Bachchan is a former leading actress.[5]
Abhishek Bachchan was born on 5th February, 1976. His grandfather, Harivansh Rai Bachchan, was a poet of Hindi literature and professor at the Allahabad University in Uttar Pradesh. The original surname of his family is Srivastava, Bachchan being the pen name used by his grandfather. However, when Amitabh entered films, he did so under his father's pen name. Bachchan is of Kayastha heritage on his father's side,[6] Bengali from his mother's side[7] and Punjabi from his grandmother's side.[8] Time magazine listed Amitabh Bachchan and Aishwarya Rai on its list of most influential Indians.[9][10]
Bachchan was dyslexic as a child; this was referred to by Aamir Khan in the film Taare Zameen Par.[11] He attended Jamnabai Narsee School and Bombay Scottish School in Mumbai, Modern School, Vasant Vihar, New Delhi, and Aiglon College in Switzerland.[12] He then attended Boston University, but dropped out.[13][14]
Career[edit]
Film debut and initial struggle (2000-2003)[edit]
In 2000, Bachchan made his film debut playing the male lead in J. P. Dutta's war drama Refugee opposite Kareena Kapoor, who was also making her debut in the film. Although the film did not fare very well at the box office, both Bachchan and Kapoor received positive reviews for their performances. Film critic Taran Adarsh wrote that he "has all it takes to emerge a competent actor in years to come. Even in his debut-making film, Abhishek comes across as a fine actor and lives up to his family name."[15]
After Refugee, Bachchan starred in a series of poorly received films that failed to make a mark at the box office. However, his performance in Sooraj R. Barjatya's romantic dramedy Main Prem Ki Diwani Hoon (2003) earned him his first nomination for the Filmfare Award for Best Supporting Actor, and he went on to win the award the following year for his performance in Mani Ratnam's political drama Yuva (2004).
Widespread success (2004-2008)[edit]
Bachchan better established himself in Hindi cinema playing a no-nonsense Mumbai police officer in the blockbuster action thriller Dhoom (2004), which also starred Uday Chopra, John Abraham, Esha Deol, and Rimi Sen in pivotal roles. His next two films were Phir Milenge (2004) and Naach (2004), neither of which performed very well at the box office.
Bachchan's first release of 2005 was the crime comedy Bunty Aur Babli, which featured him and Rani Mukerji as the titular con artist duo who perform several successful heists and fall in love along the way. The film emerged as the second highest-grossing Bollywood film of 2005, and earned him a nomination for the Filmfare Award for Best Actor. This film also marked his first professional collaboration with his father Amitabh Bachchan, who played a police officer closely following the lead pair.
Bachchan was next seen in Ram Gopal Varma's political drama Sarkar, which was a moderate success at the box office. His performance as the morally upright son of a troubled politician (played by his father) earned him rave reviews from critics as well as his second consecutive Filmfare Award for Best Supporting Actor. His next two releases Dus (2005) and Bluffmaster! (2005) were both moderately successful, but did not earn much critical appreciation.
Bachchan won his third consecutive Filmfare Award for Best Supporting Actor for his performance in Karan Johar's critically acclaimed romantic drama Kabhi Alvida Naa Kehna (2006), which emerged as a moderate commercial success despite the fact that it dealt with the controversial subject of marital infidelity. Bachchan played the role of a man whose wife (Rani Mukerji) is unhappy with their marriage, and so begins an affair with a friend (Shahrukh Khan) who is also unhappy with his marriage to his wife (Preity Zinta).
Bachchan then starred opposite Aishwarya Rai in the period romance Umrao Jaan, a remake of the 1981 film of the same name starring Rekha and Farooq Sheikh in the lead roles. The film failed to earn the same level of appreciation as the original, and was also a commercial failure. He was next seen in Dhoom 2 (2006), which featured him and Uday Chopra reprising their roles from the original Dhoom (2004) joined by new cast members Hrithik Roshan, Aishwarya Rai, and Bipasha Basu. The film emerged as the highest-grossing Bollywood film of 2006, but some critics commented that Bachchan was "reduced to a mere supporting player"[16] to his co-star Roshan.
Bachchan earned much critical acclaim for his performance in Mani Ratnam's Guru (2007), loosely based on the life of business magnate Dhirubhai Ambani. Film critic Raja Sen wrote that “Abhishek Bachchan owns the movie... [He] forces himself under the skin of the character, and from gait to accent, proves constantly credible.”[17] The film starred him alongside Aishwarya Rai Bachchan (making the film their first collaboration after their marriage), R. Madhavan, Mithun Chakraborty, Vidya Balan, and Arya Babbar.
His next release was the dance comedy Jhoom Barabar Jhoom (2007) alongside Preity Zinta, Bobby Deol, and Lara Dutta. Although the film failed at the Indian box office, it was a moderate success overseas. He was then seen playing a minor role in the female-centric drama Laaga Chunari Mein Daag (2007) as the love interest of the film's lead actress Rani Mukerji.
Bachchan's first release of 2008 was Ram Gopal Varma's Sarkar Raj, which featured him and his father reprising their roles from Sarkar (2005) while his wife Aishwarya Rai Bachchan entered the cast as a new addition. This film proved to be a major success at the box office, and earned him a nomination for the Filmfare Award for Best Supporting Actor. His next release was the fantasy adventure film Drona (2008), which was a major failure both critically and commercially.
Bachchan was next seen in Dostana (2008), a romantic comedy about two men (Bachchan and John Abraham) who pretend to be gay in order to be allowed to live with a girl (Priyanka Chopra), but then find that they have both fallen in love with her. John Abraham overshadowed Bachchan in this film with his power packed performance.The film was a major success at the box office, and earned him a nomination for the Filmfare Award for Best Actor.
Bachchan's first release of 2009 was Delhi-6, which received a lukewarm response from critics. Later that year he was seen in the family dramedy Paa, which he also produced. The film's plot centered on a boy (Amitabh Bachchan) suffering from progeria as well as his relationships with his father (Bachchan) and his mother (Vidya Balan). For his work as a producer on the film, Bachchan earned the National Film Award for Best Feature Film in Hindi.
Brief setback and recent success (2010-present)[edit]
Bachchan experienced a brief setback in his career[18] with five films that failed critically and commercially. These films were the thriller Raavan (2010), the social drama Khelein Hum Jee Jaan Sey (2010), the action thriller Game (2011), the crime drama Dum Maaro Dum (2011), and the heist thriller Players (2012).
Bachchan then played supporting role alongside Ajay Devgan, Asin, and Prachi Desai in Rohit Shetty's comedy Bol Bachchan (2012), which was a major blockbuster at the box office despite receiving mixed reviews from critics. Film critic Anupama Chopra called Bachchan a "good part of the film" and also commented that he "manages to sparkle even in a script that is lazy and determinedly lowbrow".[19]
Bachchan then appeared in Dhoom 3 (2013). Like Dhoom 2 (2006), he and Uday Chopra were the only cast members reprising their roles. In this installment of the series, they were joined by Aamir Khan and Katrina Kaif. While the film became a major blockbuster and currently ranks as the highest-grossing Bollywood film of all-time, most critics commented that Bachchan was a good supporting actor in Dhoom 3. Bachchan also starred in Farah Khan's Happy New Year, a musical heist film which featured an ensemble cast of Shahrukh Khan, Deepika Padukone, Sonu Sood, Boman Irani, Vivaan Shah and Jackie Shroff. Shahrukh Khan's stellar performance was hailed by the audience. Bachchan had a double role in the film as Nandu Bhide, a street loafer and Vikki Grover, the son of a business tycoon. Critics praised his comic timings and acting and felt that he was a good supporting actor.
Upcoming projects[edit]
He is filming for the romantic drama All Is Well opposite Asin, which was initially set to release in December 2014 but has now been delayed as cabinet minister Smriti Irani, who plays a vital role in the film has not been able to allocate any dates since the Indian general elections 2014. He has also signed on to star with Akshay Kumar and Riteish Deshmukh as the three male leads of Housefull 3, the sequel to Housefull (2010) and Housefull 2 (2012). This installment is to be directed by Sajid-Farhad and produced by Sajid Nadiadwala.[20]
Sports ventures[edit]
Abhishek Bachchan bought the Pro Kabaddi League franchise team Jaipur Pink Panthers[21][22] and co-bought the Indian Super League football team Chennaiyin FC.[23] in 2014. Jaipur Pink Panthers won the first ever championships held in 2014.[24]
Other work[edit]
In 2005, he was a part of Tamil director Mani Ratnam's stage show, Netru, Indru, Naalai, an event which sought to raise funds for The Banyan, a voluntary organisation which rehabilitates homeless women with mental illness in Chennai.[25]
In the summer of 2008, Bachchan, his wife, his father, and actors Preity Zinta, Riteish Deshmukh, and Madhuri Dixit starred in the "Unforgettable World Tour" stage production. The first leg covered the USA, Canada, Trinidad, and London. Bachchan is also involved in the functional and administrative operations of his father's company, originally known as ABCL, and renamed as AB Corp. Ltd. That company, along with Wizcraft International Entertainment Pvt. Ltd., developed the Unforgettable production.[26]
In 2011, Bachchan has promoted awareness of drug abuse in India as part of a citizen education campaign. The actor launched the Awareness Day race, which celebrated the silver jubilee of the country's Narcotics Control Bureau.[27][28]
Brand ambassador[edit]
Bachchan has been brand ambassador for products like LG Home appliances,[29] American Express credit cards,[30] Videocon DTH,[31] Motorola mobiles,[32] Ford Fiesta[33] and Idea mobiles.[34]
In 2009, Abhishek Bachchan was announced the winner of the 'Best Brand Ambassador of the Year' award at the NDTV Techlife Awards 2009.[35]
AdEx India,a division of TAM Media Research conducted a study on celebrity brand endorsements for the period of Jan–Dec 2010 in which Abhishek Bachchan eats the pie with a 4.7% share ad volume out of the 41.5% film actors on the endorsement circuit.[36][37]
Abhishek Bachchan became the brand ambassador for TTK Prestige, part of the TTK Group in October 2013 [38] along with his wife Aishwarya Rai Bachchan.
In 2014, he became the brand ambassador for the END7 campaign of the Global Network for Neglected Tropical Diseases. The goal of the campaign is to eradicate seven different tropical diseases by 2020.[39]
Personal life[edit]
Bachchan with his wife Aishwarya Rai, 2013.
In October 2002, at his father Amitabh Bachchan's 60th birthday celebration, Abhishek and actress Karisma Kapoor announced their engagement.[40] The engagement was called off in January 2003. Bachchan fell in love with Aishwarya Rai, who is two years older than him, whilst filming for Dhoom 2,[41] though both of them had already appeared together in Dhai Akshar Prem Ke (in which her then longtime boyfriend, Salman Khan, made a brief cameo) and Kuch Naa Kaho. Bachchan and Rai announced their engagement on 14 January 2007 later confirmed by his father, Amitabh Bachchan.[42][43] The couple was married on 20 April 2007, according to traditional Hindu rituals of the Bunt community, to which Rai belongs. The wedding took place in a private ceremony at the Bachchan residence, Prateeksha, in Juhu, Mumbai,[44] but was heavily covered by the entertainment media. The couple appeared on The Oprah Winfrey Show in September 2009,[45] and were described as more famous than Brangelina.[46] They have been described as a supercouple in the Indian media.[47][48] Rai gave birth to a baby girl on 16 November 2011.[49][50] Her daughter became quite popular by the name of "Beti B" which was named by the fans and the media, since the couple took over four months to name their daughter. The baby girl was finally named as Aaradhya Bachchan in March 2012.[51]
I first met Pahlajji early 80s I was working for Badasab Bandra under Mr Kishore Bajaj..I styled the costumes of Mr Danny Denzongpa in Andhi Toofan produced by Pahlajji and directed by Mr B Subhash of Disco Dancer fame .
I kept in touch with Pehlajji after moving out of Badasab and working as a fashion stylist at Prachins that belonged to producer Mr Nitin Manmohan..
I did a lot of work for Pahlajji and considered him my Guru his passion for every aspect department of film making is incredible
I continued working on his films and the last one was Rangeela Raja starring Govinda .
Mrs Pahlaj Nihalani supported me and I saw their children grow prosper ..
Pahlajjis greatest fan is none other than Mr Shakti Kapoor ji who fondly calls Pahlajji . Sethji .
So today I got a call from Pahlajji to come and see him at his office tomorrow noon..
Because of diabetes poor health I had not visited him since a very long time .
I owe my growth as a innovative creative designer to Mr Pahlaj Nihalani ji ..he gave me a free hand and I fleshed the costumes of his stars .
Now Pahlajji is a very happy grandfather like me .
His Bandra office 2 Roses in the old days used to be packed with new comers Bollywood strugglers that he met humbly on Wednesdays .
25 years of bonding with this great Guru of Bollywood.
Another episode of 70/70 audio slideshows is up. It features a local real estate agent. You can see the full slideshow here: vimeo.com/320055631
For the past little bit I have been working on a series of short audio-slideshows featuring 70 profiles of Newfoundlanders and Labradorians. Newfoundland and Labrador joined Canadian confederation 70 years ago and I thought it would be interesting to talk a snapshot of the province at this moment in time. I am working with a producer and we are trying to match demographic, geographic and occupational data across the episodes in order to reflect as much of the province as we possibly can.
If you are interested in seeing the episodes we have published so far, check out my website here: bojanfurstphotography.com/7070/