Music Producers
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Canon EOS 6D - f/3.2 - 1/125sec - 100mm - ISO 100
acorns in a plash of water
- Acorn: the typically ovoid fruit or nut of an oak, enclosed at the base by a cupule.
The acorn, or oak nut, usually contains a single seed (rarely two seeds), enclosed in a tough, leathery shell, and borne in a cup-shaped cupule. Acorns vary from 1–6 cm long and 0.8–4 cm broad. Acorns take between about 6 and 24 months (depending on the species) to mature.
Acorns play an important role in forest ecology when oaks are the dominant species or are plentiful. The volume of the acorn crop may vary wildly, creating great abundance or great stress on the many animals dependent on acorns and the predators of those animals. Acorns, along with other nuts, are termed mast.
Wildlife which eat acorns as an important part of their diets include birds, such as jays, pigeons, some ducks, and several species of woodpeckers. Small mammals that feed on acorns include mice, squirrels and several other rodents.
Large mammals such as pigs, bears, and deer also consume large amounts of acorns; they may constitute up to 25% of the diet of deer in the autumn.
Some animals, such as squirrels and jays serve as seed dispersal agents. Jays and squirrels that scatter-hoard acorns in caches for future use, effectively plant acorns in a variety of locations in which it is possible for them to germinate and thrive.
Even though jays and squirrels retain remarkably large mental maps of cache locations and return to consume them, the odd acorn may be lost, or a jay or squirrel may die before consuming all of its stores. A small number of acorns manage to germinate and survive, producing the next generation of oaks.
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- Een eikel of een aker is de vrucht van een eik. Het is een noot met één, soms twee zaden. De lengte van een eikel varieert tussen de 1 tot 6 cm en is 0,8 tot 4 cm breed. Meestal duurt het tussen de zes en de 24 maanden voordat een eikel kiemt.
Afhankelijk van het weer vallen de meeste eikels in september en oktober. De hoeveelheid zaad die eiken produceren verschilt erg per jaar. Eens in de zoveel jaar, als de weersomstandigheden goed zijn en de bomen genoeg reserves hebben, produceren ze veel meer eikels dan anders. Deze jaren van overdadige vruchtvorming worden mastjaren genoemd.
Eikels zijn belangrijk voedsel voor dieren, zoals muizen, eekhoorns, wilde zwijnen, hertachtigen, sommige eenden en andere vogels en beren die in de buurt van eiken leven. Bij deze dieren bestaat soms 25% van de wintervoorraad uit eikels. Eikels werden vroeger gebruikt om varkens te voeren (mast).
De eik is voor het voortbestaan vooral afhankelijk van de gaai en van de eekhoorn. Een eikel valt niet ver van de boom en kan onder het bladerdak van de boom niet uitgroeien. Hij is dus aangewezen op dieren om de eikel verder van de boom te verplaatsen. Eekhoorns begraven voorraden eikels voor de winter. Als een eekhoorn omkomt of de voorraad niet of onvolledig aanspreekt of vergeet, is dat een ideale plaats voor de eikels om te kiemen.
Gaaien, zoals ‘Vlaamse gaaien’ officieel heten, zijn echte verzamelaars. Van eikels wel te verstaan. Ze leggen er een wintervoorraad van aan. De gaaien nemen de eikels mee in hun keel en stoppen ze een eindje verderop onder de grond. Een enkele gaai kan in het najaar zo duizenden eikels verstoppen. Gedurende de winter zoekt de gaai zijn voorraadplekken op. Zelfs in het voorjaar worden jongen nog gevoerd met ontkiemde eikels.
North Sea Producer looking weathered after years in the North Sea ... oil field, which lies 250km north-east of Aberdeen, for ConocoPhillips. ... The North Sea Producer ship docked near the Riverside Stadium.
This is One Big Ship .
Local Muong girls harvesting tea leaves, Long Coc, Vietnam
Tea production is a cornerstone of Vietnam’s economy, with the country ranking as the 7th largest tea producer globally, and supporting the livelihoods of over 400,000 families, particularly in rural and mountainous areas. Workers rise with the sun to handpick around 15 kilograms of tea leaves each morning, ensuring freshness and quality. Beyond its economic impact, traditional tea cultivation and processing techniques, passed down through generations, reflect Vietnam’s rich cultural heritage and the dedication of its people.
The process of guttation produces droplets on a polypore.
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If interested in more photographs of mine, please visit my website
(From the digital archive of my own photos, 2019)
View from the northeast of the castle in a windy morning.
The Castle of Zafra (Spanish: Castillo de Zafra) is a 12th-century castle located in the municipality of Campillo de Dueñas, in Guadalajara, Spain.
Built in the late 12th or early 13th centuries on a sandstone outcrop in the Sierra de Caldereros, it stands on the site of a former Visigothic and Moorish fortification that fell into Christian hands in 1129.
It had considerable strategic importance as a virtually impregnable defensive work on the border between Christian and Muslim-ruled territory.
The castle was never conquered and was successfully defended against the King of Castile in the 13th century.
The successful completion of the Reconquista at the end of the 15th century ended its military significance.
Although it fell into ruin in the following centuries, since 1971 it has progressively been restored by its private owners.
It can be visited with permission from the owners.
Filming location: HBO filmed outdoor scenes for season 6 of its fantasy series "Game of Thrones" at the castle.
According to its present owner, Daniel Antonio Sanz, the producers were "looking for a remote site and away from any building".
The castle stands in for the Tower of Joy in three episodes of the season, "Oathbreaker", "Blood of My Blood" and "The Winds of Winter", during flashback scenes that reveal a secret from Ned Stark's past. (Source: Wikipedia)
CASTILLO DE ZAFRA, GUADALAJARA, ESPAÑA, 2019
(Del archivo digital de mis propias fotos, 2019)
Vista desde el lado noreste del castillo en una mañana ventosa.
El Castillo de Zafra es un castillo del siglo XII situado en el municipio de Campillo de Dueñas, en Guadalajara, España.
Edificado a finales del siglo XII o principios del XIII sobre un afloramiento de arenisca en la Sierra de Caldereros, se alza sobre el emplazamiento de una antigua fortificación visigoda y musulmana que cayó en manos cristianas en 1129.
Tuvo una considerable importancia estratégica como obra defensiva prácticamente inexpugnable en la frontera entre territorio cristiano y musulmán.
El castillo nunca fue conquistado y fue defendido con éxito contra el rey de Castilla en el siglo XIII.
La exitosa culminación de la Reconquista a finales del siglo XV acabó con su importancia militar.
Aunque cayó en ruinas en los siglos siguientes, desde 1971 ha sido restaurado progresivamente por sus propietarios privados.
Se puede visitar con permiso de los propietarios.
Lugar de rodaje: HBO filmó escenas al aire libre para la temporada 6 de su serie de fantasía "Juego de Tronos" en el castillo.
Según su actual propietario, Daniel Antonio Sanz, los productores estaban "buscando un sitio remoto y alejado de cualquier edificio".
El castillo hace las veces de Torre de la Alegría en tres episodios de la temporada, "Oathbreaker", "Blood of My Blood" y "The Winds of Winter", durante escenas de flashback que revelan un secreto del pasado de Ned Stark. (Fuente: Wikipedia)
Consonance and dissonance.
I the body would be sharing certain events cached in its data files.
I shall remove the text if anybody feels hurt, offended or humiliated by its contents.
Suresh Pattali:
Suresh Pattali, a film and theatre activist, or as Paul Zacharia, the Editor of Economic Times and his former colleague rightly stated," a film buff and libertarian"; worked as a producer in Asianet when I met him.
Suresh assisted the renowned Indian filmmaker Muzaffar Ali in making classic movies like 'Gaman' and 'Umrao Jaan' and has worked with noted singer Kishore Kumar and Popular music director Salil Choudhury. He was too humble a human being to read one's character and get close within no time.
I met him first, in 2000, at his office in the Asianet Studio complex at Puliyarakonam in Trivandrum. He was very eager to listen to my album 'Simple Truth' and knew it was in the final stage of completion. He was too busy in the studio that I waited from 4 pm to about 6 pm as he occasionally makes an appearance and apologizes for making me wait and leaves after making sure that I am comfortable. Someone would want him when he joins me, and as I was not in any hurry, I asked him to take his time. When he hastily joined me at about 6 pm, I told him that I have a rough copy of 'Simple Truth' in my car. The moment he heard that he just walked out of the studio with his hand on my shoulder. He sat beside me in the car, we closed the doors, and I played the tape.
Before the music started, he asked, "What about a ride?". I nodded, and we drove out to the nearly desolate roads in the suburbs of Trivandrum. When the music started, I noticed that he is gazing at my face. With a smile, when I turned and looked at him, he asked," You did this ?". I said "Yes", and his astonished expression is the first and best compliment I ever received. I drove aimlessly while he keenly and mutely listened to all the 12 songs in the album. Later I dropped him at his house, which is just about a kilometre away from his workplace.
The very next day, I received a call from him inviting me to his house, and I visited him sometime in the afternoon. His interest in music and his memory amazed me as he started describing how he visualized one of the songs that he heard the previous day. It was late afternoon, and he was yet to have his lunch. I understood he's drunk, but he appeared perfect and very much in his senses. I told him that I would wait until he has his lunch. Within a few minutes, he returned with an egg omelette for me. I didn't refuse as I knew he prepared it just for me. It was too salty to consume, and when I was struggling with it, he joined me munching his omelette and said, "Too much salt, right? I don't have any more eggs left, else I would have made fresh ones". After spending some time discussing the script, I left following his assurance to contact me soon. The next day he called me for further talks, and we fixed a local club for the next meeting the same evening.
He ordered a few drinks and narrated his Mumbai cinema experiences. The modesty of the Popular singer Kishore Kumar, the friendliness of the great musician Salil Chowdhury, and the simplicity of the renowned actress Smita Patil. The humbleness of Kishore Kumar during recordings and the prowess of Salil Chowdhury to compose 'boatman' songs.
He respected and appreciated me for being a teetotaller, and never did he behave drunk with me. I reminded him that it's getting too late and offered to drop him at his house. On the way back, he asked, "Anuj, which is your most favourite song? ". I replied that it's a tough question as I have so many favourites." My favourite English song is, 'Still I'm Sad' by Boney M", he said. After a pause, he continued, "Do you know ' Chingari Koi Bhadke '?". I said, "Yes, I love that song." He asked, "Can you sing it ? "and I replied, " Sorry, I have never tried it". Again after a pause, he said, "Please hum it ". I hummed the tune in its original pitch, and he started singing along in a feeble voice. I drove listening to his rendition, which was indeed beautiful. He remained quiet after that, and I dropped him home at about midnight.
Within a few days, he invited me to judge a talent search programme conducted by Asianet for college students, named 'Talent Scan 2000'. I accepted the request and appeared for the programme at Victoria Jubilee Town Hall on the stipulated date and time. He introduced me to the crew, and my role was to judge Western Music. After the programme, he thanked me and promised to be in touch.
He called me after a few days and asked me whether we shall meet sometime in the evening. I agreed, and he said he would call later to fix the venue and time. He called again in the evening to tell me that he's having one of his old friends along with him and asked whether it's fine with me. I said it's all right, and I invited him to one of the most prestigious clubs in town, where I have a membership. I booked a table on the lawn and waited for him.
He had few drinks like earlier, but his friend started gulping like a thirsty cow, loudly declared that he's a Maoist, and proudly started to swank his profanity proficiency. While Suresh commanded him to behave, in an attempt to move his chair backwards, the dhoti-clad Maoist fell aback bare, along with his chair. The waiters on duty are used to such displays, but they appeared shocked as they never expected such guests with me. I asked Suresh whether we shall leave. I have never seen him angry, and he didn't lose his cool even when his friend irritated him. He said we would move, but his friend refused to come. I thought of seeking help from the waiters and security to carry him to the car.
Finally, he agreed to move when Suresh 'promised' to take him to some distinct wine bar.
I was a bit apprehensive whether he would attempt to jump out of the moving car as we proceeded towards the hotel where he stays. Once we reached the hotel, he refused to get off the car. Suresh somehow managed to pull him out, and on the street, he loudly started to demonstrate his imprecation skills. I saw Suresh with a grim face for the first time, but still, he didn't lose his cool. Swiftly, he hopped into the car and signalled me to accelerate fast. I did that, and his friend was staggering from behind, trying to chase us as we sped away. Suresh didn't utter a word after that. I dropped him home, and though he didn't apologize, I could see that apologetic look in his weary eyes when he bid me goodbye.
I phoned him early in the morning to check whether his friend is all right. He told me that his friend was nabbed by the police the previous night, and he has to get him released.
I asked him to relax and promised to call him in the evening.
I called him in the evening, and an unfamiliar voice picked up the call.
I asked, " Suresh, Is that you? ".
The stranger from the other end replied, " Suresh passed away. He vomited blood, and we took him to the hospital but couldn't save him".
"माझी जो नाव डुबोए
उसे कौन बचाये"
("If the boatman drowns the boat, who can save it ?")
Chingari Koi Bhadke: Chingari Koi Bhadke
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© 2020 Anuj Nair. All rights reserved.
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© 2020 Anuj Nair. All rights reserved.
All images are the property of Anuj Nair. Using these images without permission is in violation of international copyright laws (633/41 DPR19/78-Disg 154/97-L.248/2000).All materials may not be copied, reproduced, distributed, republished, downloaded, displayed,posted or transmitted in any forms or by any means,including electronic, mechanical, photocopying, recording without written permission of Anuj Nair. Every violation will be pursued penally.
I've taken a shot from this spot before but its so compelling a scene its pretty hard to walk past. This was the last night that the Producer was in this spot before sailing to a new project out in Nigeria so I couldn't resist not going down for her last night.
Lhoist North America (formerly Franklin Industrial Minerals) B23-7-4021 (built as Southern Railway 4021 in April of 1981) is switching at the huge Lhoist facility on US Highway 70. Lhoist is a world leading producer of lime, dolime and minerals. They continue to use FIMX for their reporting mark.
Clifton, Arizona, USA. Once a booming copper mining town but now mostly declining or already in decay and the majority of people and business have moved just up the road to Morenci. The Freeport McMoRan copper mine located in Morenci is one of the largest in the world
Cliff dwellings along the San Francisco and Gila Rivers are evidence of an advanced civilization that existed long before Caesar ruled Rome. Many specimens of pottery and stone implements are still to be found in these ancient dwelling places. In the mid-1500s, both Fray Marcos de Niza and Francisco Vasquez de Coronado passed through the area, following the San Pedro north to the Gila River. Geronimo was born in 1829 near the confluence of Eagle Creek and the San Francisco and Gila Rivers.
In 1856 the first mineral discoveries of the Morenci/Clifton area were found by California volunteers pursuing Apaches, and conflicts between the Apaches and advancing Anglo settlers touched off a 26-year-long war. Mining for gold and silver began in 1864, followed by copper in 1872, and the mine at Morenci quickly grew to become the largest copper producer in North America. Clifton's population ballooned from 600 in 1880 to 5000 by 1910, and it quickly earned its reputation as the wildest of the "Wild West" boomtowns. Neighboring Morenci was swallowed up by an open pit mine in the 1960s, but Clifton was preserved, and today Chase Creek Street is still graced with lovely Victorian-era buildings from the town's halcyon days as the place to quickly make and lose a fortune.
In 1983, Clifton survived two nearly fatal blows, first a nearly three-year-long strike that began on June 30, 1983. Then later that same year, on October 2, 1983, Tropical Storm Octave sent 90,900 cubic feet of water per second into the San Francisco River, which burst its banks, destroying 700 homes and heavily damaging 86 of the town's 126 businesses.
The North Sea Producer berthed next to Middlesbroughs Riverside stadium on the River Tees.
The unit is 236 metres long and operates at a water depth of 92 metres. The North Sea Producer has a daily production capacity of 76,000 barrels of oil and has a storage capacity of 560,000 barrels.
IMO: 8124058
MMSI: 234148000
Call Sign: MWGF2
Flag: United Kingdom (GB)
AIS Type: Other
Gross Tonnage: 52434
Deadweight: 99800 t
Length × Breadth: 233m × 40m
Year Built: 1984
Status: Active
Read more at www.marinetraffic.com/ais/details/ships/shipid:185647/mms...
©pauldowning2015 All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
It's Saturday morning, November 1, 2008... the last days of this election campaign, some are feeling worn out and are concerned to say they just can't give anymore... then there is an event like today that was so different, so refreshing and invigorating... Danny Devito, Rhea Perlman and Jon "Bowzer" Bauman toured Southeast Florida venues, encouraging people to vote early for Barack Obama, for people to get out the early vote for Barack Obama and to get out the vote on election day itself for Barack Obama. What was really amazing was that Devito, Perlman and Bowzer ended their events by actually driving people to the polls to vote if they had identified themselves as not having voted yet. So, after leaving the Cocowood Lakes Clubhouse, the carpool rock-n-rolled all the way to the early voting polls at the Public Library on Hagan Ranch Road in Delray Beach.
Standing at 4' 1", Danny DeVito is ten feet tall in my book. He is an actor, director and producer, that we all may best know him from his character, Louie De Palma, on the TV series, "Taxi". You've also seen him in wonderful films like, "Romancing the Stone", "The Jewel of the Nile", "Ruthless People", "Throw Mama From the Train", "War of the Roses", "Other People's Money", "Tin Men", "Twins", "Junior", "Batman Returns", "Renaissance Man", "The Rainmaker", "The Big Kahuna" and his appearnaces on Saturday Night Live. Right now Danny plays the character Frank Reynolds, in the hysterical sitcom "It's Always Sunny in Philadelphia" on FX which once you take a look at, you'll have so much fun that you'll be hooked. Danny DeVito is also an outspoken Democrat and supporter of the OneVoice Movement, a non-profit organization that strives to empower moderate Israelis and Palestinians to take a more assertive role in resolving their conflict.
Rhea Perlman, an active and outspoken Democrat, has received ten Emmy Award nominations for Best Supporting Actress in a Comedy Series "Cheers", winning the Emmy four times. She starred in the sitcom "Pearl" and was featured in the TV drama "Kate Brasher". Rhea played Jacqueline Kennedy in the TV film "How to Marry a Billionaire: A Christmas Tale", the character Honey in the hilarious film "Canadian Bacon", the grumpy shopkeeper in "Packin It In" and she also played opposite her real-life husband Danny DeVito in the film "Matilda". Right now you can see Rhea Perlman in the role of Bertha in the West End of London, in the comedy "Boeing Boeing".
Jon "Bowzer" Bauman was a recognizable member of the group Sha Na Na, singing barritone as he taunted the audiences while flexing his muscles. Bauman currently tours extensively with his group, Bowzer and the Stingrays, performing at fairs, amusement parks, cruise ships and conventions all over the world. They currently headline "Bowzer's Ultimate Doo-Wop Party."
Talk about inspirational... this event was so out of the ordinary and so special because these incredible celebrities took so much of their time and made so much of an effort to convince undecided voters to get up and go with them to the polls and cast their vote for Barack Obama.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved - Contact: Albéric Jouzeau
Clifton, Arizona, USA. Once a booming copper mining town but now mostly declining or already in decay and the majority of people and business have moved just up the road to Morenci. The Freeport McMoRan copper mine located in Morenci is one of the largest in the world
Cliff dwellings along the San Francisco and Gila Rivers are evidence of an advanced civilization that existed long before Caesar ruled Rome. Many specimens of pottery and stone implements are still to be found in these ancient dwelling places. In the mid-1500s, both Fray Marcos de Niza and Francisco Vasquez de Coronado passed through the area, following the San Pedro north to the Gila River. Geronimo was born in 1829 near the confluence of Eagle Creek and the San Francisco and Gila Rivers.
In 1856 the first mineral discoveries of the Morenci/Clifton area were found by California volunteers pursuing Apaches, and conflicts between the Apaches and advancing Anglo settlers touched off a 26-year-long war. Mining for gold and silver began in 1864, followed by copper in 1872, and the mine at Morenci quickly grew to become the largest copper producer in North America. Clifton's population ballooned from 600 in 1880 to 5000 by 1910, and it quickly earned its reputation as the wildest of the "Wild West" boomtowns. Neighboring Morenci was swallowed up by an open pit mine in the 1960s, but Clifton was preserved, and today Chase Creek Street is still graced with lovely Victorian-era buildings from the town's halcyon days as the place to quickly make and lose a fortune.
In 1983, Clifton survived two nearly fatal blows, first a nearly three-year-long strike that began on June 30, 1983. Then later that same year, on October 2, 1983, Tropical Storm Octave sent 90,900 cubic feet of water per second into the San Francisco River, which burst its banks, destroying 700 homes and heavily damaging 86 of the town's 126 businesses.
Okay, this is like the worst office portrait ever, a colleague took it with a camera. But in all it represents the day's highlight, a project finally launching. I don't know what I do to deserve it, but somehow I always end up being the producer, so a helmet and a signal lamp were in order. So the project went live today, Champaign was served (none for me, thanks) and everyone was happy. Finally some time to prepare for christmas.
Aircraft: Rockwell B-1B Lancer (85-0087)
Unit: 34th Bomb Squadron
Base: Ellsworth AFB, SD
Website: One Mile High Photography
Facebook: www.facebook.com/OneMileHighPhotography
seasons interlude -1-
@ Shichirigahama beach, Kanagawa / Japan
#silhouettehunting
TAG CONCEPT :
No intentionally placed human or subject.
No model, friend, family.
No directing by photographer, director, or producer at shooting time.
STICK TO OBSERVATION AND SNAPSHOT.
The silhouette may be the main or supporting subject.
Enjoy silhouette hunting!
スナップであることを重視。
撮影者は被写体を用意しない。
撮影時に演出をしない。
撮影者は観察者である事とスナップショットに徹する。
なぜスナップ縛りにしたかというと、被写体と演出に知人友人家族モデルさん使ったり金と時間と人手等をかけるとそれはもはやハンティングではなくてクリエイトになるから。
それも楽しいし素晴らしいと思うし素敵な作品は世の中に沢山あるけど「狩った獲物」を晒すタグにしてみたいなと。
シルエットが主題でなくても良いし脇役でも良いし点景として使っても良いと思います。
ま、気が向いたら使ってやって下さいな。
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Thank you for visiting.
Don't use this image without my explicit permission.
Please refer to tag about equipments.
2次利用の際は事前に声をかけて下さい。
使用機材に関してはタグを参照してください。
Formerly the home of Duncan Traffic Equipment Company, once one of the nation's leading producers of parking meters, was located in the 1907 building at 835 N. Wood St. It now contains 16 loft units.
Long before young Mayor Daley's dealing fiasco selling the rights to Chicago's parking metering to a private company, Duncan was known for its connections, political and otherwise. Its president Jerome Robinson managed to stay out of the long arms of the law, although a New York City-based PR man went to prison for lying before a grand jury on his efforts to get a no-bid contract for the city's parking meters during the mid-1960s.
Aruba, a small island in the Dutch Caribbean off the coast of Venezuela, has a dry climate, sunny beaches and gentle waves. Constant winds produce a cool breeze and tilt trees (like the famous divi-divi) to the southwest. The European influence appears in the architecture, characterized by the Dutch gables painted in tropical pastel tones. This is also evident in the coexistence of the local language, Papiamento, with English, Dutch and Spanish. The country does not have fresh water but it has desalinated water of excellent quality and you can safely drink tap water. The small country is a major producer and exporter of aloe vera (aloe vera) and is strong in the financial and fishing sectors, in addition to logistical services in the oil sector. It is a small island with a lot of sun and wind all the time, which favors the country's main economic activity, tourism. Its area is 179 km2 (69.1 mi2) and is densely populated by approximately 110,000 inhabitants (2020 Census) and has a per capita income of just over US$25,000 p.a. The country's capital is Oranjestad.
Aruba, pequena ilha do Caribe holandês ao largo da costa da Venezuela, tem clima seco, praias ensolaradas e ondas suaves. Ventos constantes produzem uma brisa fresca e inclinam as árvores (como a famosa divi-divi) para o sudoeste. A influência europeia aparece na arquitetura, caracterizada pelas empenas holandesas pintadas em tons pastel tropicais. Isso também fica evidente na convivência do idioma local, o papiamento, com o inglês, o holandês e o espanhol. O país não tem água doce mas tem água dessalinizada de ótima qualidade e vc pode tomar agua da torneira com segurança. O pequeno país é um grande produtor e exportador de aloé vera (babosa) e é forte no setor financeiro e de pesca além de serviços logísticos na área petroleira. É uma pequena ilha com muito sol e vento o ano todo o que favorece a principal atividade econômica do país, o turismo. Sua área é de 179 km2 (69.1 mi2) e é densamente povoada por aproximadamente 110.000 habitantes (Censo de 2020) e tem uma renda per capita de pouco mais de US$ 25,000 a.a. A capital do país é Oranjestad.
Aruba, een klein eiland in de Nederlandse Caraïben voor de kust van Venezuela, heeft een droog klimaat, zonnige stranden en zachte golven. Constante winden produceren een koel briesje en kantelen bomen (zoals de beroemde divi-divi) naar het zuidwesten. De Europese invloed komt terug in de architectuur, gekenmerkt door de Hollandse gevels geschilderd in tropische pasteltinten. Dit blijkt ook uit het naast elkaar bestaan van de lokale taal, Papiamento, met Engels, Nederlands en Spaans. Het land heeft geen zoet water maar wel ontzilt water van uitstekende kwaliteit en je kunt er veilig kraanwater drinken. Het kleine land is een belangrijke producent en exporteur van aloë vera (aloë vera) en is sterk in de financiële en visserijsector, naast de logistieke dienstverlening in de oliesector. Het is een klein eiland met de hele tijd veel zon en wind, wat de belangrijkste economische activiteit van het land, het toerisme, bevordert. Het gebied is 179 km2 (69,1 mi2) en is dichtbevolkt met ongeveer 110.000 inwoners (telling van 2020) en heeft een inkomen per hoofd van de bevolking van iets meer dan 25.000 dollar per jaar. De hoofdstad van het land is Oranjestad.
Aruba, una piccola isola dei Caraibi olandesi al largo della costa del Venezuela, ha un clima secco, spiagge assolate e onde dolci. I venti costanti producono una brezza fresca e inclinano gli alberi (come i famosi divi-divi) a sud-ovest. L'influenza europea appare nell'architettura, caratterizzata dai timpani olandesi dipinti in toni pastello tropicali. Ciò è evidente anche nella coesistenza della lingua locale, il papiamento, con l'inglese, l'olandese e lo spagnolo. Il paese non ha acqua dolce ma ha acqua desalinizzata di ottima qualità e si può bere tranquillamente l'acqua del rubinetto. Il piccolo paese è un importante produttore ed esportatore di aloe vera (aloe vera) ed è forte nei settori finanziario e della pesca, oltre ai servizi logistici nel settore petrolifero. È una piccola isola con tanto sole e vento tutto il tempo, il che favorisce la principale attività economica del paese, il turismo. La sua area è di 179 km2 (69,1 mi2) ed è densamente popolata da circa 110.000 abitanti (censimento 2020) e ha un reddito pro capite di poco superiore a US $ 25.000 all'anno. La capitale del paese è Oranjestad.
Aruba, una pequeña isla en el Caribe holandés frente a la costa de Venezuela, tiene un clima seco, playas soleadas y olas suaves. Los vientos constantes producen una brisa fresca e inclinan los árboles (como el famoso divi-divi) hacia el suroeste. La influencia europea aparece en la arquitectura, caracterizada por los frontones holandeses pintados en tonos pastel tropicales. Esto también es evidente en la coexistencia del idioma local, el papiamento, con el inglés, el holandés y el español. El país no tiene agua dulce pero tiene agua desalada de excelente calidad y se puede beber agua del grifo sin peligro. El pequeño país es un importante productor y exportador de aloe vera (sábila) y es fuerte en los sectores financiero y pesquero, además de los servicios logísticos en el sector petrolero. Es una isla pequeña con mucho sol y viento todo el tiempo, lo que favorece la principal actividad económica del país, el turismo. Su área es de 179 km2 (69.1 mi2) y está densamente poblada por aproximadamente 110,000 habitantes (Censo 2020) y tiene un ingreso per cápita de poco más de US$25,000 p.a. La capital del país es Oranjestad.
Aruba, eine kleine Insel in der niederländischen Karibik vor der Küste Venezuelas, hat ein trockenes Klima, sonnige Strände und sanfte Wellen. Konstante Winde erzeugen eine kühle Brise und neigen Bäume (wie das berühmte Divi-Divi) nach Südwesten. Der europäische Einfluss zeigt sich in der Architektur, die durch die in tropischen Pastelltönen gestrichenen holländischen Giebel gekennzeichnet ist. Dies zeigt sich auch in der Koexistenz der lokalen Sprache Papiamento mit Englisch, Niederländisch und Spanisch. Das Land hat kein Süßwasser, aber entsalztes Wasser von ausgezeichneter Qualität und Leitungswasser kann bedenkenlos getrunken werden. Das kleine Land ist ein bedeutender Produzent und Exporteur von Aloe Vera (Aloe Vera) und ist neben logistischen Dienstleistungen im Ölsektor stark im Finanz- und Fischereisektor. Es ist eine kleine Insel mit viel Sonne und Wind, was die wichtigste wirtschaftliche Aktivität des Landes, den Tourismus, begünstigt. Seine Fläche beträgt 179 km2 (69,1 mi2) und ist mit etwa 110.000 Einwohnern (Volkszählung 2020) dicht besiedelt und hat ein Pro-Kopf-Einkommen von knapp über 25.000 US-Dollar pro Jahr. Die Hauptstadt des Landes ist Oranjestad.
Aruba, une petite île des Caraïbes néerlandaises au large des côtes du Venezuela, a un climat sec, des plages ensoleillées et des vagues douces. Des vents constants produisent une brise fraîche et inclinent les arbres (comme le fameux divi-divi) vers le sud-ouest. L'influence européenne apparaît dans l'architecture, caractérisée par les pignons hollandais peints dans des tons pastel tropicaux. Cela est également évident dans la coexistence de la langue locale, le papiamento, avec l'anglais, le néerlandais et l'espagnol. Le pays ne dispose pas d'eau douce mais il dispose d'une eau dessalée d'excellente qualité et vous pouvez boire l'eau du robinet en toute sécurité. Le petit pays est un important producteur et exportateur d'aloe vera (aloe vera) et est fort dans les secteurs financier et de la pêche, en plus des services logistiques dans le secteur pétrolier. C'est une petite île avec beaucoup de soleil et de vent tout le temps, ce qui favorise la principale activité économique du pays, le tourisme. Sa superficie est de 179 km2 (69,1 mi2) et est densément peuplée d'environ 110 000 habitants (recensement de 2020) et a un revenu par habitant d'un peu plus de 25 000 $ US par an. La capitale du pays est Oranjestad.
تتمتع أروبا ، وهي جزيرة صغيرة في منطقة البحر الكاريبي الهولندية قبالة سواحل فنزويلا ، بمناخ جاف وشواطئ مشمسة وأمواج لطيفة. تنتج الرياح المستمرة نسيمًا باردًا وتميل الأشجار (مثل ديفي ديفي الشهير) إلى الجنوب الغربي. يظهر التأثير الأوروبي في العمارة التي تتميز بالجملونات الهولندية المطلية بدرجات ألوان الباستيل الاستوائية. وهذا واضح أيضًا في تعايش اللغة المحلية ، البابيامينتو ، مع الإنجليزية والهولندية والإسبانية. لا يوجد في البلاد مياه عذبة ولكنها تحتوي على مياه محلاة بجودة ممتازة ويمكنك شرب مياه الصنبور بأمان. تعد الدولة الصغيرة منتجًا ومصدرًا رئيسيًا للصبار (الألوة فيرا) وهي قوية في قطاعي المال وصيد الأسماك ، بالإضافة إلى الخدمات اللوجستية في قطاع النفط. إنها جزيرة صغيرة بها الكثير من الشمس والرياح طوال الوقت ، مما يفضل النشاط الاقتصادي الرئيسي للبلاد ، وهو السياحة. تبلغ مساحتها 179 كيلومترًا مربعًا (69.1 ميل 2) وهي مكتظة بالسكان بحوالي 110.000 نسمة (تعداد 2020) ويبلغ دخل الفرد فيها أكثر من 25000 دولار أمريكي بقليل. عاصمة البلاد هي أورانجيستاد.
ベネズエラ沖のオランダのカリブ海にある小さな島、アルバは、乾燥した気候、太陽が降り注ぐビーチ、穏やかな波に恵まれています。絶え間ない風が涼しい風を生み出し、木々を（有名なディビディビのように）南西に傾けます。ヨーロッパの影響は、熱帯のパステル トーンで描かれたオランダの切妻を特徴とする建築に現れます。これは、地元の言語であるパピアメント語と、英語、オランダ語、スペイン語が共存していることにも明らかです。この国には真水はありませんが、優れた品質の淡水化された水があり、水道水を安全に飲むことができます。この小さな国は、アロエベラ (アロエベラ) の主要な生産国および輸出国であり、石油部門の物流サービスに加えて、金融および漁業部門に強みを持っています。それは国の主要な経済活動である観光に有利な、常に太陽と風がたくさんある小さな島です。その面積は 179 km2 (69.1 mi2) で、約 110,000 人の住民 (2020 年の国勢調査) が密集しており、1 人あたりの収入は年間 25,000 米ドル強です。国の首都はオラニエスタッドです。kkkk um
The pulp is the edible part of the fruit and has a soft sweet taste. It is very aromatic and contains vitamins A, C, and K, phosphorus, iron, and calcium. The main producers are Peru, Venezuela, Colombia, Ecuador, Brazil (where it is known as maracujá doce or "sweet passion fruit"), South Africa, Rwanda and Kenya. The main importers are the United States, Canada, Belgium, the Netherlands, Switzerland, and Spain.
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Jodi Law, seen here in Old Market Square, Nottingham, is an experienced presenter, producer and reporter with a demonstrated history of working in the broadcast media industry. Jodi is an accomplisehed Broadcast Journalist for BBC East Midlands Today. Presenter / Producer - BBC Radio Nottingham.
As seen in: BBC, Nature, MDPI, NewsBreak, Daily Legal News.
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"The New Town Hall (German: Neues Rathaus) is a town hall on the Schlossplatz in Wiesbaden, Hesse, Germany. It hosts the city government including the city council, offices of the mayors and part of the administration. It was built between 1884 and 1887 by Georg von Hauberrisser in a Renaissance Revival architecture style. The basement is almost completely occupied by a restaurant called Ratskeller.
Wiesbaden (German pronunciation: [ˈviːsˌbaːdn̩]) is a city in central western Germany and the capital of the state of Hesse. As of June 2020, it had 290,955 inhabitants, plus approximately 21,000 United States citizens (mostly associated with the United States Army). The Wiesbaden urban area is home to approximately 560,000 people. Wiesbaden is the second-largest city in Hesse after Frankfurt am Main.
The city, together with nearby Frankfurt am Main, Darmstadt, and Mainz, is part of the Frankfurt Rhine Main Region, a metropolitan area with a combined population of about 5.8 million people.
Wiesbaden is one of the oldest spa towns in Europe. Its name translates to "meadow baths", a reference to its famed hot springs. It is also internationally famous for its architecture and climate—it is also called the "Nice of the North" in reference to the city in France. At one time, Wiesbaden had 26 hot springs. As of 2008, fourteen of the springs are still flowing.
In 1970, the town hosted the tenth Hessentag Landesfest (English: Hessian Day, a state festival).
The city is considered the tenth richest in Germany (2014) boasting 110.3% of the national average gross domestic product in 2017. The average annual buying power per citizen is €24,783.
Rheingau is one of 13 designated German wine regions (Weinbaugebiete) producing quality wines (QbA and Prädikatswein). It was named after the traditional region of Rheingau (meaning "Rhine district"), the wine region is situated in the state of Hesse, where it constitutes part of the Rheingau-Taunus-Kreis administrative district. Although, making up only 3 percent of the total German vineyard area, Rheingau has been the source of many historically important innovations in German wine making, and contains many wine producers of international reputation, such as Schloss Johannisberg. Rheingau, with 3,125 hectares (7,720 acres) of vineyards in 2016, also boasts a higher proportion of Riesling (77.7%) than any other German wine-growing region, with Spätburgunder (Pinot noir) making up most of the rest (12.2%), followed by Müller-Thurgau.
The geography of the Rheingau is very distinct. Around Wiesbaden, the river Rhine detours from its northward flow west for about 30 km before it flows north again. The greater part of the Rheingau is situated here on the river's right bank, but the region also includes the stretch along Rhine after it turns northward again, around the villages Assmannshausen and Lorch. The vineyards in Hochheim on the Main river are also included, just before it flows into Rhine. The Rheingau spans about 50 km from end to end. North of the Rheingau rises the Taunus mountain range, so most of the Rheingau's vineyards are on south-facing slope between hills and streams, which provides excellent wine-growing conditions in these northerly latitudes.
Since the Verona donation in 983, the Rheingau belonged to the archbishopric of Mainz. Legend has it that Charlemagne let the first vineyards be planted in the region, close to present-day Schloss Johannisberg. However finds like a Roman origin grapevine cutting knife point to even earlier cultivation. Better documented is the early influence of the church on Rheingau winemaking, which was controlled from Eberbach Abbey. Augustinians and Benedictines are known to have inhabited the area of the later abbey from 1116, and in 1135 the Cistercians arrived, sent out from Clairvaux. Legend has it that the Cistercians, which are also credited with having founded the wine industry in Burgundy, brought Pinot noir with them to Rheingau, although the earliest record of the grape variety in Rheingau is from 1470. The slopes down from the Taunus mountains belonging to Eberbach Abbey were planted as vineyards in the 12th century, and early in the 13th century the vineyards had reached their present area. In medieval times, more red than white wine was produced, usually as Gemischter Satz, i.e. the vineyards were planted with mixed varieties which were vinified together.
Rheingau Wine Official Classification of 1867
In 2011 it was unveiled, that the Official Wine Classification in the Rheingau has a 150 years history. The classification was the basis for taxation of wineries after the annexation of the Duchy of Nassau by the Kingdom of Prussia in 1866. In the book Der nassauische Weinbau published in 1867 by Friedrich Wilhelm Dünkelberg a historical map Weinbau-Karte des nassauischen Rheingaus (Viticultural map of the Rheingau in the Duchy of Nassau), all known vineyards at that time had been marked up by colour, evaluated and classified in first class vineyards (I. Klasse), second class vineyards (II. Klasse) and the remaining vineyards." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Trolza-5265.00 (Трольза-5265.00) named Megapolis, was the first fully low-floor model designed by the CJSC "TrolZa" (ЗАО «ТролЗа») and mass-produced at 2005-19 with total production of 1077 ones. On its base by the PC Transport Systems LLC was developed PKTS-6281 Admiral (ПКТС-6281 "Адмирал") - new family of Russian low-floor trolleybuses. The Uritsky plant (Завод имени Урицкого; later the TrolZa) located in Engels, Saratov region of Russia was the largest trolleybus manufacturer of USSR that started its production in 1951 y. The Uritsky plant produced trolleybuses under the ZiU brand (Zavod imeny Uritskogo - The Plant named after Uritsky). After recent bankrupcy the TrolZa plant was reorganised to the Engels Electric Transportation Plant (Энгельсский завод электрического транспорта) that continued to produce trolleybuses for the new company - PC Transport Systems LLC. The PC Transport Systems LLC was founded by Felix Vinokur in 2013. As early as 2014 at the leased facilities of the Tver Carriage Works new company launched the production of trams. They are currently producing the most modern streetcars that can be seen in Moscow, St Petersburg and others Russian cities
Behind Tristan is producer-singer Isolde Van den Bulcke.
Isolde, previously known as Siam, reincarnated as the more grown-up version of herself, developed into ambient pop that sounds dark, spacious and full of jazz. But there’s humour in everything she does.
Digging through the archive, here's a chimney of an eastern power-heating generating plant (producer) and some apartment buildings (consumers). January 2020., pre-pandemic era.
Taken with Panasonic GX7 digital mirrorless camera and adapted Sigma 135–400mm F4.5–5.6 APO DG ultra-telephoto lens, via off-brand FourThirds-microFourThirds adapter.
Vessel Specifications
Administrative port: N/A
Home port: Teignmouth
Port letters and number: EX:(SE1; FY506)
Vessel name: SUMMER WINE
Registry of Shipping and Seamen number:
Licence number: EU#GBR000A17401 2002-04-18 - Reason: CHANGE IN ACTIVITY
Fish producer organisation:
Overall length: 7.13 m (meters)
Registered tonnage: 3.43 mt
Engine Power (kw): 26
Vessel Capacity Units:
Year Built: 1979
Hull Material: WOOD
Country of Build: GBR
Licence Category: EX: CATEGORY A (10 METRE AND UNDER)
The Duchess copper deposit was discovered by Jack Kennedy, the son of pioneer pastoralist Alexander Kennedy, in 1897. In 1906 the Hampden-Cloncurry Copper Mines Ltd acquired it and it became the richest producer in the region. By 1912, Hampden-Cloncurry had also gained control of the rich Trekelano copper mine to the south of the smaller Mount Mascotte mines to the north. The ore was railed to Kuridala for processing. However, in 1918 continuing labour shortages, breakdowns, exhaustion of the high-grade oxidised ore, and the drastic postwar drop in copper prices forced the closure of most of the company’s mines including Duchess. At the time, the Duchess copper mine boasted a 100 ton capacity bin. This elaborate structure was the wonder of northwest Queensland at the time and it enabled a full train to be loaded in a relatively short time. Mining activities in the region then almost ceased. The Duchess mine had produced 204 865 t of ore that yielded 25 155t of copper, 76kg of gold and 62kg of silver.
The Duchess orebody occurred in a steep west-dipping shear zone that cuts granite and dolerite, which are probably the same age as the Burstall Granite, and mica schist and calc-silicate rocks of the Corella Formation. The lode in the upper levels of the mine consisted of bornite and subordinate chalcocite, malachite, and cuptire in calcite, but at deeper levels chalcopyrite with quartz was dominant. The mine was worked to a depth of 259m. Today only concrete footings of the machinery remain, apart from a small pit and trenches excavated by more recent exploration. Malachite forming veins and fracture coatings in quartz, and some pyrite can be found on the site. Numerous smaller copper mines occur in the vicinity of Duchess but most are very small.
The Duchess railway opened on the 21st of October 1912 as a temporary terminus for the Great Western Railway construction project. The Hampden Co pressured for the early completion of the line to Duchess to reach its copper mine situated near the station. Ore was forwarded on the 10th of June 1912 as soon as the rails reached Duchess, several months before all the bridging and ballasting was completely finished, such was the urgency.
When the railway arrived in 1912 a small town sprung up on both sides of the station. Amenity comprised a hotel, store, butcher, school, police station, and a post office. There was a local activity as shown by passenger traffic levels at around 4000 annual journeys. Distant travellers were catered for by the connecting road coach services. A weekly coach ran from here to Camooweal via Colton Hills (320km), taking in mines and pastoral stations on the way. The service departed Duchess on Thursday at 0800am and arrived at Camooweal by 1800pm. Another coach service ran to Trekelano mine twice a week on a day return.
At first there was no water infrastructure required here, locos apparently running to and from Duchess ex Malbon without filing tender tanks. However when the Trekelano tramway opened in 1917 the locos were required to haul a water gin owing to the extra distance involved. In 1918 the manager of the Duchess mine offered Queensland Rail (QR) access to a mine well and this was availed of. QR erected a 30 000 gallon tank for loco water. After the mines closed QR was able to tape the shafts of several mines in turn to maintain supply, which water was suitable after softening.
Rail passenger figures remained firm for a few years by dipped after 1921 and settled at around 1200 annually until the late 1950s when they increased to the mid-1960s, probably due to workers from the Mount Isa Line rehabilitation project. A sharp decline then ensued, and numbers dwindled to a couple of hundreds per year.
The downturn in smelting saw Duchess ore loadings terminate abruptly at the end of 1920. The Hampden Co closed the Duchess mine in 1921 and the site was not revived until 1926 when the dumps were able to be sold for smelting. QR repaired the long unsued siding to allow safe access and over the next 18 months the dumps were completely removed. The Hampden Co has no further use for the mine (its workings completely flooded by then) and none for the rail connection so it sold the siding to QR in 1928. The mine plant and the rail weighbridge were removed at the same time. Penny packets of ore continued to be sent away throughout the 1930s by district gougers and tributers, presumably loaded at the mine siding.
The copper ore and limestone traffic revived in the earnest for Mount Isa Mines from the late 1940s and a few thousand tons annually were loaded at Duchess for a while and again in the mid-1960s at around 10 000 annual tons. No copper ore or limestone was loaded after 1970. The largest single burst ore traffic came from the Phosphate Hill mine in 1975 and 1976 when phosphatic rock to the order of 176 000 tons was road trucked to rail at Duchess pending completion of the Flynn to Phosphate Hill railway and associated loaders at the mine.
The station lost its status as a terminus when the line was continued to Butru in 1915 but the place came into its own when the Mount Isa mining filed was discovered and subsequently developed. Traffic for Mount Isa went through Duchess as it was the closest railhead. The railway extension to Mount Isa officially opened on the 17th of May 1929 and Duchess became the junction to Dajarra and Mount Isa from this time. The yard was expanded, and a full suite of signals was installed. The station was protected from three directions (Mount Isa, Dajarra, and Cloncurry) by distant and home signals all worked from a six lever frame near the station office.
Some sidings were re-arranged to a new layout. The goods shed road was lifted at one end and relaid around the Mount Isa curve where a new loading bank was installed. The passing loop was extended at the Dajarra end to run beyond the Mount Isa turn out. A refreshment room was established in 1929 when the new line opened and it catered for passengers on the Mail plus the mixed trains and those transferring to and from the Dajarra service. The rooms remained in business until 1938 and benefited from the Dajarra service being worked from Mount Isa for a period in the 1930s.
Additional staff and their accommodations were placed at Duchess from 1929, including track gangs and train crews. The train crews were necessary to do away with the need for Cloncurry crews to run the full distance to Mount Isa on overnight rest.
The mine siding remained in place until around 1950 when it was lifted and an alternative ore loading ramp provided between the legs of the angle that was served by a new length of siding. The rehabilitation project of 1961 – 1962 saw the crossing loop extended at the Cloncurry end and the Up home signal moved further out.
The place generated enough traffic to justify the appointment of a station master, particularly when the copper boom lasted. However, when ore traffic ceased in 1921 the place was immediately downgraded to a gate. Developments from Mount Isa from 1924 onwards saw the station master position returned in 1928 when construction of the extension was underway and Duchess becoming a junction station. Fettling gangs were placed at Duchess to maintain the track in three directions.
The station master position lasted until 1972 when replaced by Porter-in-Charge under gate conditions but the building and opening of the Phosphate Hill branch and a rise in ore traffic caused the position to be reinstated in 1975. Changed in train running and safe working led to the final demise of the station master office in 1988 and the place was unattended from the 30th of September that year. The introduction of mechanised gangs from 1966 led to the gradual attrition of the fettling gangs and track inspectors and from a high point of 20 or so staff and a dozen departmental residences the Duchess staffing establishment dwindled to nothing by the late 1990s.
In 1988 Train Order Working was implemented here and yard rationalisation was initiated in instalments from this time through to 2004. Removed during this phase were the goods shed, water softener, ore loading siding, goods shed sign and loading bank, the western leg of the angle and, a little later, the eastern leg plus the Dajarra line stub and loop continuation at that end of the yard. The loco water tank was retained as the basis for the town water supply after being lifted from its stand and mountain at ground level. The wooden station office (a 1949 replacement to the original which was destroyed by fire) was demolished in 2006. Its substitute is a new high level, short length, passenger platform and rudimentary shelter.
The Duchess township slowly diminished in concert with the railway attrition and by 2007 was down to a few houses, the hotel, and the corrugated iron public hall (with children’s playground intact). The opening of the Trekelano mine and associated camp 14km out of town in 2005, with the access road junctioning at Duchess, gave the hotel a welcome injection of custom.
Source: Rocks and Landscapes of Northwest Queensland by Laurie Hutton and Ian Withnall, Copper in the Curry by Norman Houghton.
Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge.
Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, "pici" pasta, lentils, and honey, it is known world-wide for its wine. Connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italy's best.
According to legend, it was founded by the Etruscan King Lars Porsena of Chiusi; recent findings prove that a settlement was already in existence in the 4th-3rd centuries BC. In Roman times it was the seat of a garrison guarding the main roads of the area.
After the fall of the Western Roman Empire, it developed as a religious center under the Lombards. In the 12th century it was repeatedly attacked by the Republic of Siena, which the Poliziani faced with the help of the Perugia and Orvieto, and sometimes Florence, communes. The 14th century was characterized by constant struggles between the local noble families, until the Del Pecora family became rulers of the town. From 1390, Montepulciano was a loyal ally (and later possession) of Florence and, until the mid-16th century, lived a period of splendour with architects such as Antonio da Sangallo the Elder, Jacopo Barozzi da Vignola, Baldassarre Peruzzi, Ippolito Scalza and others, building luxurious residences and other edifices here.
After the unification of Italy and the drying of the Val di Chiana, the town remained the most important agricultural centre in the area, while the industrial activities moved mostly next to Chiusi, which was nearer to the railroad being built in that period.
The main street of Montepulciano stretches for 1.5 kilometres from the Porta al Prato to the Piazza Grande at the top of the hill. The city is renowned for its walkable, car-free nature. In the Piazza Grande, there are several stalls as of 2014, which offer the ability to taste wine from the local vineyards. The Cantina Contucci is off the Piazza Grande, where you can view how the city's jail was converted into a wine cellar. The Contucci family claims to have made wine and owned vineyards for over 40 generations, or over 1000 years in the Montepulciano area.
(Wikipedia)
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I returned to Tuscany after several years during a prolonged August weekend to explore famous hilltop settlements and enjoy Chianti & Montepulciano red wines.
Montepulciano is one of those picturesque hilltop settlements that shouldn't be missed - really a lovely place to lazily stroll around and enjoy the slow-paced atmosphere of summer evening.
French postcard by Editions F. Nugeron, no. Star 130. Photo: Air France / Distribution VU. Caption: Orson Wells (sic), Septembre 1967.
American actor, director, writer and producer Orson Welles (1915-1985) worked in theatre, radio and film, both in the US and in Europe. He is remembered for his innovative work in all three media, most notably Caesar (1937), a groundbreaking Broadway adaptation of Julius Caesar and the debut of the Mercury Theatre; The War of the Worlds (1938), one of the most famous broadcasts in the history of radio; and Citizen Kane (1941), ranked as one of the all-time greatest films. His other films include The Magnificent Ambersons (1942), Touch of Evil (1958) and Le Procès/The Trial (1962).
George Orson Welles was born in Kenosha, Wisconsin, in 1915. He was the second son of Beatrice (née Ives) and Richard Hodgdon Head Welles. In 1919, his parents separated and moved to Chicago. His father, who made a fortune as the inventor of a popular bicycle lamp, became an alcoholic and stopped working. His brother ‘Dickie’ was institutionalized at an early age because he had learning difficulties. Welles's mother, a beautiful concert pianist, had to support her son and herself. In 1924, Beatrice died of hepatitis in a Chicago hospital, just after Welles's ninth birthday. He was taken in by Dudley Crafts Watson. At the age of ten Orson ran away from home with Watson's third daughter, Marjorie. They were found a week later, singing and dancing for money on a street corner in Milwaukee. Welles' father died when Orson was 15. Maurice Bernstein, a physician from Chicago, became his guardian. His school teacher Roger Hill provided Welles with an ad hoc educational environment that proved invaluable to his creative experience, allowing Welles to perform and stage theatrical experiments and productions. Welles was awarded a scholarship to Harvard University, but he chose instead to travel to Europe. In Ireland, he strode into the Gate Theatre in Dublin and claimed he was a Broadway star. The manager of Gate, Hilton Edwards, was impressed by his brashness and an impassioned quality in his audition. Welles made his stage debut at the Gate in 1931, appearing in Jew Suss as the Duke. He acted to great acclaim, word of which reached the United States. On returning to the United States he wrote the immensely successful Everybody's Shakespeare. In 1933, he toured in three off-Broadway productions with Katharine Cornell's company, including two roles in Romeo and Juliet. In 1934, he shot his first film, an eight-minute short titled The Hearts of Age, and he married Chicago actress Virginia Nicholson. By 1935 Welles was supplementing his earnings in the theatre as a radio actor, working with many actors who would later form the core of his Mercury Theatre.
In 1936, the Federal Theatre Project (part of Roosevelt's Works Progress Administration) put unemployed theatre performers and employees to work. Orson Welles was hired by John Houseman and assigned to direct a play for the Federal Theatre Project's Negro Theatre Unit. His production of Macbeth was set in the Haitian court of King Henri Christophe, with voodoo witch doctors for the three Weird Sisters. The play was received rapturously and later toured the nation. At 20, Welles was hailed as a prodigy. A few minutes of Welles’ ‘Voodoo Macbeth’ was recorded on film in the documentary We Work Again (1937). Welles rehearsed Marc Blitzstein's political operetta, The Cradle Will Rock, but because of severe federal cutbacks in the Works Progress projects, the show's premiere at the Maxine Elliott Theatre was cancelled. In a last-minute move, Welles announced to waiting ticket-holders that the show was being transferred to the Venice, twenty blocks away. Some cast, crew and audience members walked the distance on foot. Lacking the participation of the union members, The Cradle Will Rock began with Blitzstein introducing the show and playing the piano accompaniment on stage with some cast members performing from the audience. This impromptu performance was well received and played at the Venice for two more weeks. Welles and Houseman then formed the Mercury Theatre, of which Welles became executive producer and whose repertory company eventually included the actors Agnes Moorehead, Joseph Cotten, Dolores del Río, Everett Sloane, and Erskine Sanford. The first Mercury Theatre production was William Shakespeare's tragedy Julius Caesar, set in a contemporary frame of fascist Italy. The production was widely acclaimed. In the second year of the Mercury Theater, Welles shifted his interests to radio. He adapted, directed and played Hamlet for CBS and Les Misérables for Mutual with great success. CBS gave the Mercury Theatre a weekly hour-long show to broadcast radio plays based on classic literary works. In 1938, their adaptation of The War of the Worlds by H. G. Wells brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners from the rival more popular Edgar Bergen/Charlie McCarthy program was later reported in the media to have created widespread confusion. Wikipedia: “Panic was reportedly spread among listeners who believed the news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech some months later. The 1975 docudrama The Night That Panicked America was based on events centering on the production of, and events that resulted from the program.”
Orson Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. RKO Radio Pictures president George Schaefer eventually offered him complete artistic control and signed Welles in a two-picture deal, although Welles had a budget limit for his projects. In Hollywood, Welles toyed with various ideas for his first project. RKO rejected Welles's first two movie proposals, but agreed on the third offer, Citizen Kane (1941), for which Welles co-wrote, produced, directed and performed the lead role. Co-scriptwriter Joseph Mankiewicz based the original outline on an exposé of the life of William Randolph Hearst, whom he knew socially and came to hate, having once been great friends with Hearst's mistress, Marion Davies. Kane's megalomania was modelled loosely on Robert McCormick, Howard Hughes and Joseph Pulitzer as Welles wanted to create a broad, complex character, intending to show him in the same scenes from several points of view. On Welles's instruction, John Houseman wrote the opening narration as a pastiche of The March of Time newsreels. Autobiographical allusions to Welles were worked in, most noticeably in the treatment of Kane's childhood and particularly, regarding his guardianship. Once the script was complete, Welles attracted cinematographer Gregg Toland, and actors from his Mercury Theatre. After gossip columnist Hedda Hopper saw a preview screening of Citizen Kane, the attempted suppression of Citizen Kane started. Hearst's media outlets boycotted the film. They exerted enormous pressure on Hollywood, but RKO gave the film a limited release. The film was well-received critically, and garnered nine Academy Award nominations. Welles was nominated as a producer, director, writer and actor, but won only for Best Original Screenplay, shared with Mankiewicz. Today, the film is considered by most film critics and historians to be one of the classics in film history.
Orson Welles's second film for RKO was The Magnificent Ambersons (1942), adapted from the Pulitzer Prize-winning novel by Booth Tarkington. At RKO's request, Welles worked also on an adaptation of Eric Ambler's spy thriller, Journey into Fear (Norman Foster, 1943), co-written with Joseph Cotten. In addition to acting in the film, Welles was the producer. Changes throughout RKO caused re-evaluations of both projects. RKO took control of The Magnificent Ambersons, and ordered to edit the film into a ‘commercial’ format. They removed fifty minutes of Welles's footage, re-shot sequences, rearranged the scene order, and added a happy ending. It resulted in an expensive flop for RKO, although The Magnificent Ambersons received four Academy Award nominations including Best Picture and Best Supporting Actress for Agnes Moorehead. Welles found no studios interested in him as a director after the disaster of The Magnificent Ambersons and worked on radio. In 1943, he married Rita Hayworth. They had one child, Rebecca Welles, and divorced five years later in 1948. In between, Welles found work as an actor in other films. He starred in the film adaptation of Jane Eyre (Robert Stevenson, 1944), trading credit as associate producer for top billing over Joan Fontaine. He had a cameo in the wartime salute Follow the Boys (A. Edward Sutherland, 1944), in which he performed his magic act ‘sawing’ Marlene Dietrich in half. In 1946, Sam Spiegel produced The Stranger (Orson Welles, 1946), starring Edward G. Robinson, Loretta Young and Welles. The film follows the hunt for a Nazi war criminal living under an alias in the United States. Although disputes occurred during editing between Spiegel and Welles, the film was a box office success and it helped his standing with the studios. He then filmed The Lady from Shanghai (Orson Welles, 1947) for Columbia Pictures, in which his then-estranged second wife Rita Hayworth co-starred. Cohn disliked Welles's rough-cut, and ordered extensive editing and re-shoots. Approximately one hour of Welles's first cut was removed, including much of a climactic confrontation scene in an amusement park funhouse. The film was considered a disaster in America at the time of release, though the closing shootout in a hall of mirrors has since become a touchstone of film noir. Welles convinced Republic Pictures to let him direct a low-budget version of Macbeth (Orson Welles, 1948). Republic initially trumpeted the film as an important work but decided it did not care for the Scottish accents and held up general release for almost a year after early negative press reaction. In the late 1970s, a fully restored version of Macbeth was released that followed Welles's original vision.
Orson Welles left Hollywood for Europe. In Italy he starred as Cagliostro in Black Magic (Gregory Ratoff, 1948) with Akim Tamiroff. His co-star impressed Welles so much that Tamiroff would appear in four of Welles's later productions. Welles starred as Harry Lime in Carol Reed's The Third Man (1949), alongside Joseph Cotten. The film was an international smash hit. Welles also appeared as Cesare Borgia in the Italian film Prince of Foxes (Henry King, 1949), and as the Mongol warrior Bayan in The Black Rose (Henry Hathaway, 1950), both with Tyrone Power. Welles was channelling his money from acting jobs into a self-financed film version of Shakespeare's play Othello. From 1949 to 1951, Welles filmed Othello (1952) on location in Europe and Morocco. Suzanne Cloutier co-starred as Desdemona. When it premiered at the Cannes Film Festival it won the Palme d'Or, but the film did not receive a general release in the United States until 1955. Welles's daughter, Beatrice Welles-Smith, restored Othello in 1992 for a wide re-release. Welles played the murdered victim in Trent's Last Case (Herbert Wilcox, 1952) and the title role in the 'Lord Mountdrago' segment of Three Cases of Murder (George More O'Ferrall, 1954). Herbert Wilcox cast Welles as the antagonist in Trouble in the Glen (1954) opposite Margaret Lockwood, and John Huston cast him as Father Mapple in Moby-Dick (1956), starring Gregory Peck. Welles's next turn as director was Mr. Arkadin (Orson Welles, 1955), filmed in France, Germany, Spain and Italy on a very limited budget. Welles played a billionaire who hires a man (Robert Arden) to delve into the secrets of his past. The film co-starred Welles's third wife, Paola Mori. Frustrated by his slow progress in the editing room, producer Louis Dolivet removed Welles from the project and finished the film without him as Confidential Report. In 1956, Welles returned to Hollywood and guest-starred on radio and television shows. His next film role was in Man in the Shadow (Jack Arnold, 1957) for Universal Pictures, starring Jeff Chandler. Around this time period, Welles began to suffer from weight problems that would eventually cause a deterioration in his health. Welles stayed on at Universal to co-star with Charlton Heston in Touch of Evil (Orson Welles, 1958). Originally only hired as an actor, Welles was promoted to director by Universal at the insistence of Heston. He reunited with many actors and technicians with whom he had worked in the 1940s including Joseph Cotten, Marlene Dietrich and Akim Tamiroff. Filming proceeded smoothly, but after the end of production, the studio re-edited the film, re-shot scenes, and shot new exposition scenes to clarify the plot. In 1978, a longer preview version of the film was discovered and released. Next, Welles filmed his adaptation of Miguel de Cervantes' novel Don Quixote in Mexico, starring Mischa Auer as Quixote and Akim Tamiroff as Sancho Panza. While filming would continue in fits and starts for several years, Welles would never complete the project. Welles continued acting, notably in The Long, Hot Summer (Marin Ritt, 1958) and Compulsion (Richard Fleischer, 1959), but soon he returned to Europe.
In Italy, Orson Welles directed his own scenes as King Saul in David e Golia/David and Goliath (Ferdinando Baldi, Richard Pottier, 1959). In Hong Kong he co-starred with Curt Jürgens in Ferry to Hong Kong (Lewis Gilbert, 1959). In Paris he co-starred in Crack in the Mirror (Richard Fleischer, 1960). In Yugoslavia he starred in I tartari/The Tartars (Richard Thorpe, 1962) and Bitka na Neretvi/Battle of Neretva (Veljko Bulajić, 1969). In 1962, Welles directed Le Procès/The Trial (Orson Welles, 1962), based on the novel by Franz Kafka and starring Anthony Perkins as Josef K, Jeanne Moreau and Romy Schneider. The film failed at the box-office, but during the filming, he met Oja Kodar, who became his muse, star and mistress for the rest of his life. Welles played a film director in La Ricotta (1963)—Pier Paolo Pasolini's segment of the anthology film Ro.Go.Pa.G. He continued taking what work he could find acting, narrating or hosting other people's work, and began filming Campanadas a medianoche/Chimes at Midnight (Orson Welles, 1966). Filmed in Spain, it was a condensation of five Shakespeare plays, telling the story of Falstaff (Welles) and his relationship with Prince Hal (Keith Baxter). Then followed Histoire immortelle/The Immortal Story (Orson Welles, 1968) with Jeanne Moreau, which had a successful run in French theatres. He appeared as Cardinal Wolsey in A Man for All Seasons (Fred Zinnemann, 1966) for which he won considerable acclaim. Welles began directing The Deep, based on the novel Dead Calm by Charles Williams and filmed off the shore of Yugoslavia. The cast included Jeanne Moreau, Laurence Harvey and Oja Kodar. Personally financed by Welles and Kodar, they could not obtain the funds to complete the project, and it was abandoned a few years later after the death of Harvey. The surviving footage was eventually edited and released by the Filmmuseum München. In 1969, Welles played a supporting role in John Huston's The Kremlin Letter. Drawn by the numerous offers he received to work in television and films, and upset by a tabloid scandal reporting his affair with Kodar, Welles moved back to America in 1970.
In Hollywood, Orson Welles continued to self-finance his own film and television projects. While offers to act, narrate and host continued, Welles also found himself in great demand on television talk shows. His primary focus during his final years was The Other Side of the Wind, an unfinished project that was filmed intermittently between 1970 and 1976. Written by Welles, it is the story of an aging film director (John Huston) looking for funds to complete his final film. Financed by Iranian backers, ownership of the film fell into a legal quagmire after the Shah of Iran was deposed, and disputes still prevent its release. Welles portrayed Louis XVIII of France in Waterloo (Sergey Bondarchuk, 1970), and narrated the historical comedy Start the Revolution Without Me (Bud Yorkin, 1970). He appeared in La décade prodigieuse/Ten Days' Wonder (Claude Chabrol, 1971), co-starring with Anthony Perkins. Wikipedia: “That same year, the Academy of Motion Picture Arts and Sciences gave him an honorary award "For superlative artistry and versatility in the creation of motion pictures". Welles pretended to be out of town and sent John Huston to claim the award. Huston criticized the Academy for awarding Welles, even while they refused to give Welles any work.” Welles played Long John Silver in Treasure Island (John Hough, 1972), an adaptation of the Robert Louis Stevenson novel. He completed F for Fake (Orson Welles, 1973) , a personal essay film about art forger Elmyr de Hory and the biographer Clifford Irving, and his documentary Filming Othello (Orson Welles, 1979). During the 1980s, Welles worked on such film projects as The Dreamers, based on two stories by Isak Dinesen. His last film appearance was in Henry Jaglom's Someone to Love (1987), released after his death. Welles had three daughters: Chris Welles Feder (1938), with Virginia Nicholson; Rebecca Welles Manning (1944–2004), with Rita Hayworth; and Beatrice Welles (1955), with Paola Mori. His only known son, British director Michael Lindsay-Hogg (1940), is from Welles's affair with Irish actress Geraldine Fitzgerald, then the wife of Sir Edward Lindsay-Hogg, 4th baronet. On 10 October 1985, Orson Welles appeared on his final interview on The Merv Griffin Show. He died several hours later of a heart attack at his home in Los Angeles. His estranged wife Paola Mori refused to allow most of Welles's friends to attend the funeral, limiting the mourners to just nine: herself, Welles's three daughters, Roger Hill, and three of Welles's friends, as well as the doctor who had signed Welles's death certificate. Welles's companion for the last 20 years, Oja Kodar, was not invited, nor were either of his ex-wives. Welles's ashes were taken to Ronda, Spain, where they were buried in an old well covered by flowers, within the rural property of a long-time friend, retired bullfighter Antonio Ordóñez.
Sources: Ed Stephan (IMDb), Wikipedia, and IMDb.
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Caney Junction, Moss, Meade Fork, Governor George Allen, and “LENOWISCO Unfair to Local Landowners”—Life in Southwest Virginia
The demand for coal during World War II was intense, and no one knew with any certainty when the war would end, or how it would turn out. The Clinchfield Coal Company determined the most economically recoverable coal deposits on the south side of Sandy Ridge, in Dickenson County, Va., were nearing depletion. The unaffiliated coal producer advised the Clinchfield Railroad of its desire to mine what was known as the Clintwood coal reserves. It would require a branch off the CRR main through demanding terrain. Location studies were initiated in 1943 and completed in 1944. The 14.6-mile line from a junction just south of Fremont to the proposed tipple site at Moss required a “ramp” from the mainline junction (to be named “Caney”) blasted from the side of the mountain to gain sufficient elevation to turn west into 2250-foot Bear Pen Gap Tunnel.
As all this unfolded, the Clinchfield Coal Company was acquired by the Pittston Company, which itself was controlled by the Allegheny Corporation—the overarching financial giant that controlled the Chesapeake & Ohio Railroad. The C&O filed a petition of intervention to the Clinchfield’s line, arguing it was better positioned to serve the new production area. Chessie’s Road wanted to build a line out of Jenkins, Ky. (on its Sandy Valley & Elkhorn Extension) to reach a proposed tipple site on the western side of what is today known colloquially as “Red Onion Mountain.” The name came from an old country store and bootleg “joint” at the top of the ridge---an appropriate choice since the Commonwealth of Virginia later built Red Onion Prison not far away. The “supermax” facility houses the “worst of the worst” in Virginia’s penal network and was opened in 1998. Of the 800 inmates housed there, there are indeed some notorious characters. Red Onion is the home of surviving "Beltway sniper" Lee Boyd Malvo. A portion the off-site infrastructure planning and construction fell into LENOWISCO’s lap during this period, so I spent a lot of time working with officials in the towns of Pound and Clintwood, and Dickenson and Wise Counties on the provision of access roads, water, and wastewater services. As it turned out, the only feasible way to provide sewer service was through a line down McFall Branch on the west side of the mountain to an expanded sewage plant in Pound. Much of the line was built on the former C&O right of way. The construction of the line was not without some local bellyaching and controversy, as some of the greedier landowners along the route expected their palms to be greased with generous “giverment” money for easements. During this project, I spent an inordinate amount of my professional work time dealing with these constant brushfires. One of our employees was threatened by a local landowner (who didn’t even live there!), so I had to step in (with legal help) to put a stop to such stuff. The sewer line to Red Onion Prison did not rate high in my list of “favorite” projects. When then-governor George Allen visited the construction site, he was driven there over the very road where we were trying to secure the easements. Some local morons (of which there were many) had erected signs along the way---like the old Burma Shave signs once familiar along the country’s many pre-Interstate highways. One sequence of signs read (in order): “LENOWISCO Unfair to Local Landowners,” “Millions for Others, Nothing for Us,” “Where’s OUR Money?,” and “God Bless America—and Welcome Governor Allen.” Not surprisingly, as soon as I rolled up to the site where site prep on the prison was underway, a staffer came over to the car. “Mr. Flanary—the Governor wants to talk with you.” To his credit, once I explained, Allen had a good laugh, patted me on the shoulder, and told me we were doing a great job. I sincerely appreciated the boost. The sewer line was completed on time and within budget, and I checked that one off my “to do” list.
So, getting back to the railroad part of the story---In a surprise ruling, the ICC granted rights to both the Clinchfield and C&O to build their respective branches. Construction finally began on the Clinchfield’s line in January 1946 with the first load of coal loaded at Moss (by a high-lift loader, as the tipple wasn’t yet finished) the following June. The line cost the railroad $2.6 million, but it would pay for itself many times over during its years of regular operation. In the 70s, for example, the Fremont Branch (as it was named) required the services of two “Moss Turns” every working day. Moss also had a coal prep plant, so as lesser quality seams were mined, loads ran in both directions on the branch. Raw coal from other Clinchfield-served mines were pulled to Moss to be processed with coal being fed directly to the plant, with the returning runs bringing the clean coal back to the main at Caney.
The C&O also experienced delays in building an ambitious rail line out of Jenkins to a tipple at “Meade.” The branch required a long tunnel under Pine Mountain (not to mention a switchback just to start the assault out of Jenkins), then a coiling descent to the Pound River and McFall Branch to reach the mine site. This ill-advised adventure cost the C&O $3 million and would turn out to be an enormous mistake. The tunnel under Pine Mountain had to go through a mixture of limestone, sandstone, shale, conglomerate, coal, loose earth, mud and gas (methane) pockets. The bore had to be lined with a thick wall of concrete reinforced with heavy structural beams. Even with more modern construction technology and materials, progress on some days could only be measured in inches. The tipple at Meade Fork didn’t last long, however, as it was more economical to build an underground shaft from there to the large tipple and prep plant at Moss. Except for some truck mines loading at Pound, Va., there wasn’t much left for the C&O to pull from its Meade Fork Extension. The compound 2-6-6-2s that worked the line (same class as former C&O 1309 running out of Cumberland, Maryland today) were replaced by GP7s and GP9s, but the trips from Jenkins through Pine Mountain became rare by the late 50s and early 60s. To no one’s surprise, the ICC soon allowed the C&O to abandon the line. The tunnel under Pine Mountain soon was impassable because of cave ins, so both portals were sealed.
When I photographed CSX Extra 7880 South approaching the junction at Caney on August 12, 1994, most of the coal activity on the branch was over. Given the date, I might have been in the area dealing with the prison sewer issue. A chip loading operation near the old Moss site kept the line open a little longer, with the woodchips headed to the large papermill in Kingsport, Tennessee. As that plant cut back production with ownership changes, the Fremont Branch fell into complete disuse. It’s still in place, however, as hope springs eternal that its services might be needed yet again one day. There are still many recoverable metallurgical coal reserves within reach of the line.