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Part of our Flickr group weekly challenge. To process and/or manipulate a picture supplied by the previous winner in the group.
Original picture is Here:
www.flickr.com/photos/josama/5252624168/
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Heavily processed picture of Nobuo. Most are from frames in the video I uploaded earlier today. I found a swirly filter and swirled poor Nobuo until he was just circles.
Dublin docklands, through the window of a coach bound for the airport.
This is a trick photo, done in-camera. See if you can guess.
U.S. Air Force Airmen with the Cargo Deployment Function of the 169th Logistics Readiness Squadron at McEntire Joint National Guard Base, S.C., process cargo being simulated deployed during the Readiness Exercise, April 9, 2013. Members of the 169th Fighter Wing are preparing for Phase I and II Readiness Inspection, which evaluates a unit’s ability to deploy, then operate and launch missions in a chemical combat environment.
(National Guard photo by Tech. Sgt. Caycee Watson/Released)
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new ‎Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
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That's our Master Carpenter. Yes, he's now sporting a work kilt. Seeing the riggers with ZFX wearing them, he decided to embrace his Scottish heritage and go with one of the carpenters kilts. No, it's not his only kilt.
And no, I'm not going to ask him what he's wearing underneath.
A tricky and occasionally annoying process (when they defy going in like you think they should). It's important to get the size and angle just right. Too tight and they'll split the wood, too loose, and well, they'll fall out, wrong angle and the end product looks off. It often takes quite a bit of time to find the right legs for a particular piece of wood.
The manufacturing process is being carried out on highly sophisticated machines. The operational activities are being looked after by highly qualified and technical persons. www.polariscables.com/manufacturing_process.html
Polaroid CP3 Experimental process
Have you ever seen something you have been imagining for days and never spoken of, suddenly represented by another artist in Flickr?? Has it ever happened to you that the type of art you do suddenly appears in your favourite artist or bands´ artwork without them having possibly known? This sort of coincidence is known as Synchronicity but a group of artists and I have been observing the amount of times these coincidences happen. It has happened at least once to almost every person. This is a glimpse of what the scientific term of Collective Unconscious means and how it permeates reality, as science has shown before. The experiment we are about to embark on is based not on promoting synchronistic phenomena but merely on registering each time this happens until we have a large list of these synchronistic phenomena and can find general common factors. There is a place where all thoughts from everyone come together, the place where we dream things that happen or that dont, the place of beauty and art, our dreams. If this has happened to you, you would be helping an ongoing investigation if either you just mentioned it has happened to you (the mere affirmative has statistical value) or you kindly described your case as a comment on this journal. I will let all those who participate know the final result.
Caminante, son tus huellas
el camino y nada más;
Caminante, no hay camino,
se hace camino al andar.
Al andar se hace el camino,
y al volver la vista atrás
se ve la senda que nunca
se ha de volver a pisar.
Caminante no hay camino
sino estelas en la mar.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.