View allAll Photos Tagged processor
The same pictures with and without render to texture shaders.... (shader does the colors, the realtime horizontal blur and this old tv lines effect)
Ever wonder what 15 AMD FX57 processors look like?
No you can't have one these were just passing through.
We're proud to be commissioned for the latest BC Business magazine editorial illustration called 'What's the Bid Idea? Seven Leaders Share Their Secret to Success". We've posted some of the rough concept sketches prior to client approvals to share some of our work process. Hope you like our latest set of illos!
File name: 08_06_003734
Title: Legion Parade - Tremont St., Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1930-10
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Military parades & ceremonies
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
These two images are screenshots from a program I just wrote in Processing. The were taken just a few seconds apart under the same lighting conditions. The dramatic change in perceived lighting is due to a selective emphasis that has been applied automatically, in live, real-time, to images coming from the webcam on top of a modern iMac.
A region of interest is selected by the user by either moving object or the camera to place the interesting region in the center of the image. Given a rudimentary guess of a foreground-background segmentation using a circular lump about the center of the screen, the algorithm begins to repeatedly build a model of color likelihood given a segmentation label (a value between 0 and 255) then relabel each pixel with its most likely label. At the end of each pass the label image is smoothed with a small Gaussian kernel. Passes are synchronized with grabbing of new frames from the camera so, in this way, the label image from the previous frame becomes the prior labels for the next frame, exploiting temporal coherence.
The combined sharing of information across space and time allows the algorithm to track moving regions of interest even under drastic appearance changes. This comes with a trade-off for the region of interest shifting undesirably in some occasions. Though it is uncommon, it is quite possible for the region of interest to become disconnected. In the right image, several distinct blobs are visible on the door.
To create visual emphasis, the areas outside of the region of interest are darkened and blurred slightly.
Source and binary (128k, requires quicktime for camera access): adamsmith.as/typ0/sketch_070813a-001.zip
File name: 08_06_003666
Title: Legion Parade, Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1930-10
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Military parades & ceremonies
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
This family had recently moved, but had not updated their voter registration. The guy was kind enough to get on his cell phone and help them find their correct location.
Anne Ruthmann
Sent via iPhone please excuse my texting!
austria can be pretty rural... rural and weird... so - drive fast, lock your car doors and close the windows. don't talk to austrian natives and PLEASE... don't feed them. they may bite when nervous...
just believe it. i'm born here.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
File name: 08_06_003667
Title: Legion Parade, Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1930-10
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Military parades & ceremonies
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
Noticed a super bright star (Venus?), the brightest I've seen with my naked eye so I grabbed my Nikon for these shots.
Nikon D600 / Nikkor 85mm F1.4 ai.
March 3 2015.
Processing 280 Chickens - Cornish Cross & Red Bros at Pete and Jen Backyard Bird's Mobile Poultry Processing Unit
From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Unused artwork layers for front and back cover, 4000 Weeks Holiday by Ian Dury & The Music Students, 1983.
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)
All of the useful logs that were removed from the site have been sent to a small mill in Concrete, WA to be sawed into lumber and dried for use in the new homes.
Rita, my new lawn tractor, and my 1946 International Harvester Super A tractor (unrestored workhorse).