Green waste is collected from residential verges for free a few times a year and people are allowed to bring in their own trailers of green waste for a fee at any time. The centre can process 30,000 tons a year. The waste is turned into mulch and soil conditioners.

RRRC- Regional Resource Recovery Centre.

Canning Vale, Western Australia.

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downloaded some geometry from the google 3d warehouse - clip art is what I was looking for, not detail - but exporting to obj, then importing to rhino, and then exporting again to render in maxwell - and the textures come through!

unexpected, not necessarily desired in this case, but a rare case of digital data portability

one of a few boards up on my wall.

filled with family pictures, random photos and color palettes...

63/365

Taken in Shanghai, China, with our Canon EOS 630 and cross processed film.

Enjoy my art? Visit the Shane Gorski Photography Store and enjoy it in print!

Press "L" to view it large and see the entire Africa slideshow.

During our time in Zimbabwe, we scheduled some time to visit a lion outreach camp called “Lion Encounter”. Their mission isn’t to just raise lions from birth and give them to zoos, but to introduce them back to the wild where they belong. Sara and I were allowed to take an hour walk with a few 18 month old lions. What we found especially funny was that lions usually sleep about 18 hours per day, much like our cat at home. In fact, when we first encountered the lions they were doing just that – sleeping. Things picked up a bit as they awoke from their slumber and we were able to get some great photos and make great memories.

This is the final installment from Lion Encounter with a simply processed photo and a more worked up version. I know this may seem hypocritical that not too long ago I ranted with hundreds of words describing that it’s good to focus on one’s photography roots, but sometimes I think some photos need that extra push off the cliff to be printed large and worthy to be hung over a fireplace. Maybe I should call it, “Shane Gorski – Classic.” HA! This lioness was photographed as our guides were describing various lion behaviors and discussing the various stages to reintroduce a lion to the wild. To me, this lion has no hope. She loved lying on this dead tree near the stream a little too much. As we continued on our walk with the lions, one of our guides had to poke this lioness in the butt to get her movin’. He was met with a cold stare, but with a little verbal persuasion the lioness moved on her way.

Lion Encounter is part of ALERT (African Lion & Environmental Research Trust)

www.lionalert.org

images created in processing for Josh Malamy's "Amino Acids" project

details here: aminoacids.minigolfbirthdayparty.com/

And finally... the last swan image I promise :-) well, for now anyway.

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Apps::

#photoforge2 #mirrorgram #pstouch #lensflare #snapseed #tinyplanets #marblecam

Overlays::

#mextures

#campovisual #designattack #designerscollective #instaw0nder #hubcreative #m_innovative #editfever #mobileartistry #instacollective #igmasters #rsa_graphics #royalsnappingartists #infamous_family #fxmob #ig_artistry #editjunkie #ampt_vectors #iphonecreation #ig_portugal

This is when an idea comes in my mind :)

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Show and Tell #2

File name: 08_06_003668

Title: Legion Float Parade, Beacon St.

Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)

Date created: 1930-10

Physical description: 1 negative : glass, black & white ; 4 x 5 in.

Genre: Glass negatives

Subjects: Military parades & ceremonies

Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.

Collection: Leslie Jones Collection

Location: Boston Public Library, Print Department

Rights: Copyright © Leslie Jones.

Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.

Process printed carrier bags

Created with Processing. Based on code from W:Blut (http://www.wblut.com/2011/07/20/mccabeism-animations/)

cyanotype

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Collecting B-Roll in Fells Point Baltimore. Fuji Provia 100F Cross Proccessed taken with an Olympus Infinty and scanned on an Epson V600.

Test nuvola particelle

I had a bath. (Lomo LC-A)

polymer clay and Lego bricks.

BBC News VNF1 processor from 1984

lomo#xpro agfa precisa

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Lubitel 2 TLR med-format camera, expired Fujichrome 64T tungsten film, overexposed one-stop, cross processed.

My Mother-in-Law's garden never looked the same after she passed away.

photoshopped* version of www.flickr.com/photos/razornl/4357622243

What I did: I took the original drawing, resized it to 10%, blurred a bit, then resized it back to 100%. This is the result. Pretty/scary.

actually this looks more like what I see while I'm drawing. I work at rather dimmed lighting, so that my perception is somewhat like what you see here instead of the actual scribblings I have to make to produce it.

I never expected that stripping all the detail from the original would produce something like this. Surprising for me it shows quite well what was there for me to work with.

best viewed large and from varied distances.

* gimped actually.

After the first inking

Separating the black pepper after drying, then off to market

Couldn't decide which version to upload so I uploaded both.

The most trying part about this shoot was the lights. The owner of the car and the house refused to let me have an electric connection required for my lights. (No battery packs owned sadly) I really wanted to shoot here so I had to make do with a SB-800 and reflector.

This photograph was a last minute decision. I was shooting an old house close by when I discovered this car. I know it's a Plymouth, I am still trying to figure out what model.

It has the front of 1957 Plymouth Fury but it's a 4 door and also resembles the '58 Savoy. The Savoy however has a twin headlamp assembly.

I did go back and convince the owner to let me plug in my lights and while the power company decided take a break right when the skies were perfect I still have some decent shots.

I'll upload them later if they don't seem too repetitive.

...so I finally caved in a took some shots in the RAW mode (well I took them JPG + RAW). I've long been conflicted about processing images too much, however, what finally convinced me is that especially on night shots I can modify things in 2 seconds - things that I'd have to spend minutes to experiment with on the camera. For instance, (as was pointed out in a recent comment) you can slide the WB to get one you like. This is the same as taking lots of pics - typically I will attempt the same shot in several WB modes. Similarly you can switch to Landscape mode or add saturation. These are all things I do on the camera anyway. In addition, if I play with these things in RAW (using a Canon program that came with the Rebel) I will learn more about when to use each - and this will help me achieve my main goal which still remains: taking the best shot right off the camera.

Messing with WB and saturation in RAW does not seem like cheating so I will probably take all crucial shots (and most night shots) in RAW from now on.

In some instance you are under pressure to hurry up. Often other people get impatient. Often you run out of time. Often stuff moves or nice light ends. Often you get eaten up by mosquitos (like today when I took this). Therefore often I don't have time to try 3 WBs and 2 saturation setting for each shot. RAW helps get more and better pictures faster.

In this I only changed the WB slightly and changed it to Landscape mode.

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