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The wall to the right was inch thick old plaster over brick. It was studded and drywalled which made room for the light switch and gave an even surface for mounting cabinets. After the studs were up but before it was drywalled, DD#3 signed her name and drew pictures on the wall. :)
DH did most of the painting. Here he has started putting primer on the ceiling.
a program that lets one draw 3-dimensional conelike hut structures in the spirit of the afterparty in a simple gestural way. updated for clarity of interaction and for HD.
A designed publication that documents the creative process of a year long design project centering on the idea of developing emotion as a communicative medium.
This book follows the development of the project from initial brainstorming stage right till the final execution of different experimental approaches.
374 pages, laser-prints on off white munken print cream paper, perfect bind.
'Color Search' sketch:
I found inspiration in the 'Pixel Path' Processing work done by Craig Mackenzie, and wanted to try my hand at it:
blog.craig-mackenzie.com/2008/02/25/pixel-path-my-prelimi...
In this sketch, it isolates every 5th pixel, and if it fist a certain HSB criteria, it finds every matching pixel in the image, and draws a line to it.
The class I used to author this Sketch can be found on my wiki:
processingwiki.tiddlyspot.com/#[[Class: ImageData]]
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Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Sometimes memories are not at all like the actual event, yet they are what stays with us and eventually become reality.
Here is my 3D Ghost in the Shell Spider tank.
My goal was to remake the robot vehicle from the 1995 Ghost in the Shell anime movie, and keeping it recognizable.
This remake was made out of love, as an homage to the original.
Please visit my website if you want to know more about this project:
www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...
www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...
Check my artstation profile to check out the finished project I did with my teammates!
www.youtube.com/watch?v=YRqFOVl9LXE&feature=related
Saturday Night
la música del milenio anterior
eso es sabooor!!!!
Process- dry waxed calotype, Dr Keith Iodiser with KI, KBr, NaCl, free Iodine, camphor oil and Lactose
Sensitizer no 1,
washed 2 x 8 min, pressed dry, used same day
Exposure: open shade on sunny day 24 C, 3.30 pm, white board used as reflector for deeper shade
exposure time 45 s at f/3,6 Petzval lens
Processed the morning after
Developer 0,6 % gallic acid, spiked with Silver Nitrate 3 times, after 5 min, 25 and 40. Total development floating on 300 ml solution for 55 min, constant agitation
washed 10 min in still water
fixed 2 x 10 min
washed running water 1 hour +
dried between blotters
Hammer milling. As native seed comes in from the field, it is processed in order to produce clean seed ready for spreading on restored areas. Hammer milling is the first step in the cleaning process, releasing seed from capsules and breaking apart seed clusters. Processing, storage and management of the native seed harvest is done at the Dane County Seed Shed attached to the William G. Lunney Lake Farm County Park, part of the Capital Springs Recreation Area.
The photo is the same image before and after processing.
Taken with a Canon 450D and 55-250mm lens at 250mm (equivalent to 400mm on 35mm film size). 1/350th @ f5.6 handheld with my back resting on an upright to make shooting steadier. Monochrome setting chosen to remove the colour bias caused by the atmosphere.
Atmosphere distortion was a slight problem due to wispy clouds.
The image was processed in Photoshop CS5, though this procedure also works in Paint Shop Pro with certain tools having different names for some options.
The settings for each tool are not shown in detail as everyone will make the photo to their own individual tastes.
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The actions below up to #3 are made over the whole photo.
1. I cropped the photo to just include the moon itself as the subject only occupied about 10% of the original image.
2. Then I made the 'background layer into a standard layer by right clicking on the layer and selecting 'Layer from Background'. This is necessary to make the blending options available.
3. Following this, I opened the levels tool and (choosing the Red, Green and Blue channels in turn) I moved the outside sliders in until they just met the edge of each end of the graph. This removed a lot more of the atmospheric distortion.
4. I made two copies of this layer by dragging it onto the 'New Layer' icon twice.
5. Then I right clicked on each of the top two layers (not the bottom layer) and choosing 'Blending options', I set each layer to the Blend Mode 'Multiply'. This increased the contrast and gave better tones to the photo. It's worth experimenting as you may only need one extra layer.
6. From now all the adjustments were made to the whole photo again so I merged all the layers into one.
7. The next stage I selected the Curves tool and brought the top and bottom ends of the line in slightly until there was good contrast. This did make the upper right too dark, but this is corrected in the next paragraph. Then I altered the curve until satisfied with the result.
8. Because of the processing so far, the top right had become overly dark, so I used the dodge tool with the Range set to ‘Shadows’ and Exposure set to just over the halfway point to paint over the top right (dark) area. By having the exposure lower it was possible to have greater control over this section.
9. The final stage was to sharpen the image using ‘Smart Sharpen’ with ‘Lens Blur’ set for the ‘Remove’ option. I shall not give the settings so you can experiment to your own liking.
That’s about it, apart from enlarging to enable you to see the detail in the image.
Shot on a Voigtlander Bessaflex, Meyer 100/2.8 and Jessop's 100 slide film cross-processed.
Really liked this one. Cigarette, model's own. From the sessions for the Subtitulo album.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
Os Lusíadas is a Portuguese epic poem by Luís Vaz de Camões first printed in 1572.
The poem consists of ten cantos and 1102 stanzas.
At the left are the ten most frequent words in the poem by descending order of occurence.
This piece showcase one of those ten words.
Above is an area that directly represents the frequency of that word in each canto.
Each canto has a corresponding list of the ten most frequent words in that canto sorted by descending order of occurrence.
The length of the vertical lines for each canto represents its extension in number of verses.