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After getting the model put together, I dumped out the geometry flat and started making texture maps. The "Jenny" is designed to blow apart in stages, so we needed to provide damage levels underneath. 1995.
Since I can remember I've gone to the Tulsa Philharmonic with my grandmother, who is now 87 and still attending. This was from the last concert. :)
A brief peek behind the processing scenes: at right in the above image is my original out-of-the-camera picture of Honey Birdette, performing with the Big Apple Burlesque in SoHo. At left, the finished image, after some heavy processing.
How to make grain: shoot at the edge of visibility, in a very dark room. Take home, add layers. Repeat as necessary.
Keeping grain to a minimum, now, that's the trick...
iR & iD off. Exposure Compensation of +1EV applied. If you can't just see the black embroidery on the black silk you need to adjust your monitor. As with all the shots in this report I've printed out this one to check the accuracy of what I'm seeing on-screen.
After cutting all the paper by hand with an exacto knife and ruler (from enormous 25x40 sheets), and emulsifying/burning the screen, I prepared to lay down the first color...not having screenprinted in 8 years! A deep breath at this moment.
Processed using the Anemone Lust Lightroom preset from here.
So I might not be stopping this 365. I guess I was kinda in a bad mood yesterday due to some...slight frustrations with my camera so I guess you can say it was a rash decision.
I'm starting to register for my classes for next semester. I hate this time of year.
This one is using some tricks and optimisations found by a new friend of mine who is really really good at realtime graphics....
so a big big thanks to Inigo Iquilez (iq / rgba) for this!
The main optimisation is about the creation of the boxes in opengl... with all the tricks together the frame rate change from 15fps for 1800 cubes to 35 fps for 4500 cubes! (and that on my old crappy computer)
I'll post something on my website as soon as possible for all the boxes junkies that lives around here.
While I do like the depth of color that the CP surface allows, these Arches blocks don't seem to cooperate when I want to separate them. I wonder if the glue binding is old and brittle. I think this is the only Arches block I've used, and I've mangled half of the sheets. The Fabriano blocks are a little better, in my opinion.
Abandoned Tugs slated for salvage
Superior Wisconsin
Fuji Velvia 35mm F8 4 minutes
8x10
Cyanotype / Gum Bichromate
Fabriano 130 cold press
1st Cyanotype
2nd Magenta/gumbichro
I bought a modern word processing module for my apartment.
My guest had some problems using the thesaurus and dictionary function, but finally it worked out...
Looks like it's possible to pack the whole collection into a single screen after all - though the smallest elements here are only 1px. Hue is derived from the series prefix - A = 0 = red.
But as I shot in RAW... with a little processing, the GND filter in Adobe RAW Converter and a bit of noise reduction, sharpening and "exposure painting" we could still salvage this shot.
BTW this is a crowd waiting for the prize presentation in the Trailerboat Fishing Tournament. An annual happening in Port Stephens bringing in people from all over New South Wales.
A little something I do in photoshop. I can do this with my camera now but before I could I did this. Just thought you might like to see a quick tech. to pump up the flick alittle bit.
Steps:
1. open image
2.duplictae layer
3.set the overlay. ( here there are a few options ) I use multiply alot but there are some good options. Remeber the what looks good and try them all out.
4. merge all layers
5. save as "allways JPEG" If you cannot save as jpeg your image prolly has hidden layers. flatten then save.
6. post it
track by: Mr. Scruffy