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Made with Flow Field Drawer, a processing based program you can play with at my blog
Particles additively blend to the current frame as they move around under the influence of a vector force field calculated using Perlin noise.
phew! processed foods are gross!
still working on it- starting to go in now with actual text- what is on it now will be changed, but for most part planning on leaving timeline text at bottom, except info about obesity and disease which I haven't got to yet (as far as placement). This is the inside so outside of pamphlet will have actual timeline title.
a teaser for a project I'm currently working on, which is to candidly shoot artists in a peripheral (no faces) manner, as they create.
should my updates become somewhat syncopated and begin to lag, I apologize. this is one of 4 projects I'm assembling / working on.
best viewed on black.
This is my first collab with @thiagomb_ and we archive some cosmic travel with this edit!!!
I had a enormous pleasure in this collab, Thiago and came with some really cool concept from my water triangle!!! Please go check @thiagomb_ gallery and enjoy some amazing edits!!!
Images::
@dorzad #dorzad_fogforall
Apps::
photoforge2, snapseed, idesign, pstouch, superimpose, lenslight
#campovisual #designattack #designerscollective #instaw0nder #hubcreative #m_innovative #editfever #mobileartistry #instacollective #rsa_graphics #royalsnappingartists #infamous_family #fxmob #ig_artistry #editjunkie #ampt_vectors #gm_designers #jj_creative #ga_collective #sbe_graphics #wearejuxt #ig_aau_member #ig_portugal #pf_graphics
While we were going to the Sacramento River Delta this afternoon, a fire started on the eastern side of Mount Diablo in the San Francisco Bay Area and put up a lot of smoke. Because it was so hazy and smoky, detail was hard to see, so I heavily processed one image (which entailed splitting the image up into several different types of components then finally combining them into a CMYK image) that showed some detail...
by Neil E. Das
Like a hundred other things, I came late
To falafel, like modern Hebrews did
In that great breathing in to forge a state,
Fast taking them up, as if in a bid
For credibility, hoping chick peas
And spice and bread might feed a dream, a wish
To be at home, at peace, within the East,
Make memories of borscht, geflite fish.
So they learned from brother Mizrahim,
More distantly from Arab brother foes,
The tricks to soak and mash and fry, to thin
With lemons tahini sauce. Oh, if woes
Could be forgotten over meals, I know
The wonder of falafel might make it so.
________________
I have not had to soak and mash, a mix
Makes short work of tasks that once took a day.
I wonder whether I will ever fix
My hours to learn from process, to be paid
With well-won satisfaction and with taste
Of long ages. But even now as I
Lift up my knife to dice with worried haste
I taste a piece of cucumber and sigh.
Feeling its coolness on my tongue, I dream
Of coolness only half-remembered now,
In evening, in a Garden, near a stream.
I wake, and read my box and wonder how
A food that's kosher, vegan, and halal
Could do anything but unite us all.
_________________
It is really not all that hard to see
As I strain grease from well-browned batter
Why it is that these bring delight and glee.
It's grease! It's batter! You see those matter
In culture after culture. Think funnel cake.
Think Najavo fry bread and pakoras.
They all take work, but aren't that hard to make
They're market treats that take on even more
Wonder when made at home and children press,
Impatient around their mothers, like pups
Outside Old South kitchens. I clean my mess
And think of harder things, of shattered cups
And shattered lives and dreams. It's hard to keep
My thoughts on falafel while Beirut weeps.
Since I can remember I've gone to the Tulsa Philharmonic with my grandmother, who is now 87 and still attending. This was from the last concert. :)
iR & iD off. Exposure Compensation of +1EV applied. If you can't just see the black embroidery on the black silk you need to adjust your monitor. As with all the shots in this report I've printed out this one to check the accuracy of what I'm seeing on-screen.
Liked the guard scribble enough it was converted to a more fleshed out drawing, as you can see in this very scattered process shot.
After cutting all the paper by hand with an exacto knife and ruler (from enormous 25x40 sheets), and emulsifying/burning the screen, I prepared to lay down the first color...not having screenprinted in 8 years! A deep breath at this moment.