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telesecundaria no.30 Juan Ruiz De Alarcon (8m x 2.80m) mosaico,granito,porcelanite,travertino,cantera.
Little recoding. Trying to figure out why the particles got so spastic when near the shell of the central orb in older builds. Think I fixed it and to show the stability, threw a couple hundred particles into the space to see what architectural forms they would create.
Cleaned up the code, yet again. Using dynamic color palettes based on a loaded image. This one uses colors from Lance's shirtsleeve.
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Trying out alternative processes.
This is a new print of an image previously uploaded to flickr, this time made with home-made gum-bichromate paper. I rather like this process: it has the advantages that I am using "real" paint on "real" paper, and the process is rather forgiving in the problems of coating the paper evenly. The main down-side is obtaining the dichromate and using it safely. Details appear in my blog at cameramods.blogspot.com/2011/08/gum-bichromate.html .
Sinar Norma, 4x5. Contact print onto textured paper.
This is an image from my "watergrams" series. This is a cameraless image, made in a wet darkroom. Nothing digital about this, except for the selective toning to separate the female body from all the rest.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
sweet things to come once i have > 10 minutes.
EPPIC placement using Coda geosurvey software to process and interpret sidescan sonar data.
For more about about the Wessex EPPIC placements visit:
splash.wessexarch.co.uk/2009/09/07/eppic-placements-under...
Just a little experiment. Looks better if you view in the lightbox: Click here
I visited the Sudarshan Art & Crafts Centre on Nandan Kanan Road, Bhubaneswar, close to my hotel. It is a garden full of sculptures mostly of Ganesha and Buddha but with the occasional classical Greek figure at odds with the Eastern emphasis. Watching the artisans, both professionals and apprentices, at work was a true pleasure.
This is a photo in two parts because I couldn't get back far enough to capture the whole thing in one shot. This is an installation for the Culture Crawl preview show. I'm trying to demonstrate the process of making an altered book.
More about this on my blog.