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I edited out the speed numbering from this CPU so it could be used as a generic socket-370 Pentium-3 with a front side bus (FSB) at 133MHz and a 256k cache.
Sand Box Typeface. GeneTypo 001.
Designing a generative typeface using attractors, repellers and particles.
Just a little experiment. Looks better if you view in the lightbox: Click here
Some old-school data art for the forthcoming Art Machine show at the ANU School of Art. No Meta visualises an xml source character by character; patterns reveal the recurring XML tags as well as their contents.
Mockup frame for a music video I'm planning. Model is generated in Processing and rendered in Blender.
The photo was taken from someone else's flickr account, but unfortunately I forgot who it was.
Animation test can be found here: vimeo.com/9249605
Testing Cross processing, please feel free to add your comments or critiques.
Strobist Info:
Canon 580exII triggered via Pocket Wizard TT5 and TT1 on TTL mode mounted on a Beauty Dish camera top and slightly left on a boom. See diagram below
I’m streaming The Gravedigger’s Meditation at my website - www.drawclose.com - through Feb. 28. After that, it will disappear into the land of ‘password protected screener’ as I work to get it shown elsewhere.
The Overcoat : Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, it is stolen; what was a blessing becomes a disaster. Vladimir Nabokov said of Gogol: "When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.”
This animation - - yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the role of copying, language-as-object, record-keeping, and technology to a community’s memory. Yeah there may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.
Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.
The Ostwald process involves reacting ammonia with the oxygen in air to produce nitrogen dioxide. The nitrogen dioxide then reacts with water to produce nitric acid. The process requires a platinnum catalyst which glows red hot because the process is highly exothermic (releases a lot of heat energy). Photographed on 26 June 2006.
The Guardian's 2010 coverage of Wikileaks visualised. The bars map the number of articles on a monthly basis, where 12 o’clock is January. You can see a small peak in April, when the Collateral Murder video was released, bigger peaks in July and October as the Afghanistan and Iraq logs are published and a massive spike in December as “Cablegate” gets going. The article headlines are arranged by date order, but on a uniform scale. Built with Processing and the Guardian Open Platform API.
I'm trying to finish this up since I've been letting it slip for the last three months...I'm going to play around with it just a bit more because I feel it's missing something...
still from animation created in Processing, composited in Final Cut Pro. Inspired by Christian Kriegescotte's piano composition for the High Priestess Tarot Major Arcana card.
Video here : vimeo.com/124852133
Signing of a peace agreement to resolve conflict between communities in Bangui, supported by the UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA). (C.A.R., 2019)
Photo/Igor Rugwiza
Made with processing.
A simple algorithm positioning 3D cubes randomly on space and rendered with ambient occlusion
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A quick Saturday afternoon painting - I'm trying to loosen up and learn to think in terms of painting instead of drawing+colouring.
Acrylic on an offcut of matt board. The model is me, as usual, leaning sideways to look in a small mirror.