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Goma bicromatada sobre cianotípia.
Papel Canson Montval 300 gr.
1ª capa.- pigmento Siena Quemado
2ª capa.- pigmento Siena Natural
3ª capa.- pigmento Marrón Natural.
Negativo digital.
Anonymous picture in an article by Sakaki Yoshinobu (榊由信) in the May 1953 issue of Shashin Kōgyō (写真工業).
Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.
See also the Camera-wiki page about the Elmoflex.
Midori Passport sized sketchpad...Its small leather cover which utilizes an elastic system to hold pads of paper in them. I was not crazy about the actual Midori brand paper which came with it, not enough pages, not the best quality paper, cost prohibitive and of course the wait for the paper to get to me. Some of my peers gave me the idea just make my own pads which slip in just as easily. I have color coded mine, colors I like each specific for a type of paper (Mixed medium etc etc) This has allowed for me to do pads with far more pages using papers that I enjoy. I go with 2 pads in my holder at a time as the Midori is not the main one I take out with me all the time but if it were I could easily fit four pads in. All you need is a stapler, heavy stock for a cover and a table cutter and a ruler. (Not for use without permission)
I still have quite a bit of fringe work to complete on this piece. Still haven't decided on what to do for the neck strap. I apologize for the horrible pic, no time to futz with it, it's getting late and I have to go to work!
An image processed into a mozaic. Each square contains a circle which covers half the square. The square (background) and the circle are colored different colors which average to the average color of the image in that square. The goal was to select colors as dissimilar as possible, but that is not quite what is done here, since one extremity will always be a "corner" color, of which there are only 8, and so the result would lack the color variety that this one has.
Made with processing.org .
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
Rural Women’s group in Kokoligu, Upper West region of Ghana, in focus group discussions on how to generate an income to improve their livelihoods through shea nut processing. In collaboration with the Ministry of Food and Agriculture, FAO is in the process of procuring the community with a shea-butter milling machine. The picture also shows how the shea-nuts are pounded in the mortar. Photo taken in December 2015. ©FAO/Cecilia Akita and Sebastian Brahene
I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.
Early in the render process. Probably too much red. After a few hundred frames, I think the red is going to overwhelm. Whatev. I will let it ride.
Read about it here.
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