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Olympus XA2 +Fujichrome Sensia 100 (Expired)

Image created using particles obeying certain "gravitational" laws. Some variation on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".

 

Made with processing (processing.org).

 

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Soapmaking mojo finally returned to me after a month long hiatus! I pounded out these 4 loaves in a couple hours on Saturday morning.

1978 - Wolfgang Schmittel

processing

This is one of my favourite shots. The Wright Eclipse is seen fro mthe rear having a scrub down, looking clean and professional for the following morning service

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מוקדש לניב

Fractally generated structures, inspired by Piet Mondrian. More at zenbullets.com

ArtisanIdea.com just posted a turbo mega profile of my art with a 10 year retrospective, process videos, and a big giant interview.

 

They created some nifty process slideshows to show the making of a few of my paintings> www.artisanidea.com/2012/04/05/jennifer-davis/

 

This was such a fun project.

Big thanks to Artisan Idea!

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Funny story about coffee beans. A while back I was at Whole Foods and wanted to buy green coffee beans but they would not sell them to me. I asked why and the roaster said, "we do not want to ruin the integrity of our bean".

 

Specialty coffee roasters have a large markup. Wholesale green beans cost between $1-2 per pound depending on the bean. Once a bean is roasted it usually sells for $11-15 (and sometimes more) a pound.

 

If you ever want to buy green beans to roast you can use www.sweetmarias.com (I have made orders online and made purchases in the store in Oakland). Expect to pay between $4-5 lb but the point of roasting beans is not to save money, it is to get freshly roasted beans that give good crema.

 

A green bean lasts around 2 years, a roasted bean is usable for 2-4 weeks, and beans that have been ground last about 20 minutes. These guides are for optimum quality.

Yoga Poses by Lilia Wills

Técnicas y Procesos de escultura

Como pueden observar ; la figura de la Virgen esta hecha en bandas de yeso aplicadas directamente a la estructura metálica (tela de gallinero ) .Esta técnica que deja un vaciado interior ayuda a aligerar el peso final y por supuesto a economizar materiales .

Las manos están esculpidas aparte .

Al fondo vemos el niño Jesús donde queda el ir esculpiendo los detalles

(substracción de masa en exceso ) .

==eng

Nativity scene - Sculpture process - Belen sculptured production; figure of the Virgin

Sculpture Techniques and Processes

As you can observe ; the figure of the Virgin is made in plaster bands applied directly to the metal structure (henhouse cloth).

This technique that leaves an internal void helps to lighten the final weight and of course to save materials.

The hands are sculpted separately.

In the background we see the baby Jesus where the carving remains, the details...

(subtraction of excess mass).

fr========

Techniques et procédés de sculpture

Comme vous pouvez le voir la figure de la Vierge est faite en bandes de plâtre appliquées directement sur la structure métallique (toile de poulailler) .Cette technique qui laisse une vidange intérieure permet d'alléger le poids final et bien sûr d'économiser des matériaux.

Les mains sont sculptées séparément.

En arrière-plan, nous voyons le bébé Jésus où la sculpture reste, les détails

(soustraction de la masse excédentaire).

  

ff mendoza

 

Advanced trainer T-50 Golden Eagle Prototype

 

/ Ground Test in hanger

 

/ Photo by KAI (2004)

another from my "process" series which attempts to capture the creative process of local artists of various mediums, while at work.

Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.

Holga 120N with fuji RMS multispeed

Bangkok, Thailand

Heavily processed image of Tigger on a chair in the kitchen in Yubari.

Made with Flow Field Drawer, a processing based program you can play with at my blog

 

Particles additively blend to the current frame as they move around under the influence of a vector force field calculated using Perlin noise.

 

at openprocessing

Creating an STL file from Processing with Modelbuilder using logic from Kyle McDonald's Makerbot app: github.com/kylemcdonald/Makerbot

 

A lot of cleanup of the code to do (including refactoring it so that it can accept depth data from either SimpleOpenNI or Shiffman's Kinect library), but I'm pretty happy with these results. You can check out the current draft of the code here:

 

gist.github.com/1151193

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Development of a corporate identity

by Wolfgang Schmittel

ABC Verlag, Zurich, 1978

 

With dustcover

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When I posted this, I hadn't updated Photoshop to read DL5 RAW files--this is one of the non-processed JPEGs samples from the D-Lux 5.

 

Straight out of camera, 100% UN-processed JPEGs were quite good if not excellent.

 

I've posted several JPEGs shot in various daylights/night/indoor--Harvard pics were shot around noon; Christian Science Park around 10am; The "Field" bar shots between 330pm and 6:00pm. Prudential area between 4 and 6pm; picture of the red flash light around 8:00pm inside the house with lights turned off.

 

So here are my thoughts on DL5, based on having used the DL4:

 

1. I love the colors. They are saturated but not overly unrealistic. Colors feel very "Leica." DL4's colors were good never wowed me.

 

2. DL5 focus is lightning fast and accurate. I took some shots while walking down to Harvard--snapped pictures without stopping and most of my shots came out fine. The focus, I feel is faster than the DL4.

 

3. DL5 is sharp at 24mm all the way to 90mm! DL5 is sharper than DL4 and have better details and better colors (color preference is subjective, of course. I just like DL5's saturated colors. Besides, it's easier to tone down the saturation than to add more, since adding saturation, to me, seems a little unnatural in the results).

 

4. ISO! I have never used a small digital compact that look as good in 1600ISO as the DL5. Most of the shots from the VERY low-lit bar were shot with 1600ISO. Some were shot with Shutter priority to get some motion blur.

 

5. Macro mode is amazing--1cm focusing distance, just like the Ricoh GRD3.

 

Of course, DL5 still suffers from typical small sensor issue--lack of a broad dynamic range--leading to blown out highlights and detail-less shadows. But, such issues are easily fixed in LR or PS. With such great JPEGs results, I won't have to feel so eager waiting for RAW support in LR.

 

Oh, one thing I dislike about DL5 is there is no grip. When I sold my DL4, I gave away the grip. I think I'll have to get another one. Grip, to me, is essential when I shoot on the street. It gives me better stability and quicker framing (because I can move my hand much faster without the camera slipping off or have to worry about dropping the camera--yes I am using a wrist strap. Neck strap is too restricting and draws too much attention (as a tourist, even if you're not).

 

Just my 2-cents.

Pvt. Kyle Goddand, a Soldier assigned to Sustainment Task Force-16, 21st Theater Sustainment Command, helps a Soldier from the 108th Air Defense Artillery Brigade process through the passenger terminal here at Mihail Kogalniceani Air Base, March 19. The MK Air Base Passenger Transit Center, which officially began running at full capacity March 1, is designed to move U.S. service members into and out of the Operation Enduring Freedom theater. The center is replacing the U.S. transit facility at Manas Air Base in Kyrgyzstan as the contract between the U.S. and Kyrgyzstan ends this summer. The Romanian air base has been operational, and the 21st has engaged in multi-modal transportation support there, for many years. But it was not configured to support the new transit center mission, which requires moving the thousands of troops and thousands of tons of cargo and supplies that accompanies the drawdown in Afghanistan. (U.S. Army photo by Sgt. Daniel Cole)

Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.

Shot back in July of 2016 on an extremely hot day in OKC.

Canon EOS 30

Canon EF 50mm f/1.8 II

Ilford Pan 100

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