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ArtisanIdea.com just posted a turbo mega profile of my art with a 10 year retrospective, process videos, and a big giant interview.
They created some nifty process slideshows to show the making of a few of my paintings> www.artisanidea.com/2012/04/05/jennifer-davis/
This was such a fun project.
Big thanks to Artisan Idea!
Técnicas y Procesos de escultura
Como pueden observar ; la figura de la Virgen esta hecha en bandas de yeso aplicadas directamente a la estructura metálica (tela de gallinero ) .Esta técnica que deja un vaciado interior ayuda a aligerar el peso final y por supuesto a economizar materiales .
Las manos están esculpidas aparte .
Al fondo vemos el niño Jesús donde queda el ir esculpiendo los detalles
(substracción de masa en exceso ) .
==eng
Nativity scene - Sculpture process - Belen sculptured production; figure of the Virgin
Sculpture Techniques and Processes
As you can observe ; the figure of the Virgin is made in plaster bands applied directly to the metal structure (henhouse cloth).
This technique that leaves an internal void helps to lighten the final weight and of course to save materials.
The hands are sculpted separately.
In the background we see the baby Jesus where the carving remains, the details...
(subtraction of excess mass).
fr========
Techniques et procédés de sculpture
Comme vous pouvez le voir la figure de la Vierge est faite en bandes de plâtre appliquées directement sur la structure métallique (toile de poulailler) .Cette technique qui laisse une vidange intérieure permet d'alléger le poids final et bien sûr d'économiser des matériaux.
Les mains sont sculptées séparément.
En arrière-plan, nous voyons le bébé Jésus où la sculpture reste, les détails
(soustraction de la masse excédentaire).
ff mendoza
another from my "process" series which attempts to capture the creative process of local artists of various mediums, while at work.
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
Made with Flow Field Drawer, a processing based program you can play with at my blog
Particles additively blend to the current frame as they move around under the influence of a vector force field calculated using Perlin noise.
video still // in processing, minim + FFT + certain thresholds from the audio signal.
video > vimeo.com/100279376
video accompanies musical portrait of The Fool from the Tarot Trumps, as solo piano. visual built to harmonize with audio abstraction of meaning via color and shape.
When I posted this, I hadn't updated Photoshop to read DL5 RAW files--this is one of the non-processed JPEGs samples from the D-Lux 5.
Straight out of camera, 100% UN-processed JPEGs were quite good if not excellent.
I've posted several JPEGs shot in various daylights/night/indoor--Harvard pics were shot around noon; Christian Science Park around 10am; The "Field" bar shots between 330pm and 6:00pm. Prudential area between 4 and 6pm; picture of the red flash light around 8:00pm inside the house with lights turned off.
So here are my thoughts on DL5, based on having used the DL4:
1. I love the colors. They are saturated but not overly unrealistic. Colors feel very "Leica." DL4's colors were good never wowed me.
2. DL5 focus is lightning fast and accurate. I took some shots while walking down to Harvard--snapped pictures without stopping and most of my shots came out fine. The focus, I feel is faster than the DL4.
3. DL5 is sharp at 24mm all the way to 90mm! DL5 is sharper than DL4 and have better details and better colors (color preference is subjective, of course. I just like DL5's saturated colors. Besides, it's easier to tone down the saturation than to add more, since adding saturation, to me, seems a little unnatural in the results).
4. ISO! I have never used a small digital compact that look as good in 1600ISO as the DL5. Most of the shots from the VERY low-lit bar were shot with 1600ISO. Some were shot with Shutter priority to get some motion blur.
5. Macro mode is amazing--1cm focusing distance, just like the Ricoh GRD3.
Of course, DL5 still suffers from typical small sensor issue--lack of a broad dynamic range--leading to blown out highlights and detail-less shadows. But, such issues are easily fixed in LR or PS. With such great JPEGs results, I won't have to feel so eager waiting for RAW support in LR.
Oh, one thing I dislike about DL5 is there is no grip. When I sold my DL4, I gave away the grip. I think I'll have to get another one. Grip, to me, is essential when I shoot on the street. It gives me better stability and quicker framing (because I can move my hand much faster without the camera slipping off or have to worry about dropping the camera--yes I am using a wrist strap. Neck strap is too restricting and draws too much attention (as a tourist, even if you're not).
Just my 2-cents.
Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
Visually describing eigenvectors with associated Legendre polynomials. Made with Shodor's AssocLegendre class - www.shodor.org/refdesk/Resources/Libraries/AssocLegendre/...
Last of large capacity processing vessels installed in major SRS cleanup facility under construction.
The Salt Waste Processing Facility (SWPF) heralded 100% successful completion of a major construction milestone following installation of the remaining four large-capacity tanks integral to the facility’s future processing of 34 million gallons of highly radioactive salt waste currently stored in 47 underground tanks at the Savannah River Site (SRS).
Once operational, the one-of-a-kind SWPF will provide the critical treatment capability needed to fulfill the Department of Energy’s (DOE) cleanup mission to safely disposition Cold War legacy waste and support DOE’s risk reduction priority to empty and close nuclear waste tanks.
These last-arriving over-sized vessels, ranging in volume capacity of roughly 38,000 – 44,000 gallons, join the initial six tanks placed at SWPF last month.
Installation of the ten tanks allows for measurable progression of SWPF construction with piping and facility floors now on tap for completion, along with placement of the facility’s roof.
Manufactured by Precision Custom Components of York, PA, the vessels were all shipped by barge to Hardeeville, SC, and transported via double-drop, wide-load tractor trailers to SRS.
Parsons Government Services of Pasadena, California, is DOE’s prime contractor for designing, building, starting up and operating the SWPF for one year.
Full facility operations are currently scheduled for late 2015.
Playing around with particles moving according to various rules, like accelerating toward a certain particle unless some distance condition is satisfied in which case they accelerate toward something else.
More like this in my set
www.flickr.com/photos/31382652@N00/sets/72157633365213026/
Made with Processing (processing.org).