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From the old bridge at the Lake Monroe Wayside Park just off US Hwy 17/92 in Debary, FL. These shots were processed using cross processing effects from VSCO6.

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scie lunghe quanto tutta la Sardegna?? Fratello... perditi alcuni minuti, siediti comodo....

"Una scia di condensazione consiste fondamentalmente di vapore acqueo (immesso nell’atmosfera dagli scarichi caldi di un motore) in quantità sufficiente a saturare, una volta a contatto con l’aria fredda d’alta quota, e condensarsi momentaneamente in cristalli di ghiaccio o goccioline d’acqua. Di norma (di norma è inteso: alle nostre latitudini) le scie di condensazione si formano soltanto dagli 8.000 metri in su, con temperature inferiori ai -40 °C ed umidità relative non inferiori al 70%. Le scie di condensazione si dissipano mediamente in una cinquantina di secondi, o al massimo qualche minuto."

"Le scie di condensazione sono composte da particelle di ghiaccio, visibili sotto i motori degli aerei, tipicamente alle quote di crociera nell’alta atmosfera." (EPA)

"La stratosfera è caratterizzata dalla mancanza di umidità e da una temperatura costante di -55 °C, mentre la temperatura nella troposfera decresce di circa 2 °C ogni 1000 feet. Le scie di condensazione sono comuni nei più alti livelli della stratosfera. Queste strisce simili a nuvole, generate dal passaggio degli aerei che volano nell’aria fredda e umida, sono formate da vapore acqueo dei gas combusti immesso nell’atmosfera."

(FAA)

"Le scie di condensazione sono nuvole a forma di linee che sono prodotte dalle emissioni dei motori a reazione degli aerei. Questo processo di condensazione avviene tipicamente a quote di 8-12 Km al di sopra della superficie della Terra."

(NASA GLOBE)

"Le scie di condensazione sono delle nuvole di forma lineare prodotte a volte dagli scarichi dei motori degli aerei. La combinazione dell'alta umidità con le basse temperature, che esistono alle altitudini di crociera degli aerei, favoriscono la formazione delle scie di condensa. Le scie di condensa sono composte primariamente da acqua sotto forma di cristalli di ghiaccio e non sono pericolose per la salute umana."

(US Air Force)

- Definizioni NASA in lingua originale:

"Contrails are always made of ice particles, due to the very cold temperatures at high altitude." "Contrails are man-made clouds that only form at very high altitudes (usually above 8 km) where the air is extremely cold (less than –40°C)." "Contrails only form at very high altitudes (usually above 8 km) where the air is extremely cold (less than -40 degrees C) "

"Contrails are human-induced clouds that only form at very high altitudes (usually above 8 km - about 26,000 ft) where the air is extremely cold (less than -40 ºC). Because of this, contrails form not when an airplane is taking off or landing, but while it is at cruise altitude."

"Contrails form in the upper portion of the troposphere and in the lower stratosphere where jet aircraft normally fly, generally between about 8 and 12 km altitude (~26,000 to 39,000 feet)."

- Definizioni da fonti cartacee:

"L’immissione in atmosfera dei gas di scarico degli aerei, ricchi di nuclei di condensazione e di vapore acqueo, determina la sovrassaturazione del vapore acqueo e, quindi, la formazione di scie. Le scie di condensazione di formano ad altezze in cui la temperatura dell’aria è molto bassa (inferiore a -40 °C), con umidità relativa almeno del 60%. Le scie possono essere più o meno durare nel tempo, a seconda della stabilità dell’aria e della quantità di vapore presente."

[Girolamo Sansosti & Alfio Giuffrida - Manuale di meteorologia, Una guida alla comprensione dei fenomeni atmosferici e climatici in collaborazione con l'UAI (Unione Astrofili Italiani) - Gremese Editore – 2006 – pag 86]

"La lunghezza e l'intensità di una scia di condensazione dipendono dalle condizioni atmosferiche, dal tipo e dalla velocità dell’aereo. Le tipiche scie di condensazione variano dai 9 ai 28 Km. (da 5 a 15 miglia marine) di lunghezza, e una trentina di metri di diametro. Le scie di condensa si formano generalmente tra 7500 e 18000 metri di altitudine, a temperature molto basse (-40 °C)."

[The Camouflage Handbook, AAFWAL-TR-86-1028 (Wright-Patterson AFB, Ohio: Air Force Wright Aeronautical Laboratories, 1986), cap. 1–12]

"L'immissione in atmosfera dei gas di scarico degli aerei, ricchi di nuclei di condensazione e di vapore acqueo, determina la sovrassaturazione del vapore acqueo e, quindi, la formazione di scie. Le scie di condensazione si formano ad altezze in cui la temperatura dell'aria è molto bassa (inferiore a -40 °C), con umidità relativa almeno del 60%". [Girolamo Sansosti & Alfio Giuffrida - Manuale di meteorologia, Una guida alla comprensione dei fenomeni atmosferici e climatici in collaborazione con l'UAI (Unione Astrofili Italiani) - Gremese Editore "2006" pag 86]

Employees processing ballots

Old disused film processing lab

St Pancras, London

Olympus OM-1

Zuiko OM 50mm 1:1.4

Fuju Reala 100

Yoga Poses by Lilia Wills

This is one of my favourite shots. The Wright Eclipse is seen fro mthe rear having a scrub down, looking clean and professional for the following morning service

Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.

מוקדש לניב

Yoga Poses by Lilia Wills

ArtisanIdea.com just posted a turbo mega profile of my art with a 10 year retrospective, process videos, and a big giant interview.

They created some nifty process slideshows to show the making of a few of my paintings> www.artisanidea.com/2012/04/05/jennifer-davis/

This was such a fun project.

Big thanks to Artisan Idea!

Técnicas y Procesos de escultura

Como pueden observar ; la figura de la Virgen esta hecha en bandas de yeso aplicadas directamente a la estructura metálica (tela de gallinero ) .Esta técnica que deja un vaciado interior ayuda a aligerar el peso final y por supuesto a economizar materiales .

Las manos están esculpidas aparte .

Al fondo vemos el niño Jesús donde queda el ir esculpiendo los detalles

(substracción de masa en exceso ) .

==eng

Nativity scene - Sculpture process - Belen sculptured production; figure of the Virgin

Sculpture Techniques and Processes

As you can observe ; the figure of the Virgin is made in plaster bands applied directly to the metal structure (henhouse cloth).

This technique that leaves an internal void helps to lighten the final weight and of course to save materials.

The hands are sculpted separately.

In the background we see the baby Jesus where the carving remains, the details...

(subtraction of excess mass).

fr========

Techniques et procédés de sculpture

Comme vous pouvez le voir la figure de la Vierge est faite en bandes de plâtre appliquées directement sur la structure métallique (toile de poulailler) .Cette technique qui laisse une vidange intérieure permet d'alléger le poids final et bien sûr d'économiser des matériaux.

Les mains sont sculptées séparément.

En arrière-plan, nous voyons le bébé Jésus où la sculpture reste, les détails

(soustraction de la masse excédentaire).

ff mendoza

another from my "process" series which attempts to capture the creative process of local artists of various mediums, while at work.

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Advanced trainer T-50 Golden Eagle Prototype

/ Flight Test with KF-16

/ Photo by KAI (2003)

한국항공우주산업

www.myspace.com/vernianprocess

Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.

Holga 120N with fuji RMS multispeed

Bangkok, Thailand

Heavily processed image of Tigger on a chair in the kitchen in Yubari.

1978 - Wolfgang Schmittel

a doodle which is the ode to doodling.

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process@freehands !

Oakland, CA

Made with Flow Field Drawer, a processing based program you can play with at my blog

Particles additively blend to the current frame as they move around under the influence of a vector force field calculated using Perlin noise.

at openprocessing

step 3

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Processed with Rookie Cam

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OLYMPUS DIGITAL CAMERA

Goma Bicromatada Tricolor.

Papel Montval 300 gr.

Azul.- Cianotipia

Pigmentos W/N Amarillo Arinalide PY97

Rojo Quinacridom PR209.

Capa final con Negro de Humo.

Negativos separación de tono "ditial".

Nikolai-Quartier in Hamburg, Willy-Brandt-Allee. Ricoh GR, Cross Processing-Effekt aus der Kamera.

When I posted this, I hadn't updated Photoshop to read DL5 RAW files--this is one of the non-processed JPEGs samples from the D-Lux 5.

Straight out of camera, 100% UN-processed JPEGs were quite good if not excellent.

I've posted several JPEGs shot in various daylights/night/indoor--Harvard pics were shot around noon; Christian Science Park around 10am; The "Field" bar shots between 330pm and 6:00pm. Prudential area between 4 and 6pm; picture of the red flash light around 8:00pm inside the house with lights turned off.

So here are my thoughts on DL5, based on having used the DL4:

1. I love the colors. They are saturated but not overly unrealistic. Colors feel very "Leica." DL4's colors were good never wowed me.

2. DL5 focus is lightning fast and accurate. I took some shots while walking down to Harvard--snapped pictures without stopping and most of my shots came out fine. The focus, I feel is faster than the DL4.

3. DL5 is sharp at 24mm all the way to 90mm! DL5 is sharper than DL4 and have better details and better colors (color preference is subjective, of course. I just like DL5's saturated colors. Besides, it's easier to tone down the saturation than to add more, since adding saturation, to me, seems a little unnatural in the results).

4. ISO! I have never used a small digital compact that look as good in 1600ISO as the DL5. Most of the shots from the VERY low-lit bar were shot with 1600ISO. Some were shot with Shutter priority to get some motion blur.

5. Macro mode is amazing--1cm focusing distance, just like the Ricoh GRD3.

Of course, DL5 still suffers from typical small sensor issue--lack of a broad dynamic range--leading to blown out highlights and detail-less shadows. But, such issues are easily fixed in LR or PS. With such great JPEGs results, I won't have to feel so eager waiting for RAW support in LR.

Oh, one thing I dislike about DL5 is there is no grip. When I sold my DL4, I gave away the grip. I think I'll have to get another one. Grip, to me, is essential when I shoot on the street. It gives me better stability and quicker framing (because I can move my hand much faster without the camera slipping off or have to worry about dropping the camera--yes I am using a wrist strap. Neck strap is too restricting and draws too much attention (as a tourist, even if you're not).

Just my 2-cents.

:)

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Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.

Built with www.processing.org