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So...I had solutions left from tea toning more cyanotype fabric and decided to play around with some old cyanotype prints. I have had a stash of less than optimal pieces for just such an occasion. I was attempting split toning, working to keeps some of the blue in the print and not bleach it all out. On a few of these it worked. Often times, as per what seems to be my usual, I get more such results when I'm not actively trying! But that's okay. Just trying to get myself back in the swing of things.
Tests with Toxiclibs lattice mesh builder. Inspired by Ernst Haeckels Art forms of Nature. Using GLSL shading. Get the complete Processing project: www.brian-steen.com/sketches/_110425_meshLattice02.zip
Moscow. Manezhnaya square.
Camera: Samsung Vega 77i QD
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 02/08/2017
Scanner: Noritsu LS-1100
It's been awhile since I've posted, I've just been so busy with school and other activities. Recently, I've been reading 1984 in english class and I loved the idea of thought crime, where even your own thoughts and your mind is not private any longer. This photo was kind of inspired by that.
Im slightly proud of this.
Well I went shopping, flickr, and I got this really cute shirt with Minnie on it! :)) Because I know you all care so much.
Yep..
Andaman and Nicobar Islands. I love infrared; it was too hazy to show the islands clearly on an image from my K5. The vegetation on the islands makes them stand out in IR.
Infrared @665nm. Processed using Khromagery's free Photoshop plug-in, then individual colours tweaked.
Sony ILCEO ⍺6500 | Sony 20mm 2.8 (upper panel); Beseler TOPCON Super D | RE, Auto-Topcon ƒ1.4 58mm (lower panel)
I'm slowly building my film photo skills. Unhappy with the scan of my negatives I got from the camera store I decided to digitize the negatives a different way. I don't own a macro lens per se any more, but I have 3 macro filters that screw into some of my Lensbaby lenses. The only lens that makes sense to use (I think) is the Lensbaby Twist 60. Set to ƒ8 and considering the virtually flat surface to photograph I won't get the characteristic Petzval twisty background. The center of the lens is reasonably sharp and that's where it counts. The lower image is the result after I'd refined parts of the process. Makeshift with stuff I had around the house, but it works fine. The film was Fujifilm Superia X-tra 400. I feel good about my baby step forward today.
I use Photomatix alot but in some situations it just doesn't work. In this comparison you can see how photomatix has introduced a ton of noise (view at max size). To get what I wanted I brought all 5 exposures into Photoshop and painted in all the correct exposures with layer masks. It was a long process but it got me the results I wanted. I just discovered that the same people that make Photomatix have a Lightroom plugin called Merge to 32-bit HDR Plug-in for Lightroom. You export your exposures into one super tiff file with all the info from all 5 exposures. Then it reimports the tiff back into Lightroom where you make all your adjustments in raw. You can see that there is almost no difference between the layered Photoshop file and the Merge to 32 bit HDR. The areas you will see a difference are in the lanterns and Pinocchio which were burned down in Photoshop. All adjustments to the 32 bit HDR where only made with sliders in Lightroom. You can download a free trial at hdrsoft.com/download.html and to purchase is only $29.