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On the coastal train ride to Devon

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GXR Mount A12 + PENTACON auto 29mm f2.8

w/ Fuji Velvia

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Woke up and headed out while it was still dark and cold this morning to watch the sunrise and get out while the world was still quiet. This one snapped after I'd already been out a few hours. So is this my worm?

ODC - Making Tracks

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Shooting colour like it is 1877. Three monochrome images captured through red, green and blue filters. Then recombined via the additive process to create a colour image. Where the subject moved, a rainbow appears. I have deliberately used slightly imperfect colours when recombining, to try to recreate the antique feeling.

Piles Creek, Girakool near Somersby NSW.

drawing in process, nov. 2007.

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Mouscedes

On Black, please

My family. From left to right

Madison, Mariah, Mackenzie, John.

Processed using SolHat and PixInsight. Does not feature a composited earthshine.

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Jul 19, 2012 #311

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Made with Processing 2.0 alpha 1 / JavaScript mode.

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Facebook | Instagram

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Modelo: Augusto Kuarupp

I was in Glasgow a couple of weeks ago installing ‘Thought…Process’ a show with Malin Gabriella Nordin at Good Press Gallery. I had a super short residency in their work space and made some new drawings and a single edition zine. Glasgow and Good Press treated me well and the almost foreign sounding accents made me feel like I was on holiday. Sunny, mellow, happy times. Thanks to Matt and Jess for having me.

malingabriella.com/

All my work from the show is available at the Good Press wite:

goodpressgallery.co.uk/index.php?/hidden-art/thought-proc...

goodpressgallery.co.uk/index.php?/hidden-art/thought-proc...

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Hollow Ponds, East London, UK

for the stolen strategies pool

original photo by woojinhan

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First nearly successful Oil Print, M. Graham Lamp Black Oil Paint on Arches Platine Paper.

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Scribe shark looking on......

Sony ILCEO ⍺6500 | Sony 20mm 2.8 (upper panel); Beseler TOPCON Super D | RE, Auto-Topcon ƒ1.4 58mm (lower panel)

I'm slowly building my film photo skills. Unhappy with the scan of my negatives I got from the camera store I decided to digitize the negatives a different way. I don't own a macro lens per se any more, but I have 3 macro filters that screw into some of my Lensbaby lenses. The only lens that makes sense to use (I think) is the Lensbaby Twist 60. Set to ƒ8 and considering the virtually flat surface to photograph I won't get the characteristic Petzval twisty background. The center of the lens is reasonably sharp and that's where it counts. The lower image is the result after I'd refined parts of the process. Makeshift with stuff I had around the house, but it works fine. The film was Fujifilm Superia X-tra 400. I feel good about my baby step forward today.