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It's been awhile since I've posted, I've just been so busy with school and other activities. Recently, I've been reading 1984 in english class and I loved the idea of thought crime, where even your own thoughts and your mind is not private any longer. This photo was kind of inspired by that.
Stone Mill across the street in 1763 (now known as the Hunterdon Art Museum)
Ralph Hunt built the earliest section of this Mill to process wool sometime around 1810. His wool business failed, however, thanks to a permanent downturn in the market for domestic cloth. By 1820 Ralph confessed to the Census that “the establishment has been doing very little for two or three years past. The demand for sale of the cloths and sattinets are very dull…a few of the farmers get their wool manufactured, but from the low prices of foreign cloths.” Things did not improve and Ralph lost all of the family’s property, more than 400 acres and mills on both sides of the river. He defaulted on his mortgage, and the Taylor family took ownership.
The Red Mill in Operation: 1810 - 1928
From 1828 to 1834 John Bray and John B. Taylor took over running the Woolen Mill. The Taylors, now the dominant merchant family, changed the name of the town from Hunt’s Mills to Clinton, after the popular New York governor DeWitt Clinton. Bray and Taylor continued in the woolen business but they also diversified by grinding feed, flour and stone plaister, as well as by selling chestnut wood for rails. They even opened a dry goods establishment which carried everything from china to sheet iron. But Bray and Taylor also failed in their business, selling it for three quarters of its purchase price.
John W. Snyder, the new owner, refitted the Mill for grist and ceased wool production. But he too quickly fell into debt, and lost the property in 1842. After a swift series of owners, the Easton Bank split the site into a mill and a quarry. In 1847 the Mill was sold to John F. Stiger and John A. Young, who used it to grind flour and grist. In 1868 Young sold his part of the business to his partner, John Stiger, who continued to operate it as a grist mill.
In 1871 Stiger sold the mill and it again changed hands several times before it was purchased by Philip Gulick in 1873. Gulick ground grist on the third and fourth floors of the mill and produced peach baskets in the first level. In 1892 Gulick set up The Clinton Illuminating and Water Co. on the second floor of the mill. It provided electricity for Clinton’s street lamps. Gulick died in 1901 and his widow rented the Mill to Elmer and Chester Tomson and in 1905 they purchased it outright.
Chester changed the mill’s operation to grist to graphite and for a short time the mill became known as the “Black Mill.” The greasy black dust was wildly unpopular in town, and after a public outcry he turned to grinding talc and the Mill was soon dubbed the “White Mill.”
Im slightly proud of this.
Well I went shopping, flickr, and I got this really cute shirt with Minnie on it! :)) Because I know you all care so much.
Yep..
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Canon F1 50mm 1.2
Agfa precisa ct100 slide film cross processed in Tetenal Colortec c41
These cross processed agfa slides looked very green, i scanned them as positives and let some of the green out to get back some colors. The edges from the negative holder turned pink, which I didn't crop because I kind of liked them.
cross processed expired tungsten 120 film, Diana F+, scanned print
I took this picture while leaning out the window of a small air plane piloted by an old friend. Just after I took the shot, the camera was ripped out of my hand by the wind. Somehow, I was able to grab the very end of the camera strap and prevent someone from being killed by a plastic camera from a thousand feet up!
After that, I put the film away and didn't think about it for over a year until I found it last week and sent the roll in for processing, having no idea what was on the roll. A pleasant surprise from a fun day.
Things are getting a little more interesting. Brought in the bezier interpolation code to get smoother trails.
So...I had solutions left from tea toning more cyanotype fabric and decided to play around with some old cyanotype prints. I have had a stash of less than optimal pieces for just such an occasion. I was attempting split toning, working to keeps some of the blue in the print and not bleach it all out. On a few of these it worked. Often times, as per what seems to be my usual, I get more such results when I'm not actively trying! But that's okay. Just trying to get myself back in the swing of things.