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Woke up and headed out while it was still dark and cold this morning to watch the sunrise and get out while the world was still quiet. This one snapped after I'd already been out a few hours. So is this my worm?
ODC - Making Tracks
Shot from my more natural set that I'm doing in BW really liked the way this came out when I was playing in photo shop so I thought I'd share it! Off to the camera store... Yeek! Hope my camera's isn't super broken.
I was in Glasgow a couple of weeks ago installing ‘Thought…Process’ a show with Malin Gabriella Nordin at Good Press Gallery. I had a super short residency in their work space and made some new drawings and a single edition zine. Glasgow and Good Press treated me well and the almost foreign sounding accents made me feel like I was on holiday. Sunny, mellow, happy times. Thanks to Matt and Jess for having me.
All my work from the show is available at the Good Press wite:
goodpressgallery.co.uk/index.php?/hidden-art/thought-proc...
goodpressgallery.co.uk/index.php?/hidden-art/thought-proc...
Sony ILCEO ⍺6500 | Sony 20mm 2.8 (upper panel); Beseler TOPCON Super D | RE, Auto-Topcon ƒ1.4 58mm (lower panel)
I'm slowly building my film photo skills. Unhappy with the scan of my negatives I got from the camera store I decided to digitize the negatives a different way. I don't own a macro lens per se any more, but I have 3 macro filters that screw into some of my Lensbaby lenses. The only lens that makes sense to use (I think) is the Lensbaby Twist 60. Set to ƒ8 and considering the virtually flat surface to photograph I won't get the characteristic Petzval twisty background. The center of the lens is reasonably sharp and that's where it counts. The lower image is the result after I'd refined parts of the process. Makeshift with stuff I had around the house, but it works fine. The film was Fujifilm Superia X-tra 400. I feel good about my baby step forward today.