View allAll Photos Tagged processing

Processed with Snapseed.

Processed with Silver Efex Pro 2

 

Hollow Ponds, East London, UK

for the stolen strategies pool

original photo by woojinhan

Processed with VSCOcam with x1 preset

Processed with VSCOcam with b5 preset

First nearly successful Oil Print, M. Graham Lamp Black Oil Paint on Arches Platine Paper.

Scribe shark looking on......

Sony ILCEO ⍺6500 | Sony 20mm 2.8 (upper panel); Beseler TOPCON Super D | RE, Auto-Topcon ƒ1.4 58mm (lower panel)

 

I'm slowly building my film photo skills. Unhappy with the scan of my negatives I got from the camera store I decided to digitize the negatives a different way. I don't own a macro lens per se any more, but I have 3 macro filters that screw into some of my Lensbaby lenses. The only lens that makes sense to use (I think) is the Lensbaby Twist 60. Set to ƒ8 and considering the virtually flat surface to photograph I won't get the characteristic Petzval twisty background. The center of the lens is reasonably sharp and that's where it counts. The lower image is the result after I'd refined parts of the process. Makeshift with stuff I had around the house, but it works fine. The film was Fujifilm Superia X-tra 400. I feel good about my baby step forward today.

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Testing a manual Nikkor 50 mm ƒ1:1.2 on my Nikon Df, post processed in Lightroom using the new VSCO Film Pack 05.

 

Processed with Snapseed.

Processed with VSCO with a7 preset

Processed with VSCOcam with c1 preset

Moscow. Manezhnaya square.

Camera: Samsung Vega 77i QD

Film: Kodak Vision3 200t + dev.D-76

Photo taken: 02/08/2017

Scanner: Noritsu LS-1100

Processed with VSCO with 4 preset

Same photo as the one on the right with just histogram modification.

Processed with VSCO with 3 preset

Im slightly proud of this.

Well I went shopping, flickr, and I got this really cute shirt with Minnie on it! :)) Because I know you all care so much.

Yep..

Processed with VSCOcam with e8 preset

23x34 acrylic on canvas

Processed with VSCOcam with a6 preset

From A roll of Agfa RSX 100. I wish they were still making this film.

Processed with VSCO with a8 preset

couldn't resist making this look like an old line drawing that scared the hell out of us as kids...

Processed with VSCO with b5 preset

That's hot it looks like when it's stenciled. I always try to improve the design, I forgot to add some bridges to give it more stability…but still looks good.

It is hand cut. I am also using skinny caps for fine stencils.

Design manifesto (akto project)

 

Design is an idea that grows like a tree

and flies away like a bird

I had a great day today. I had a fair-size list of things that I wanted to get done today and managed to get them all (and a few others) done.

 

Onlookers often wonder why I put so much effort into some of the things I do. Sometimes I enjoy the process as much as I enjoy the finished product.

 

What you're seeing here is the slow-poaching method from David Chang's Momofuku. Essentially; slow-cooked in their shells, when cracked, are a perfectly poached egg with incredible textures and flavor.

 

I think eggs are so incredible. They are quite simple in appearance but are quite impressive when you start to break it down chemically.

 

When I get them right, the outer white is soft and creamy. The best part is the yolk when it becomes a gel. I find the yolk to be the best part about a cooked egg. When that golden yellow nucleus of of joy turns to gel and becomes spreadable, toast becomes a prized commodity.

 

The thing I like the best about this shot is how the water distorts the view of the eggs. In this case it actually makes them easier to see. That is what made me pick up my camera and get this shot.

 

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