View allAll Photos Tagged processart

Liked Mike's evening shots on his so I tried some, sadly my battery ran out so I only got a few not very good ones. This was the 'sunset' setting - slow shutter speed, hard to hold steady.

 

I did get a very Franz Kline look to this. See:

 

images.google.com/imgres?imgurl=http://www.beatmuseum.org...

 

You can follow the evolution of the 'process' of the work at this location by viewing this SET :

 

www.flickr.com/photos/29483647@N00/sets/72157601064140716/

Process-art painting is a powerful tool for self-discovery and healing.

 

The act of painting might bring up emotions--old emotions repressed since childhood, or fresh ones triggered by our daily lives, or deeper feelings erupted from our sense of interconnectedness with the world and all its suffering. To feel grief, fear and anger is natural. It can be appropriate. PAINTING FOR LIFE is a safe place to express those dark feelings. Just as it is an appropriate place to express your joy and blessings, if that's the way you feel.

 

The only rule is a true sense of integrity to what you feel in the moment. Not this morning, not yesterday, not what you dreamed even. Your dream may influence the way you feel right now, and in that respect they may influence your painting, but this particular approach to painting is not about painting your dream itself.

 

Usually the dark and the light keep each other in balance like communicating vases. As deep one is willing to go is the measure to as high one will eventually return. PAINTING FOR LIFE is a spiritual practice, a full-bodied, full-souled process.

It's all about the process. Families rolled, stamped and painted with different fall related objects. It was a fun time by all! Thank you Friends of the Bascom Library for supplying the fresh corn for painting.

October 11, 2008-January 25, 2009

 

Christo and Jeanne-Claude are preparing to suspend horizontal silvery fabric panels over the Arkansas River in Colorado!

 

Check out elaborate collages and drawings, maps, photographs, and components to be used in the project at The Phillips Collection.

  

The exhibition is organized by The Phillips Collection, Washington, D.C.

 

Generously sponsored by Edgar H. and Janet M. Brenner

Really big log, 2 man job. Reminds of that tribe in the film Mondo Cane that tries to lure the cargo planes to land with a decoy.

So familiar... but what is this? Mixing comedy with tragedy, Nathan Mabry's "Process Art (B-E-A-G-G-R-E-S-S-I-V-E)" is a mash-up of Rodin's "The Burghers of Calais" with the heads of sports team mascots (mask-arts?). Mabry refers to this work as "recontextualized metaphor". Striking, alarming and humorous... See MY mash-up photo next door (stage right).

 

This installation is at the Savannah College of Art & Design Museum of Art: www.scadmoa.org/art/exhibitions/2014/nathan-mabry-sculptu....

 

Nathan Mabry's bio and examples of his other works can be found here: www.skny.com/artists/nathan-mabry/bio/..

 

More about Mabry and "The Burghers of Calais": www.cherryandmartin.com/content/File/NM_1304_StarTelegram....

Another new one.

 

Not sure this link will work, but Harry Spitz took some photos of the sculptures from his Kayak - a view from mid-river the sculptors rarely get! See:

 

www.hudson-kayaker.blogspot.com/

Last Thurs. 6/7/7 NBC in NY had a spot on the 11 o'clock News covering the driftwood sculptures on the Hudson. They had some film of this one and I added to it today.

 

The evolution of the 'process', as in Process Art, of the work at this location seen by viewing this SET :

 

www.flickr.com/photos/29483647@N00/sets/72157601064140716/

The piece of the day, these two slabs are from the same stone, split down the length and therefore a perfect fit.

Step a Side B, 2006-2009

Synthetic materials, pigments, rubber and wood structure

24” X 35 1/2” X 34”

Courtesy of the Artist and Don Soker Contemporary Art, SF

Ate a construction worker building the pier on 125th St.

  

The Phillips Collection

Duncan Phillips lecture with artists Christo & Jeanne-Claude

Scanner as Camera No. 09, 2025, Digital scan, 11.5” x 8”

 

Transparency #32, 2007

Paper, graphite, pigments, acrylic polymer and wood structure

32" X 43" X 2 3/4"

Courtesy of the Artist and Don Soker Contemporary, SF

The Phillips Collection

Duncan Phillips lecture with artists Christo & Jeanne-Claude

Happy Holidays everybody. A magnificent day to get out and work.

The interview ran this morning on Hallmark Channel's New Morning cable show - here's the link to their web archive:

 

www.newmorningtv.tv/todaysshow_111407.jsp

This is from a Process Art project in which I covered a small room with paper

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

5' x 3'

canvas

oil paint, copy-paper, paper, poly-finish

Great song from Stereo MCs. "Connected" seems to suggest that we get connected to what is real and not neglect the refinement of our minds. It seems that almost all the issues that arise in our so-called news are primarily concerned with integrity and the need for us to elevate ourselves out of a culture of personal satisfaction and instant gratification. If we're going to survive to the end of this century we are going to HAVE to. ... "The writing's on the wall."

Is this really Manhattan?

  

My interview with ABC ran Tuesday, August 28th 2012, 5 o'clock channel 7. There is a link on their website to a longer version.

 

abclocal.go.com/wabc/story?section=news%2Flifestyle&i...

 

Extended interview (may not play thru):

 

abclocal.go.com/wabc/story?section=news%2Flifestyle&i...

The Phillips Collection

Duncan Phillips lecture with artists Christo & Jeanne-Claude

This is from a Process Art project in which I covered a small room with paper

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

Distaff, 2000

Gauze, beeswax, gut, fiberglass mesh, aluminum and wood structure

60” X 12” X 1 3/4”

Courtesy of the Artist and Don Soker Contemporary Art, SF

 

Transparency #33, 2007

Paper, graphite, pigments, acrylic polymer and wood structure

32" X 43" X 2 3/4"

Courtesy of the Artists and Don Soker Contemporary, SF

This is from a Process Art project in which I covered a small room with paper

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

 

This is from a Process Art project in which I covered a small room with paper and threw bouncy balls that were covered in paint. This is the result.

Buncha stuff up since NY TIMES ran article. Think its mostly Dave.

 

According to Dave some are not his. Might be Zodiac. Those on the left edge are definitely his. Here's some others he did:

 

www.flickr.com/photos/10524963@N04/

These make me think el Ropo could be Robert Greenberg, whose driftwood mobiles hang in the rotunda at the 79th St. Boat Basin Cafe

...and roses and digging up weeds. the thing is, he kind of looked like he'd kill you if you'd ever try to like, spit at him. he's gone now, i think he's in the military. passing the flower shoppe, i marvel at how cheap two dozen roses are and oh i should buy them but to who would i give them to? i walk past the hotdog man, never buying a hotdog. i glance at the hat selling man and the hats he\'s selling, but never buy a hat. i walk amidst...

LEAPING FISH jumps over the setting sun.

Little sculpting today, mostly photographing.

 

My New Morning Hallmark interview: www.newmorningtv.tv/todaysshow_111407.jsp

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