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Jackie Winsor, #1 Rope, 1976, wood and hemp, 40-1/4 x 40 x 40 inches (SFMOMA, San Francisco)

 

smarthistory.org/jackie-winsors-1-rope.html

Persepolis (Old Persian= Pārsa, Takht-e Jamshid or Chehel Minar) was the ceremonial capital of the Achaemenid Empire (ca. 550-330 BCE). Persepolis is situated 70 km northeast of the modern city of Shiraz in the Fars Province of modern Iran. In contemporary Persian, the site is known as Takht-e Jamshid (Throne of Jamshid). The earliest remains of Persepolis date from around 515 BCE. To the ancient Persians, the city was known as Pārsa, which means "The City of Persians". Persepolis is a transliteration of the Greek Πέρσης πόλις (Persēs polis: "Persian city").

Do you have a lot of broken, short crayons? Put them to good use by letting the kids create unique artwork through this CRAYON MELTING ART activity. It’s a fun and easy-to-do process art activity for kids and science experiment in one.

What is Process Art?

Process Art is open-ended art....

 

kidzactivities.net/crayon-melting-art/

In the hottest time of summer the night air wafts with the perfume of a thousand blossoms, drawing moths and influencing dreams.

 

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The Sassanian Empire or Sassanid Persian Empire (pronounced /sæˈseɪniən/, /ˈsæsənɪd/; also spelled Sasanid or Sasanian), known to its inhabitants as Ērānshahr and Ērān in Middle Persian and resulting in the New Persian terms Iranshahr and Iran, was the last pre-Islamic Persian Empire, ruled by the Sasanian Dynasty from 224 CE to 651 CE. The Sassanid Empire, which succeeded the Parthian Empire, was recognized as one of the main powers in Western and Central Asia, alongside the Roman-Byzantine Empire, for a period of more than 400 years.

en.wikipedia.org/wiki/Sassanid_Empire

Jackie Winsor, #1 Rope, 1976, wood and hemp, 40-1/4 x 40 x 40 inches (SFMOMA, San Francisco)

 

smarthistory.org/jackie-winsors-1-rope.html

Jackie Winsor, #1 Rope, 1976, wood and hemp, 40-1/4 x 40 x 40 inches (SFMOMA, San Francisco)

 

smarthistory.org/jackie-winsors-1-rope.html

www.facebook.com/mehrzadfoto

Artaxerxes II Mnemon (Persian: اردشير دوم‎) (Old Persia meaning "whose reign is through truth"); was king of Persia from 404 BC until his death. He was a son of Darius II of Persia and Parysatis.

If you like to learn more about Artaxerxes II of Persia:

From Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Artaxerxes_II_of_Persia

www.facebook.com/mehrzadfoto

 

Qur’ān Gate (Persian: دروازه قرآن Darvāzeh Qor'ān) is a historic gate in the southern-central Persian city of Shiraz, Iran. It is located at the northeastern entrance of the city, on the way to Marvdasht and Isfahan, between Baba Kouhi and Chehel Maqam Mountains near Allah-O-Akbar Gorge.

Tara Donovan

Untitled, silver mylar tape, 2007

Lila Acheson Wallace Wing, Gioconda and Joseph King Gallery

 

A large-scale work conceived specifically for display in The Metropolitan Museum of Art's galleries by New York-based artist Tara Donovan comprises the exhibition "Tara Donovan at the Met".

 

The artist used silver Mylar tape to create a wall-mounted installation that encompasses the entire 1,600-square-foot Gioconda and Joseph King Gallery on the mezzanine level of the Museum's Lila Acheson Wallace Wing. Through a massive accumulation of metallic loops that both reflect and refract light, Donovan transforms the space into a unique phenomenological experience for the viewer.

 

In the construction of her installations, Tara Donovan employs systems that mimic the elemental patterns of growth found in the natural world. She works with a single, commonplace manufactured material — such as tape, Styrofoam cups, toothpicks, or drinking straws — and amasses up to millions of units into a structure that may resemble a topographical landscape, geological formation, or atmospheric condition. With roots in Earth Art, Process Art, Minimalism, and Post-Minimalism, Donovan's work explores the inherent physical characteristics of the medium at hand while transcending the utilitarian nature of the materials.

 

Metropolitan Museum of Art

NYC

 

A series of layered, "surrealist" pieces, part of my "Process Art" work, this time done in black and white. Why should powerful and unusual pieces always be in vivid colours? I wanted to try my hand at B&W surrealism as a way to expand my vocabulary - and hopefully come up with something effective.

 

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www.facebook.com/mehrzadfoto

Karim Khan Zand, was a ruler of Iran, and the founder of the Zand Dynasty. He was born in Village of Pari near Malayer to a family of the Zand tribe of Lak or Lur deportees. Wikipedia

Born: 1705

Died: March 2, 1779, Shiraz

en.wikipedia.org/wiki/Karim_Khan

 

Dans le cadre d'une résidence croisée France/Québec de co-production au 3e impérial, centre d’essai en art actuel, David Coste déploie une oeuvre évolutive in situ sur le terrain de l’église St-George, à Granby, du 17 août au 31 octobre 2016. Intitulée Disjonction, architectures-démontrables, l’installation prend la forme d’un livre surdimensionné et emprunte à l’architecture, au cinéma, à l’histoire de l’art et à la ville de Granby. Dans ce premier volet, différents dessins associent le château Brownie de Palmer Cox, celui de Disney, le Bates Motel du film Psychose d’Alfred Hitchcock, etc. Les volets à venir poursuivront également la réflexion sur les espaces narratifs qui assemblent la réalité et l’imaginaire.

 

Pour plus de détails 3e-imperial.org/artistes/david-coste

www.facebook.com/mehrzadfoto

Persepolis (Old Persian= Pārsa, Takht-e Jamshid or Chehel Minar) was the ceremonial capital of the Achaemenid Empire (ca. 550-330 BCE). Persepolis is situated 70 km northeast of the modern city of Shiraz in the Fars Province of modern Iran. In contemporary Persian, the site is known as Takht-e Jamshid (Throne of Jamshid). The earliest remains of Persepolis date from around 515 BCE. To the ancient Persians, the city was known as Pārsa, which means "The City of Persians". Persepolis is a transliteration of the Greek Πέρσης πόλις (Persēs polis: "Persian city").

2015

Xerox manipulation and glitching

 

This is a data-corrupted pass of the previous image. I love the tonal subtlety between the pinks and yellows!

 

©Ashley Anderson

Dans le cadre d'une résidence croisée France/Québec de co-production au 3e impérial, centre d’essai en art actuel, David Coste déploie une oeuvre évolutive in situ sur le terrain de l’église St-George, à Granby, du 17 août au 31 octobre 2016. Intitulée Disjonction, architectures-démontrables, l’installation prend la forme d’un livre surdimensionné et emprunte à l’architecture, au cinéma, à l’histoire de l’art et à la ville de Granby. Dans ce premier volet, différents dessins associent le château Brownie de Palmer Cox, celui de Disney, le Bates Motel du film Psychose d’Alfred Hitchcock, etc. Les volets à venir poursuivront également la réflexion sur les espaces narratifs qui assemblent la réalité et l’imaginaire.

 

Pour plus de détails 3e-imperial.org/artistes/david-coste

This is the full shot of ROOTS - looks like a nude torso lifting some birds.

 

My New Morning Hallmark interview: www.newmorningtv.tv/todaysshow_111407.jsp

I added to the nude, not neccessarily to better effect. It comes off real well in the larger size photo here on flickr.

Another view, a great piece of wood

 

My New Morning Hallmark interview: www.newmorningtv.tv/todaysshow_111407.jsp from November 14, 2007.

Foam Painting Vertical Art Exploration: The windows in the atelier turned out to be the perfect canvas for our vertical art experience. . . . #verticalart #reggioemiliainspired #sensoryplay #toddleractivity #messyplay #emergentcurriculum #processart #playtherapy

2015

Xerox manipulation

 

A friend of mine told me about how he used the single color settings of a copy machine to create manually multi-color images. Of course I had to mess with this new process/toy and here is a happy accident compliments of the negative setting.

 

©Ashley Anderson

So its not Art Basel Miami - but after a bottle of Florida wine can you really tell?

Better shot of this than I got yesterday.

  

My interview with ABC ran Tuesday, August 28th 2012, 5 o'clock channel 7. There is a link on their website to a longer version.

 

abclocal.go.com/wabc/story?section=news%2Flifestyle&i...

 

Extended interview (may not play thru):

 

abclocal.go.com/wabc/story?section=news%2Flifestyle&i...

www.facebook.com/mehrzadfoto

Artaxerxes II Mnemon (Persian: اردشير دوم‎) (Old Persia meaning "whose reign is through truth"); was king of Persia from 404 BC until his death. He was a son of Darius II of Persia and Parysatis.

If you like to learn more about Artaxerxes II of Persia:

From Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Artaxerxes_II_of_Persia

Another metaphor for the times? View Large on Black.

So familiar... but what is this? Mixing comedy with tragedy, Nathan Mabry's "Process Art (B-E-A-G-G-R-E-S-S-I-V-E)" is a mash-up of Rodin's "The Burghers of Calais" with the heads of sports team mascots (mask-arts?). Mabry refers to this work as "recontextualized metaphor". Striking, alarming and humorous... See MY mash-up photo next door (stage left 2X).

 

This installation is at the Savannah College of Art & Design Museum of Art: www.scadmoa.org/art/exhibitions/2014/nathan-mabry-sculptu....

 

Nathan Mabry's bio and examples of his other works can be found here: www.skny.com/artists/nathan-mabry/bio/..

 

More about Mabry and "The Burghers of Calais": www.cherryandmartin.com/content/File/NM_1304_StarTelegram....

Shiraz is the sixth most populous city of Iran and the capital of Fars Province. In 2009 the population of the city was 1,455,073. Shiraz is located in the southwest of Iran on the Roodkhaneye Khoshk seasonal river. Wikipedia

 

What would it feel like to make land, terraform? What if you could make a people? These are the ideas challenged in this painting, because with creation of something so important, comes great responsibility.

 

8' x 4'

canvas

oil paint, paper, poly-finish and ink

So familiar... but what is this? Mixing comedy with tragedy, Nathan Mabry's "Process Art (B-E-A-G-G-R-E-S-S-I-V-E)" is a mash-up of Rodin's "The Burghers of Calais" with the heads of sports team mascots (mask-arts?). Mabry refers to this work as "recontextualized metaphor". Striking, alarming and humorous... See MY mash-up photo next door (stage left).

 

This installation is at the Savannah College of Art & Design Museum of Art: www.scadmoa.org/art/exhibitions/2014/nathan-mabry-sculptu....

 

Nathan Mabry's bio and examples of his other works can be found here: www.skny.com/artists/nathan-mabry/bio/..

 

More about Mabry and "The Burghers of Calais": www.cherryandmartin.com/content/File/NM_1304_StarTelegram....

This imaginary interpretation of an infinitesimal portion of the universe embraces a process in which many pourings of thin paint collect and dry into unexpected configurations. Their layered translucent surfaces allude to stellar nubulas which are turbulent gases and dust encasing stars. The reference to the alchemical-- the medieval forerunner to chemistry based on the transformation of matter or transforming inert metals into gold is a metaphor for the actions taken to find this painting and to the highly volatile, energy laden constant changing universe and its cosmic phenomena.

View On Black

Closeup of some nice pale wood. Beautiful wood - that's why I do these.

 

My interview on Hallmark Channel's New Morning 7am cable show on November 14, 2007: www.newmorningtv.tv/todaysshow_111407.jsp

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