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Loggers, Sawmiller and Shieldsmiths

 

A trio of scenes showcasing the process of transforming trees into shields in medieval times. These workers are from the town of Batuhan, in northern Kaliphlin. This MOC is my entry into the Ye Olde Woodes category of the 2020 Colossal Castle Contest (CCC XVIII).

 

See the full series in this post.

 

Website | Flickr | YouTube

 

My son was up there. I tried myself and had a bad vertigo afterwards.

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Friday night.....tired but in one piece.

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Casa da música from architect Rem Koolhaas. Porto - Portugal

Olympus XA2 + Kodak Ektachrome Extra 100 (Expired)

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Shot: me Post process: Bizarro

 

Poussière de sable hier avec petite touche personnelle

Yesterday I showed you a standard handcrafted cyanotype print. I described the process of applying the sensitising chemicals to the paper and exposing it to sunlight. I then showed what happens to the print when it is toned using a simple dark tea (tannic acid).

 

That's what I have done here with this cyanotype print of "The Soldier" (on the left hand side). You can see clearly how it has been stained in a bath of strong black tea. The tannic acid in the tea reacts with the ferric oxide and turns the blue to grey. The stained paper then takes on a kind of sepia tone.

 

The cyanotype process is very rewarding, but it requires a carefully thought-out hands on crafting experience. Planning and workflow is everything. So the four-part image above shows the main stages of preparing the print you will see next, "The Soldier".

 

1. Start with a raw image of the statue.

2. Convert this to black and white.

3. Produce a digital negative.

4. Make the cyanotype print (which will appear blue). Then stain it in a tea bath. This was soaked in tea for 10 minutes.

 

Once you have your stained print fully dried, you can cut it to size as seen in the next picture.

 

* A NOTE ON THE PAPER:

Since this is a wet process involving washing and soaking the paper it is vital to use high quality art paper. No less than 360 gsm. It is also important that it be acid free paper (since acids react with the cyanotype chemicals). In my case I used Reeves acrylic paper. For the soldier I produced an A4 size negative and initial print, but tomorrow I will show you two prints made on A5 size paper.

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Aargauer Kunsthaus

Exhibition "Maske"

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Public sculpture on the edge of Paternoster Square by Thomas Heatherwick. I've just discovered that it is actually called 'Paternoster Vents' and functionally provides a vent for an electricity substation below it.

 

It has subsequently become known as 'Angel's Wings'.

 

(APL_160227_3812)

Vintage flic.kr/p/T6C4U9.

 

Sucker for vintage! It just opens up another world where I envision the history behind the object/subject. I need time to go through the emotions, even though is a made up story in my head 😆😁

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Last friday I got the chance to shoot the Barbershop Quartet "OC Times". I'm currently post processing the images and hopefully will post the set up on my blog (yes I am still working on that). Until then here is an outtake from the end of the day.

 

View Large On Black

 

Strobist

Sunpak 120j in a 43" white shoot thru higher camera left....triggered by pocketwizards

  

I'm on Twitter: @isayx3

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Toned and filtered but the full shot as taken above my head. No cropping or distortion... happen to like triangles and I saw plenty of them here... it became the base for my contribution for Sliders Sunday.

An idea developed for the we're here group.I've put a much processed image into that group but wanted to post this image in my 366 group.I've never taken a self portrait before!

flic.kr/p/EqcY5b

 

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Shot @ Pottery Town,Old Photo Shoot with BWS,Bangalore.

 

See all my potter's hand shots here:-

www.flickr.com/photos/akashb/sets/72157601921910525/

 

Xplored:-Highest position: 173 on Friday, May 1, 2009

   

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