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Before & after post processing. This 100+ year-old dairy farm barn and concrete silo (Keetch Family) is in the middle of a small town (St. Charles) in SE Idaho that has grown around it over the decades. Although there is very little overall light pollution in this rural area, there is quite a bit of local light pollution from several surrounding home yard lights, making the barn over lit with a mixture of sodium-vapor (yellow-orange) and mercury-vapor (green) light colors. Here are the corrective steps I took:

 

• Darken & desaturate the barn/silo via yellow channel

• Increased sky contrast (which reveals the

latent colors in the sky)

• Enhanced the Andromeda Galaxy*

• Reduce barn & silo keystone distortion

 

*The barn is facing the NE sky, so the core of the Milky Way is behind me.

Feb 17th, Explore #177

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topped off with a bent lomo horizon

while on line to get into the theater to see a Broadway show... I clicked this, as we all waited...

been dying to use these gerbera's in some pictures :) you may see them again...

Kids in rural Primary School, Snuol District, Cambodia

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Olympus Pen EE-S (EL) + Expired Fuji Astia 100, cross processed.

Washington State Ferry Worker

copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.

www.fluidr.com/photos/hsub

I went out for an evening of long exposure with B-Rad Brad Russell

just a bit of film processing

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a lot of people ask me how did i process the milky way. okay, here is the spoiler of the magic ;)

 

upper left: ugly original version, ISO 1600, 14mm, 0 ev, f/2.8, 30 sec.

upper right: I enhanced the milky way by adjusting temperature, tint, exposure, brightness, black, clarity and some curve works

bottom left: adjusted the curve to get better ground view

bottom right: blended two versions together with gradient layer mask, that's it ;)

Photoshop der Kindheit ...

One third of the way there (-ish). I have always liked the scars, in a 'you show me yours and I'll show you mine', sort of way...

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I have been playing with my non existing creative skills on this old flower photo from 2014.

  

Thanks to everyone who takes the time to view, comment, and fave my photo.

.... looking down on the water from a rickety wooden bridge, over a small stream. The water was flowing over a log, and the 'figures' were marching across it in constantly changing forms ....

process

 

inbetween works

  

XOXO

Sascha Carvalho

 

#Metaverse #speculativedesign #art #virtualfashion #fashion #design

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Ideation& Process Final

Saturday Self-challenge : multicolours

I used G'MIC online for the processing.

HSS!

  

"And I said: OK. Who is this really? And the voice said:

This is the hand, the hand that takes. This is the

Hand, the hand that takes.

This is the hand, the hand that takes."

 

Laurie Anderson "O Superman"

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flickr: you need to step it up a bit.

Luca Bettarini Photography

 

Press L to see it in lightroom

Press F to favorite it

Press C to commment

Press G to add it to a Group

 

Visit my website

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The process of making batik is still traditional from old days and not changes until now. Still can be seen from the tools and function of the equipment are quite traditional and unique.

 

Taken@Garut, West Java, Indonesia

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Done with crossword puzzles my Dad has done! He doesn't know yet that I have done this! Won't he be surprized??!! :)

Je pars généralement du fichier RAW. Je règle la balance des blancs, l’exposition, le contraste et les couleurs, puis j’ajuste la netteté et le bruit avant d’exporter l’image.

 

En argentique, je choisissais la pellicule et sa sensibilité. Après la prise de vue, je développais le négatif dans les bains chimiques, puis je l’agrandissais sur du papier photosensible, en contrôlant le temps d’exposition et le contraste.

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I usually start with the RAW file. I adjust the white balance, exposure, contrast and colors, then refine sharpness and noise reduction before exporting the image.

  

With film, I chose the type and sensitivity of the film. After taking the photographs, I developed the negative in chemical baths, then enlarged it onto light-sensitive paper, controlling the exposure time and contrast.

__________________________________________PdF_____

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