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Lough Ennel from earlier this year, this time a scan from the print. A heavy mist clearing over the lake as the sun tries to break through. The image was made on Fuji Acros 100 and the print was made on Ilford Multigrade Warmtone fibre. Print finishing included a light sepia tone.
Wishing you all a happy and peaceful new year !
Eddie
Chemigram
Fomabrom hard glossy (FB) paper.
Laser printed then developed.
Negative from a polaroid SX70.
I have a brand new print available in my store for a short time only, check em out www.lukebyrne.bigcartel.com/
WINNERS OF PRINT GIVEAWAY
1.Ashley elaine
2.Madreperlabianca
3.hey summer
4.sammie jo bug
5.go crazy
6.the wind cries chelsey
7.nicole pierce photography
8.eyeslikelens
9.the good lifee
10. Lychee
sorry to those who didn't win ! :(
im open to print exchanges though :D
This signed 5x7 print is being sold with my new signed zine PEOPLE OF EARTH. This 7.5×10 zine contains 46 unposed images of terrestrial life taken between 2013 and 2017. The price is $30 for United States shipping and $36 for anywhere else on this planet.
Oil-based ink on thin Japanese paper about A4 in size.
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2020/03/05/lino-prints-what-fun/
I have a brand new print available in my store for a short time only, check em out www.lukebyrne.bigcartel.com/
We were sitting admiring one of the more popular arches in the park when I looked down. I became a little mesmerized by the patterns in the dusty soil left by visitors.
UWI Darkroom Print
Superheadz Ultra Wide and Slim
Silver Gelatin Print from expired Tri-X negative
June 2024
MM theme´s of the week is #printedword#
Not to many to do about that subject but just to keep up the week´s challenge is always nice and productive.
Better on L
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We all love photography judges who give us first place, but when our photos slide past unnoticed, well, the judges are simply Philistines. Can't they recognise our brilliance!
There is a part of me that would prefer not to judge photography competitions because all I can offer is a subjective opinion. And often I am asked to provide a comment or suggestion as to how a photograph could be improved or strengthened. Essentially I am being asked how I would have photographed or presented the image to get a higher score. Should I be doing this?
Recently, I listened to judges discuss one of my prints which had a grainy, black and white finish. One said that he didn't know why I had applied the finish as it wasn't something he would have done – and maybe it would be better without the finish.
This set me thinking: does this judge mean that unless I create photographs the way he does, he won't give me a high score? And if this judge doesn't like grainy black and whites, does that mean he will never score such entries highly?
To be fair to the judge in question, he was trying to be helpful by making a suggestion as to how the image could be improved.
So let me give another example. I am not a big fan of HDR (High Dynamic Range) photographs, but I gave an HDR photograph first place in a competition not so long ago. Personally, subjectively, I didn't like the photograph much, but as an example of its kind, it was superlative.
I think that from time to time, judges have to step aside from their biases and judge the photograph as an example of its kind. Perhaps the judge looking at my photo should have assessed it on the basis that the entrant chose to submit a grainy black and white print: was this a good or bad example of its kind?
So, what's different when I'm critiquing a photograph that I think could be improved? For instance, I find a white sky incredibly distracting, so I suggest that the photographer could have found a different camera angle, crop the image, or somehow darken down the sky to improve it. What's the difference between this advice and suggesting that a photograph would be better if it wasn't a grainy black and white?
Context.
In the first situation, the judge seemed to acknowledge that the underlying technique was good, it was the final finish he didn't like. He didn't say the finish was over done or poorly handled, just that it wasn't necessary. So perhaps he didn't judge what had been presented, rather he judged what hadn't been presented.
In the second situation, the base photograph with the bright sky was not communicating correctly and a different approach was required. (In my opinion, I know.)
The difference is subtle and it's not always possible for a judge to know if an entrant is investigating a genre of photography or just doesn't know any better. That's the problem with judges – and for judges. Often we just don't know.
So while a part of me doesn't like judging, on the other hand it's something I greatly enjoy. I love being exposed to different styles of work and new ideas. It is incredibly inspirational and so are photo competitions. Of course, you probably don't expect me to say anything different. Our inaugural International Landscape Photographer of the Year Award has had around 2000 entries, but if you missed out, we'll be announcing our annual Better Photography Photograph of the Year Award later this month!
So, the problem with judges is what?
Visit www.betterphotography.com to decide which works the best? The photo with or the one without stars?
It's been snowing in Scotland today and I let one of my Maine Coon's out for a wander in the snow. She left these beautiful paw prints that I just had to capture in the afternoon light.
D35_2306
An analog photo is only really finished onve it has been printed on paper. Printing a well exposed and developped negative on fibre-based paper, washing and drying it represents a long and intensive process, which can go wrong at every stage, but when it succeeds, you look at your picture on the wall with pride - every time - for years...
Disclaimer: I also like all manner of dgital and hybrid photography.
photo: MPP+ Boyer Béryl 90mm+FP4 + agfa/ansco 40 (1+2/4min)
print: untoned kallitype on Bergger cot 320 paper. sodium acetate developer.
Venize piazza san Marco 2016
switzerland/italy roadtrip 2016
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You can buy canvases and frames prints and other goodies like iPhone covers, laptop covers and pillows (?!) on my Society6 site.
I also have a few images over at 500px and Redbubble and you can also buy stuff at these sites.
You can also find my on Google+ if you use it.
WZFO Start
Fomapan "400" @ 200
DIY D-76 1+1 8min@20C
Printed on very old Foton paper (fotonbrom, hard, exp ~1978-82) developed in DIY Fenal W14, using Krokus 67 enlarger + random 200mm m42 lens
Chaleco animal print leopardo
Marca Geeps, 80% algodón, 20% spandex
Talla S pero a un M y hasta un L le quedaría bien también ya que es spandex :)
medidas y precio en notas
consultas al flickrcorreo
o a pollirius@hotmail.com
Print version avaialble here:
www.blurb.com/b/6733920-the-snakebox-odyssey-magazine-edi...
#snakeboxodyssey #snakebox
Oil-based ink on Japanese paper, about A4 in size.
For more on this one, you could have a look here. davewhatt.wordpress.com/2023/12/25/its-that-french-curve-...