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Camera: Zeiss Ikon Super Ikonta III (531/16)

Lens: Novar Anastigmat f/3.5 75 mm, yellow filter

Film: Kodak TMax 400

Exposure: 1/200 sec and f/11, hand-held

Film developed and scanned by MeinFilmLab

Edited under Adobe Lightroom

Ever since buying this new garlic press I'd toyed with the idea of shooting it as an abstract. There was simply something in its proportions, lines, textures, and metallic sheen that hinted at the possibilities.

 

Lit by shooting one studio strobe through a large white diffusion screen in order to generate that broad highlight. Fuji ACROS film simulation provided the very deep blacks.

The one in flight came to rescue the one sitting from me :)

It landed straight on the one sitting and made it fly away...

 

Great couple protecting each other !

Lashes: Press Press Press lashes (for lel evo x) by The Lillypad *Possibly coming soon...* www.flickr.com/photos/lillycross/

 

Lipstick: Summer Collection V1 (for lel evo & evo x) by TREND www.flickr.com/photos/143677592@N05/

 

Brows: Asymmetrical eyebrows by Core & Gore *This item was part of the So Kawaii Sundays event!* www.flickr.com/photos/147012086@N02/

 

Eyes: Nymph Collection (Black/BOM applied) by GLOOM www.flickr.com/photos/dahviegloom

Thanks to SkeletalMess for the Texture

 

www.flickr.com/photos/skeletalmess/

Go on, press it and see!

 

On the boundary. Once again I am drawn to the local cricket club's Saturday afternoon match, just not to extent of shooting any pictures of the action. I should do really, I just need a longer lens and good anticipation of the (occasionally) wayward batting. Oh, and definitely leave the dog at home...

 

Corringham Recreation Ground, Corringham, Essex UK

 

Sports fans can enjoy an older shot here ⬇️

www.flickr.com/photos/bigharv/51242273121/in/album-721577...

Novembermond ....

 

und die Sonne lacht !

 

(auch wenn sie schon im okober fotografiert, sie blühen immer noch, meine lieblingsherbstaster .... )

Artifacts at the R.J. Haney Heritage Village

2 special operations forces operators press checking their weapon before conducting training.

 

Note: I just started my fall semester (yeah, it seems school never ends) so it's been a little bit hectic. Here is a quick picture from my collection. Enjoy.

mit Hackschnitzelzug in Berlin-Wuhlheide

 

wood in small pieces for the paper mill is transported or empty cars return, who knows

© Manuel Orero

www.orerofotografia.com

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Ex- DB Cargo Class 140 (E 40) from Press (Eisenbahn-Bau- und Betriebsgesellschaft Pressnitztalbahn mbH) with a southbound container train.

 

photrain.net/photos/photo/13466

 

Press "L" to view large.

 

Finally.....the finale. 4 days from now we turn the page on this chapter of our lives.....leaving Hyderabad, India to return to Amherst, Ohio. We have definitely made the most of our time, but it is time to return to the comforts of home.....new experiences are fun and exciting, but there's just no substitute for friends and family.

 

Sunrise image take from the Napasai resort - Koh Samui, Thailand with Koh Phangan in the distance on the left.

Soo MP15 1531 picks up a car from Wallace Press the southern most customer on Kingsbury north of Grand Ave.. May 1990.

Raining at the beach. I don't think this little girl was as sad as this picture makes her out to be...

Mit ihrem DZ1820 und der PRESS 01 509 am Zugschluss in Heudeber-Danstedt weiter in Richtung Ostsee

The sugar mill at Sugar Mill Gardens is one of the most well preserved in the nation. Though the building has fallen into ruin and decay, much of the machinery used to press the sugar cane is still intact, like this huge roller press. Looking at it makes me not take so for granted the little luxuries we have now. It was once quite an ordeal to produce what people needed.

 

The Industrial Age brought some of this mechanization into play, but imagine just how difficult it would be to work in a place with no electricity, no air conditioning, and bubbling cauldrons and furnaces to make things work in what can often be well over 95 degree heat in the Summer. Add in the heat index from humidity and the extra heat from those fires, and the people refining the sugar in this mill would have had to endure temperatures in excess of 110 degrees. In our modern society, it is almost incomprehensible.

 

Of course, the average worker in the old South wanted nothing to do with those conditions, either, so the plantation owner would use slaves, in this case, about 25 of them, to do this miserable work. This gives new understanding of the term, "slave labor". No matter how bad most of us have it anymore, it still isn't like what these people had to endure!

 

America's past is checkered with both the remarkable advancements brought about by its great inventors, and the cruelty of greedy manufacturers who used people like animals. We've come a long way in 200 years, but places like this are a reminder of a time, not so long ago, when the easy life for some was paid for by the blood, sweat and tears of others. So, we press on...

An interesting contrast for the hypothesis of 'warm water forms' (see past posts), as here we have remnants of a press of a size that seems adapted for a croft that was known to have been used between the neolithic and the early medieval years: Mas Viel, Aveyron.

 

The size of the press is big enough to take several litres of fruit at a time (also perhaps berries, acorns and nuts, pigments, roots and so on), and this would seem to be a sensible capacity for a small croft on soils that are varied to thin. Too large a press surface, and much is either lost to the wind, rain or evaporation; the site becomes too attractive for flies, and too difficult to constantly clean. A good rhythm and a modest sized press can convert many items in a relatively short period that is manageable and adapted for rural sites away from ideas of conglomeration or early city.

 

This is a modest monolith, probably for local use and positioned down a slope - so neither by the river or on the hill top. This specific basin resembles a 'warm water form' in much the same way that today a television can look like a microwave oven. Below the press are two stones. One is probably the impact surface and the other a slideable counterweight. Wood frame and ropes are missing.

 

Weights for presses are relatively common and when the bedrock is close to the surface it may not have been obliged for all presses to use monolithic basins, with wood and tough basket being viable alternatives. Counter-weight presses would become screw presses in some parts.

 

AJM 02.07.20

 

After returning to the site I no longer see the two associated stones as being to do with this basin.

 

AJM 07.02.20

Photographer in Queens park Glasgow Scotland

behind Niche in Sheffield

This is an old Press from my Apprenticeship as an Precision machinist. This was my practical exam, the mark for it was good and I think it still looks good on the picture

GB Railfreight's 73969 is pictured at Glasgow Central basking in the Spring sunshine as it awaits time to depart. The loco was near enough spotless which is no surprise given the train was full of media reps and VIPs - all there for the press launch of the new Mk.5 coaching stock.

 

Those on board had been invited along for a day trip on the new stock as it was taken East to Edinburgh and over the Forth Bridge to Fife. This gave them a chance to sample some of the features of the coaches and the new Sleeper experience overall. The press launch comes just a few weeks prior to the planned debut on the Lowlander route.

 

Does this event signify that we are finally about to experience a new era of Sleeper travel, or will there be further delays meaning the general public has to continue using the knackered old stock for months to come?

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While the Scadding Cabin might be the oldest building on the exhibition grounds (dating back to 1794 and relocated to Exhibition Place in 1879), the Press Building (1905) is the oldest building on the grounds built for the exhibition. This two storey structure originally housed the administrative offices of the CNE Association (CNEA), but became the Press Building in 1957 when the CNEA moved its offices to the Queen Elizabeth Building. Nowadays, the building is once again home to the staff of the CNE.

 

Designed by George Wallace Gouinlock and completed in 1905, the Press Building was designed to emulate the formal public buildings of the time. Like the other 15 structures designed by Gouinlock for Exhibition Place, the Press Building was designed in the Beaux Arts style, with a heavy application of baroque elements including its bold massing and opulent use of ornament and colour. Today, the building is protected as part of the Gouinlock Buildings/ Early Exhibition Buildings National Historic Site of Canada.

 

Gouinlock was not only the architect of many of the CNE’s buildings, he also played a significant role leading the profession, first as Chair of the Toronto Society of Architects in 1895 and soon after as President of the Ontario Association of Architects in 1909.

 

To view the CNE Heritage website, including more images of CNE buildings, visit: Press Building

 

Source: www.oaa.on.ca/bloaag-detail/Press-Building/301

The first in a short series of small builds inspired by things I remember from my dad's garage when I was young. First up is a drill press. I only used his twice: once to widen the holes in the control plate of a Japanese-built Fender Mustang guitar to fit larger potentiometers, and once to drill and tap a replica of a Winchester 1873 rifle to add a tang-mounted peep sight.

 

The build explains itself, but it took a few versions to get this down to the size I wanted. It's almost exactly the height of a minifig.

This beauty is a little bit of a rarity for me; I rarely see ghost signs with black backgrounds. Located on the east side of the street just south of the intersection of 20th Street and College Avenue, Indianapolis.

This Chanfler and Price press was used to print the first edition of the Western Slope Criterion in Olathe, CO in 1905. Doesn't say if subsequent issues used this or another press. They were called snappers because they snapped shut and people had to be careful to not get their hands caught between the plates.

 

Pioneer Town Museum, Cedaredge, CO

Louis-Thibaud Chambon – Photographe

contact(at)ltchambon.com

 

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Arrhythmia

Accepting that you live with uncertainty

If you're lonely press play

Die lady die

The aspects that you pass on when travelling

When you're lonely press play

'Cause you're not resolved in your heart

You're waiting for me

To improve

Right here

When I'm lonely I press play

 

Swimming in blue

After new year into the mirror she flew

When I'm lonely I press play

 

Can I get any closer

One anecdote cannot not bring to you

 

Download a free No 10 card kit from

 

www.kingswaymodels.com

Issa and Ney'tiri Necklace was recently used for a photo shoot for Fault magazine 2010.

CREATIVE TEAM

photographer: Imperia Staffieri

Stylist : Crystal Deroche

Make up artist: Diana Asherson

Hair stylist : Ciara McCarthy

Model : Elena @ Profile

After driving down from the mountains we ended up at an Olive Oil factory where we where given a personal tour by the owner. A very friendly man that expalined the process in producing some of the finest cold press oil. they also sold a few other products such as Carob beans, yummy. I did lve the award winnng olive oil as well.

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