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MINES ParisTech était présente à la #COP21 à travers la conférence de la directrice du CMA (Centre de Morphologie Mathématique) Nadia Maïzi, chef de la délégation ParisTech à l'UNFCCC (Union des Nations-unies sur les changements climatiques). Elle y organisait le "side event" Contributions industrielles aux stratégies long terme de décarbonation. Les scénarios de la Chaire Modélisation prospective envisageant les conséquences des politiques bas carbone sur le futur système électrique y seront discutés.
Héctor Hugo Eugui fue presentado oficialmente como entrenador de La Franja. El uruguayo quiere la Liguilla.
Alland López López | LAE Manuel Vela Flickr -- Facebook - You Tube
Puebla., Puebla a 15 de Febrero 2011
Con labor a doble sesión e infundiendo a sus nuevos dirigidos ‘hambre de triunfo’, fue como este martes se presentó Héctor Hugo Eugui en la Angelópolis. El charrúa, quien en palabras del dueño de La Franja Ricardo Henaine, es el hombre indicado para asumir el timón del Puebla, se comprometió en rueda de prensa a llevar a los blanquiazules a la Fiesta Grande.
Ello, aún luego de que reconoció que no es el mago ‘Mandrake’ para cambiar el rostro del cuadro Camotero de la noche a la mañana, aludiendo que sólo con trabajo se revertirá el mal paso y se cumplirán con las expectativas generadas a comienzos de campaña.“Sí me comprometo que nosotros (La Franja) tenemos que jugar la Liguilla, ¿qué no es fácil conseguirla?, pues sí. Pero ¿qué quieren que les diga?, ¿qué venimos (el nuevo cuerpo técnico) a salvarles (del descenso)? Así que Puebla tiene que mostrar con sus futbolistas en el campo de juego que está para grandes cosas y eso vamos a buscar.
“Sabemos que no es fácil hacerlo tan pronto, sé que no soy ‘Mandrake el Mago’. Pero sí sé que tenemos que poseer los argumentos necesarios para que el plantel capte la idea (futbolística) y sé que tenemos unos cuantos días para mostrar el domingo (ante Jaguares) de lo que son capaces los futbolistas”, sentenció el flamante táctico poblano.
[Manuel Vela | Mv Fotografía Profesional Photography Copyright©] This image is protected under International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission./ Esta imagen se protege conforme a leyes de Derechos de Autor internacionales y no se puede transferir, reproducir, copiar, transmitir o manipular sin el permiso de escritura.
Sam Blenkinsop (NZL) Action from the 2017 Canadian Open Enduro presented by Specialized at Crankworx Whistler. Photo: Fraser Britton
MIKA presenting CASAMIKA NEW PROGRAM ON ITALIAN PUBLIC TELEVISION ON NOVEMBER 3RD, 2016
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Tech Cocktail Baltimore Winter 2011 presented by Verizon Wireless -
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Photos by Jeff Tong
A Dani me deixa vermelha com cada coisa que chega por aqui!
Querida, esse carimbo vai carimbar muita coisa esse ano!
Obrigada!
Grammy was in town for Aunt Caroline's play. She brought Molly a present, and Molly can't wait to find out what it is.
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
21-23 giugno 2013
Oberhausen (D)
6. FKL Symposium 2013 – Hearing (in) the Pott
presentazione multimediale del laboratorio Narrare #Borgo Santa Maria Rovereto www.portobeseno.it/doc/borgosmaria.html
Il laboratorio-ricerca Narrare #Borgo Santa Maria curato da Portobeseno
(Sara Maino e Davide Ondertoller) nella primavera di quest’anno, rivolto alla classe ID del Liceo Artistico “Fortunato Depero” di Rovereto, verrà presentato in Germania nell’ambito del 6° Simposio Internazionale sul paesaggio sonoro “Hearing (in) the Pott”. www.klanglandschaft.org/index.php?option=com_content&...
Il simposio, che è indetto da FKL Forum Klanglandschaft, una associazione attenta alla promozione di studi sul paesaggio sonoro, si terrà a Oberhausen, nella Renania Settentrionale-Vestfalia, il prossimo 22 e 23 giugno.
Il particolare tema dei paesaggi sonori ha infatti arricchito il laboratorio svolto a Rovereto, la cui finalità consisteva nella raccolta sul campo di suoni caratteristici del borgo, di testimonianze dirette e creazioni degli allievi sulla vita artigianale del quartiere, per la realizzazione di una mappa interattiva in Internet.
Raleigh Turist Deluxe. Ærtegrøn, 3 gear. Fantastisk...
Tusind tak til Mor & far, Line, Johs & Berit, Morten & Rikke, Marianne, Michael, Victoria, Maja & Emma
Love & Laughter were in the air at the 22nd annual Silver Ball, Presented by Scotiabank, held at the prestigious Fairmont Royal York. It was an elegant affair for over 800 of Toronto’s elite from the
business, arts, and healthcare communities who gathered together to support the urgent needs of
Providence Healthcare.
A heartfelt “thank you” to all who made the night a spectacular success, and wonderful celebration of love. Together, we raised an impressive $850,000 (net) for the patients, residents, clients and families who rely on Providence Healthcare to provide hope and healing in their times of need. A huge thank you to all of our partners, supporters and guests who donated towards our very worthy cause!