precise photos on Flickr

Salvador Dalí, Warrior, 1982, detail by tedesco57

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Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí de Púbol[a][b] (11 May 1904 – 23 January 1989), known as Salvador Dalí,[c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work.

Born in Figueres in Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements.[3] He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments.[4]

Dalí's artistic repertoire included painting, sculpture, film, graphic arts, animation, fashion, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork.[5][6] His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial.[7] His life and work were an important influence on other Surrealists, pop art, popular culture, and contemporary artists such as Jeff Koons and Damien Hirst.[8][9]

There are two major museums devoted to Salvador Dalí's work: the Dalí Theatre-Museum in Figueres, Spain, and the Salvador Dalí Museum in St. Petersburg, Florida, U.S.

Biography

Early life

The Dalí family in 1910: from the upper left, aunt Maria Teresa, mother, father, Salvador Dalí, aunt Caterina (later became the second wife of father), sister Anna Maria, and grandmother Anna

Salvador Dalí was born on 11 May 1904, at 8:45 am,[10] on the first floor of Carrer Monturiol, 20 in the town of Figueres, in the Empordà region, close to the French border in Catalonia, Spain.[11] Dalí's older brother, who had also been named Salvador (born 12 October 1901), had died of gastroenteritis nine months earlier, on 1 August 1903. His father, Salvador Luca Rafael Aniceto Dalí Cusí (1872–1950)[12] was a middle-class lawyer and notary,[13] an anti-clerical atheist and Catalan federalist, whose strict disciplinary approach was tempered by his wife, Felipa Domènech Ferrés (1874–1921),[14] who encouraged her son's artistic endeavors.[15] In the summer of 1912, the family moved to the top floor of Carrer Monturiol 24 (presently 10).[16][17] Dalí later attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[18] to an "Arab lineage", claiming that his ancestors were descendants of the Moors.[6][19]

Dalí was haunted by the idea of his dead brother throughout his life, mythologizing him in his writings and art. Dalí said of him, "[we] resembled each other like two drops of water, but we had different reflections."[20] He "was probably the first version of myself but conceived too much in the absolute".[20] Images of his brother would reappear in his later works, including Portrait of My Dead Brother (1963).[21]

Dalí also had a sister, Anna Maria, who was three years younger,[13] and whom Dalí painted 12 times between 1923 and 1926.[22]

His childhood friends included future FC Barcelona footballers Emili Sagi-Barba and Josep Samitier. During holidays at the Catalan resort town of Cadaqués, the trio played football together.[23]

Dalí attended the Municipal Drawing School at Figueres in 1916 and also discovered modern painting on a summer vacation trip to Cadaqués with the family of Ramon Pichot, a local artist who made regular trips to Paris.[13] The next year, Dalí's father organized an exhibition of his charcoal drawings in their family home. He had his first public exhibition at the Municipal Theatre in Figueres in 1918,[24] a site he would return to decades later. In early 1921 the Pichot family introduced Dalí to Futurism. That same year, Dalí's uncle Anselm Domènech, who owned a bookshop in Barcelona, supplied him with books and magazines on Cubism and contemporary art.[25]

On 6 February 1921, Dalí's mother died of uterine cancer.[26] Dalí was 16 years old and later said his mother's death "was the greatest blow I had experienced in my life. I worshipped her ... I could not resign myself to the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul."[6][27] After the death of Dalí's mother, Dalí's father married her sister. Dalí did not resent this marriage, because he had great love and respect for his aunt.

Wikipedia

“Contractor of the Forest” by Snapnpiks

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In the quiet woods, nature’s most efficient handyman gets to work. A determined woodpecker grips a heavy cordless drill like a seasoned carpenter, boring a perfect round entryway into the tree. Wood chips scatter, echoing his rhythm of precise craftsmanship. Today’s project: a custom luxury penthouse nest, complete with reinforced walls and impeccable design. With safety goggles unseen but spirit strong, the forest’s tiniest contractor proves—sometimes, power tools make nest-building a whole lot easier.

RAC Design Guidelines by DAMS Library

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Designed by North 1998

The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.

Things I've come to know or stories I've heard:

— 250 copies were produced

— Printed four colour process with six spot colours and two varnishes

— The guidelines took one year to design and produce

— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:

— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference

— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions

Castell Dinbych Castle - HDR by Ross Davies

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It's been a while since my last HDR post, October to be precise... Enjoy!

Along with over half a mile of town walls, Denbigh Castle is a classic fortress of Edwardian proportions. Edward I’s successful 13th-century campaign in the region was cemented by the creation of an English borough in Denbigh from 1282 onwards. He simply built on top of what was a traditional Welsh stronghold. In so doing, he made sure all traces of Dafydd ap Gruffudd, the previous unlucky incumbent, were removed for ever.

Henry de Lacy, one of the King’s loyal commanders, was given control of the area and had the task of building the new castle. He couldn’t go far wrong with the king’s master mason, James of St George, at his side. It wasn’t all plain sailing however. A Welsh rebellion, led by Madog ap Llywelyn, captured the partly-built castle in 1294 but Edward’s dominance and the castle-building programme were soon restored. You can see for yourself the two phases of building work. The post-rebellion work is marked by different colour stone, thicker curtain walls and a hint of Caernarfon-style angular towers.

Denbigh is one of eight sites chosen by Cadw as a hub for community projects in support of the Cultural Olympiad celebrations in Wales.

London, 263 and a Quarter Miles! by Arnie Furniss

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How precise is that! Taken on a drive around the South West in October, 1988. I doubt this mileage is 'as the crow flies', a ridiculous metaphor to any self respecting bird watcher! Still, some nice signage here!

Caledos Heart Mon - ND0_4952 by N i c o l a

Welcome to the most precise heart rate monitor available for Windows Phone 8.

Connect your HxM heart rate Monitor to your device, and track your heart rate over time!

Do you need one?

United states: www.amazon.com/Zephyr-Bluetooth-Wireless-Android-Windows/...

International: www.zephyranywhere.com/products/hxm-bluetooth-heart-rate-...

if you want to try the app

www.windowsphone.com/s?appid=91963007-5a66-4a48-974b-bd87...

A Bell Aircraft Corporation X-1 series aircraft on display at an Open House at NACA Muroc Flight Test Unit or High-Speed Flight Research Station hangar on South Base of Edwards AFB, California. by Robert Sullivan

(The precise date of the photo is uncertain, but it is probably before 1948.) The instrumentation that was carried aboard the aircraft to gather data is on display. The aircraft data was recorded on oscillograph film that was read, calibrated, and converted into meaningful parameters for the engineers to evaluate from each research flight-un-edited-Not part of my personal collection

To be precise by Ilaria Pozzali

Brooklyn - Brooklyn Museum: Keith Haring: 1978–1982 - Haring's Alphabet by Wally Gobetz

Keith Haring used his journals to carefully document his aesthetic discoveries through precise notes and careful illustrations. One of the early artistic experiments that he detailed in his journal was his focused exploration on a set number of geometric forms. The group of twenty-five red gouache works on view here illustrates the diversity of the forms that he developed. The forms range from a simple L shape to more complicated designs. This alphabet of shapes could be assembled in various combinations to create patterns. Haring spent a good deal of time thinking about the spatial layout of the forms and how they could be combined or separated, leaving a negative form in between.

Keith Haring: 1978–1982, on display from March 16 to July 8, 2012 in the Morris A. and Meyer Schapiro Wing of the Brooklyn Museum, was the first large-scale exhibition to explore the early career of the artist. Curated by Raphaela Platow, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

Keith Haring (May 4, 1958 – February 16, 1990), a Pennsylvania native, moved to New York in 1978 and with his trademark creations across a variety of media, quickly made his mark in the thriving alternative art community that was developing outside the gallery and museum system. Haring was known for his subway graffiti, but instead of painting subway cars with spraypaint, he mostly drew with white chalk on the black paper pasted on unused advertising spaces. His distinctive style became widely known by those who never knew his identity. In his later years, he took on a more activist role, contributing works to hospitals and charities. In 1989, after being diagnosed with AIDS, he founded the Keith Haring Foundation, which supports organizations involved in AIDS education and outreach.

The Brooklyn Museum, sitting at the border of Prospect Heights and Crown Heights near Prospect Park, is the second largest art museum in New York City. Opened in 1897 under the leadership of Brooklyn Institute of Arts and Sciences president John B. Woodward, the 560,000-square foot, Beaux-Arts building houses a permanent collection including more than one-and-a-half million objects, from ancient Egyptian masterpieces to contemporary art.

DSC01047_fb by Kilrah757

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Precise trajectory by the Patrouille de France

LDD trick #12 Half LDU precise move quick template by Nachapon S.

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LDD trick #12 Half LDU precise move quick template (0.5 LDraw Unit = 1/16 plate)

From left to right, simply make the green template by 4 steps. Please make sure that there is a gap between tile and technic brick.

FMcbwnegs2383 61264 Boston by The KDH archive

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No precise date for this one taken at Boston, but Thomson B1 61264 is carrying AWS so we think it is the early 60's.

The loco was new from the North British to the LNER in December 1947 as 1264. Withdrawl was in December 1965 and the loco went into departmental use as a mobile boiler for heating Carriages as 29 until July 1967. In 1968 it became the only LNER loco to be sent to Woodhams at Barry where it was bought from in 1973. Today the loco is at the Great Central Nottingham undergoing an overhaul including a new Inner Firebox, tender tanks and new tyres. It will also be fitted out for using Digital Signals.

Image from a negative in my collection taken by an unknown photographer.

Multiple Brands - Claygate Motors, Claygate near Esher, Surrey 1938 by Chris Barker

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Struggling to get a precise location. One thing's for certain, this postcard was sent on 9th May 1938 from Claygate Motors to a Miss R Palmer in Bournemouth about her interest in and possible purchase of a Ford 8. Apparently they had ordered it for her and expected its arrival on 20th May and were going to keep it there until she wanted it. The postmark is of Esher in Surrey so one can only presume the garage premises were near there. Anyway, it's a lovely photo of excellent quality and of an era when a garage could have some creeping plants growing up the front and just a single car on view in the showroom. Cleveland, National, Esso and Shell on sale on the forecourt. In just over a year it would be all change as the war broke out, rationing and pool petrol was introduced and car sales would have been a thing of the past.

Moondance by Marcel Mac Duchamp and Rroseeen Ní Shélavy in Infrat(h)in

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Rack never blurted; she always controlled her output. The effect was precise and Protestant, ‘I found out I am HIV positive a few days ago’

‘Oh Christ’, Ruin blurted, Catholic to the hilt.

Ruin was always an outlet for Rack, almost like a delinquent spokesperson, the stuttering utterer of the unspeakable. He had the ability to take the private into the realm of the universally available with consummate ease. She didn’t. It was something she greatly feared and something she instinctively grasped that early summer morning in 1988, in the 'Moondance Diner', on 6th Avenue and Grand. She knew she was making the personal public. She was undoing herself.

He possessed that strange gift, the one imposed and imprinted, like the mark of Cain, on the sexually molested child, of having no facility to recognise boundaries, no ability to be able to tell the personal and private apart from what could be made generally available. She knew that he was her surrogate broadcaster and momentarily shuddered at the stranger, whom she had spontaneously trusted, sitting opposite her. This understanding hung between them as they ordered breakfast.

Their opening was torturous and drove them scurrying apart. It was more than either of them could handle, Rack racked with regret for exposing this opening wound and Ruin incapable of carrying the story alone. Their rehabilitation was slow and arduous. It was a time when to speak these words was a declaration of the almost immediate dissolution of self. It was a time before the hope generated by the misnomered cocktails and the political agitation, which was to burgeon out of despair and become Act- Up. It was a time before anything could be done except grasp at straws. So, both started grasping and would occasionally find themselves in the same room drawn to the same possible panacea. Rack’s volition was desperation. Ruin’s was guilt. They acknowledged each other with some embarrassment and growing affection and more often than not turned away from each other and left separately. Ruin knew he loved Rack. Rack was not at all sure.

Dear Rack,

Just sending you back some words you once sent to me:

“I have often thought that writers do not write; they read what is already written and transcribe. So perhaps they are not complaining about ill health, lack of money, and rejection, but about the bondage of a calling that keeps them laboriously transcribing cryptic messages in rapidly disappearing ink, like the traces of a dream, year after year...."

Thinking of how romantic you are.... even if it is all so appalling to live through.

We seem to endure, and hopefully will continue to do so for a little while longer.

Love,

Ruin

RAC Design Guidelines by DAMS Library

Designed by North 1998

The somewhat mythological RAC guidelines. These intensely detailed and precise guidelines outline the new RAC identity (also by North) established in 1997.

Things I've come to know or stories I've heard:

— 250 copies were produced

— Printed four colour process with six spot colours and two varnishes

— The guidelines took one year to design and produce

— Without substantial experience in large corporate identity programmes (at the time), North simply 'winged it' throughout the identity development. Although:

— A copy of the BMW corporate design guidelines by Zintzmeyer & Lux acted as a primary design reference

— As an example of the rigour undertaken for the programme, tests of the hi-vis clothing designs were conducted by North on a hard shoulder of a highway in wet and windy, low visibility conditions

1970 Ford Capri I RS by Georg Sander

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The first Ford Capri to bear that precise name was introduced in January 1969 at the Brussels Motor Show, with sales starting the following month. The intention was to reproduce in Europe the success Ford had had with the North American Ford Mustang; to produce a European pony car. It was mechanically based on the Cortina and built in Europe at the Dagenham and Halewood plants in the United Kingdom, the Genk plant in Belgium, and the Saarlouis and Cologne plants in Germany. The car was named Colt during development stage, but Ford were unable to use the name, as it was trademarked by Mitsubishi.

(Wikipedia)

- - -

Der Capri wurde im Januar 1969 auf dem Brüsseler Autosalon offiziell präsentiert, der Verkauf begann im Februar. Mit dem Capri wollte Ford den Erfolg, den das Unternehmen mit dem Ford Mustang in den USA erzielt hatte, in Europa wiederholen und eine Art europäisches „Pony Car“ anbieten. Das Fahrwerk wurde vom englischen Ford Cortina übernommen, die Motoren zum Teil vom deutschen Ford Taunus. Hergestellt wurde er in den britischen Werken Dagenham und Halewood, im belgischen Genk und in den deutschen Ford-Fabriken Saarlouis und Köln. Der Entwicklungsname des Capri lautete Colt; da der Name aber rechtlich von Mitsubishi geschützt war, konnte Ford ihn für sein Serienmodell nicht verwenden.

(Wikipedia)

2014 Supra SA450 Boatmate Trailer by Supra Boats

Supra SA350-550

AMPLIFIED SHOCK AND AWE

The 2014 Supra SA350, SA450 and SA550 combine shocking wakes, precise handling and an awesome interior, but in true Supra style this wake boat has upped its shock value. The Supra SA shines with new metal flake gel coat colors, Blacked-out and Verge hull graphic as well as new Pro Edge Tower Contrast color options. The SA has gone soft, but durable on the inside with the abrasion resistant stain protected SupraSkin vinyl from Spradling; bringing together new colors and textures for an even more luxurious look and feel. A new aggressive windshield lifts the eyes of the boat to the level of refinement shared by the lofty attitude of the Barrage Front End and powerfully calming Battle Prep Transom. The SA still attacks the water with 350-550 horses of Indmar power, depending on your engine choice, pro hull design and precision underwater gear. Snap-out carpet covers a fiberglass floor for a quiet convenient base to a plush interior. 900 pounds of hard tank sub structural floor Liquid Lead ballast, a loaded Roswell Pro Edge Tower, Zero Off GPS speed control, the SmartPlate, VISION Touch Rider Profiles and 1,300-pounds of available Flex ballast will wake-up dreams of going pro. The Supra SA is shock and awe.

Overall Length w/o Platform: 22' 6"

Overall Length w/ Platform: 24' 6"

Overall Length w/ Platform & Trailer: 27' 2"

Width (Beam): 100"

Overall Width w/ Trailer: 102"

Draft: 26"

Weight - Boat only: 4,300 lbs

Weight - Boat and Trailer: 5,600 lbs

Capacity - Passenger: 13

Capacity - Weight: 1,900 lbs

Capacity - Fuel: 50 gals

Capacity - Ballast: 900 lbs (S) 1,300 lbs (O) = 2,200 lbs available from factory.

Engine - Electronic Fuel Injection: 345 HP-SA350, 450 HP-SA450, 550HP-SA550

I've been tagged!! 25 things by redmaiko

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To be precise, I was tagged 4 times. LOL

If I tag you and you have done this already or don't want to bother with it...then just ignore it. :) Okay, here we go:

1- I hate pictures of myself...so this took a little courage to upload 2 of these.

2- I studied Fine Arts with an emphasis in Illustration.

3- I work as a Production Artist at a printing company currently.

4- I love my husband so much! He makes me laugh and he is my best friend.

5- I am incredibly indecisive.

6- I was diagnosed with General Anxiety Disorder not long after starting college. I used to have panic attacks on an almost daily basis and I dropped down to 85lbs before I got help. I am better now, in fact I need to lose weight now. :P

7- I LOVE to sing!!! I am one of those crazy people you see driving along with the music blaring and singing my heart out. I can sing though. Really! I was in choir for a number of years and did a little competition in high school as well. I love all kinds of music ( Rock, Heavy Metal, Gospel, Techno, Opera, Jazz...) except for Rap and Country...especially Country. BLEH!

8- I love to read. We could practically have a small library with how many books we have.

9- I am a sucker for Dark Chocolate!!! <3

10- I am a Christian woman, and I will never deny that.

11- I am very eclectic.

12- I have waaayyy too many unfinished projects lying around (arts and crafts that is).

13- I grew up with frogs as pets...love them! They are too cool and too cute.

14- I am a dog person. I don't mind cats, just not crazy about them.

15- When it comes to cute things...I am very two-faced. If that makes sense. Some things are just too cute and makes me think: BLEH!

16- I hate the color pink. I like some girly things like wearing dresses, but I CANNOT stand the color pink unless it is in small doses or has some sort of attitude in how it is presented. Like pink and brown or pink and skulls are good combos. Anything too girly or frilly makes me gag. LOL

17- Halloween is my favorite holiday. I love Christmas as much as the next person, but I love to dress up or be in costume.

18- I am an absolute perfectionist, but I am seriously unorganized. :P

19- I am addicted to Coke. No, not the illegal drug, the drink. LOL I have cut down though to one or two cans a day and I switched to caffeine free.

20- I could sleep all day. Seriously. Most weekends I don't wake up until 10am and that is because I asked my husband to wake me. Maybe I am just one of those odd people who need more sleep...I dunno. I just know I sleep like a rock and have to have multiple alarms to get up.

21- I could care less about sports...and I have never been good at them either.

22- Terrible at math, but I have always aced English and spelling.

23- I am VERY much a family person.

24- I am a very shy person (if you couldn't tell from my earlier comments).

25- ummm...I am a major geek? Kind of running out of steam. OH! I am 29.

25 things about me was more difficult than I thought it would be... and a LOT more personal. Wow...

Any Port In A Storm by Richie B.

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After a few sunny spells, including one at the precise time that this train SHOULD have departed Workington Port, the heavens opened in West Cumbria to coincide with the arrival of today's 6C48 empty containers into Maryport.

My original intention was to shoot this train at Flimby but its exposed position meant "no chance" in the deluge and I hastily relocated here and stood under a large umbrella.

No.66099 heads the 2 hour late Carlisle-bound empty PTA containers 'twixt station and signal box in stair-rod rain.

The box lives on to oversee the station passing loop and the level-crossing at Grasslot.

Tailwhip by Alan McIntosh

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FMX action from the Precise compound at Mackay,

1970 Plymouth Sport Fury by Ruairidh MacVeigh

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The furious Fury, a name that rocked the American automotive industry for the best part of 20 years, powerful and precise, and a true car of evolution.

Originally when it was launched in 1956, the Plymouth Fury was a contemporary space-age looking runaround, similar in fashion to the Cadillacs and Chryslers of the time. It was a very pretty car, as were pretty much all cars from back then, but the change of style didn't do the Plymouth any favours. The fins and space lines of the 50's gave way to the angles of the early-60's, and many Chrysler products of this period were maligned heavily for it, the 3rd Generation Fury being no exception. A comeback however was made with the 4th Generation, which presented us with the symbolic vertical headlight layout that would be iconised in the Dukes of Hazzard, as a slew of Police Vehicles.

The 1969 models featured Chrysler's new round-sided "Fuselage" styling. The Fury was again available as a 2-door coupe, 2-door convertible, 4-door hardtop, 4-door sedan, and 4-door station wagon. For 1970, the VIP was discontinued and a 4-door hardtop was added to the Sport Fury range, which also gained a new hardtop coupe. This was available in "GT" trim; 1970–71 Sport Fury GT models were powered by the 7.2L engine, which in 1970 could be ordered "6-barrel" carburetion consisting of three 2-barrel carburetors.

With the introduction of the 1969 body style, trim lines once again included the fleet-intended Fury I, volume models Fury II and Fury III, the sport-model Sport Fury and the top-line VIP. For 1970, the VIP was dropped, with the Sport Fury line expanded to include a four-door hardtop sedan. An optional Brougham package, which included individually-adjustable split bench seats with passenger recliner and luxurious trim comparable to the former VIP series, was available on Sport Furys; a Sport Fury GT and S/23 models took over the sport model space in the lineup. The S/23 was dropped for 1971, with new options including an electric sunroof (for top-line models) and a stereo tape player with a microphone, to allow drivers to record off the radio or take dictation.

For 1972, the Fury was facelifted with a large chrome twin-loop bumper design with a small insignia space between the loops and hidden headlamps as standard equipment on the Sport Suburban, and the newly introduced Fury Gran Coupe and Gran Sedan, which eventually would become the Plymouth Gran Fury; the Sport Fury and GT models were dropped, with the new Fury Gran series having the Brougham package available. Later in the year, hidden headlamps became an option on all models.[citation needed] For 1973, the front end was redesigned again with a new grille and headlamp setup, along with federally mandated 5mph bumpers.

When the new bodystyle was introduced in 1969, the 225 cubic-inch six-cylinder engine continued as standard on the Fury I, II and select III models, with the 318 cubic-inch V8 standard on the Sport Fury, some Fury III models and all VIP models plus the station wagon; a three-speed manual transmission was standard, with TorqueFlite transmission optional. The six-cylinder engine/three-speed manual transmission power team, along with the three-speed manual transmission on the 318 cubic-inch V8, continued to be available until midway through the 1971 model year, after which all full-sized Plymouths were built with a V8 engine and TorqueFlite transmission. Unlike its Chevrolet and Ford full-sized rivals, it does not appear that any full-sized Plymouths had a six-cylinder/manual transmission power team available in 1972.

The Plymouth Fury would soldier on for another two generations before being killed off in 1978. The name was revived briefly in the 1980's as the Gran Fury, variants of the Dodge Diplomat four-door saloon. The Plymouth Fury however is most famously recognised in its first generation as Christine, the sentient and murderous car from Stephen King's novel and movie of the same name.

120/365 Conical Snoot (25-30 degrees) Honey Comb - for Flash Gun/for Creating Spot effect. by Humayunn Peerrzaada

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This conical snoot greatly reduces light dispersion and delivers light to a precise area. With a honeycomb grid (25-30 degrees) at the end, light spread is further reduced to create a more directional, shielded light onto your subject.

Made of metal, the exterior is black in color and the interior silver. All of these ensures that the light are not wasted but instead, trapped inside the snoot and illuminated onto your subject.

===================================================================

Set of Multiple images (51 images for this photograph) taken at different focus distances to give this resulting image using the Focus Stacking (bracketing) technique on a setting of aperture:F3 1, shutter speed:/160s

Nikon D90 @ Tokina 100mm Macro f2.8 lens @ SB 600 @ 24 mm @ left of camera @ Triggered with on-camera Pocket Wizard MiniTT1 and a FlexTT5 on each flash for the Main Pic.

I shot one more single photograph in which I had the attached SB 900 & the pocket wizard ON to get the FLASH on a setting of aperture: f36, shutter speed: 15.00s.

The ISO 100 remains the same in both pics.

Both were merged to make this final pic.

HILL OF CROSSES It was raining a lot, but I managed to visit this historical and religious place. It is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain by itravelanddance

HILL OF CROSSES

It was raining a lot, but I managed to visit this historical and religious place.

Hill of Crosses is a major site of Catholic pilgrimage near the city of Šiauliai. The precise origin of the practice of leaving crosses on the hill is uncertain, but it is believed that the first crosses were placed on the former Jurgaičiai or Domantai hill fort after the rebellion against Russian authorities in 1831. As families could not locate bodies of perished rebels, they started putting up symbolic crosses at the site of a former hill fort. Today there are more than 100,000 crosses and counting. Once Lithuania declared its independence, the Hill of Crosses was used as a place for Lithuanians to pray for peace, for their country, and for the loved ones they had lost during the Wars of Independence. In 1993, Pope John Paul II visited the Hill of Crosses, declaring it a place for hope, peace, love and sacrifice.

Šiauliai, Lithuania July 2022 #itravelanddance

Beautiful people: Een oude Mechelse Meester. by Eelco

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Gentle

Quiet

Intelligent

Sharp

Precise

Witty

St Andrew, Wroxeter, Shropshire by Jelltex

In the 1970s, when I used to stay at my Grandparent's house when my Mum and Dad went disco dancing, or whatever they called it before disco dancing was a thing, there was a TV series they used to watch called "How Green was my Valley". I remember little of it, except Granddad saying the valley was go green because of all the rain.

So, on Sunday, the rain was due to fall in the valleys, the hills and all else between.

What to do when we had come away without coats and umbrella?

Churchcrawling.

And thanks to the Church Conservation Trust, you ban fairly reply on those under their care to be open. I made a list of their churches in Shropshire, and after breakfast we set off for the first one, passing through the village of Knockin.

I kid ye not.

Where the village shop is called, of course, The Knockin Shop.

I also kid ye not.

Rain fell, roads were nearly flooded, so we splish-splashed our way across the county, down valley and up hills until we came to the entrance of an estate.

Here be a church.

Not sure if we could drive to it, I got out and walked, getting damp as the rain fell through the trees.

But the church was there, and open, if poorly lit inside. And I was able to get shots before walking up the hill to the car.

Two more churches tried, but they were locked and no keyholder about. So onto Wroxter, where a large and imposing church towered over the road. And to get there we passed through a former Roman settlement from which the modern town too its name. Most impressive was a reconstruction of a villa.

But we did not stop.

The church was open, light and airy even on a gloomy and wet day. I got loads of shots, especially of the fine tombs.

The final church was one not under the CCC, but one I had seen shots of online earlier in the week.

It took half an hour to drive to Diddlebury.

I kid ye not. Again.

And up the hill was the church, with a huge squat Saxon, or early Norman tower, and inside both the north and west walls were Saxon, with the north wall being made of dressed stone laid in a herringbone style.

It is an incredible survivor, and glad that I made the effort to come, as the church is amazing.

--------------------------------------------

St Andrew's is built on the Roman site of Viroconium, the fourth largest town of Roman Britain, and the evidence for the ancient town is everywhere. The gateposts are made from two Roman columns; the walls contain massive Roman stones; and the huge font is made from an inverted Roman column base.

The church is an archaeologist's delight. Though some of the building dates from before the Domesday Book (1086), it has been altered and enlarged throughout the centuries. The interior dates mostly from the seventeenth and eighteenth-centuries, with some excellent woodwork in the box pews, pulpit and altar rails. Inside the church are three wonderful sixteenth-century alabaster tombs - each has a lifesize, and eerily lifelike, painted figure lying in repose. The earliest and finest commemorates Sir Thomas Bromley and his wife Mabel. He was Lord Chief Justice, and is shown in his lawyer's attire, while his wife wears a fine headdress. On the front of the tomb is the charming figure of their daughter Margaret. Margaret's own tomb is opposite that of her parents, alongside her husband Sir Richard Newport, who wears full armour. Their mourning sons and daughters are shown below.

Other fine tablets and memorials are well worth seeing, and so too is the splendid Royal Arms of 1765.

www.visitchurches.org.uk/visit/church-listing/st-andrew-w...

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St Andrew's Church is a redundant Church of England parish church in the village of Wroxeter, Shropshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building,[1] and is under the care of the Churches Conservation Trust.[2] Both the village of Wroxeter and the church are in the southwest corner of the former Roman town of Viroconium.

The earliest parts of the church are Anglo-Saxon but the precise date of its foundation is uncertain. There is strong circumstantial evidence that a church was built in the area of the Roman bath in the 5th or 6th century.[4] A preaching cross was erected in the churchyard in the 8th century.[5] It is thought that the oldest existing fabric in the present church dates from the 8th or 9th century.[4][5] This consists of large stones which came from the public buildings of the Roman town. By the time of the Domesday Book in 1086 the church had a college of four priests.

In 1155 William FitzAlan, Lord of Oswestry, who then held the advowson, gave the church to Haughmond Abbey.[6] At that time it was a portionary church, i.e. a church served by a group of priests who took shares in the income but did not form a corporate entity, as would be the case in a collegiate church. FitzAlan declared his intention of increasing the number of canons to a "full convent", perhaps meaning 12, possibly in order to create a chantry for the FitzAlan family. Haughmond Abbey was to be the FitzAlan burial place for several centuries but the chapter of St Andrew's church was never expanded on the scale he envisaged. However, the building itself was extended and enhanced. In about 1190 a large chancel was built and in about 1210 a south aisle was added. A chantry chapel dedicated to Saint Mary was built and the nave was lengthened westwards. In about 1470 the lower part of the tower was built.

After the English Reformation the interior of the church was damaged, the wall paintings were covered with whitewash and wooden statues and fittings were burnt.[citation needed] The upper part of the tower was added in 1555, incorporating material from Haughmond Abbey. By the middle of the 18th century the population of the village was declining, and the church was becoming unstable because of the inadequate medieval foundations.[5] In 1763 the south aisle and chapel were demolished, and part of the chapel was converted into a vestry.[3] The church was restored in about 1863, and in 1890 a porch was added and the tower was restored.[1] By the end of the 19th century most of the local people had moved away.[5] The church was declared redundant on 1 December 1980, and was vested in the Churches Conservation Trust on 18 May 1987.

St Andrew's is built of sandstone with tiled roofs. It has a nave, south porch, chancel, south vestry, and west tower. The tower is divided by string courses into three stages. It has a plinth, diagonal buttresses, a battlemented parapet with gargoyles, and a pyramidal cap with a weathervane. On its northeast is an octagonal stair turret, also with a pyramidal cap. In the upper stages on the north, west and east fronts are carved fragments which are said to have come from Haughmond Abbey; these include canopied niches, some containing sculpted figures, and ceiling bosses. In the bottom stage is a three-light west window, there are rectangular openings in the middle stage, and the top stage contains two-light louvred bell openings. The north wall of the nave is Anglo-Saxon and contains blocks from former Roman buildings. These blocks have Lewis holes.[1] This wall has a triple lancet window and a three-light arched window.[3] In the south wall are two-three light windows and a porch containing a doorway. The porch has a parapeted gabled double lancet window, and a carved frieze. Set into the top of the south wall is a fragment of a 7th-century Anglo-Saxon cross-shaft. On each side of this is a carved block of similar date, one depicting a beast and the other a bird. The chancel also incorporates some re-used Roman masonry in its north wall, which contains two narrow round-headed windows and a triple lancet window. In the south wall is a blocked Norman priest's doorway. The east window has five lights, and around it are portions of blocked former windows. The vestry has two square windows, one on each side of a round-arched doorway.[1]

The sandstone churchyard gate piers were made in the 19th century re-using Roman masonry.[8] The square bases came from farm buildings, the shafts of the columns from the Roman baths, and the capitals from an unknown source.[3] They have a pair of cast iron gates, and are listed Grade II.

n the east wall of the chancel is an aumbry and an Easter Sepulchre with ballflower ornamentation.[1] The sepulchre contains traces of a wall-painting depicting Christ in Glory.[3] The church has a west gallery. On the walls of the church are painted benefactors' boards and Royal coats of arms. The nave contains box pews. The font is large and round, and was constructed from the base of a former Roman column.[1] Behind the font is a 13th-century iron-bound oak chest.[5] The carved wooden pulpit has five sides.[1] A wooden pedimented reredos hangs on north wall of the nave and is painted with the Lord's prayer, the Ten Commandments and the Creed.[which?] The stained glass in the chancel was designed in 1860 by E. Baillie and depicts the twelve apostles and biblical scenes. In the north side of the nave are windows depicting saints, made in 1920 by Morris & Co. The latter workshop also made the two-light window at the west end, depicting St Andrew and St George and the motto "AD.MAJOREM - DEI GLORIAM", as a First World War memorial; nearby are two brass plaques listing the parish dead of both World Wars. One of the First World War dead, Captain C W Wolseley-Jenkins, also has an individual memorial tablet on the east end's north wall.[9]

The largest memorial in the church is an alabaster tomb-chest carrying the effigies of Thomas Bromley, former Justice of the Queen's Bench, who died in 1555, and his wife. Another tomb-chest carrying effigies is that of Sir Richard Newport, who died in 1570, and his wife Margaret, the daughter of Thomas Bromley. John Barker (rendered as Berker) of Haughmond Abbey and his wife, Margaret Newport, both of whom died in 1618,[3] have another tomb chest, inscribed with the detail: "the said John Barker being in good perfect health at the decease of the said Margaret, fell ill the day following and deceased, leaving no issue behind."[10] The Barker family were Shrewsbury merchants and several represented the town in Parliament. They were exceptionally wealthy, and able to marry into the upper strata of the landed gentry, partly because of a bequest from Rowland Hill, reputedly the first Protestant to become Lord Mayor of London. On the wall of the chancel is a marble memorial to Francis Newport, 1st Earl of Bradford, who died in 1708.[1] This has been attributed to Grinling Gibbons.[3]

The tower has a ring of six bells. The oldest is dated 1598 and was cast by Henry Oldfield II of Nottingham. Three of the bells were cast in the Clibery foundry in Wellington in the 17th century. The newest bell is by John Warner and Sons of London and is dated 1877.[11] The two-manual organ is in the west gallery and was made by Brindley of Sheffield in 1861.

en.wikipedia.org/wiki/St_Andrew%27s_Church,_Wroxeter

Vietnam - Hoi An - Silk Weaving - Handloom - 1 by Manfred Sommer

A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

ETYMOLOGY

The word "loom" is derived from the Old English geloma, formed from ge-(perfective prefix) and loma, a root of unknown origin; this meant a utensil, tool, or machine of any kind. In 1404 it was used to mean a machine to enable weaving thread into cloth. By 1838, it had gained the meaning of a machine for interlacing thread.

WEAVING

Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven".

The major components of the loom are the warp beam, heddles, harnesses or shafts (as few as two, four is common, sixteen not unheard of), shuttle, reed and takeup roll. In the loom, yarn processing includes shedding, picking, battening and taking-up operations. These are the principal motions.

Shedding. Shedding is the raising of part of the warp yarn to form a shed (the vertical space between the raised and unraised warp yarns), through which the filling yarn, carried by the shuttle, can be inserted, forming the weft. On the modern loom, simple and intricate shedding operations are performed automatically by the heddle or heald frame, also known as a harness. This is a rectangular frame to which a series of wires, called heddles or healds, are attached. The yarns are passed through the eye holes of the heddles, which hang vertically from the harnesses. The weave pattern determines which harness controls which warp yarns, and the number of harnesses used depends on the complexity of the weave. Two common methods of controlling the heddles are dobbies and a Jacquard Head.

Picking. As the harnesses raise the heddles or healds, which raise the warp yarns, the shed is created. The filling yarn is inserted through the shed by a small carrier device called a shuttle. The shuttle is normally pointed at each end to allow passage through the shed. In a traditional shuttle loom, the filling yarn is wound onto a quill, which in turn is mounted in the shuttle. The filling yarn emerges through a hole in the shuttle as it moves across the loom. A single crossing of the shuttle from one side of the loom to the other is known as a pick. As the shuttle moves back and forth across the shed, it weaves an edge, or selvage, on each side of the fabric to prevent the fabric from raveling.

Battening. Between the heddles and the takeup roll, the warp threads pass through another frame called the reed (which resembles a comb). The portion of the fabric that has already been formed but not yet rolled up on the takeup roll is called the fell. After the shuttle moves across the loom laying down the fill yarn, the weaver uses the reed to press (or batten) each filling yarn against the fell. Conventional shuttle looms can operate at speeds of about 150 to 160 picks per minute.

There are two secondary motions, because with each weaving operation the newly constructed fabric must be wound on a cloth beam. This process is called taking up. At the same time, the warp yarns must be let off or released from the warp beams. To become fully automatic, a loom needs a tertiary motion, the filling stop motion. This will brake the loom if the weft thread breaks. An automatic loom requires 0.125 hp to 0.5 hp to operate.

TYPES OF LOOMS

BACK STRAP LOOM

The back strap loom is a simple loom that has its roots in ancient civilizations. It consists of two sticks or bars between which the warps are stretched. One bar is attached to a fixed object and the other to the weaver, usually by means of a strap around the back. The weaver leans back and uses their body weight to tension the loom. On traditional looms, the two main sheds are operated by means of a shed roll over which one set of warps pass, and continuous string heddles which encase each of the warps in the other set. To open the shed controlled by the string heddles, the weaver relaxes tension on the warps and raises the heddles. The other shed is usually opened by simply drawing the shed roll toward the weaver.

Both simple and complex textiles can be woven on this loom. Width is limited to how far the weaver can reach from side to side to pass the shuttle. Warp faced textiles, often decorated with intricate pick-up patterns woven in complementary and supplementary warp techniques are woven by indigenous peoples today around the world. They produce such things as belts, ponchos, bags, hatbands and carrying cloths. Supplementary weft patterning and brocading is practiced in many regions. Balanced weaves are also possible on the backstrap loom. Today, commercially produced backstrap loom kits often include a rigid heddle.[

WARP-WEIGHTED LOOM

The warp-weighted loom is a vertical loom that may have originated in the Neolithic period. The earliest evidence of warp-weighted looms comes from sites belonging to the Starčevo culture in modern Serbia and Hungary and from late Neolithic sites in Switzerland. This loom was used in Ancient Greece, and spread north and west throughout Europe thereafter. Its defining characteristic is hanging weights (loom weights) which keep bundles of the warp threads taut. Frequently, extra warp thread is wound around the weights. When a weaver has reached the bottom of the available warp, the completed section can be rolled around the top beam, and additional lengths of warp threads can be unwound from the weights to continue. This frees the weaver from vertical size constraint.

DRAWLOOM

A drawloom is a hand-loom for weaving figured cloth. In a drawloom, a "figure harness" is used to control each warp thread separately. A drawloom requires two operators, the weaver and an assistant called a "drawboy" to manage the figure harness. The earliest confirmed drawloom fabrics come from the State of Chu and date c. 400 BC. Most scholars attribute the invention of the drawloom to the ancient Chinese, although some speculate an independent invention from ancient Syria since drawloom fabrics found in Dura-Europas are thought to date before 256 AD The draw loom for patterned weaving was invented in ancient China during the Han Dynasty. Chinese weavers and artisans used foot-powered multi-harness looms and jacquard looms for silk weaving and embroidery; both of which were cottage industries with imperial workshops. The Chinese-invented drawloom enhanced and sped up the production of silk and play a significant role in Chinese silk weaving. The loom was later introduced to Persia, India, and Europe.

HANDLOOM

A handloom is a simple machine used for weaving. In a wooden vertical-shaft looms, the heddles are fixed in place in the shaft. The warp threads pass alternately through a heddle, and through a space between the heddles (the shed), so that raising the shaft raises half the threads (those passing through the heddles), and lowering the shaft lowers the same threads — the threads passing through the spaces between the heddles remain in place. This was a great invention in the 13th century.

FLYING SHUTTLE

Hand weavers could only weave a cloth as wide as their armspan. If cloth needed to be wider, two people would do the task (often this would be an adult with a child). John Kay (1704–1779) patented the flying shuttle in 1733. The weaver held a picking stick that was attached by cords to a device at both ends of the shed. With a flick of the wrist, one cord was pulled and the shuttle was propelled through the shed to the other end with considerable force, speed and efficiency. A flick in the opposite direction and the shuttle was propelled back. A single weaver had control of this motion but the flying shuttle could weave much wider fabric than an arm’s length at much greater speeds than had been achieved with the hand thrown shuttle.

The flying shuttle was one of the key developments in weaving that helped fuel the Industrial Revolution. The whole picking motion no longer relied on manual skill and it was just a matter of time before it could be powered.

HAUTE-LISSE AND BASSE-LISSE LOOMS

Looms used for weaving traditional tapestry are classified as haute-lisse looms, where the warp is suspended vertically between two rolls. In basse-lisse looms, however, the warp extends horizontally between the two rolls.

RIBBON WEAVING

TRADITIONAL LOOMS

Several other types of hand looms exist, including the simple frame loom, pit loom, free-standing loom, and the pegged loom. Each of these can be constructed, and provide work and income in developing economies.

POWER LOOMS

Edmund Cartwright built and patented a power loom in 1785, and it was this that was adopted by the nascent cotton industry in England. The silk loom made by Jacques Vaucanson in 1745 operated on the same principles but was not developed further. The invention of the flying shuttle by John Kay was critical to the development of a commercially successful power loom. Cartwright's loom was impractical but the ideas behind it were developed by numerous inventors in the Manchester area of England where, by 1818, there were 32 factories containing 5,732 looms.

Horrocks loom was viable, but it was the Roberts Loom in 1830 that marked the turning point. Incremental changes to the three motions continued to be made. The problems of sizing, stop-motions, consistent take-up, and a temple to maintain the width remained. In 1841, Kenworthy and Bullough produced the Lancashire Loom which was self-acting or semi-automatic. This enables a youngster to run six looms at the same time. Thus, for simple calicos, the power loom became more economical to run than the hand loom – with complex patterning that used a dobby or Jacquard head, jobs were still put out to handloom weavers until the 1870s. Incremental changes were made such as the Dickinson Loom, culminating in the Keighley-born inventor Northrop, who was working for the Draper Corporation in Hopedale producing the fully automatic Northrop Loom. This loom recharged the shuttle when the pirn was empty. The Draper E and X models became the leading products from 1909. They were challenged by synthetic fibres such as rayon. By 1942, faster, more efficient, and shuttleless Sulzer and rapier looms had been introduced. Modern industrial looms can weave at 2,000 weft insertions per minute.

WEFT INSERTION

Different types of looms are most often defined by the way that the weft, or pick, is inserted into the warp. Many advances in weft insertion have been made in order to make manufactured cloth more cost effective. There are five main types of weft insertion and they are as follows:

Shuttle: The first-ever powered looms were shuttle-type looms. Spools of weft are unravelled as the shuttle travels across the shed. This is very similar to projectile methods of weaving, except that the weft spool is stored on the shuttle. These looms are considered obsolete in modern industrial fabric manufacturing because they can only reach a maximum of 300 picks per minute.

Air jet: An air-jet loom uses short quick bursts of compressed air to propel the weft through the shed in order to complete the weave. Air jets are the fastest traditional method of weaving in modern manufacturing and they are able to achieve up to 1,500 picks per minute. However, the amounts of compressed air required to run these looms, as well as the complexity in the way the air jets are positioned, make them more costly than other looms.

Water jet: Water-jet looms use the same principle as air-jet looms, but they take advantage of pressurized water to propel the weft. The advantage of this type of weaving is that water power is cheaper where water is directly available on site. Picks per minute can reach as high as 1,000.

Rapier loom: This type of weaving is very versatile, in that rapier looms can weave using a large variety of threads. There are several types of rapiers, but they all use a hook system attached to a rod or metal band to pass the pick across the shed. These machines regularly reach 700 picks per minute in normal production.

Projectile: Projectile looms utilize an object that is propelled across the shed, usually by spring power, and is guided across the width of the cloth by a series of reeds. The projectile is then removed from the weft fibre and it is returned to the opposite side of the machine so it can get reused. Multiple projectiles are in use in order to increase the pick speed. Maximum speeds on these machines can be as high as 1,050 ppm.

SHEDDING

DOBBY LOOMS

A dobby loom is a type of floor loom that controls the whole warp threads using a dobby head. Dobby is a corruption of "draw boy" which refers to the weaver's helpers who used to control the warp thread by pulling on draw threads. A dobby loom is an alternative to a treadle loom, where multiple heddles (shafts) were controlled by foot treadles – one for each heddle.

JACQUARD LOOMS

The Jacquard loom is a mechanical loom, invented by Joseph Marie Jacquard in 1801, which simplifies the process of manufacturing textiles with complex patterns such as brocade, damask and matelasse. The loom is controlled by punched cards with punched holes, each row of which corresponds to one row of the design. Multiple rows of holes are punched on each card and the many cards that compose the design of the textile are strung together in order. It is based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean Baptiste Falcon (1728) and Jacques Vaucanson (1740) To call it a loom is a misnomer, a Jacquard head could be attached to a power loom or a hand loom, the head controlling which warp thread was raised during shedding. Multiple shuttles could be used to control the colour of the weft during picking. The Jacquard loom is the predecessor to the punch card computers of the 19th and 20th centuries.

CICULAR LOOMS

A circular loom is used to create a seamless tube of fabric for products such as hosiery, sacks, clothing, fabric hose (such as fire hose) and the like. Circular looms can be small jigs used for circular knitting or large high-speed machines for modern garments. Modern circular looms use up to ten shuttles driven from below in a circular motion by electromagnets for the weft yarns, and cams to control the warp threads. The warps rise and fall with each shuttle passage, unlike the common practice of lifting all of them at once.

SYMBOLISM AND CULTURAL SIGNIFICANCE

The loom is a symbol of cosmic creation and the structure upon which individual destiny is woven. This symbolism is encapsulated in the ancient Greek myth of Arachne who was changed into a spider by the goddess Athene, who was jealous of her skill at the godlike craft of weaving. In Maya Cultures the goddess Ixchel who is symbolized by the moon, taught the first woman how to weave at the beginning of time.

WIKIPEDIA

BEETHEFIRST personal 3D printer by Creative Tools

A precise Europe manufactured 3D printer in cool stylish and practical design. See more here:

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2014 Supra SA450 by Supra Boats

1 1

AMPLIFIED SHOCK AND AWE

The 2014 Supra SA350, SA450 and SA550 combine shocking wakes, precise handling and an awesome interior, but in true Supra style this wake boat has upped its shock value. The Supra SA shines with new metal flake gel coat colors, Blacked-out and Verge hull graphic as well as new Pro Edge Tower Contrast color options. The SA has gone soft, but durable on the inside with the abrasion resistant stain protected SupraSkin vinyl from Spradling; bringing together new colors and textures for an even more luxurious look and feel. A new aggressive windshield lifts the eyes of the boat to the level of refinement shared by the lofty attitude of the Barrage Front End and powerfully calming Battle Prep Transom. The SA still attacks the water with 350-550 horses of Indmar power, depending on your engine choice, pro hull design and precision underwater gear. Snap-out carpet covers a fiberglass floor for a quiet convenient base to a plush interior. 900 pounds of hard tank sub structural floor Liquid Lead ballast, a loaded Roswell Pro Edge Tower, Zero Off GPS speed control, the SmartPlate, VISION Touch Rider Profiles and 1,300-pounds of available Flex ballast will wake-up dreams of going pro. The Supra SA is shock and awe.

Overall Length w/o Platform: 22' 6"

Overall Length w/ Platform: 24' 6"

Overall Length w/ Platform & Trailer: 27' 2"

Width (Beam): 100"

Overall Width w/ Trailer: 102"

Draft: 26"

Weight - Boat only: 4,300 lbs

Weight - Boat and Trailer: 5,600 lbs

Capacity - Passenger: 13

Capacity - Weight: 1,900 lbs

Capacity - Fuel: 50 gals

Capacity - Ballast: 900 lbs (S) 1,300 lbs (O) = 2,200 lbs available from factory.

Engine - Electronic Fuel Injection: 345 HP-SA350, 450 HP-SA450, 550HP-SA550

nice and precise by Jared Tarbell

1 1

The Epilog laser amazes me with it's accurracy and repeatability.

Small-scale, precise inoculation of wheat seedlings with stem rust by CIMMYT

Demonstrating the small-scale, precise inoculation by spraying of wheat seedlings with stem rust using a stored spore sample in the laboratory, at the Njoro research station, part of the Kenya Agricultural Research Institute (KARI).

The demonstration was carried out by Matthew Rouse, a PhD student at the University of Minnesota, working with the USDA. It was part of a two-week international training course on “Stem Rust Note Taking and Evaluation of Germplasm” hosted by KARI at Njoro from 28 September to 7 October 2009. The course was attended by scientists from over 20 countries, many of whom are collaborators with the Borlaug Global Rust Initiative (BGRI). It was jointly organized by CIMMYT, the Durable Rust Resistance in Wheat Project, KARI, and the International Center for Agricultural Research in the Dry Areas (ICARDA).

Njoro is home to an ongoing screening program, working in close partnership with CIMMYT to identify sources of resistance to the Ug99 race of stem rust. This virulent new strain of the disease, which emerged in Uganda in 1999, is already endemic in the area, making it possible to use Njoro as a testing ground for wheats from many different partner countries all over the world. More than 30,000 wheat lines are now being screened each year.

For more about the training course, see CIMMYT's blog story at: blog.cimmyt.org/?p=2224

For more information on stem rust, see CIMMYT's Wheat Doctor: wheatdoctor.cimmyt.org/en/pests-a-diseases/list/122?task=....

For information on collection and inoculation techniques, see the CIMMYT publication "Rust diseases of wheat: Concepts and methods of disease management", available as a pdf at: libcatalog.cimmyt.org/download/cim/38487.pdf.

For more on CIMMYT's ongoing work on Ug99, see the following e-news stories:

2010, "Planting for the future: New rust resistant wheat seed on its way to farmers": www.cimmyt.org/newsletter/231-2010/716-planting-for-the-f....

October 2009, "From Cairo to Kabul: Rust resistant wheat seed just in time": www.cimmyt.org/newsletter/38-2009/460-from-cairo-to-kabul....

December 2008, "Report from the field: Wheat stem rust resistance screening at Njoro, Kenya": www.cimmyt.org/newsletter/37-2008/110-genetic-resources-p....

December 2006, "Threat level rising": www.cimmyt.org/newsletter/82-2006/263-threat-level-rising.

September 2005, "The World’s Wheat Crop is Under Threat from New Disease": www.cimmyt.org/newsletter/86-2005/331-the-worlds-wheat-cr....

Photo credit: Petr Kosina/CIMMYT.

Autism : "The skills that people with autism bring to the table should be nurtured for their benefit and [for the benefit of] society", adding, "If you totally get rid of autism, you'd have nobody to fix your computer in the future" by Hughes Songe

2

Autism spectrum disorder[a] (ASD), or simply autism, is a neurodevelopmental disorder "characterized by persistent deficits in social communication and social interaction across multiple contexts" and "restricted, repetitive patterns of behavior, interests, or activities".[11] Sensory abnormalities are also included in the diagnostic manuals. Common associated traits such as motor coordination impairment are typical of the condition but not required for diagnosis. A formal diagnosis requires that symptoms cause significant impairment in multiple functional domains, in addition to being atypical or excessive for the person's age and sociocultural context.[12][13]

Autism is a spectrum disorder, meaning it manifests in various ways, with its severity and support needs varying widely across different autistic people.[12][13][14] For example, some autistic people are nonverbal, while others have proficient spoken language. Furthermore, the spectrum is multi-dimensional and not all dimensions have been identified as of 2024.[15][16]

Public health authorities and guideline developers classify autism as a neurodevelopmental disorder,[12][17][13][18][19] but the autism rights movement (and some researchers) disagree with the classification. From the latter point of view, autistic people may be diagnosed with a disability, but that disability may be rooted in the structures of a society rather than the person.[20][21][22] On the contrary, other scientists argue that autism impairs functioning in many ways that are inherent to the disorder itself and unrelated to society.[23][24] The neurodiversity perspective has led to significant controversy among those who are autistic and advocates, practitioners, and charities.[25][26]

The precise causes of autism are unknown in most individual cases. Research shows that the disorder is highly heritable and polygenic, and neurobiological risks from the environment are also relevant.[27][28][29] Boys are also significantly far more frequently diagnosed than girls.[30]

Autism frequently co-occurs with attention deficit hyperactivity disorder (ADHD), epilepsy, and intellectual disability.[31][32][33] Disagreements persist about what should be part of the diagnosis, whether there are meaningful subtypes or stages of autism,[34] and the significance of autism-associated traits in the wider population.[35][36]

The combination of broader criteria, increased awareness, and the potential increase of actual prevalence has led to considerably increased estimates of autism prevalence since the 1990s.[37][38] The WHO estimates about 1 in 100 children had autism between 2012 and 2021, as that was the average estimate in studies during that period, with a trend of increasing prevalence over time.[b][9][10] This increasing prevalence has contributed to the myth perpetuated by anti-vaccine activists that autism is caused by vaccines.[39]

There is no known cure for autism, and some advocates dispute the need to find one.[40][41] Interventions such as applied behavior analysis (ABA), speech therapy, and occupational therapy can help these children gain self-care, social, and language skills.[42][43] Guidelines from the Centres for Disease Control (CDC), and European Society for Child & Adolescent Psychiatry endorse the use of ABA on the grounds that it reduces symptoms impairing daily functioning and quality of life,[42][44] but the National Institute for Health and Care Excellence cites a lack of high-quality evidence to support its use.[45] Additionally, some in the autism rights movement oppose its application due to a perception that it emphasises normalisation.[46][47][48] No medication has been shown to reduce ASD's core symptoms,[44] but some can alleviate comorbid issues.[49][50][51]

Classification

Spectrum model

Before the DSM-5 (2013) and ICD-11 (2022) diagnostic manuals were adopted, ASD was found under the diagnostic category pervasive developmental disorder. The previous system relied on a set of closely related and overlapping diagnoses such as Asperger syndrome and the syndrome formerly known as Kanner syndrome. This created unclear boundaries between the terms, so for the DSM-5 and ICD-11, a spectrum approach was taken. The new system is also more restrictive, meaning fewer people qualify for diagnosis.[52]

The DSM-5 and ICD-11 use different categorization tools to define this spectrum. DSM-5 uses a "level" system, which ranks how in need of support the patient is, level 1 being the mildest and level 3 the severest,[53] while the ICD-11 system has two axes, intellectual impairment and language impairment,[54] as these are seen as the most crucial factors.

Autism is currently defined as a highly variable neurodevelopmental disorder[55] that is generally thought to cover a broad and deep spectrum, manifesting very differently from one person to another. Some have high support needs, may be nonspeaking, and experience developmental delays; this is more likely with other co-existing diagnoses. Others have relatively low support needs; they may have more typical speech-language and intellectual skills but atypical social/conversation skills, narrowly focused interests, and wordy, pedantic communication.[56] They may still require significant support in some areas of their lives. The spectrum model should not be understood as a continuum running from mild to severe, but instead means that autism can present very differently in each person.[57] How it presents in a person can depend on context, and may vary over time.[58]

While the DSM and ICD greatly influence each other, there are also differences. For example, Rett syndrome was included in ASD in the DSM-5, but in the ICD-11 it was excluded and placed in the chapter on Developmental Anomalies. The ICD and the DSM change over time, and there has been collaborative work toward a convergence of the two since 1980 (when DSM-III was published and ICD-9 was current), including more rigorous biological assessment—in place of historical experience—and a simplification of the classification system.[59][60][61][62]

As of 2023, empirical and theoretical research is leading to a growing consensus among researchers that the established ASD criteria are ineffective descriptors of autism as a whole, and that alternative research approaches must be encouraged, such as going back to autism prototypes, exploring new causal models of autism, or developing transdiagnostic endophenotypes.[63] Proposed alternatives to the current disorder-focused spectrum model deconstruct autism into at least two separate phenomena: (1) a non-pathological spectrum of behavioral traits in the population,[64][65] and (2) the neuropathological burden of rare genetic mutations and environmental risk factors potentially leading to neurodevelopmental and psychological disorders,[64][65] (3) governed by an individual's cognitive ability to compensate.[64]

ICD

The World Health Organization's International Classification of Diseases (11th revision), ICD-11, was released in June 2018 and came into full effect as of January 2022.[66][59] It describes ASD as follows:[67]

Autism spectrum disorder is characterised by persistent deficits in the ability to initiate and to sustain reciprocal social interaction and social communication, and by a range of restricted, repetitive, and inflexible patterns of behaviour, interests or activities that are clearly atypical or excessive for the individual's age and sociocultural context. The onset of the disorder occurs during the developmental period, typically in early childhood, but symptoms may not become fully manifest until later, when social demands exceed limited capacities. Deficits are sufficiently severe to cause impairment in personal, family, social, educational, occupational or other important areas of functioning and are usually a pervasive feature of the individual's functioning observable in all settings, although they may vary according to social, educational, or other context. Individuals along the spectrum exhibit a full range of intellectual functioning and language abilities.

— ICD-11, chapter 6, section A02

ICD-11 was produced by professionals from 55 countries out of the 90 involved and is the most widely used reference worldwide.

DSM

The American Psychiatric Association's Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, Text Revision (DSM-5-TR), released in 2022, is the current version of the DSM. It is the predominant mental health diagnostic system used in the United States and Canada, and is often used in Anglophone countries.

Its fifth edition, DSM-5, released in May 2013, was the first to define ASD as a single diagnosis,[68] which is still the case in the DSM-5-TR.[69] ASD encompasses previous diagnoses, including the four traditional diagnoses of autism—classic autism, Asperger syndrome, childhood disintegrative disorder, and pervasive developmental disorder not otherwise specified (PDD-NOS)—and the range of diagnoses that included the word "autism".[70] Rather than distinguishing among these diagnoses, the DSM-5 and DSM-5-TR adopt a dimensional approach with one diagnostic category for disorders that fall under the autism spectrum umbrella. Within that category, the DSM-5 and the DSM include a framework that differentiates each person by dimensions of symptom severity, as well as by associated features (i.e., the presence of other disorders or factors that likely contribute to the symptoms, other neurodevelopmental or mental disorders, intellectual disability, or language impairment).[69] The symptom domains are (a) social communication and (b) restricted, repetitive behaviors, and there is the option of specifying a separate severity—the negative effect of the symptoms on the person—for each domain, rather than just overall severity.[71] Before the DSM-5, the DSM separated social deficits and communication deficits into two domains.[72] Further, the DSM-5 changed to an onset age in the early developmental period, with a note that symptoms may manifest later when social demands exceed capabilities, rather than the previous, more restricted three years of age.[73] These changes remain in the DSM-5-TR.[69]

Signs and symptoms

Archive

Hofburg

The imperial crown in the Treasury

Imperial Treasury of Vienna

Insignia of the Austrian Hereditary Homage

Insignia of imperial Austria

Insignia of the Holy Roman Empire

Burgundian Inheritance and the Order of the Golden Fleece

Habsburg-Lorraine Household Treasure

Ecclesiastical Treasury

Schönbrunn Palace

Imperial Carriage Museum Vienna

Armory in Ambras Castle

Ambras Castle

Collections of Ambras Castle

Major exhibits

Among the most important exhibits of the Art Gallery rank inter alia:

Jan van Eyck: Cardinal Niccolò Albergati, 1438

Martin Schongauer: Holy Family, 1475-80

Albrecht Dürer : Trinity Altar, 1509-16

Portrait Johann Kleeberger, 1526

Parmigianino: Self Portrait in Convex Mirror, 1523/24

Giuseppe Arcimboldo: Summer 1563

Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07

Caravaggio: Madonna of the Rosary (1606-1607)

Titian: Nymph and Shepherd to 1570-75

Portrait of Jacopo de Strada, 1567/68

Raffaello Santi: Madonna of the Meadow, 1505 /06

Lorenzo Lotto: Portrait of a young man against white curtain, 1508

Peter Paul Rubens: The altar of St. Ildefonso, 1630-32

The Little Fur, about 1638

Jan Vermeer: The Art of Painting, 1665/66

Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559

Kids, 1560

Tower of Babel, 1563

Christ Carrying the Cross, 1564

Gloomy Day (Early Spring), 1565

Return of the Herd (Autumn), 1565

Hunters in the Snow (Winter) 1565

Bauer and bird thief, 1568

Peasant Wedding, 1568/69

Peasant Dance, 1568/69

Paul's conversion (Conversion of St Paul), 1567

Cabinet of Curiosities:

Saliera from Benvenuto Cellini 1539-1543

Egyptian-Oriental Collection:

Mastaba of Ka Ni Nisut

Collection of Classical Antiquities:

Gemma Augustea

Treasure of Nagyszentmiklós

Gallery: Major exhibits

de.wikipedia.org/wiki/Kunsthistorisches_Museum

Precise cutting of the long hedges at Powis Castle NT by tedesco57

8 1

Powis Castle (Welsh: Castell Powys) is a medieval castle, fortress and grand country house near Welshpool, in Powys, Wales. The seat of the Herbert family, earls of Powis, the castle is known for its formal gardens and for its interiors, the former having been described as "the most important", and the latter "the most magnificent", in the country. The castle and gardens are under the care of the National Trust. Powis Castle is a Grade I listed building, while its gardens have their own Grade I listing on the Cadw/ICOMOS Register of Parks and Gardens of Special Historic Interest in Wales.

The present castle was built in the 13th century. Unusually for a castle on the Marches, it was constructed by a Welsh prince, Gruffydd ap Gwenwynwyn, rather than by a Norman baron. Gruffydd was prince of the ancient Kingdom of Powys and maintained an alliance with the English king Edward I during the struggles of the later 13th century. He was able to secure the position of his son, Owain, although the kingdom itself was abolished by the Parliament of Shrewsbury in 1283. After his father's death, Owain was raised to the peerage as Owen de la Pole, 1st Lord of Powis. Following his own death c. 1293, and the death of his only son, he was succeeded by his daughter, Hawys Gadarn, "the Lady of Powis". Hawys married Sir John Charlton in 1309.

In the late 16th century the castle was purchased by Sir Edward Herbert, a younger son of William Herbert, 1st earl of Pembroke, beginning a connection between the family and the castle that continues today. The Herberts remained Roman Catholic until the 18th century and, although rising in the peerage to earls, marquesses and Jacobite dukes of Powis, suffered periods of imprisonment and exile. Despite these setbacks, they were able in the late 17th and early 18th centuries to transform Powis from a border fortress into an aristocratic country house, and surround it with one of the very few extant examples of a British Baroque garden.

In 1784 Henrietta Herbert married Edward Clive, eldest son of Clive of India, a match which replenished the much-depleted Herbert family fortune. In the early 20th century, George Herbert, 4th Earl of Powis, redeveloped the castle with the assistance of the architect George Frederick Bodley. Herbert’s wife, Violet, undertook work of equal importance in the garden, seeking to turn it into "one of the most beautiful, if not the most beautiful, in England and Wales". On the 4th Earl's death in 1952, his wife and his sons having predeceased him, the castle passed into the care of the National Trust.

History

First castles at Welshpool: 1111–1286

Unlike the castles at Conwy, Caernarfon, Harlech and nearby Montgomery, which were built by the English to subdue the Welsh, the castles at Welshpool were built by the Welsh princes of Powys Wenwynwyn as their dynastic seat.[1] In addition to the current site, two motte-and-bailey castles and a set of earthworks are located nearby.[2] The names Trallwg/Tallwm and Pola are used interchangeably in early primary sources, and it is unclear which of these sites is being referred to.[3]

The earliest reference dates from 1111, when Cadwgan ap Bleddyn is mentioned as having planned to construct a castle at Trallwng Llywelyn,[3] the oldest record of a native Welsh castle.[4] Domen Castell, a motte-and-bailey near the modern railway station, is considered the most likely site of Cadwgan's castle, although it is uncertain whether it was completed as he was assassinated the same year.[5] The first documentary account of an extant castle at Welshpool is a description of the successful 1196 siege by an English army, although the castle was retaken by the Welsh within the year.[5][6]

The earliest castle at the current site may have been a timber building constructed by Owain Cyfeiliog or his son, Gwenwynwyn (r. 1197–1216).[7] The present masonry structure contains 13th-century fabric,[8] most likely the work of Gruffydd ap Gwenwynwyn (r. 1241–1287) – although historians are uncertain when this took place.[a][10] In 1274, Gruffydd's "first castle" at Welshpool was destroyed by Llywelyn ap Gruffudd as punishment for his involvement in a scheme to assassinate Llywelyn.[b] The castle was documented again in 1286, when it was listed amongst Gruffydd's possessions as "la Pole Castr".[12] A detailed examination of Powis Castle's extant masonry carried out between 1987 and 1989 revealed early stonework incorporated into the later structure, putatively the remains of an early stone shell keep.[13] At the end of Edward I's conquest of Wales in 1282–83, the king permitted Gruffydd to rebuild his castle at Welshpool as a reward for his loyalty.[14]

Early history: 1286–1644

Edward Herbert, 1st Baron Herbert of Cherbury[c]

In 1286, four years after the conquest of Wales, Gruffydd's son, Owain ap Gruffydd ap Gwenwynwyn became the last hereditary prince of Powys when he renounced his royal title, and was granted the barony of de la Pole, (i.e. "of the Pool", a reference to Welshpool, formerly called just "Pool").[d][16][17] The ancient Kingdom of Powys had once included the counties of Montgomeryshire, much of Denbighshire, parts of Radnorshire and large areas of Shropshire, but by the 13th century had been reduced to two independent principalities – Powys Wenwynwyn and Powys Fadog – roughly equivalent to Montgomeryshire and South Denbighshire (plus Maelor Saesneg), respectively; Welshpool had become the capital of Powys Wenwynwyn, of which Owain had been heir. On the death of Owain, the castle passed to his daughter Hawys, who married Sir John Charlton.[17] The Charltons continued to live at Powis until the fifteenth century when two daughters, Joyce Tiptoft and Joan Grey inherited the castle and estates. Both were equally divided, each daughter and her husband living in a portion of the castle.[18]

In 1578 an illegitimate son of the last Baron Grey of Powis, began leasing the lordship and castle to a distant relative – Sir Edward Herbert (d. 1595), second son of Sir William Herbert, 1st Earl of Pembroke. Edward eventually bought the castle outright in 1587, beginning the connection between the Herberts and Powis Castle which continues today.[19] Sir Edward's wife was a Roman Catholic and the family's allegiance to Rome and to the Stuart kings was to shape its destiny for over a century.[16] Sir Edward began the transformation of Powis from a border fortress into an Elizabethan country house. The major remaining element of his work is the Long Gallery.[19]

Herbert's descendent William Herbert, 1st Baron Powis (c. 1573–1655), was a supporter of Charles I, and was granted the barony of Powis in 1629.[19] His loyalty during the English Civil War cost him his castle and his estates.[20] On 22 October 1644 Powis Castle was captured by Parliamentary troops and was not returned to the family until the restoration of Charles II in 1660.[21]

The Herberts: 1660–1800

The Hercules statue which stood originally in the Water Garden

On the restoration, the Herberts returned to Powis, and in 1674 William Herbert (c. 1626–1696) was created Earl of Powis (of the first creation). The state bedroom was installed in about 1665 and further improvements, including the construction of the Great Staircase followed in the 1670s. These developments were most probably carried out under the direction of William Winde, who may also have designed the terraced gardens. His employer, although restored to his estates, and raised in the peerage, was barred by his Catholic faith from high office under Charles II. On the accession of the King's brother, James in 1685, Herbert became one of the new king's chief ministers, and was again advanced in the peerage becoming Marquess of Powis in 1687, but fell at the Glorious Revolution of 1688 and followed James into exile in France.[e] William III granted the castle to his nephew, William Nassau de Zuylestein, 1st Earl of Rochford. Herbert died, still in exile, in 1696.[24]

Despite their 30-year exile, the Herberts were able to continue with developments at the castle and even to live there on an irregular basis, the Baroque water garden below the castle being completed at this time.[25] Their fortunes were also materially improved by the discovery of a lucrative lead mine on their Welsh estates.[24] The second Marquess, also William, was reinstated in 1722. On the death of his son, the third Marquess in 1748, the marquessate became extinct, while the castle and estates passed to a relative, Henry Herbert (c. 1703–1772), of Oakly Park in Shropshire, who was made 1st Earl of Powis (of the second creation) by George II.[26] Herbert married Barbara, the fifteen-year-old granddaughter of the 2nd Marquess, in 1751. Their eldest son, George Herbert, 2nd Earl of Powis (1755–1801), died unmarried and the earldom of the second creation became extinct.[f][27] Powis was much neglected during his tenure. John Byng, 5th Viscount Torrington, a diarist and traveller who chronicled his journeys into Wales in the 1780s and 1790s, described the castle in 1784, "In the gardens not even the fruit is attended to; the balustrades and terraces are falling down, and the horses graze on the parterres!!!"[28] The castle itself was in no better condition, a visitor in 1774 describing it as "in Neglect and Ruin".[27] Nonetheless, the potential of the site was recognised. George Lyttelton, the politician, poet and essayist, recorded his impressions in 1756, "About £3,000 laid out upon Powis Castle would make it the most august place in the Kingdom."[29]

The Clives and Herberts: 1801–1952

The Outer Courtyard with the Fame statue in the foreground

In 1784, Henry Herbert's daughter, Henrietta, married Edward Clive (1754–1839), the eldest son of Clive of India.[30] Clive had followed his father to India, and served as Governor of Madras. Henrietta's brother died in 1801, whereupon the title lapsed; in 1804, her husband was created first Earl of Powis (of the third creation). The Clive fortune paid for long overdue repairs to the castle, which were carried out by Sir Robert Smirke.[31][32] Their son, Edward (1785–1848), inherited his late uncle's Powis estates on his 21st birthday, taking the surname Herbert in compliance with his uncle's will.[30] Edward Herbert served in a range of administrations as an Anti-Catholic Tory, his speeches in the House of Commons being "cautious and pertinent, although marred by dull delivery". He died in 1848, following a shooting accident at Powis in which he was fatally injured by his second son.[33] No further major changes were made to the Powis estate during his time, or in the long tenure of his eldest son Edward Herbert, 3rd Earl of Powis (1818–1891), although the castle was well maintained. In honour of his great-grandfather, the earl was offered the viceroyalty of India by Benjamin Disraeli but declined, writing "Not worth considering. Powis" on the envelope containing the invitation.[34]

The final alterations to Powis Castle were undertaken at the beginning of the 20th century by George Frederick Bodley for George Charles Herbert, 4th Earl of Powis (1862–1952). The rooms designed by Bodley remain his only extant decorative scheme; the longevity of the 4th Earl, the deaths of his heirs, and his bequest of the castle to the National Trust saw the early 20th-century remodelling remain largely unaltered.[g][36] The 4th earl's wife, Violet (nee Lane-Fox), undertook the final transformation of the gardens of Powis Castle, which she felt had the potential to be "the most beautiful in England and Wales".[37] The Countess died following a car accident in 1929, and Lord Powis outlived both his sons, who died on active service, Percy from wounds received at the Battle of the Somme in 1916,[38] and Mervyn in a plane crash in 1943.[39] On his own death in 1952, he bequeathed the castle and gardens to the National Trust.[h][42]

The National Trust: 1952–present

The 4th earl was succeeded by his cousin, Edward Herbert, 5th Earl of Powis (1889–1974). Edward's heir was Christian Herbert, 6th Earl of Powis (1904–1988). He was succeeded by his cousin, George Herbert, 7th Earl of Powis (1925–1993),[42] who was in turn succeeded by his son, John, the 8th and current Earl.[43] The Herbert family continue to live in part of the castle, under an arrangement with the National Trust.[44] The Trust has undertaken a number of major works of restoration during its ownership, including the Marquess Gate,[45] the Grand Staircase,[46] and the sculpture of Fame in the Outer Courtyard.[i][47] The castle and its gardens receive around 200,000 visitors annually. Wikipedia

Dichrorampha sp by Ben Sale

Field Trip - Roughdown Common - 13/06/17

I had an eventful trip to Roughdown Common whereby we planned to run as many traps as possible, conditions were absolutely perfect, warm and humid with some cloud cover.

We started the evening setting the first trap up in the field where there were three Cattle, Belted Galloways to be precise.

They greeted us and then seemed to leave us alone for a bit after cleaning the cars with their tongues and having a good old itch on Steve's rear bumper.

We left the field to set up a few more traps and then returned back to the car for more equipment, to our agony the trap had been thoroughly inspected by the cattle and there was slobber all over the trap and they did a mighty fine job of smashing the bulb but it could have been A LOT worse as the fragile plastic collar (the second most important part of the trap after the bulb) was still intact! How on earth it escaped being trodden on I do not know.

Luckily Ian said he would nip back home and grab his spare bulb and we moved the trap through the gate and shut the gate....but they had done their 'investigating' and moved off for the rest of the night down the bottom of the field.

After setting all the traps were set up, the battery operated one was low on juice..another minor set-back as we would only get possibly 2 hours life out of the tracer lithium ion battery.

Things come in three's and of course nothing could be worse than a generator stopping, yep that's what happened...trying to get it started again flooded the spark plug and luckily I could use the spare that I had brought with me.

Onto the moths and boy were we in for a night! The species just kept coming and coming and at one stage I couldn't keep typing the list.

There are a few to check but best species so far were singles of Obscure Wainscot, Anania perlucidalis, Anarsia innoxiella and two good plume species (one to be checked) Merrifieldia leucodactyla/baliodactylus and Gillmeria pallidactyla.

Thanks to Roger, Steve and Ian for helping out until the small hours, another successful trip with at least 160 species seen!

Catch Report - 13/06/17 - Roughdown Common - West Herts - 7 traps in total - 2x 125w MV Robinson Trap 1x 160w MBT Robinson Trap 1x 40w Actinic + 15w LED Trap 1x 80w Actinic Trap 2x 20w Wemlite Actinic Trap 1x 15w Actinic Portable Heath Trap

85 Macros & 75 Micros

160 species

Numbers approximate

Macro Moths

Alder Moth 2

Beautiful Hook-tip 6

Blue bordered Carpet 1

Brimstone 4

Broken-barred Carpet 2

Brown Rustic 5

Brown Scallop 2

Buff Ermine 1

Buff-tip 1

Cinnabar 1

Clay 1

Clouded Border 4

Clouded Brindle 1

Clouded Silver 8

Common Carpet 2

Common Marbled Carpet 4

Common Pug 1

Common Swift 3

Common White Wave 2

Coronet 12

Dark Arches 4

Double Square-spot 2

Double-striped Pug 1

Elephant Hawk-moth 2

Fern 3

Figure of Eighty 2

Flame 3

Flame Shoulder 2

Freyer's Pug 1

Garden Carpet 1

Ghost Moth 1

Green Carpet 5

Green Pug 5

Green Silver-lines 1

Grey Pug 5

Haworth's Pug 1

Heart & Club 1

Heart & Dart 10+

Ingrailed Clay 10

July Highflyer 1

Knot Grass 1

Large Nutmeg 4

Large Yellow Underwing 2

Lesser Yellow Underwing 1

Light Arches 1

Light Emerald 5

Lime-speck Pug 2

Maiden's Blush 1

Maple Prominent 2

Marbled White-spot 3

Middle-barred Minor 3

Miller 1

Mottled Beauty 5

Mottled Pug 1

Mottled Rustic 5

Obscure Wainscot 1

Orange Footman 1

Pale Prominent 1

Peppered Moth 2

Poplar Grey 1

Privet Hawk-moth 1

Purple Bar 2

Riband Wave 2

Rustic Shoulder-knot 2

Scorched Wing 2

Setaceous Hebrew Character 2

Shoulder-striped Wainscot 1

Shuttle-shaped Dart 2

Silver-ground Carpet 2

Small Angle Shades 1

Small Dusty Wave 1

Small Elephant Hawk-moth 1

Small Fan-foot 2

small Square-spot 1

Small Yellow Wave 1

Snout 2

Straw Dot 10

Swallow Prominent 1

Sycamore 2

Tawny Marbled Minor 2

Treble Lines 3

Turnip Moth 1

Uncertain 3

White Pinion-spotted 1

Wormwood Pug 1

Micro Moths

Agapeta hamana 4

Agapeta zoegana 10

Agonopterix arenella 2

Agonopterix purpurea 1

Aleimma loeflingiana 10

Anania hortulata 3

Anania perlucidalis 1

Anarsia innoxiella 1

Anthophila fabriciana 1

Aphomia sociella 1

Archips podana 2

Archips xylosteana 3

Argyresthia conjugella 2

Argyresthia curvella 2

Blastobasis lacticolella 3

Blastodacna hellerella 1

Bryotropha terrella 5

Caloptilia populetorum 1

Caloptilia robustella alchimiella 2

Caloptilia syringella 1

Celypha lacunana 15

Celypha striana 5

Chrysoteuchia culmella 5

Clepsis consimilana 5

Cnephasia sp 10

Cochylimorpha straminea 5

Cochylis dubitana 2

Cochylis molliculana 1

Crambus lathoniellus 5

Cydia fagiglandana 2

Dichrorampha sp 4

Ditula angustiorana 2

Emmetia marginea 1

Endothenia gentianaeana marginea 2

Epinotia bilunana 2

Epiphyas postvittana 1

Eucosma cana 10

Eudonia lacustrata 5

Eudonia pallida 3

Eulamprotes unicolorella 5

Eupoecilia angustana 15

Gillmeria pallidactyla 1

Grapholita funebrana 1

Gypsonoma sociana 1

Hedya nubiferana 5

Hedya pruniana 5

Homoeosoma sinuella 2

Merrifieldia leucodactyla or baliodactylus 1

Metzneria metzneriella 10+

Mompha ochraceella 1

Mompha subbistrigella 3

Nemophora degeerella 1

Nephopterix angustana 2

Notocelia trimaculana 15+

Notocelia uddmanniana 2

Pammene albuginana 1

Pandemis cerasana 10+

Pandemis cinnamomeana 1

Pandemis heparana 5

Paraswammerdamia albicapitella 1

Parornix sp 1

Phycita roborella 1

Prays fraxinella 2

Pseudargyrotoza conwagana 10+

Pseudoswammerdamia combinella 1

Scoparia ambigualis 5

Scoparia pyralella 10+

Scythropia crataegella 1

Stigmella sp 1

Strophedra weirana 1

Teleiodes luculella 5

Thiotricha subocellea 3

Tinea semifulvella 1

Tortrix viridana 10+

Udea olivalis 3

Fangruida classic quotes by kos davis davis

1

Fangruida famous classic 500 selection (multi-lingual global version control, e-books)

Sound shook the world, a permanent favorite sayings ------ Fangruida classic quotations motto Selected Translations (English, French, German, Russian, Spanish, Japanese, multilingual electronic version control Version 2012- 3.02)

Fang Rui Da life work a lot, widespread popular that many of his classic quotes the classic motto, inspirational, gives a reverie, giving encouragement, giving teachings, gives insights. Admire and read of him classic quotations classic motto, as if reciting a poem as in, one of which enjoy a painting, listening to a song sounds romantic dance, this is the real charm of the square where the motto Investor quotations. herein is a selection of II. According to the author and the author wishes to question, selected multi-language version control, so that the parties to the reader and appreciation. square Investor classic quotations set of natural science, social science and literature and art in a beautiful, elegant, deep, subtle, mood, right, worthy of the world famous celebrities masterpiece. concise, three words two languages, the finishing touch, the words intended to do endless. Such learning and studying, you can achieve pleasing results, truly understand and analyze every word, every precise meaning and profound concept of the word. So, these are masterpieces, not because of the time and place and change. There are a lot of doubts in the interpretation of the e-book version, elaborate parties Investor classic quotations classic maxim, some more accurate complete Some lacks, and did not really understand and appreciate square Investor classic quotations classic maxim meaning lies. After worth complemented amended. multilingual control version, is to make up for this kind of loss and miscarriage of justice, but also compile and translation have been and author's discussion and validation, without any copyright disputes, authorized by the author disclosed in the city. for the public to enjoy reading. <>, <>, <> and so will continue to publish the advent of appreciation for readers around the world. Finally, for the assistance and edit the translation of you to express my deep gratitude to the friendly colleagues.

(Eds: otis Translation: Adeline / Augelire proofread: fred Audit: Boris)

July 2011 in Paris, Copenhagen, Amsterdam, New York.

_____________________________________________________________

Look at the history of the human individual, but is a few decades, centuries, but rather look at the history of the entire human population is a few hundred thousand years, and put him constantly Expansion of the natural world to appreciate and taste.

Human society is not an abstract body, but a real kaleidoscope.

Humanity the greatest and most powerful place is not that he's tough and mana, the first is constant self-denial.

As long as human society, everything is forward series, regardless of the final outcome of this evolution of how loud or how ruthless .----- (square Investor famous classic).

When life is about to end, you first farewell this life is not only the world, but nature and the universe temporary farewell.

World as colorful palette, from time to time to issue a variety of transformation, some beautiful, some haze, some wonderful, some gray.

The world is not eternal day regulation and order, but the world would not be a permanent disorder or chaos filled the whole planet. Order and disorder kept forever in grafting seesaw. Otherwise, the whole of nature and human society will tends to destroy or complete collapse collapse .---- square Investor classic saying.

Where that is the reality of existence, the reality of it all is that there are no real existence and no existence in reality, as absurd .------- are Fangruida famous classic)

God created the world, the world that God created.

Only human beings truly enter into the kingdom of heaven, in order to truly comprehend the beauty of paradise.

Desires and greed, is a cross to a natural divide human society from the animal kingdom; wisdom and labor - wealth, a huge man from the animal cross the bridge to a rational human society.

Reason and truth is eternal connection, on the contrary, wild and falsehood connection, and ultimately not waiting astray is a failure.

World Vientiane, everyone is in a hurry to come and go, but some passing away, but you can still figure detour back; some people do not leave, the soul has been long dead ..... everyone can flirtation, history will provide wonderful variety of rodeo arena.

That the world is too beautiful rose garden with flowers, it was a naive and childish;. That the world is Heilongtan dark, it is a sad and incompetence of the world is a reality, but also a bit romantic and sentimental .--- - Fangruida classic saying.

Immature and pessimism can not create the world, only the courage and strength to innovation in the world.

World colorful, flowers Tuyan, but that does not mean all the world to disorganized, chaotic disorder. The world and the universe is not chaos to Jiuxing flying, yin and yang imbalance; the world and the universe through its self-regulation, self-compliance with its reasoning, the chaos and gradually establish a new domain.

Simply conquer and dominate the world, is purely natural animal beast game; build the world heaven, can be completely freed from the Beast game.

Natural human animal is not terrible, terrible is its endless sprawl and expansion, it will allow to create into a ruin, so rational degenerate into evil, let wisdom destruction in stupidity. (Fangruida famous classic)

World history is not with petals that can weave together a beautiful wreath, world history throughout human history actually use the compilation of flesh and blood and sweat out of scroll paintings depicting famous classic .----- Fangruida

Great natural, great universe, it really is the mother of all mankind and life.

Numerous sequences of human history, always natural and ruthlessly presented or presented. Offside and transposition only in the basic sorting sequence appear positive, rebellious or dislocation will be replaced this kind of evolved into a history of bumps and setbacks. In other words, the natural history of mankind is only positive, reverse or reverse does not occur. The difference with this is the natural evolution of the universe sequence, forward and inversion often exchange.

Anatomy of the whole human society, which is the anatomical structure of the human body and the whole of nature is closely related to the world of him and the interdependence of social groups and individual tectonic structure.

If we say that the universe will collapse to collapse, then that is to say, prior to this human society and self-collapse of extinction. The real danger is not that the hazards and predators, but in human society and human beings defects and significant inhibition and overcome mistakes and I do not know , which will itself lead completely destroyed.

Wonderful and fanciful fantasy world is illusory phantom or mirage and reality difficult to build human society is the most real world and can not decline to exist forever. (Fangruida famous classic).

The world is not "Superman", the world's only permanent hard work in the vast field of farming labor husband kept it .----(Fangruida famous classic)

The sun rises in the east every day, day after day, life swing. Nature has actually been displaced, and human world is also moving in the displacement movement. Earth life can be resurrected in the other planets, it is a gift from God and good luck.

Animal world can not rudderless, lions, tigers, wolves, the sheep, horses, geese, monkeys ..... human society is the family of the group, could not disorderly, "the leader, the leading pack ., "Otherwise, everything will do everything to destroy or perish subvert the natural and fundamental law, it is very scary silly deteriorate even in the solar system, the sun is the king of the Ninth; no sun, the earth, the moon will zero.

Day after day, year after year, the Earth, the moon, the sun is constantly rotated; life, the human heart is with the rotation of day and night constantly pulsates ...... Seen in this light, Once stagnation, rotating and pulsating, nature and life will be how the outcome, rotating planets and life beat, it does not mean all the success Shengongguifu nature of human society, for him, the rotation will always be unalterable..; The first thing you want to beat is the survival of human life, the human world and the natural world if radical departure, beating of human life and the entire human society will tend to collapse and die.

There are a variety of life perception and interpretation, some clear, some obscure, some bright, some dark. In fact, both positive and anti, right and wrong, are left in the world and future generations valuable voice.

The struggle of life, wealth, power, fame, status, love, family, career, trying to brilliant pinnacle, everything can not be overstated. In fact, whether or halfway up the mountain to reach the summit, or in the foothills, is a kind of happiness and enjoyment The natural world is always bland, calm as the sea, the human world though a little more luster and warmth, but also in flat calm situation, although sometimes reveal a storm, high Wutu onwards, influence or change their own life trajectory.

Creating the world's history, rather, created the first insight into the world of deep eyes of individuals and groups. Absence or lack of such vision and starting line, must be attributed to arrogance and defeat.

Thousands of the world, thousands of images. Thousands of pairs of eyes, thousands of hands. Myriad masterpiece, thousands of souls. In this absolutely thousands among the only altars and shrines in addition to the idol, is the soul and sense Money makes the sedative comfort. As everyone knows, regardless of the fate of Jian wrong, the world is still good for the good to suffer for the music, to generate Bo death, repeatedly, during the era of generations, the most common interpretation of the most widespread human history.

World often emerged outstanding figures of the gods, can epoch, badly can be interpreted from the myths and legends; but from nature and reality is often absurd theory of a weird or just give up.

People out from nature, and not simply out of the world of human society. On the contrary, nature can only come out from nature, but does not come out from the world of human life. (Fangruida famous classic)

World sideways look, rainbow Jinxia sky; world bristling see if inverted observed haze over the Thunder, the scene is easy enough, haze Thunder sky, rainbow Jinxia everywhere.(Jinxia ---- beautiful pink clouds)

And nonsense are raving idiot, proverbs and reason is the only path to truth.

The unexamined not create the world, wasted years of mediocrity; only diligent, chest Tao Wu slightly in order to lead the world, innovation in the world.

Eternal life is worth, rather than length.

The world is mortal beings, not a genius and a saint can substitute the no genius and saints, beings naturally generated, no beings, genius and saints will be gone.

No one can accurately predict the future of nature and the world, but human wisdom advanced super location but can draw no less natural universe and human society generally rough image for the future. Even far beyond the vision of God.

Human nature is present in higher animals on the natural world, although it has a powerful transformation force wisdom and creativity, but not completely out of nature, after all, a fundamental fantasy or fiction of human nature and animal instinct has been completely isolated gene molecular bodiless not fanaticism is ignorant, because he was not placed in front of infantilism is the first force manic hysteria syndrome. (Fangruida famous classic)

This world is the greatest bible, every day opened a new page, the key is how you follow my handwriting writing left by their predecessors various chapters .------ (Fangruida classic saying.)

Wine is mellow, as long as there is revelry, pure spring water also exudes good taste.

History of the universe, pure natural history of human society history, both the trajectory of human history itself, but also the inevitable process of natural history is full of impassable and escape various blind spots and bane. Neglect or ignore these, will make human society more bizarre history .------- (Fangruida famous classic)