View allAll Photos Tagged postprocess
It was too late to take picture. The sun was already high. Because we lost in our way, and drove through nowhere.
Took around 2 hours (with normal road, i think i could reach it around 1-1.30 hours)
I super-saturated the colours, and boosted the contrast to give it a faux HDR look. The girls' skin is all right, but I think the foremost horse is too blue
post-processed photography done in summer 2007 near our house in france.
i am thinking about the words of a flickr friend - take care.
it coud be a flowery phrase, but it´s worth to think a little bit more about it. a little mmcarlos is sitting on my head and observing me most of the time and give me time to time a response. but sometimes i have to look if he really watches.
variation on a theme: 3rd movement
not sure where i went wrong ... i might have to revisit the original and try again ... but i think the first two photos are better than this one.
I frequently stop off at this vintage junked cars yard and take photos through the chain link and over the razor wire defenses. The old paint and rust do well with HDR techniques.
Zacząłem robić jakąś podstawową obróbkę na zdjęciach, wszystkie z tagiem Postprocessed były obrabiane, a reszta była co najwyżej obracana.
I've started post-processing a bit my photos, everyone with a tag postprocessed was changed, on the rest I haven't done anything more than rotation.
one light source, loving my shadows
MUA : Ringgay
photo by : eyelight23 / Richard Santos
copyright 2010
The park was so crowded, but a lot of difabel people still went to park with family.
It was holiday, you know.
Post processed shots from the Vancouver Strobist photoshoot of the Sweet Soul Burlesque troupe at the Dollhouse Studios.
The After shot is tonemapped using PhotoMatix and 3 bracketed exposures shot handheld. The Before shot is the middle exposure, basically what the camera would choose using evaluative metering and no exposure compensation.
I'm pretty certain a very similar result could be achieved by tonemapping one shot.
Closeups of white cars like that usually end up being underexposed if no exposure compensation is selected. When shooting (a white car) with just one shot (rather than a bracket) I usually find it most effective to compensate by about +2/3 stops.
Note how the tonemapping really brings out the warmth on the left side of the car, this is from the sun rising at the time from camera left but it's largely lost in the (automatically) underexposed shot.
Just playing around with Photoshop, been a few years now. I used to fiddle around quite a lot in high school, but I haven't really put together my Photoshop "skills" with my newfound photography "skill" yet. Well, until now, I guess.
Be sure to view it large on black