View allAll Photos Tagged postprocess
There are few out there with the skill of Lance Stevenson. Charlotte Hornets herocially defeated the New York Knicks.
Near Ames, CO.
Actually 2 shots stacked. 1 with the prime lens cutaway superimposed over the lensbaby. Normally I don't like compositions much, but neiher of these were good enough alone.
An old photo processed in Lightroom 2.0 Beta. The new Lightroom is going to be very cool.
All images © Allen Rockwell 2008
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I decided to dial back the softening a fair bit. Hopefully, the car lines will be better in this one. Still not sure what else can be done with the image though.
post-processed photography done in summer 2007 near our house in france.
i am thinking about the words of a flickr friend - take care.
it coud be a flowery phrase, but it´s worth to think a little bit more about it. a little mmcarlos is sitting on my head and observing me most of the time and give me time to time a response. but sometimes i have to look if he really watches.
I shot this using a WhiBal card under undesirable environment. There was no flash and AWB was used. The tungsten bulb had a weird effect on the sensor giving the picture a weird color cast...
Hey, Sis...this is for you:) I started out trying to do something entirely different with text, and got it all wrong. So, here is this instead!
I take up your challenge, Szefi www.flickr.com/photos/szefi/3188539372/ Here's your picture in my version! Please, let me know what you think of it. I'm very keen on learning new things about Photoshop and enjoyed working on your shot. By the way, where did you take it?
White construction paper on a black background. Tabletop Soft Box, Canon 40D. Removed the slight color glow (from lighting) by changing to a BW format, post-processing using iPhoto.
100% crops.
The image on the left was sharpened with Photoshop's un-sharp mask (USM) using 150%, .5 pixels.
The image on the right was sharpened by
1) creating a duplicate layer
2) setting it to overlay
3) Run the high-pass filter (filters > other > high pass) with a setting of 5px.
4) Sharpening the high-pass layer with the USM settings above.
Yet another shot from the Museum of Natural History's live butterfly exhibit in New York. The exhibit was held in an oversized terrarium with a single walking path through the center, which made it difficult to approach butterflies from desirable angles. The most challenging aspect of the environment was the light sources, which were largely low-hanging lights pointed downward. While this wasn't bad enough to impair the camera's autofocus system most of the time, it made getting decent shutter speeds without pushing the ISO very difficult.
This is the same butterfly (or perhaps just the same type of butterfly) as in the previous picture.
The Zuiko Digital 12-60mm SWD lens was used here, and the speed boost of the SWD motors likely came very much in use. I've previously posted some shots showing the capabilities of this lens in allowing me to capture a bee in flight, which was arguably more difficult than capturing this moderately-sized butterfly as it flapped around the flower. The low-lighting conditions proved to be a challenge, however, resulting in some slight blurring along the butterfly's wings. I suppose that if the wings had been perfectly frozen it would have just appeared as though the butterfly were sitting on the flower, though.
Shot with an Olympus E-520 with the Zuiko Digital 12-60mm SWD lens, hand-held with IS mode 1 enabled. This picture has been cropped by about 50%, and the maximum image resolution was further scaled down to 1600x1200 after cropping. This image was processed from RAW, with the following adjustments made: the saturation was boosted heavily; the exposure was lightly increased. Although it may have benefitted from it, the ISO was not pushed above 400 (which is the camera's highest without showing noise); any perceived noise in the picture is likely partly a result of the post-processing and the fact that no noise reduction was applied to this picture at all, whether in post or from the camera.