View allAll Photos Tagged portrait_design
Headshot for a new studio intern.
Info:
Photogenic Octobox
Photogenic 1250dr
Radiopopper Nano
Clamshell configuration with homemade reflector.
MilanFashionWeek #MFW #SS17 by #ChillaxingROAD more on www.facebook.com/chillaxingroadofficial + www.instagram.com/chillaxingroad
I killed the sun, but not the love in this photo.
Lee and Leanna's wedding was full of emotions and love.
Ricardo Brito , 14 de Janeiro de 2008 , esboco do pintor pedro batista no atelier do proprio , poco do bispo , lisboa
This is a tight crop out of a group shot. Perhaps 20% of the original image area. Nonetheless, an electric and funny moment. Casual and candid. Totally impromptu.
No planned composition. Full of "flaws and imperfections" photographically speaking. Not perfect focus. Not perfect lighting. Most definitely NOT a portrait set-up. Note that reflections off glasses almost completely obliterate one pair of eyes. Not to worry, the laughs take over.
As a matter of fact, the woman on the right was dead set on not having any photos taken. She thought she was visibly too old and withered and impossible. Not only that...she claimed a good photo of her had NEVER been taken in the last 84 years! Apparently she had experienced too many "1-2-3 smile" commands from Brownie operators?
Little did she know how that bit of negativity perks up my camera's mind. I love to work with people who say they never take a good picture. She has a fabulous sense of humor and it did not take a can opener to let it out. Her essence is here. Isn't that what its all about?
The top edge of the original shot is the same top edge of the image seen here. Some would consider that restrictive...a scene killer. My self-framing concept can save unfortunate accidents like this by providing some breathing room...and at the same time enhance the personal warmth in any "keeper".
End result is a self-framing, self-contained special visual effect. A gem. All framing elements come from the original digital image area. What I like to call an "Image-Specific" process. Every photo I treat this way is then uniquely different from any other because of just that. See other variables elsewhere in the stream. Or go to the portrait set.
A glass theme begins with a faux cut glass inner border that gives a glinting illusion. The product is finalized by matching a custom-sized print to a custom beveled glass mount.
The idea is unconventional. By design. Not for everyone, granted. The odd size pretty much guarantees this print will never awkwardly appear in a standard photo frame.
All my "frames" are one-of-a-kind, hand made, and specially tailored. Not program generated. You will not see the same frame anywhere on the planet. The concept makes a great, personal gift. Can also be worked into some trophies, awards, or plaques.
Whaddaya think?
Mr Tom and Mrs Emily's T-Shirts arrived on Friday!
Mrs PB turned out a bit green, and Mr Fox a bit dark but other than that they've come out quite well.
Mr Fox says he going to go back to the drawing board to see if he can come up with something even better.
Will Smith - DC Deadshot - Vector Illustration - Portrait Design - Caricature - Cartoon Character - Realistic Art - Avatar
Ricardo Brito , 14 de Janeiro de 2008 , pintor pedro batista no atelier do proprio , poco do bispo , lisboa
Left: Brandon is a recent graduate of the Informatics HCI/d program at Indiana University. He is looking for work as an Interaction Designer. Brandon is a great guy, lots of fun, highly intelligent, and a really great designer. Brandon has been a mentor for me as I'm going into the same program he just graduated from.
Please check out Brandon's portfolio at:
If you need a designer, hire him. He's top class.
Right: Me, the photographer. It's not the best picture of me, but it works well for the assignment.
Strobist Information: SB-600 triggered via Nikon CLS at 1/16 power into a reflective umbrella. There was also a 42 inch white reflector sitting on the floor angled up at him.
This sharp and vivid rendition of Edward VI as King is based on William Scrots's most recognisable likeness of the young monarch which features Edward with his legs astride in an authoritatively designed composition reminiscent of Holbein''s celebrated image of Henry VIII. As an official royal likeness portraits of this type were in circulation from circa 1550 and were particularly favoured by noble families who wished to demonstrate their allegiance to the monarchy. Our portrait was almost certainly one of a group of corridor portraits designed to hang beside fellow monarchs and men and women of rank and historical note in an Elizabethan Long Gallery. Although the portrait is not in Scrots''s hand, the painterly clarity and technique would indicate that unlike the works of similar corridor artists of the age, this picture was specifically undertaken by a portraitist familiar with the nuances of ad -vivum portrayal.
As art historical records from the Tudor age are sparse and limited, information which may have otherwise cast light on the identities of the painters of these often elaborate portraits is almost non-existent. Indeed only little is known about William Scrots and his involvement with Edward VI. The son of Jane Seymour and Henry VIII, Edward inherited his father's title of King in 1547 as well as the services of Scrots, his father''s painter. The artist's career it seems lingered only as long as his consumption- riddled patron's days on the throne. By Jane Grey's succession in 1553, Scrots's name had altogether disappeared from the royal accounts.