View allAll Photos Tagged polaroidlandcamera
not to worry.
it's a non-functioning 225. all parts usable were saved and ready for donation to future polaroids.
Polaroid 103
Fuji FP100-C
Bleach washed negative here www.flickr.com/photos/frontdrive34/4594985719/
I went to my Citroën mechanic for a visit today. There is always some truly lovely cars out there waiting for work to be done. Cars sit out on the street and await their turn!
Everything you need to make Beerenol film developer.
Check out my Flickr group for recipes and photos developed in beer. www.flickr.com/groups/3705975@N20/
Photographed with a Polaroid The 800 Land Camera using Kodak Super-XX 4X5 film that expired September 1980. The film was developed with Beerenol of course (Rainier Beer).
The pottery factory (or potbank as it is called locally) which once covered this whole site was built in 1860 by Henry Wileman and originally named the Foley China works. It later became Shelley China Ltd., the origins of which can be traced back to 1824. John King Knight and his brothers-in-law Thomas and George Elkin established a pottery manufacturing business in a district called 'the Foley' which lies between Fenton and Longton, nowadays part of the City of Stoke-on-Trent. In 1827 the business moved into the Foley Pottery works, newly built by John Smith, Squire of Fenton Hall. In 1847 the Elkins brothers retired leaving John King Knight as the sole proprietor. In 1852 he invited Henry Wileman, London based wholesale china dealer to join the business. In 1856 J.K.Knight retired and Wileman became the owner. As the company expanded in 1860 a new factory, Foley China was built adjacent to the original Foley Pottery works. Henry Wileman died in 1864 and his two sons James & Charles assumed control. In 1868 Charles retired and James Wileman became sole proprietor of both the Foley China and Foley Pottery works. In 1872 Wileman took Joseph Shelley into partnership in the Foley China Works but in 1884 Henry Wileman retired from Foley China which from then on remained under the ownership of the Shelley family until 1966 when it was purchased by Allied English Potteries. The adjacent Foley Pottery works continued to produce earthenware until 1892 when the business was sold to Goodwin, Stoddart & Co. Foley China works continued to trade as Wileman & Co. until 1910 when the registered name was changed from Foley China to Shelley China. Between the wars this small family-owned pottery company was at the cutting edge of style and manufacturing methods, especially when in 1919 a young designer Eric Slater joined the company. Over the next decade he introduced new tableware ranges in the Art Deco style which were influential across the pottery industry; even the famous Clarice Cliff's Newport Pottery studio copied these new designs, which lead to legal action in 1935 for infringement of Shelley's patents. Eric Slater's Mode (1929-1934) Vogue (1929-1933), and Eve (1932-1940) designs together with Regent (1932-1940) were at the forefront of the Modern movement and these tableware and tea-set ranges are particularly prized by collectors today. To ensure the very highest quality of 'eggshell' fine bone china, Managing Director Percy Shelley set up his own calcining mill in Hanley and oversaw the importation of ox bone from South Africa. Percy died in 1937 and his son Norman took over the helm. After the war, a period of prosperity followed austerity and Shelley experienced increasing demand for its earthenware dinner services in addition to the fine bone china ranges. What goes round round, comes round as the saying goes and in 1953 Shelley bought back the neighbouring potbank Foley Pottery works which had been sold off sixty years before. The company also continued their reputation for the introduction of new technology; Technical Director Donald Shelley designed the 'Top Hat' electric kiln to replace the coal-fired bottle-ovens which were outlawed by the Clean Air Act of 1956. A subsidiary company, Shelley Electric Furnaces Ltd. was formed to manufacture the electric kilns for sale to other companies. To cope with this work, new premises were built on the site in 1960 and an extension was added in 1964 but in May 1966 Norman, the last of the Shelley family died and the company was put up for sale. The shares were acquired in August of that year by Allied English Potteries (the ceramics arm of Lord Cowdray's Pearson Group) the factory was renamed Montrose Works and used for the production of 'Royal Albert' china. For a short time a few Shelley shapes and patterns continued in production as the 'Richmond' range. In 1971 the Pearson Group acquired Royal Doulton, closed Shelley's and bulldozed the factory apart from the original iron railings and the office block which now stands roofless and forlorn in the middle of a waste-ground used as an unofficial carpark. Taken with a 1976 Polaroid SX-70 Land Camera Alpha 1 on Polaroid (TIP) film
Polaroid SX-70 Alpha1 SE, Impossible Color SX-70 Black Frame film.
Polaroid Week | Autumn 2018 | Day 2 | 1/2
Polaroid SX-70 Alpha1 SE, Polaroid Originals Blue 600 Reclaimed Edition film.
Polaroid Week | Spring 2024
ROID WEEK DAY 2 - 2/2
August 14, 2012
Polaroid SX-70 Sears Special
Impossible Project PX70 COOL
A collection of fishing poles were rested against the cabin from the last use.
Polaroid SX-70 Alpha1 SE, Impossible Color SX70 Black Frame film.
Polaroid Week | Autumn 2016 | Day 2 | 2/2
Polaroid SX-70 Alpha1 SE, Polaroid Originals Blue 600 Reclaimed Edition film.
Polaroid Week | Spring 2024
Polaroid SX-70 Alpha1 SE, Impossible Color SX-70 Black Frame film.
Polaroid Week | Autumn 2018 | Day 6 | 1/2
A terrace of three Grade II listed mid C19th cottages, associated with the calcining kiln shown here www.flickr.com/photos/nigelphoto2011/52664588509/ The first record of their existence is from the 1856 OS map; in the early C19th Longton was the centre of the rapidly expanding bone-china industry. By 1851 there were 42 pottery works in an area of less than a square mile, a larger number than in any of the other pottery towns. The town expanded rapidly eastwards along the Uttoxeter Road (previously named the High Street) and the Normacot Road over the following 100 years but with little land available and a total absence of planning laws, the result was gross overcrowding along narrow streets and pokey little alleyways with choking pollution from the hundreds of coal-fired bottle ovens. Street after street of these terraced cottages were built for the workers and their families who immigrated from the rural hinterland to better paid jobs in the pottery industry. The houses were poorly constructed, tightly packed together and with little or no sanitation. A report published by the City Council just before the slum clearance program of 1951 commenced, recorded that a square of thirteen terraced houses like those in the photo, at the junction of Normacot Road and Chelson Street was served by only one tap and one water-closet. This was certainly not uncommon in Longton at the time. Taken with a 1976 Polaroid SX-70 Land Camera Alpha 1 on Polaroid (TIP) film
Polaroid SX-70
Impossible Project PX70 Color Protection
Throughout most countries anyone has a good chance of finding an old car or truck that is no longer working. However, the American countryside proves to have a high, if not the highest, concentration of broken down, forgotten vehicles. These automobiles were once kings of the road and had their own special stomping ground, but are now confined to a grassy limbo that will sooner than later consume their very memory.
Strange machine spotted near the Copper Art Museum during my Sunday run. I went back with my camera to snap a shot of it.
Polaroid SX-70 Land Camera Model 1 + 600 Film + ND Filter.
There's various examples of this phonebox in my Western Isles set, it's possible that I 'shot it' with every camera I had with me. Sometimes, I just can't leave it alone!
If I’d only known which [photographs] would be very good and liked, I wouldn’t have had to do all the thousands of others. Saul Leiter
T-max 400 Sheet Film
5 mins Pre Wash
15 mins Bergger PMK - 1+2+100. Agitate 2 times every 15 secs
1 min wash
6 mins First Call Neutral Fixer
22 mins wash
wash aid
Polaroid Super Colour Swinger III, Polaroid 100 Sepia, exp. 10/2009.
Polaroid Week | Autumn 2016 | Day 5 | 1/2
Polaroid SX-70 Land Camera Model 1 + 600 Film + ND Filter.
Pola No 154..
Ermmmmmmmm. We found another poppy field.... :)
(Sunday, 23 May 2010) My dad likes to tinker with Volkswagen Beetles and keeps a few hoods on hand. I think I come by my inability to get rid of stuff genetically.
Polaroid SX-70 Sonar OneStep, Impossible Project x Ace Hotel PX600 UV+ Silver Shade film.
Las Vegas, NV
My first time attempting night photography with a Polaroid camera, tripod, Polaroid tripod mount #111, and the red button (long exposure cord); I'm pretty happy with the results!