View allAll Photos Tagged polarized
One of man fans of seaweed, each laid out neatly above their own little anchor stone. On the beach at World's End.
Going about a Cokin Blue Yellow and a standart polarization filter in a mixed ballet. Incredible color variations.
We have a new electricity meter, all digital and fancy. I didn't realize *how* fancy until I was taking a photo with my circular polarizer on to minimize reflections and found that it also introduced some pretty rainbows to the display.
I thought the Revolver looked especially graphic one morning grabbed my camera and a polarizing filter, focused, and at that moment the UPS truck drove up and parked in front of the building. HA that's the way it goes some days, just wait them out.
Film: Fujicolor 200
Camera: Olympus Pen F half frame
Image by: Leslie Lazenby 2012
Plastic forks stacked in front of an LCD computer screen. Image taken with circular polarizer on lens, rotated to supress light from the LCD screen.
Screen saver running on computer to give blue effect to forks.
Marsh Creatures are the Best Creatures - 4 images - Canon EOS 5D Mark II with Canon EF STM 1:1.8 85mm Prime (EOS mount) & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
I picked up a HOYA PL-CIR filter for my new 35mm lense and played around while taking some picture of these beautiful cloud formations.
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
Montée de la Boucle, June 8, 2023
Résidence Beau site
69004 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.
This is a comparison of an "everyday" shot taken with and without the polarizing filter. Notice how the colors are washed out somewhat in the shot taken without the polarizing filter. The polarizing filter cuts the glare of the reflected sunlight and lets deeper colors and more detail come through.
For this demo, these shots are full frame, straight off of the card. No Photoshop.
Stan Getz on tenor sax in my IEMs. Ohhh yeah with Kenny Barron piano, Rufus Reid standup, Victor Lewis drums.
Standard Hotel . New York
the weird color is because of the use of a polarizer filter...but somehow I like it
Orthodox Easter - 12 (of 24) - Canon EOS 1D Mark II with Canon EF 28-135mm 1:3.5-5.6 IS USM (EOS mount) & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
More work in the studio with cross-polarization of light and the stress refraction of the light in these plastic forks.
Lovely colors and patterns ensue.
A shot from a couple years ago that i used when trying to learn photoshop. Not much done to it aside from some polarization...my face was a litte rounder then.
My photo walk of June 8, 2023 in Lyon, France by a stunning summer day with my Nikon F SLR camera (circa 1964-1965). The guiding idea was to use a circular polarizing filter with a color negative film for all outdoor pictures. I did my photo session between about 2pm to 5pm. The temperature reached 33°C in the afternoon and the atmosphere was very clear and dry.
My 60's Nikon F was equipped with its normal lens Nippon Kogaku Nikkor-S 1:2 f=5cm with is lighter than my later period Nikkor-S version 1:1.4 f=50mm from the early 70's. The lens was equipped with the original Nikkor F metal shade hood specific of the 1:2 f=5cm. For all outdoor views the lens was also equipped with a Hakura 52mm polarizing filter oriented for the best color saturation.
I used a Fujifilm 200 36-exposure negative color film (this film is made in the USA and given with the same technical characteristics of Kodak Gold 200). It was exposed for 50 ISO to compensate the polarizing filter absorption, using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
Montée de la Butte, June 8, 2023
69001 Lyon
France
After exposure, the film was developped by a local lab service using the C-41 protocol. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
This exemplary of Nikon F (engraved "Nippon Kogaku Tokyo") has a serial number beginning by 658xxxx and was consequently manufactured in the mother Oi Nikon factory in Tokyo, Japan, between Dec. 1964 and April 1965. I bought the camera in Feb. 2022 from Japan. The Nikon F body came with the normal lens Nikkor-S 1:2 f=5 cm, branded "Nippon Kogagu". For the photo session the body was equipped with the body shell of a late Nikon F CTT ever ready bag. This body shell holds the original leather neck strap and is made of a metallic shell covered outside by a black leather and a dark-red velvet inside.