View allAll Photos Tagged plots
This is a photograph of the Plot of land reserved for Nissan in Washington, UK. It was taken at some point in the 1970's or early 1980's.
Reference: 5417/79/2
This collection of images has been assembled in support of the Washington Heritage Festival 2013.
The celebration of Washington brings together a variety of different themes. Washington is a Town in the City of Sunderland, Tyne & Wear. It is traditionally associated with Coal Industry, and notably known as the home of the Washington Family, ancestors of the First President of the United States George Washington.
However, in 1964 Washington was designated a New Town and drastically changed. With the introduction of new industry such as the Nissan Car Factory Washington experienced a huge redevelopment in both its economy and community.
These Photographs are taken from the Records of the Washington Development Corporation; held at Tyne & Wear Archives. The records document this change in industry, landscape and community in Washington between 1964 & 1988, and consist of many photographs.
For more information on the Washington Heritage Festival, 21st September 2013 please click here.
(Copyright) These images are Crown Copyright. We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk
Day 231 [8-18-2016]
Full day of Land family. I woke up late today as I do on a day without work. My family and I got together with the extended family for a visit to the beach. In my opinion , the weather was way too hot to be outside but I am a person of the cold so that is to be expected. After our short time at the beach we headed back to my aunt Cindy's house to chill at the pool for a little bit before joining the rest of the family for dinner. It was quite a crazy dinner. There was karaoke. Of course I sang. It was a blast of a time for sure.
I can't wait to see what the next day brings!
Plotters operated an early form of air traffic control that played a vital role in World War II, particularly during the Battle of Britain, The Blitz and the bombing of British cities that followed. They worked at large table top sized maps of Southern England, plotting course and position of enemy aircraft as reports were received by telephone. The majority of plotters were female, members of the Women's Auxiliary Air Force
( thanks to Adrian J Walker for plot room photo and Jeff Wharton for re enactor photos )
11:00:01 up 12 days, 16:19, 0 users, load average: 0.99, 0.97, 0.87 | temp=41.2'C | Start
11:00:10 up 12 days, 16:19, 0 users, load average: 1.22, 1.02, 0.89 | temp=41.2'C | SID plot Finished
05:00:01 up 1 day, 10:19, 0 users, load average: 1.08, 0.85, 0.79 | temp=41.2'C | Start
05:00:08 up 1 day, 10:19, 0 users, load average: 1.24, 0.89, 0.80 | temp=41.7'C | SID plot Finished
About the photo :
This is the vege plot I passed by in upper part of Valencia .
Here's a little description of Valencia :
"Valencia is a ... municipality in the province of Negros Oriental, Philippines. It is located 9.4 kilometre west of Dumaguete...."
"Valencia was originally named Ermita, which means "a secluded place", due to its being a refuge from marauding Muslim pirates. In 1856 it was renamed to Nueva Valencia by Spanish colonizers, in honor of its parish priest Fr. Matias Villamayor from Valencia, Spain.
In 1920 it was renamed Luzuriaga in behalf of Don Carlos Luzuriaga, a delegate from Negros island to the Philippine Legislature who promised town officials he would work hard to help improve the town. The town was renamed Valencia in 1948, by virtue of Republic Act No. 252. "
Source : en.wikipedia.org/wiki/Valencia,_Negros_Oriental
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I love gardening ,and find Valencia area good for this sort of interests . It's easy to grow patchoi or Petchay, brocolli ,cabbages , brussel sprouts, cauliflower ,carrots and many types of veges and flowers here . The temp is a little cooler from lowland .
If only peace would stretch another hundred years ,yet with the current crisis looming :population explosion the inevitable food shortage ,animals dying for some unknown reasons ,Our population has gone past the 7 billion mark ,you see the middleast conflict escalating /world terrorism , upheaval ,social moral decay ,spritual confusion and deception , the rise of occult teachings and growing tolerance towards darkness ; evil perceive as good ,abortions in millions -- can you ever think of a bright safe future ahead. Perhaps I'm only pessimistic ,but I like to look at real trends / knock on effects and what we see everywhere are tell tale signs of what's in store for the future ... the future doesn't look bright .
Thinking of retirement - I have to be honest , right now my gut feelings seem strongly on a negative line .
Before I'll reach The point of retirement big global changes could happen and this isn't for the better , 20 yrs seem too long .Big changes could happen anytime soon ,the markers are right at the door ,you can see them in God's manual ,the Bible. .I strongly feel there's no retirement for me here . I wish not to say this in the open ,because I knew many of you are kind and polite and not to say the word "crazy" to me projecting doom and gloom - if you know that feeling. I'm in a battle of denial sometimes .But I find ihard to deny it and shut myself to silence .If you hate doomsday topics ,please avoid reading my posts . You can look at the photo but don't read it :) It does't contribute any good if you feel depressed .I will understand ,no offense . But I do encourage you to be aware of the possibilities .Update yourself ,not just the mainstream news but from the alternative sources ,as many events happening that were not reported or has only very little coverage. Regardless of these doon and gloom events,I am not depressed .I am not sad , I am not scared ,because the true peace of God is keeping me assured. It's so hard to explain it. The truth is I'm awestruck ! I'm part of the generation to see these things and the wonders of God to be seen in these last days as we know it .
As a christian , there's no place of depression in ones life ,that's true for me . If you you are away from faith ,then then can be so scary ! I always trust God for everything . My husband is hopeful thinking to retire someday- living in the Philippines .Most of us have dreams ,it nice to dream on . I don't want to spoil his hopes this time and the future .But I always try my best to make him aware of what is to come . However big the scale is , even when I am gone ( in case I might go ahead of him )he should be prepared and never loose hope ,to trust in Jesus in everything ,even to the last breathe .We bought adjacent plots here in 2004 and 2005, so we could be closely living near the city of Dumaguete, thinking of a future someday after retirement .However ,this seem blurry to me . I always hope I'm wrong with my projections . But I also think we should be prepared mentally and also our emotions as we are seeing the future unfold . It's likely a different kind of scary movie .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<<~~~~@
Just for correction , am not ill , but you never know of life . I always think what the next day is ,will I still be here nxt day ,nxt week ,nxt month ?
I have seen people go - which gave me some perspective how precious life is , as life is like a bubble . I'm trying my best to have my day less complicated and relaxed as I can make it ,just in case it's my last day.
I have an accident in the past that could have cost my life and don't have any idea it could happen to me .I could have died on the spot . It changed my attitude and perspectives since that . I count everyday as blessing , another day might be different . Not the least to say ,I like to leave the day with a clean heart and conscience with God . I'm not perfect .I do make mistakes though how much I tried not to .But one thing, I don't stay / waddle with the same mistakes over and over again. I always pursue spiritual cleanliness through Christ ,and there is no room of guilt and self condemnation ,a room for secret sin to dwell in me . The love and salvation through Christs is a redeeming grace takes it all , we have to give our burdens to Jesus by simply repenting ,letting it all go and let Jesus' love and peace change our hearts to purity .Without the saving grace of Jesus ,we can't do nothing ,we are still same ol' filthy rags even though how good we think we are .
11:00:01 up 17:47, 0 users, load average: 0.35, 0.75, 0.78 | temp=48.2'C | Start
11:00:09 up 17:48, 0 users, load average: 0.48, 0.77, 0.79 | temp=48.7'C | SID plot Finished
This is part of my project on the culture of Prestbury a village on the outskirts of Cheltenham, UK.
Shot on Kodak Portra 400 120
Mamiya M645 1000S 80mm Sekkor
Part of www.flickr.com/photos/danwye_photography/sets/72157630731...
This is actually my final CEGEP project in Java. Built with Lego Mindstorms, hacked firmware with Java VM. The plotter was actually controlled using a Windows-based program with the mouse ! Very cool project. Took about 2 days to build and program.
01:00:01 up 7:47, 0 users, load average: 0.42, 0.59, 0.70 | temp=47.6'C | Start
01:00:08 up 7:48, 0 users, load average: 0.63, 0.63, 0.71 | temp=47.6'C | SID plot Finished
Nelder plot experiment.
Photo by Fiston Wasanga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
07:00:02 up 2 days, 13:47, 0 users, load average: 0.82, 0.66, 0.68 | temp=47.6'C | Start
07:00:09 up 2 days, 13:48, 0 users, load average: 1.01, 0.70, 0.69 | temp=48.2'C | SID plot Finished
Charlotte, staring at freedom...
Looks good against a black background... 'Plotting her escape...' On Black
13:00:02 up 19:47, 0 users, load average: 1.05, 0.77, 0.73 | temp=48.2'C | Start
13:00:10 up 19:48, 0 users, load average: 1.20, 0.81, 0.75 | temp=48.2'C | SID plot Finished
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Empty plots like the one in this shot are somewhat abundant in the 'old town', right at the centre of Valencia. This is the other face of the city, hidden in the official propaganda brochures, a face, however, the startled tourist takes no time at all to discover.
(Incidentally, the graffiti artwork is splendid; best seen large)
It once dawned on me (a few years back) that the only way to keep the mind going more or less fine in this particular place I happen to live is not to take the place seriously. The only way to get along and not to lose one's marbles is to realize and to firmly believe that nothing ever happening here matters. How could one otherwise avoid going mental in a place where people drive as if playing a video game, cars are raucous, four-wheeled loudspeakers (and a few are periodically burned every weekend just for the fun of it), traffic-lights are useless, colourful street ornaments (some people flippantly claim there's a hidden code associated with the colours though its meaning remains utterly unknown), zebra-crossings are parking places (a property also shared by bike trails and wheelchair ramps formerly designed to ease the handicapped daily struggle around the city), lifts are smoking rooms, litter bins are largely neglected (and the few days they receive attention, which accurately match traditional festivities, it is to be either detached from the locations they hang on - traffic-lights, walls or lamp-posts; as part of their ornamental accessories, so to speak - burned, or both), youngsters are more and more aggressive each day - and at increasingly earlier ages - smoking pot is the number one activity among teenagers to the point that its massive use seems to them absolutely essential to make the world go round, football matches (everything football in fact) are TV screen savers, good manners and education are utopias, noise is our everyday's companion (and taken for granted), rubbish carpets the pavement, local television is disgusting - to say the least (reality shows and sensationalist journalism devoted to air all sort of pathetic gossip columns play the role of educational programs whose aim is to enhance dormant feelings such as self-confidence, solidarity or freedom while achieving in the process a non-negligible standardization of the language skills and cultural level), politicians don't often measure up, and the identity of the native language seems condemned to be a recurrent issue forever and ever, to give but a few examples?
A candidate plots points on a map he must find at a night land navigation course during the Expert Field Medical Badge competition in Grafenwoehr, Germany, Sept. 8. Before the EFMB candidates take the actual testing they all must go through the standardization phase. During this portion the service members are taught what they must do at each of the different lanes so they understand what to expect before the actual testing phase. Passing rates for the badge range from 5-25 percent of candidates, making the EFMB a distinctive mark in a Soldier's records. About us: U.S. Army Europe is uniquely positioned to advance American strategic interests across Eurasia and has unparalleled capability to prevent conflict, shape the environment and, if necessary, win decisively. The relationships we build during 1000 theater security cooperation events in more than 40 countries each year lead directly to support for multinational contingency operations around the world, strengthen regional partnerships, and enhance global security. (photo by Sgt. Michael Reinsch, U.S. Army Europe Public Affairs)
(for further information please click on the link at the end of page!)
Palais Daun-Kinsky
If the Freyung once has been one of the most prestigious residential addresses in town, so for it was next to the Palais Harrach especially the Grand Palais Kinsky responsible. In its place in the middle ages were two parcels, each with a small building. The front part of the Freyung was since the 16th Century always in aristocratic in hands (Bernhard Menesis Freiherr von Schwarzeneck, Countess Furstenberg, Counts Lamberg). 1686 acquired Karl Ferdinand Count Waldstein the house of Count Lamberg. His son bought also the adjacent house in Rose Street (Rosengasse) and united both plots to one parcel. He had three granddaughters, who sold the site in 1709 to Wirich Philipp Laurenz Graf Daun. This came from an old Rhenish nobility. His ancestors were mostly working for the Elector of Trier as officers. In the battle of the Habsburgs against the Turks, Spanish and Frenchmen, he acquired great military merit. He brought it to the General Feldzeugmeister (quartermaster) and Viceroy of Naples. In 1713 he had the house at the Freyung demolished and by Johann Lukas von Hildebrandt built in its place until 1716 a palace, him serving as Vienna's city residence. Down may have been Antonio Beduzzi requested the creation of reconstruction plans, but was eventually Hildebrandt entrusted with the work. In 1719, the palace was largely completed. Daun lived there but rarely because he stayed a lot in Italy and in Austria preferred his country castles Ladendorf, Kirchstetten and Pellendorf. In 1746 acquired Johann Joseph Count von Khevenhüller the Palais from Leopold Joseph von Daun, the son of the owner, who happened to be in financial difficulty. The Reichsgraf (count of empire) was appointed in 1763 by the Empress Maria Theresa for his services to the Lord Steward and Lord Chamberlain, and raised to the hereditary imperial princes (princes of the Holy Roman Empire).
Door knocker
He sold the palace in 1764 to the Imperial Councilor President Ferdinand Bonaventura Harrach Count II. This worked as a diplomat, especially in Holland and Italy. At times of Maria Theresa, the building was inhabited by her Swiss Guards until they 1784 moved to their new quarters in Hofstallgebäude (court stable building). Ferdinand Bonaventura's daughter Rosa brought the palace in 1790 into her marriage to Josef Graf Kinsky. Whose family belonged to the Bohemian nobility. Its members appear at the beginning of the 13th Century documented. Wilhelm Freiherr von Kinsky was a colonel and friend of Wallenstein. He was murdered with this 1634 in Eger. His confiscated estates were divided among the assassins. Only two masteries (Chlumez and Bohemian Kamnitz ) remained through the timely change of front of his nephew, Johann Octavian with the family. The Kinsky but succeeded soon to rise again. They occupied again high positions in the administration and the military. 1798 the had modernized their Viennese palace by the architect Ernst Koch inside. Thus, the original Baroque interior was lost. As in 1809 the Frenchmen had occupied Vienna, a french Marshal and General were billeted in the palace. Prince Ferdinand Kinsky was a great patron of Beethoven, which he paid an annual salary of 4,000 florins for life along with two other nobles. In 1856, the Palace was refurbished in the interior by the architect Friedrich Stache. In the 19th Century lived the Princes Kinsky mostly on their Bohemian goods or in Prague. The building was therefore temporarily rented to some posh tenants. So lived here temporarily Field Marshal Radetzky and Archduke Albrecht. 1904 redecorated the French interior designer Armand Decour the piano nobile.
Staircase - second floor
With the end of World War II began a tough time for the Kinsky family. Almost all goods and industrial holdings, with the exception of the hunting lodge Rosenhof at Freistadt lay in Bohemia. By 1929, 50 % of the extensive Bohemian possessions were expropriated. There were still about 12,000 acres, a sugar factory and breweries. 1919 had to be a part of Vienna's Palais force-let. During World War II it was requisitioned by the German army. For fear of air raids the in the palace remaining objects of art were transferred to some Bohemian castles. The Palais Kinsky was not destroyed, its art treasures but remained in Bohemia. After the Second World War, the remaining Czech possessions were lost by nationalization for the family. In the Viennese palace were temporarily housed the embassies of China and Argentina. In 1986 it was sold by Franz Ulrich Prince Kinsky. After several short-term owners, the palace was acquired by the Karl Wlaschek private foundation in 1997. It was generously restored from 1998 to 2000 and adapted for offices and shops. The Grand Ballroom is often used because of its excellent acoustics as a concert hall. Since 1992, acclaimed art auctions are held at the Palais.
The Palais Kinsky is probably next to the Belvedere the most prominent secular work of the great Baroque architect and one of the best preserved baroque palaces in Vienna. Despite multiple changes of ownership and of numerous rearrangements inside the main components such as Baroque facade, vestibule, staircase, hall and gallery remained largely unchanged. The building extends between Freyung and Rosengasse. The property is only 30 meters wide, but three times longer. It was therefore not an easy task to build on it a representative palace with a grand staircase. Hildebrandt but has brilliantly overcome by putting up four floors at 24 m height, and yet preserving the proportions. He grouped the construction with two long side wings and a cross section around two consecutive large courtyards. The pomp and living rooms of the palace are mounted around the first courtyard, while the second contained carriage houses and stables. Here have yet been preserved the marble wall panels with the animal waterings made of cast iron and enamel from the late 19th century. Hildebrandt integrated various parts of the previous building into the new building. The seven-axle face side at the Freyung is divided several times. Stability is procured by the rusticated ground floor with its inserted diamond blocks. On it sit the two residential floors. They are embraced by Corinthian Riesenpilaster (giant pilasters). The mezzanine floor above it features in comparison with the underlying main floor tiny windows.
Hercules
The large windows on the main floor are particularly detailed designed. While the outer pairs of windows possess pagoda-like over roofings, those of the three windows of the central projection are round-arched. The trophies and weapons depicted in the lintel fields refer to the military profession of the owner. Vertically is the extensive looking facade accented by the slightly protruding, tri-part central risalite, the pilasters are decorated much richer than that of the side projections. In the Fantasiekapitelle (fantasy capital) of the pilasters are diamond lattices incorporated, an important component of the coat of arms of the Counts Down. The with figures and trophies decorated attica is over the central part formed as balustrade. The sculptures are believed to originate from Joseph Kracker, representing the gods Minerva, Juno, Hercules, Neptune, Diana and Constantia. Very elegant looks the plastically protruding portal. Its composition goes back to Johann Lukas von Hildebrandt. It is considered one of the most beautiful Baroque portals of Vienna. The draft was submitted in 1713 and carried out until 1715. The richly decorated wooden gate dates from the period around 1856, when it was renewed. It is outside flanked by two, obliquely placed Doric columns that match the rusticated ground floor. Sloped to the inside carry two, on pillar stumps standing atlases (also from Kracker) the entablature with the overlying structured segment gable. On it sit the stone figures of Prudence and Justice. The middle window in between is much richer decorated than the rest of the window openings on the first floor. Instead of the usual trapezoidal over roofings here it is crowned by a cartouche held by two putti. The originally thereon located coat of arms of the owner was replaced after the change of ownership by that of the Kinsky family with three boar's teeth. Above the shield hangs an chain with the Order of the Golden Fleece. Both the gusset of the archway as well as the overlying triglyph frieze are decorated with trophies.
Banquet Hall
If someone passes the portal, so one gets into one, by strong pillars divided three-aisled gatehouse. The massive spatial impression is something mitigated by the large sculptures in the niches. They were created by Joseph Kracker. Among the somewhat restrained stucco decorations you can see the coat of arms of the owner, with its characteristic diamond motif. At this gate hall adjoins the widely embedded and more than twice as high vestibule with its domed ceiling. This transverse oval space is divided by pilasters and Doric columns. The rich stucco decoration of the ceiling provided with lunettes could come from Alberto Camesina or from his workshop. The here used motifs are again relating to the career of the client as a commander. For instance, in the lunette caps are reliefs of Roman soldiers. On the left side of the vestibule leads an anteroom to the grand staircase. It is dominated by a vault carrying Hercules, a work by Lorenzo Mattielli. As the monogram of Charles VI proves, with it the Emperor was meant to be worshiped. In two oval niches stand above the two double doors of the Treppenvorhauses (stairway hall way) busts of Caesar and Emperor Titus Flavius Vespasian. The elongated stairway occupies almost the entire length of the left wing of the first courtyard. In the stairwell are eleven statues of Roman deities in stucco niches. The relatively narrow, crossed grand stairway is considered one of the most beautiful of Vienna. It overall design might go back to Antonio Beduzzi. On the second floor stand on the from winded perforated volute forms constructed stone balustrade four groups of playing or scrapping putti. They serve in part as a lantern holders, partly just as a decoration. The statue cycle in the staircase is a work of Lorenzo Mattielli, but the cherubs are believed to stem from Joseph Kracker. This type of decoration already points to the coming Rococo. A fresco by Carlo Innocenzo Carlone adorns the ceiling. The simulated architecture painted Antonio Beduzzi. The large wall mirror of the staircase were added after 1907 .
Staircase/ceiling fresco
The somewhat playful balustrade leads to the reception rooms on the second floor. The large oval ballroom above the entrance hall is oriented towards the courtyard. Its allegorical ceiling painting stems from Carlo Innocenzo Carlone. The other frescoes are of him and Marcantonio Chiarini. The walls are covered with marble. The room was several times, most recently in 1904 changed structurally. In front of the banquet hall is the former dining room. It is now called Yellow Salon. In 1879/80 was installed in it a choir stalls from the Pressburg Cathedral by Georg Raphael Donner ( 1736) and partly completed. The also acquired confessionals were converted into boxes that are in the antechamber of the second floor today. In the chapel, designed by Hildebrandt, was until 1741 as altarpiece Francesco Solimena's "Holy Family with the Infant John the Baptist". 1778 the sacred space, however, was already desecrated. The altarpiece is already since the 18th Century in Wiener Neustadt Neuklosterkirche (church in Lower Austria). In the cross-section between the first and the second courtyard lay the paneled gallery whose spatial effect in 1856 by an attached conservatory was changed something. Its vaulted ceiling is decorated with frescoes by Carlo Innocenzo Carlone. Marcantonio Chiarini created 1716/18 the quadrature paintings. At it followed a larger hall in which Francesco Solimena's oil painting "Phaeton and Apollo" was located. It can be admired today in the National Gallery in Prague. The hall was later used as a library. Part of the state rooms 1714 was equipped with ceiling paintings by Peter Strudel. In the course of a radical redesign of the building's interior Ernest Koch has cut off all stucco ceilings of the staterooms 1798-1800 and also redesigned the walls. Since 1879 Carl Gangolf Kayser tried to restore the original spatial impression by the of Rudolf von Weyr created new Neo-Baroque stucco ceilings. Only in a few areas (vestibule, staircase, ballroom), the original substance remained. In the palace there are numerous Mamorkamine (marble fireplaces) and stoves from the 18th and 19th Century. The star parquet floors and many original door fittings date from the third quarter of the 19th Century. The facades of the first courtyard are structured by Tuscan pilasters. The arcades on the ground floor have already been closed in 1753. The with a mascaron decorated wall fountain is a work of Rudolf von Weyr. The second courtyard is kept simple. Remarkable at it rear end is the cenotaph for the current owner Karl Wlaschek.
Location/Address: 1010 Vienna, Freyung 4
Activities: The courtyards are freely accessible, the staircase usually also. A look at the state rooms is only possible if these are not just rented.
02:00:01 up 2 days, 8:47, 0 users, load average: 1.10, 0.73, 0.69 | temp=48.7'C | Start
02:00:09 up 2 days, 8:48, 0 users, load average: 1.25, 0.77, 0.70 | temp=48.7'C | SID plot Finished
Plotter sketches for a new series. Studio Mode graciously let me use their CNC cutter to do these.
These particular ones are a revisit of the Ornament pieces I did for Darkness Descends. They're not intended for final production since I already have a good format for that series.
The Roland DXY-990 plotter with an "op-art" plot. The program that generated the plot is in C, and is based on a version in BASIC that was published in Personal Computer World in the early 1980s.
11:00:02 up 4 days, 16:19, 0 users, load average: 0.52, 0.61, 0.66 | temp=41.2'C | Start
11:00:10 up 4 days, 16:19, 0 users, load average: 0.74, 0.66, 0.68 | temp=42.2'C | SID plot Finished
the life of an indoor cat
always wanting to get out
but when she gets out?
many times
she gets scared and runs back in
where she knows it's safe
Made by Katherine Huang, Chisholm Lab, MIT.
The Chisholm Lab gives you permission to use this image. This is the highest resolution image available.
Nelder plot experiment.
Photo by Fiston Wasanga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Sgt. Jeffrey Szelewicki, assigned to 173rd Infantry Brigade Combat Team (Airborne), plots points on a map during the Close Combat Attack lane portion of U.S. Army Europe's Best Warrior Competition in Grafenwoehr, Germany, Aug. 21. The competition is a weeklong event that tests Soldiers’ physical stamina, leadership and technical knowledge and skill. Winners in the Soldier and Noncommissioned Officer categories of the USAREUR competition will go on to compete at the Department of the Army level. (U.S. Army photo by Gertrud Zach)