View allAll Photos Tagged pixelshift
"A clean, crisp, delicately balanced beer, our Kolsch displays subtle aromas of grass and lemon, owing to the use of the Japanese hop variety Sorachi Ace"
"To the memory of the Brave Soldiers and Sailors Who Saved the Union": Soldiers' and Sailors' Monument
The photo was taken with Soviet’s Zorki-4K film camera with Jupiter-8 50mm f/2 lens on Kodak Porta 400 35mm film. Then the negative was photo-scanned with Fuji GFX100S camera / Carl Zeiss Distagon 60 mm f/3.5 CB lens, using “pixelshift” technology, and converted in Negative Lab Pro software.
17280x11520 Pixel (200 MP) image created using Pixel Shift mode (16 images) of Sony A1, JPEG size is 133 MB, original size (16 bit TIFF) was 1.1 GB
See the article at 3d-kraft.com/index.php?option=com_content&view=articl...
Test of PixelShift - 2 pictures with PixelShift MC
pushed from a night photograpy with the Moon as sun placeholder.
Detail of the design on a well-worn soup cup, shot with a 50mm macro lens on the Pentax K-3 II. Pixel Shift Resolution is OFF for this shot. To see the difference, be sure to download the full-size images.
Z8 (FW v3.0 - Beta)
Z 105mm MC (Micro)
Westcott Solix
Westcott Apollo (Octabox)
Focus Shift + Pixel Shift
The poppies were a bit too old for this image. I couldn't get them to stand up fully. To fix this, I simply hung each flower upside down from a background stand. A sheet of pink poster board that was very over-exposed near the flower blossoms finished the lighting.
50 Focus Shift Images each with a 32-image pixel shift were captured in camera. Each of the pixel-shift images were combined and then exported as a 16-bit TIF (1.09GB) each of the 50 TIFs were then brought onto Helicon Soft stacking software. The software automatically stacked the TIFs into a single file that had the desired part of the frame in focus. That stacked image was brought into Photoshop for resizing and final adjustments.
I’m working up changes and additions/grafting-in to our D&D campaign; these are the books I’m using (the physical ones at any rate; there’re other digital/online resources I’m finding good as well).
This is my new Seiko Coutura Radio Sync Solar watch model SSG009, caliber 8B92.
Taken with a Pentax K-3 II and D FA 50mm Macro lens in Pixel Shift Resolution mode. The image took me nearly an hour and more than 20 attempts to get right. I had to put the watch into manual receiving mode to stop the second hand for long enough to complete the four exposures for a Pixel Shift image.
Z8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.