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Another view of Restormel Castle. This one shows the ditch surrounding the motte and shell keep and also the remains of the gatehouse which originally was three stories high.
The two windows in the wall light a small corridor built into the wall. the purpose of this corridor is unknown but may have been to view events such as jousting from the keep.
Similar to before, the only masking however is the water fall and pool, therefore the only masking at the subjects is Steve's right leg/shin.
The overall picture has more noise but has a better balance of sharpness than the earlier stack.
My good friend Al loaned me his 14mm 2.8 Sigma, I thought it would be interesting to see the difference between my Dad's Sigma 10-20mm (on the KP).
Both edited with RNI Velvia 50, interesting to see the different colour casts.
As seen from Fortress Ridge Trail, Blue Mountains.
I did a small bushwalk last week and wanted to compare the F28/2.8 vs the HD DA 20-40 (but in full frame mode on the K-1).
This shot is with the F28, full 36mp not cropped at all.
Anaglyph: Red/Cyan 3D glasses required for viewing.
This image is not only 3D stereo but a 2D-3D conversion using SPM. It also has an OOF (Out Of Frame) or OOB (Out Of Bounds or Out Of Border) effect.
Image taken in Pasadena, Maryland on 03-29-10 with a Pentax K10 DSLR using a Quantary 70-300mm lens.
Corner of Victoria St and Buckley St. Taken with Voigtlander Ultron 40mm SLII lens on the Pentax K-1 using Pixel Shift. No added colour saturation or vibrancy!
Z8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.