View allAll Photos Tagged pixelshift
Linhof Technikardan S45
Nikkor-M 9/300
22mm front rise
12° upward tilt of camera
12° forward tilt of both standards
f32
5 seconds
Fuji Velvia 50
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Just over 1x lifesized. Pentax K-1, DFA 100mm macro on extension, pixel shift resolution.
52 stacked images in a single stack.
MCCP1559-MCCP1607_PDPs_tu3
More evidence that Portra does not age well... this 2008 400NC ended up having the colors of Ultramax on steroids. After a badly needed black and white conversion, it looks a bit like T-MAX P3200. This was a test of a newly acquired monopod for handholding the heavy Sonnar lens. I really was pushing it at 1/30 with the teleconverter, most of the shots had some shake.
download the original huge file to see everything in great clarity. pentax kp, hugin tools, panorama acrotiri chania crete greece sunny day snow on top of the mountain souda port
As seen from the northern shore of lake Buttermere.
Linhof Technikardan S45
Fujinon A 9/240
36mm front rise
f25
1/15th second
Kodak Ektar 100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source.
(best viewed fullscreen in the lightbox)
Swiped from a bouquet - it's starting to wilt a little.
72 focus stacked images in a single stack. Pentax K1, DFA 100 macro lens, pixel shift resolution.
MCCP2637-MCCP2709_DP_tu7
I walked up the slope and round a corner and stopped... This recumbent beech tree, wood bare exposed or covered in moss and lichen, great old boughs contorted and gnarly, was quite the eye-catcher.
Prints, masks and things are available via the website: Monster in the Woods.
Another experiment in DSLR scanning with the Pentax K-1 and Pixel Shift.
This is a half-frame (18x24mm) crop of a 35mm frame. But I see higher quality versus a full frame scanned on an Epson. For this picture, it really needed such a tight crop as most of the image was distracting and unnecessary. It's great that the 4X resolution boost of this digitization method makes that possible, at least when a fine-grained film is used. There was also an increase in both highlight and shadow detail. In testing, the ideal aperture for detail was f/10, but anything from f/8-f/11 gives extremely good resolution. -1/3 exposure compensation was used so as not to clip shadows or highlights on this contrasty film - it filled 95% of the histogram.
The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
LEE ProGlass 0.6 hard GND
10mm front fall
f27
1/8th second
Fuji Velvia 50
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
Best viewed fullscreen in the lightbox (Press L + F11)