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Just trying Pixel Shift mode with my new Sony Alpha7R MkIII

Church of St James. Normanton on Soar, Nottinghamshire.

 

Hasselblad 501CM

Carl Zeiss Distagon 4/50 T* CFi

f11

1/500th second

Hand-held

Kodak T-Max 400 (at EI 800)

N+1 development in DD-X 1:4 at 20 °C for 10 mins.

Digitised using 16-shot pixel-shift capture

Toned

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(best viewed fullscreen in the lightbox)

Pentax 6x7 MLU

SMC Pentax Macro-Takumar 4/135

f16

1.3 seconds

Gitzo GT3532LS

Arca-Swiss Z1

Kodak Ektachrome E100

Lab development

Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.

 

(best viewed fullscreen in the lightbox)

Hasselblad 501CM

Carl Zeiss Sonnar 5.6/250 Superachromat CF

f6.7

1/8th second

Agfa Copex Rapid / SPUR DSX (EI 25)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 20 C for 10.5 mins

Digitised using 16-shot pixel-shift capture

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(Best viewed fullscreen in the lightbox)

Using Pixel Shift feature of the Pentax K-1

Blue Mountains, NSW.

Linhof Technikardan S45

Rodenstock Grandagon-N 4.5/90

5mm front rise

f22

1/4 second

Ilford FP4+ (EI 80)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Pyrocat-HD 1:1:100 at 22 °C for 13 mins (minimal agitation) using a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

5x7 crop

 

(best viewed fullscreen in the lightbox)

Pixelshifting mit Waldmotiven - tolle Details

Linhof Technikardan S45

Rodenstock Grandagon-N 4.5/90

5mm front fall

3° rear backward tilt

f22

2 seconds

Kodak Portra 400

Rodenstock E82/112 center ND filter

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(Best viewed fullscreen in the lightbox)

Detail of some of the ruined castle walls - covered in moss and lichen, but still structure of stones and the occasional drain chute sticking out.

  

Prints and things are available from the website: www.shinyphoto.co.uk/photo/Finlarig--03d63614f980ff735db3...

 

After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.

― Gov. Ann Richards

  

Sorry if I have been a little absent form the posting scene. I have been working on location. This is from my most recent trip to Cub in March for the Jan festival . I love photographing dancers, I learn from there unrelenting focus on practice.

  

I shot the available light, Z8 85mm f1.2 Raw processor was NX Studio, Image editing done in Photoshop CC Beta using the NiK Collection by DxO plug-in suite.

  

#Nikon100 #nikonlove #kelbyone #photography #onOne @NikonUSA

#mirrorless #85mm12 #NikonNoFilter #niksoftware #nikonUSA #Epson #Z8

#wacom #xritephoto #calibrite #onone #sunbounce #fineartphotography #kolarivision

#DxO #iamgenerationimage #iamnikon #B&H #PhotogenicbyBenQ

#nikonLOVE #hoodman #infrared #pixelshift

#nikonnofilter #nikonambassador

This is a hand held bracketed 5 frames (0.3ev shift) shot, then made 'Super Resolution' in Photoshop following loosely on these guidelines;

 

petapixel.com/2015/02/21/a-practical-guide-to-creating-su...

 

The results kinda speak for themselves, it's like a handheld hdr pixelshifted shot with a K-1 (and not a K-1mkii).

 

Note this doesn't always work out this well, sometimes the alignment process is too skewy to make it come out sharp and defined like this, but it's a simple thing to try, and it doesn't involve a lot of setup time on the camera, just point and shoot and move on :)

Church of St James. Normanton on Soar, Nottinghamshire.

 

Hasselblad 501CM

Carl Zeiss Distagon 4/50 T* CFi

f11

1/500th second

Hand-held

Kodak T-Max 400 (at EI 800)

N+1 development in DD-X 1:4 at 20 °C for 10 mins.

Digitised using 16-shot pixel-shift capture

Toned

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(best viewed fullscreen in the lightbox)

Some years ago, this was one of the scenes I shot on my first roll of medium-format film.

Now we emulate the same kind of look in Snapseed...

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