View allAll Photos Tagged pixelshift
Church of St James. Normanton on Soar, Nottinghamshire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f11
1/500th second
Hand-held
Kodak T-Max 400 (at EI 800)
N+1 development in DD-X 1:4 at 20 °C for 10 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Pentax 6x7 MLU
SMC Pentax Macro-Takumar 4/135
f16
1.3 seconds
Gitzo GT3532LS
Arca-Swiss Z1
Kodak Ektachrome E100
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
f6.7
1/8th second
Agfa Copex Rapid / SPUR DSX (EI 25)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 20 C for 10.5 mins
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
5mm front rise
f22
1/4 second
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 13 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
5x7 crop
(best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
5mm front fall
3° rear backward tilt
f22
2 seconds
Kodak Portra 400
Rodenstock E82/112 center ND filter
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Detail of some of the ruined castle walls - covered in moss and lichen, but still structure of stones and the occasional drain chute sticking out.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Finlarig--03d63614f980ff735db3...
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
― Gov. Ann Richards
Sorry if I have been a little absent form the posting scene. I have been working on location. This is from my most recent trip to Cub in March for the Jan festival . I love photographing dancers, I learn from there unrelenting focus on practice.
I shot the available light, Z8 85mm f1.2 Raw processor was NX Studio, Image editing done in Photoshop CC Beta using the NiK Collection by DxO plug-in suite.
#Nikon100 #nikonlove #kelbyone #photography #onOne @NikonUSA
#mirrorless #85mm12 #NikonNoFilter #niksoftware #nikonUSA #Epson #Z8
#wacom #xritephoto #calibrite #onone #sunbounce #fineartphotography #kolarivision
#DxO #iamgenerationimage #iamnikon #B&H #PhotogenicbyBenQ
#nikonLOVE #hoodman #infrared #pixelshift
#nikonnofilter #nikonambassador
This is a hand held bracketed 5 frames (0.3ev shift) shot, then made 'Super Resolution' in Photoshop following loosely on these guidelines;
petapixel.com/2015/02/21/a-practical-guide-to-creating-su...
The results kinda speak for themselves, it's like a handheld hdr pixelshifted shot with a K-1 (and not a K-1mkii).
Note this doesn't always work out this well, sometimes the alignment process is too skewy to make it come out sharp and defined like this, but it's a simple thing to try, and it doesn't involve a lot of setup time on the camera, just point and shoot and move on :)
Church of St James. Normanton on Soar, Nottinghamshire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f11
1/500th second
Hand-held
Kodak T-Max 400 (at EI 800)
N+1 development in DD-X 1:4 at 20 °C for 10 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)