View allAll Photos Tagged pixelmator
Candlelight service on Christmas Eve.
Handheld Sony RX100 Intellegent mode full auto, no flash with Pixelmator touch up.
Capture: iPhone SE 2016 with Vistax camera app.
Post processing: RAW Power and Pixelmator for iOS on iPad Mini 5
This Camera App Icon was a personal challenge to see if I could build a decent camera lens in Pixelmator
The image is an original sketch that I did in pen and ink. I collaged with the origami paper. The digital editing was done in Pixelmator.
strobist: two SB24 qutite close to the left and at the far right as rim light. triggered with skyports.
Somehow my selfbuilt softbox on the left strobe ruined it... i couldn't freeze the rider anymore...
D70 50mm f1.8
I may have over-sharpened this shot slightly. Okay, a lot. :)
I finally learned how to use the Pixelmator program for the Mac to do layer editing on the cheap. It is astonishingly fast, rendering most effects instantly. It has been a bit difficult shifting paradigms between Lightroom and a layer editing program. Searching for tutorials has helped a lot :)
To see my review of pixelmator: www.amazon.com/review/R2FHN3MKA1AXNB/ref=cm_cr_rdp_perm
Please vote if you thought it was helpful or not :)
Eric
Location: Sendai, Miyagi, Japan.
Date: 2011/04/05 22:48
Lens: MIZAR 130SL-RS20, Or 9mm
Camera: EOS kiss X4
Mount: MIZAR AR Equatorial Mount
Software: Registax 5.1, Pixelmator
by 1000 frame
These deer waited in some trees to the right until they apparent found the appropriate moment to dash across the street in front of us.
I’ve been fascinated by infrared photography ever since I bought my first DSLR. The atmosphere of the images, both black and white and fake colour conversions, always had something special. So when I went to Japan earlier this year, I decided after some thorough research to give it a try. Australia, after all, has plenty of bright sunlight to spare!
Technical details:
The Olympus E-5 seems to work rather well for infrared photography, and I also didn’t have any trouble with the Zuiko 12-60mm lens. The Kenko Pro1 Digital R72 filter is an inexpensive way to get into infrared photography and is just as easily removed as any other filter, so it’s much less of a committment than a total camera conversion. On the software side I shot RAW, changed the white balance to 2000K and around -20 tint in Aperture, then exported the photo to Pixelmator. There I used the channel mixer to swap the red channel to less red and more blue, the blue channel to less blue and more red (adjusted to taste, not 100%). Finally, the image was sent back to Aperture to receive some level adjustment and other tweaks including lowering red colour saturation a little. I’m still working on the details, so all the photos in this series will have a slightly different look!
Also have a look at my website at www.focx.de :)
I was Fooling around with some product photography by using a diy macro light studio and one Yongnuo speed light. I used one iPhone and shot both sides, blending the images together in Pixelmator.
I’ve been fascinated by infrared photography ever since I bought my first DSLR. The atmosphere of the images, both black and white and fake colour conversions, always had something special. So when I went to Japan earlier this year, I decided after some thorough research to give it a try. Australia, after all, has plenty of bright sunlight to spare!
Technical details:
The Olympus E-5 seems to work rather well for infrared photography, and I also didn’t have any trouble with the Zuiko 12-60mm lens. The Kenko Pro1 Digital R72 filter is an inexpensive way to get into infrared photography and is just as easily removed as any other filter, so it’s much less of a committment than a total camera conversion. On the software side I shot RAW, changed the white balance to 2000K and around -20 tint in Aperture, then exported the photo to Pixelmator. There I used the channel mixer to swap the red channel to less red and more blue, the blue channel to less blue and more red (adjusted to taste, not 100%). Finally, the image was sent back to Aperture to receive some level adjustment and other tweaks including lowering red colour saturation a little. I’m still working on the details, so all the photos in this series will have a slightly different look!
Also have a look at my website at www.focx.de :)
Caribou Coffee outlets had a sweet design for their holiday season paper cups. And their napkins had folding and cutting instructions for turning them into snowflake-like decorations - hence the expression printed on them "Life is making your own snowflake". Just like the real things, each napkin snowflake would have been unique because no two people would fold them or cut them the same way.
"Caribou Coffee" is the only specialty coffee outlet gate-side in this part of the Denver International Airport complex (Terminal A), and hence they have a captive market. Now ... A note to self: Remember to order something like a triple-shot espresso next time. I have made the mistake twice of ordering a small strong latte and received two of the weakest lattes that I have ever tasted. Surely a triple espresso wouldn't continue this experience?
Denver International Airport (DEN), Denver, Colorado, US.
iPhone 6 - Photographs taken with the back-facing camera on an iPhone 6.
PureShot - A bracketed series of 3 images were acquired with different exposure settings.
MobileHDR - Combined the 3 images into a single HDR image.
Photoshop Touch - Cropped the image to 1:1 square format then resized it to 2448 x 2448 pixels.
Pixelmator - Applied the Retouch tool to the top left corner of the image.
Snapseed - Applied the Structure filter. Overall lighting adjustments carried out. Brightened the corners using the Center Focus option.
Photogene 4 - Sharpening filter applied.
ExifEditor - EXIF data from one of the original photographs transferred to the final image.
(Filed as 201501??_iPadMiniRetina ??? PureShot-MobileHDR-PhotoshopTouch-Pixelmator-Snapseed-Photogene4-ExifEditor.JPG)