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[KINKS] ~ Baby Stamp Tattoos and Pixel'ization ~ Red Desirs @ XXX Original Event, open now : XXX Original Event
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So when you get a smidgen of snow you got to pixelize as much as you can not sure when the next may come.
This is actually one of our favorite parks to visit,Morrison Rockwood State Park in Morrison,IL.This is the centerpiece of the park,man-made Lake Carlton.It is a popular place for hiking,kayaking,and fishing.
This park is also special because it was not only built during my lifetime-in the mid '70s,I believe-but we used to own a farm on the outskirts of the current park.I have some very vague memories of the area before it became this beautiful place.
I apologize for re-working this a bit after my original mono upload-the foggy pixelization in the sky drove me crazy!Hopefully this Polaroid look works a little better!
Have a great sliders sunday all!
... it was my project, to make alive the short boring corridor... i added a small pot of plant at the height... made a lamp cover, with cardboard and aluminum foil, and with a transparency of flower at the front to make the light soft… paste some flower photos on walls as a small exhibition…
… in order to capture the light from the lamp and also details, I used HDR with +/– 3 EV… and applied heavy softening and pixelization to mask the noises due to high ISO …
This montage is a fusion of modern African Dress with the digital display of Indigenous lightscape art and includes traditional weaving.
For Mosaic Montage Monday theme of Digital/Analog.
"Digital/Analog Fusion is all about juxtaposition. It balances cutting-edge digital with the relatability of analog. Some digital elements are pixelization, glitchiness and sharp edges. Blend with analog elements which have a warm, tactile and handmade feel."
The African Dress Exhibition at the National Gallery of Victoria showed some outstanding examples of modern African textiles, (many handmade) and couturiers. Aso-oke and kente fabrics, West Africa. www.ngv.vic.gov.au/exhibition/africa-fashion/
Rue de Poitou | Rue Charlot 25/02/2023 10h16
Space invader PA_378 (original from January 2001 and re-activated in February 2017) together with a pixelizes version of Charlie Chaplin made by piexel artist Mifamosa. Installed here early 2021.
PA_378 [30 points]
Space invader number 800 in the world.
All my photos of PA_378:
PA_378 (Close-up, March 2017)
PA_378 (Wide shot 1, March 2017)
PA_378 (Wide shot 2, February 2023)
Date of invasion: 18/01/2001
DELETED estimated between 2005 and 2006 (last photo of the original PA_378 is made by Tofz4u in December 2005).
RE-ACTIVATED February 2017
Post-processed light painting (toning, saturation, pixelization in bright areas). All rough texture is existing digital noise, revealed by intentionally blowing out various color channels.
I should add that Buddy is 17, blind, and a sneaky little devil
a lot of pixelization in this shot, probably because I zoomed in using my LG G4. A weakness of cellphone cameras
While driving back home on HWY237, I saw this looming low cloud hovering above the South Bay. I immediately got off the freeway and headed over to Don Edwards Wildlife Refuge in Alviso for a quick snap of the phenomenal sky. With my new Lee filter holder and Singh-Ray 3-stop ND grad filter in place, I took a 30 sec exposure of the sky meeting the marshland below. Back home, I discovered there were hot pixels in the image and I had to use a blush in Lightroom to clone them out. I also realized the pixelization and noise in the sky were quite poor from such a long exposure with the 7D sensor. I had to do some touch up in the sky to minimize them.
The Moon a half a day before Full is about to pass in front of Saturn, hiding it, in the occultation of September 17, 2024.
This was from home in southern Alberta, with the Moon only 9° above the southwest horizon setting before dawn. This was at about 5:12 am MDT. Ingress was 1 minute later. But I missed it! (See below.)
I processed the lunar disk for contrast to bring out the differences in the tones and colours of the lunar mare, and the bright rays such as from Tycho at bottom. With Saturn, while the rings are visible, and nearly edge on at this time, there's no detail on the planet. It was too low and my gear and techniques not up to the task of resolving fine detail on a planet. But at least you can tell it's Saturn! And it is distinctly different in colour from the Moon.
Technical:
This is a blend of two sets of exposures to accommodate the range in brightness between the nearly Full Moon and Saturn:
- just a single 1/40-second exposure for the Moon, taken immediately after ...
- a stack of seven 1/8-second exposures for Saturn, average blended to smooth out the rippling effects of seeing conditions.
All with the Canon R5 at ISO 100 on the Askar APO 120 refractor at its f/7 focal ratio, so a focal length of 840mm. It was on the Sky-Watcher EQM-35 mount. The image is cropped in quite a bit from the original and re-sized to reduce pixelization. But the relative size of Saturn and the Moon have been retained and are accurate — I didn't magnify the disk of Saturn.
I shot an 8K movie of the actual ingress/disappearance — or attempted to! — but by the time I got the camera going in movie mode (I thought taking only a few seconds) Saturn had already disappeared. It was closer to the Moon than I thought as there was a dark limb here that hid Saturn and made it hard to tell how far Saturn was from the lunar limb. Lunar occultations of planets are rare enough I don't have much experience shooting them. And I am not a planetary imager!
The jetties at Waikiki offer beautiful sunsets, and an opportune location for sailing and catching a fresh seafood dinner. I apologize for the strange pixelization around the sun, the original does not have it, but it shows every time I upload this photo to flickr. fineartamerica.com/profiles/1-jason-jacobs.html
A request prompted me to share one other pixelization of my brief tie into the Southwestern RR. I wish I ran into him earlier, but it was a somewhat satisfying taste.
My wife took this one. It's a crop of a digitally zoomed photo so there is some pixelization but it was too cute not to include.
From a 1:2 rectangle of paper using a 8:16 grid (except for the feathers where it's 32)
Using the pixelizing technique Andrea Russo / Evan Zodl used for some tessellations, Joel Stern made some amazing faces. Inspired by all of them I made this model.
.......
Diagram: in the 1st Lisbon Origami Congress book (2018).
Stuff that got lost in processing.
Camera Canon EOS Xsi
Canon lens 15-85mm IS
Manual Exposure
Shutter speed 1/350
Aperture 8.0
Focal Length 40.0mm
ND.4.0 filter
ISO ..200
WB Shade
Large and Raw.
Two second release with Live view and grid to frame easily.
Blended In Canon Programme and Pixelized vertically and flipped
with Pentax ACDSee systems.
Landscape mode Sharpness...7
Contrast....3
Saturation..7
Color Tone..7
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Because there are just too many nutmegs (aisle 17) out and about, I have pixelized the Fred Meyer COVID-19 Call Center phone number.
My other spice-related photo: flic.kr/p/2n78Eia
The orca statue at Canada Place is interesting especially in this digital photography age.
Its pixelized look reminds us now that we capture everything in life with the pixels in our digital cameras.
Everything is made up of pixels (and not atoms or molecules) when you have it magnified in huge huge ratio. :o)
Wish all of you a great Friday and happy weekend!
original painting by: Bill Rogers
I woke up at 5:30 am and painted this inspired by a pixelization from Revansj.
Please visit Walpurgisnacht and all my
recent works.
Here's one from a few years ago that I posted but never got around to making public. It's a different kind of shot than I usually take but the very specific way the paint was peeling on this old door made me think of pixels on a screen so up to my eye came the camera and down on the button went my finger...
Jennifer Lashbrook (@jenniferlashbrookart) has brought her pixelized art just about everywhere. Here she is at the 2021 Festival of the Arts
Sorry Eiffel Tower, I had to Giga Pixelize you. A gigapixel is 1 billion pixels! or 1000 Mega pixels. To put it in context, most cameras in the market are around 8 Mega pixels.
Open the image here and zoom in :
How it was made:
The image was constructed with about 230 zoomed-in photographs with overlapping portions . To prevent differences in shade, colour and focusing, the shutter speed, aperture, focus, ISO and White balance were kept fixed in manual mode. After an unsuccessful at stitching in GIMP, the photos were combined using gigapan sticher. Their site shows photos in flash, so easily zoomable.
Although my hotel was 900 meters from the Eiffel tower, I couldn't manage to go up in my 7 day visit. After reaching Paris, I caught a bad flu. The American medicines were no match for the artillery of French bacteria. So in the 7 day period, the only real tourism I did was a 2 hour bus ride. (Resting in bed most of the time). These photos were taken while waiting for the Hop-on-Hop-Off bus.
IMAGE INFO
- View is looking north from the Circular Quay railway station platform, across the harbor towards the iconic Sydney Harbour Bridge.
- Note the First Fleet Class ferry "Alexander" (which commenced service in 1985) approaching the Quay, while one of the Manly ferries departs.
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SOURCE INFO
- Original image captured using a Canon PowerShot A75 3.2MP digital pocket camera.
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PROCESS INFO
- Improved version - post-process enlargement (as large as I could push the original 3.2 MP image before pixelization becomes too extreme) plus partial restoration (sharpness/light balance/contrast levels) using Adobe Photoshop CS Windows.
This is my MILS MultiRoad Bus Stop module. Fully compatible with the MILS modules from Michael Gale. Remark the 'pixelized' B, wich can be improved once the new tile 3396 Tile 2x2 W/ Cut Out is available in DBG. The people using black streets can improve it by replacing some tiles with the 3396 and the 25269 Tile 1x1 Corner round.
The cut corners use the wing 3935 & 3936 in OLD LIGHT GREY. The ones in LBG are difficult to find, but once the Old Light Grey wings are used and the tiles above them are applied, it's difficult to see the color difference. No one will notice it unless you tell them. :)