View allAll Photos Tagged pit
Les voilà enfin !!!
Mais combien périront dans un vase, écrasées sous un pied peu regardant, sous les incendies de forêt.
Et dire que nous avons les plus beaux spécimens d'Europe de façons endémiques.
Respectons les, pour le plaisir de nos yeux !!!
Pour retrouver une sélection de mes photos :
This was taken a short distance from the city of Winnipeg. Winnipeg is situated on a flat, flat plain so a hill in the vicinity comes as a surprise. I suspect all this sand and gravel was left behind when Lake Aggasiz receded from the land.
In August 2021 we visited Pleasley Pit on the Derbyshire / Nottinghamshire border. This museum is well worth a visit, it has retained the feel of a working colliery and will be an education to many. I'm going to include some B&W pictures taken in about 2010 when I visited with a Leica M5 loaded with Adox CHS50.
Standing in an inspection pit, a mechanic is giving the finishing touches on a restored old archbar truck with freshly painted dark red side frames.
Note that unlike the trucks of my flat car which used standard Technic axles, this one here runs on brass tube bearings/axles.
As the sun begins to dip, JS locomotive, 8167, departs the open pit at Sandaoling loaded with coal for the wash plant, whilst another JS loco in the far background, waits to reverse to the loading bay to collect more coal. SandaoLing, Xinjiang Province, China.
La Brea Tar Pits, Los Angeles, California. According to the guide this particular pit is a bit staged, however, the bones are all from the tar pits in the area.
An unidentified Class 56 in Railfreight livery descends Copy Pit between Portsmouth and Cornholme with coal empties in 1989. I think that the working is Blackburn to Healey Mills, can anyone confirm this?
My Austin Metro is in the shot.
A scan of a 35mm Kodachrome 64 transparency.
Photo Copyright Stephen Willetts - No unauthorised use
File: 2015003-0090
Big Pit National Coal Museum, Blaenavon, Gwent, Wales, United Kingdom, on Thursday 9th April 2015.
Pwll Mawr Amgueddfa Lofaol, Blaenafon, Cymru, Deyrnas Unedig, Dydd lau 9 Ebrill 2015.
Chapter 1 talks about the photograph and why I took it, if you want to know more in-depth history about the subject, feel free to skip to Chapter 2.
Chapter 1: About the photograph
As well as being a photographer, I am also a graphic designer. At that time I took the above photographs, I put my careers on hold, because I was a busy single parent looking after two kids.
Whenever I get time to spare, I make every effort to keep up my photography and graphic design skills, by doing some projects while I can. Not only to improve my skills, but also to gain more experience, and build up a portfolio too.
The kind of graphic design work I do mostly varies, but generally tend to be like book covers, movie posters, packaging designs, etc.
The above photographs were for an album art design, as part of a CD case cover project.
The subject of the non-existence and fictional album is about a female singer-songwriter, who used to live in an old industrial town during her childhood days, and decided to leave her hometown, to seek stardom in the world of music.
The name of the album is The Old Dying Town. It is supposed to imply that the coal mines have dried up, the factories closed down, the town lost its cinema and nightlife, and too many people leaving. The town could easily become a ghost town.
For the design theme of the album art, I needed black and white photos of old buildings, abandoned factories, disused railway stations, and anything like that.
When the kids were at school, I drove for about an hour and half, over to Blaenavon in the south part of Wales, where they had this old coal mine that had been turned into a museum.
I wasn’t planning on buying a ticket to go in for a look around, I only needed exterior background for the album art design, so I walked around and took many shots from various viewpoints.
Hence the title Big Pit Background.
It was a very warm spring day with clear blue skies, which is why most of the shots shows cloudless background.
I had my camera set to black and white mode rather than left it in colour mode, and simply use computer software to convert into black and white. Most likely because of a lifetime of habit of using either black and white, or colour film in a camera.
The above photograph is one of the many exterior shots I took, around the National Coal Museum. It was better to take many shots around, and then see which shots I could use for the album art design.
After I took the photos of the coal museum, I took a walk over to a heritage railway station, about 5 minutes away by a footpath, and there I took some photos of disused railway stock, like boxcars and carriages, plus the railway station.
Chapter 2: The History of the Big Pit National Coal Museum.
It started life in the early 1800s, originally as an iron mine.
At that time, the mine was driven horizontally into the side of the mountain, because of the shallow iron deposits, unlike most mines where the shaft is usually dug vertically. The shaft was dug by hand because dynamite wasn’t invented until few decades later, and it became known as the Engine Pit Level.
The Big Pit was part of a network of mines, set up by the Blaenavon Iron and Coal Company in the first half of the 19th century, as part of the Blaenavon Ironworks, and was considered to be the most important of all the collieries in the area.
By around the 1850s, the location was stating to become more of a coal mine, and the original Engine Pit Level was then used as an escape route and emergency exit.
It was large enough to allow two tramways, and by the time of 1878, the main shaft was deepened to reach older coal at around 293 feet (89 metres).
An inspector for the mines made a report in 1881, was the first to describe the mine as a big pit, because of the underground shape of the mine, this was how the mine got its name of Big Pit.
In 1923, at its most peak life, there were about 1400 men working there, producing house coal, steam coal, ironstone, and fireclay. The peak production as more than 250,000 tons of coal every year. They even shipped coats to as far as South American, and to other points around the world.
The work was done by hand and manpower, until around 1908 when a conveyor system became part of the equipment, and it was one of the first to install electricity. By around 1910, the fans, hauling system, and pumps were all electric powered.
During the 1940s, baths were installed at the mines, so the workers no longer need to walk home dirty, and during the Second World War, equipment and skilled men from the Canadian Army helped out.
After the end of the Second World War, the National Coal Board took over the mine from Blaenavon Co. Ltd, in 1947, as part of a nationalisation. At that time, the mine employed 789 men.
But by about the 1970s, only 500 men worked there, and it finally closed on 2nd February 1980 with a loss of 250 jobs.
Before it was closed down, a group of people had been planning on turning it into a heritage site, so when the mine closed down, it was bought for £1 and given to a charitable trust called Big Pit (Blaenavon) Trust to manage the changes into a heritage museum.
When it opened to the public in 1983. The museum drew about up to 90,000 visitors a year in the 1990s, and after improvements, could hit up to about 140,000 visitors in 2010s.
The Comment Box for my photo is NOT an advertising billboard for any Groups. You are welcome to comment about my photos, but do NOT comment about the groups like saying “As seen in…” as those are clickable spam, and therefore will be deleted.
In August 2021 we visited Pleasley Pit on the Derbyshire / Nottinghamshire border. This museum is well worth a visit, it has retained the feel of a working colliery and will be an education to many. Check the website and make sure the wheelhouse is open as you'll get great views of the engines and winding gear:
I'm going to include some B&W pictures taken in about 2010 when I visited with a Leica M5 loaded with Adox CHS50.
This Pattern of miners' lamps and other personal protection gear shows the attempts to protect the miners but the risks were still there..
Served in a Turkish restaurant in Frankfurt
Camera: Olympus Pen-FT
Lens: Olympus G.Zuiko Auto-T f=60 mm 1:1.5
Film: Kodak Portra 400 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de
El pit-roig, ropit o reientinc (Erithacus rubecula) és un ocell menut i relativament abundant al Països Catalans. Té el plomatge gris, amb el front, la gola i el pit d'un color roig carbassa. Mesura 14 cm , pesa entre 16 i 22 grams i pot arribar a viure 13 anys.
El petirrojo, petirrojo o reientinc (Erithacus rubecula) es un pájaro pequeño y relativamente abundante en Cataluña. Tiene el plumaje gris, con la frente, la garganta y el pecho de un color rojo naranja. Mide 14 cm, pesa entre 16 y 22 gramos y puede llegar a vivir 13 años.
The robin, clothes or reientinc (Erithacus rubecula) is a small and relatively abundant bird in the Catalan Countries. It has gray plumage, with head, throat and chest a red pumpkin. It measures 14 cm, weighs between 16 and 22 grams and can live 13 years.
Info - Viquipèdia
Garzweiler surface mine, an open-pit mine for mining lignite, North Rhine-Westphalia, Germany
Garzweiler Braunkohletagebau
Sony A7RIII & FE100400GM
The Snow pits are located in the Giant Mountains National Park, close to the border with Poland. Pits are 200 meters deep and below are two beautiful lakes. This magical place is beautiful at sunrise. The highest Giant Mountain peak - SNĚŽKA - 1602 m.n.m. is the highest Czech peak.
All rights reserved - Copyright © Helena Bilkova
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated
All rights reserved. © ph.p.photography .
All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission. This includes but is not limited to Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission
Paolo P. [ph.p.ph.©]