View allAll Photos Tagged phottix
Horo, Spice and Wolf Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp) Cosplayer: Sweet Angel (www.instagram.com/miciaglo/) Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Fill Godox AD200 with 1/2 CTO gel though lastolite umbrella
In May 2020, as we were still in COVID lockdown, I had another go at overpowering the midday (or afternoon) Sun and lighting outdoor macro subjects with flash only.
The equipment was the same I had used previously: one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and triggered remotely by the Odin II flash controller on the handheld camera. The very short duration of the flash allowed me to freeze any movement of the subject due to the wind.
To obtain a soft light, I placed over the flash a Lastolite Ezybox 22 × 22–cm “Joe McNally” softbox with double diffuser —the best softbox I have ever found (and I’ve tried a few!) for cobra flashes. I had also done that for the previous series shot in April 2020, of which I uploaded a selection to Flickr but without mentioning that technical information that may be of interest to some “strobists”.
Nikon D750
Nikon 24 - 120mm f/4
f/8 |1/100 | 38mm | iso 160
Single B800 in large octabox @ 1/2 power boomed above subject roughly three feet away fired by Phottix Atlas II
K/DA Akali, League of Legends
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Lux Cosplay (www.instagram.com/lux_lisa_/);
Assistants: Lazy silly bear (www.facebook.com/Lazysillybear/); Sayuri (www.facebook.com/Cosplay.Sayuri/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
Nikon D750
Nikon 24 - 120 f/4
46mm | f8 | 1/200 | iso 100
B800 @1/2 power in large octabox boomed camera left slightly above subject
B400 @ lowest setting pointed at background
Strobes fired with Phottix Atlas II
Aerith, Final Fantasy VII: Remake
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Fae La Blance (www.instagram.com/faelablanche/)
Event: Pixelmania (www.instagram.com/pixelmaniaevent/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
www.instagram.com/davide978photo/
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Strobe info:
Two speedlights:
- One with Phottix umbrella @ 1/4 in front to the subject
- One with Godox octabox @ 1/2 behind the subject
Flash triggered by Pocket Wizard MiniTT1 and FlexTT5
A little fun in the ambulance bay.
Strobist:
Key: phottix indra500 table topped over the subjects in a PCB parabolic set up as a large soft box, just out of frame
Fill: phottix indra500 large PCB parabolic, set up as a shoot thru umbrella directly behind me.
Accent: 600EXRT bare gelled red behind subjects.
Triggered with phottix odin, shot TTL
This shot was taken as a tabletop exercise in October 2018, most likely because one of the theme–based groups I belonged to had chosen “orange” as the week’s theme.
I do not remember the technical details of the lighting, so I cannot describe them and post to groups that require that sort of information. My two Phottix Pro Indra500 monolights were certainly involved, plus maybe one or two cobra flashes, as well as modifiers (diffusers) and scrims...
This is another one of those photos taken with the “cheap” 60mm Nikkor macro lens, which proved an excellent performer at that distance too.
I remember buying it second–hand simply to use with the ES–2 film and slide reproduction thingy, which I bought but ended up never using, which is too bad as I still have some slides from the days of film that I could digitize... Now, with the announcement of the new 105mm macro and the new “cheap” 50mm (on which the aforementioned ES–2 fits), all sorts of possibilities will open up again...
What is for sure, is that I will buy that 105 ASAP... I’ve been waiting for so long for that lens! I even have created a Flickr group for it already: www.flickr.com/groups/14791323@N21/
Rome | January 2014
Canon 5D MK II | Sigma 35mm f/1.4 Art @ f/5.6 | 1/25 | Iso 400
Strobist Info :
Canon 430 EX II @1/64 105mm w/honeycomb and full CTO camera left to fill my face
Camera triggered by Phottix Aion
Flash triggered by Phottix Strato II
A shot from a roller derby girl shoot with Heather. Shot in an alley n 5points in Columbia SC.
1 yongnuo 560 flash directly behind her fired at 3/4 power
1 yongnuo 560 to right fired 1/2 power through 28 inch umbrella.
both flashes triggered by Phottix Strato Wireless triggers.
One last macro shot of a detail of my new tripod head by Leofoto (see other photos below for the full story).
Composite shot made of 20 focus–stacked exposures, using the built–in function on the Nikon Z7. Stack processed with Helicon Focus, Method B.
Strobist and technical: One Phottix Pro Indra500 monolight on a Profoto light stand in Rembrandt position to camera left, 1.5 meters from subject and 1.3 meters above it, firing at 1/8 power through a Phottix Pro 150–cm Raja parabolic softbox with double diffuser; and another Indra500 studio strobe on a Profoto light stand in lateral position to camera right, 1.5 meters from subject and 1.5 meters above it, firing at 1/8 power through a Phottix Pro 80–cm Raja Deep parabolic softbox with double diffuser.
Strobes set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hot shoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo GT3543XLS tripod with Arca–Swiss Cube C1 geared head. Nikon Z7 camera body, Micro–Nikkor 105mm f/2.8 VR macro lens with FTZ adapter.
Needed a "Bride and Groom" for a shoot, so my good friends and fellow NJ wedding photographers The Markows stepped in.
Phottix Mitros flash into a reflective umbrella on full power, fired with the phottix odins.
5D MKIII and 50 f/1.4 @ 1.4. Had a ND filter on to keep a shallow depth
In April 2020, as we were in lockdown, I tried to renew my approach of garden subjects by shooting available foliage and flowers in macro, but handheld and lit with a flash to freeze any movement as may have been caused by the breeze.
Thus, I placed one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and brought that with me as I walked around the bushes and alleys. On the camera was a Phottix Pro Odin II flash controller, which allowed me to set and trigger the flash remotely, without any cable, and that setup worked very well, from a technical standpoint, as the radio range is, I think, more than 100 meters and doesn’t care about walls or other obstacles as a line-of-sight infrared communication link would.
From an artistic standpoint, this new approach gave me some interesting results, I think. I will upload the dozen shots or so over the next few days, you can always let me know what you think in the comments... Thanks in advance!
Sony A7II w/ 55 zeiss @5.6, Phottix Mitros+ on camera w/ Gary Fong light sphere. -1/3 flash compensation.
www.facebook.com/GaryShawPhotography (click Like).
Altera, Fate Grand Order
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Mila Alexia Jaeger (www.instagram.com/mila.alexia.j/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m;
Mononoke, Mononoke Hime Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp) Cosplayer: LucioleS Cosplay (www.instagram.com/luciolescosplay/) Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
Rin, Fate/-series Photographer: A.Z.Production Cosplay Photography (www.instagram.com/azproductioncosp/) Cosplayer: Fae La Blanche (www.instagram.com/faelablanche/); Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
Hellion Hunter, Dekaron Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp) Cosplayer: Inaste (www.facebook.com/inastes.tears/) Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
Sony a7II w/ sony fe 55mm f1.8 @f5.6
Strobist: 1 phottix Mitros+ in Kacey Beauty dish as main slightly right, 1 photos Mitros+ camera left and behind w/ 1/2 CTO gel both powered 1/4 power.
www.facebook.com/GaryShawPhotography (click Like)
In May 2020, as we were still in COVID lockdown, I had another go at overpowering the midday (or afternoon) Sun and lighting outdoor macro subjects with flash only.
The equipment was the same I had used previously: one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and triggered remotely by the Odin II flash controller on the handheld camera. The very short duration of the flash allowed me to freeze any movement of the subject due to the wind.
To obtain a soft light, I placed over the flash a Lastolite Ezybox 22 × 22–cm “Joe McNally” softbox with double diffuser —the best softbox I have ever found (and I’ve tried a few!) for cobra flashes. I had also done that for the previous series shot in April 2020, of which I uploaded a selection to Flickr but without mentioning that technical information that may be of interest to some “strobists”.
In May 2020, as we were still in COVID lockdown, I had another go at overpowering the midday (or afternoon) Sun and lighting outdoor macro subjects with flash only.
The equipment was the same I had used previously: one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and triggered remotely by the Odin II flash controller on the handheld camera. The very short duration of the flash allowed me to freeze any movement of the subject due to the wind.
To obtain a soft light, I placed over the flash a Lastolite Ezybox 22 × 22–cm “Joe McNally” softbox with double diffuser —the best softbox I have ever found (and I’ve tried a few!) for cobra flashes. I had also done that for the previous series shot in April 2020, of which I uploaded a selection to Flickr but without mentioning that technical information that may be of interest to some “strobists”.
my son at 14 months.
taken with a Canon 5D II and 50mm f/1.2L lens.
ISO 100
1/200 shutter speed
f/4.5
white balance was set to cloudy to warm it up.
gridded 22" beauty dish above with a 580 EX II @ 1/2 power, triggered with Phottix Odins in manual mode.
this shot, other than a bit of sharpening, and a little vignette to set the "mood", is straight out of camera. the gridded beauty dish did a great job of putting the light where I needed it.
Phottix Journal's weekly photo, October 2012.
Lighting info - Phottix PPL 400, on full power, bare, pretty far back (50 ft?) fired with a Phottix Mitros+ on camera (commander only) and a Phottix Odin receiver on the strobe. shot with a the Sigma 35 Art lens at F/2
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Matériels utilisés :
Boitier: Nikon D60
Objectif: Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Accessoires: Grip Phottix
Logiciel: Photoshop CS2
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Other page:
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© Josselin Dutheil - Merci de me contacter pour toute utilisation de la photographie.
-- - All rights reserved / Tous droits réservés - --
Strobist info:
Canon 430 ex Right with mini soft box
Fired with phottix gear
NO Picture/Banner comments
Lens Canon EF-S10-22mm f/3.5-4.5 USM @18mm | ISO 125 | 1/100s @ f/5,6
View large | See the final shot
7.2.11 | 10.34 pm | 07022011_IMG_4021
MADE POSITION #3 & FRONT PAGE IN EXPLORE 11TH NOVEMBER 2010
This was taken on a shoot not long ago. One of my favorite pics for a while. Just love the expression. The catchlights leave a lot to be desired for but it just makes me chuckle every time !!
Taken with my D3000 and AFS Nikkor 55-200mm f/4-5.6 VR at 1/160 f/9 at ISO 200. SB28 in silver umbrella high camera left, Yongnuo YN-462 II camera right in shoot through umbrella (key light) against Lastolite 6'x7' Hilite illuminated with Phottix DGS 150. Setup with Sekonic L358 and fired with Cactus V2s.
The shots were processed in CS4 first and the B&W conversion completed in Lightroom 3.
Rin, Fate/-series Photographer: A.Z.Production Cosplay Photography (www.instagram.com/azproductioncosp/) Cosplayer: Fae La Blanche (www.instagram.com/faelablanche/); Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
In April 2020, as we were in lockdown, I tried to renew my approach of garden subjects by shooting available foliage and flowers in macro, but handheld and lit with a flash to freeze any movement as may have been caused by the breeze.
Thus, I placed one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and brought that with me as I walked around the bushes and alleys. On the camera was a Phottix Pro Odin II flash controller, which allowed me to set and trigger the flash remotely, without any cable, and that setup worked very well, from a technical standpoint, as the radio range is, I think, more than 100 meters and doesn’t care about walls or other obstacles as a line-of-sight infrared communication link would.
From an artistic standpoint, this new approach gave me some interesting results, I think. I will upload the dozen shots or so over the next few days, you can always let me know what you think in the comments... Thanks in advance!
strobist info: a Nikon SB-800 @ 1/16 thur into 34" umbrella box at camera left and a another Nikon SB-80DX @ 1/32 with green film behind the modell. Triggered with a Phottix PT-04 TM Radio Trigger.
Please do not use logos or pool graphics in the comments because I delete it!!!
Altera, Fate Grand Order
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Mila Alexia Jaeger (www.instagram.com/mila.alexia.j/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m;
Bottle from the Lampe de Méduse vintage from Sainte Roseline vineyard in Provence. I also have a more high-key one with a slightly different lighting. All in all, these attempts at macro shots of a bottle were not too successful, because the obligation to keep it macro constrains whatever “vision” I may have. I don’t have much of one to begin with, and having to keep it macro makes it even more difficult.
Shot taken for the Macro Mondays group, theme: “Bottle(s)”.
Strobist and technical info: One Phottix Pro Mitros+ cobra flash on a Manfrotto Nano light stand and MagMod Magshoe flash attachment in backlit Rembrandt position to camera left, 1.5 meters from subject and 1 meter above it, firing at ½ power through a 22 × 22-cm Lastolite “Joe McNally” Ezybox 2 softbox with double diffuser; and another Mitros+ cobra flash on a Neewer tabletop stand in backlit Rembrandt position to camera right, 1.2 meters from subject and at the same height, firing at ¼ power through a gridded Andoer snoot.
Strobes set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hotshoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo GR3543XLS tripod with Arca–Swiss Cube C1 geared head. Nikon Z7 camera body, Micro-Nikkor Z MC 105mm ƒ/2.8 S macro lens. Flashes powered by Godox Propac PB960 battery pack.
Senior session. Very last bit of light outside, very delicate…my favorite time to shoot. Lit with a Phottix Mitros+ inside an Apollo soft box. Triggered by the Odin controller. The light was changing by the minute so having the control of the light on the camera was huge. Become a Facebook fan.
Macro shot of a chainsaw replacement chain. This was lit with my Phottix studio strobes but I have no recollection of the lighting arrangement, so I will just mention it in the tags for the sake of those people who search photos on Flickr that way.
I am now reaching the end of the selection of photos from 2017 and 2018 that I intended to re-upload to Flickr. Tomorrow will be the last day of it, as well as the beginning of year 2019, of which I will also only re-upload a selection, in order to catch up. I will therefore keep that insane rate of 10 photos per day that I have been using since the beginning of this year (2021), as this is the only way to... well, catch up!
Thank you to all the kind people who follow me and accept to keep up with that pace. I am extremely grateful to each and every one of you. I would love to go back to the saner rhythm of, say, 3 photos per day, but it will be a while before I can do that, so please bear with me and hang in there for a few more weeks or months... We’re getting there! Thanks again.
This macro shot was taken in the studio for some theme–based group, back in September 2019. I do not remember which one, nor what the theme was! I have a behind-the-scenes snap (which I have also uploaded), so I can describe the lighting setup below.
Shot tethered with TetherTools bright orange cable —and extension! as my office, desk and computer is 30 meters away from that table... Fun, but not very convenient.
Strobist and technical: One Phottix Pro Indra500 monolight on a C–stand in zenithal position, 1.5 meters above subject, firing at 1/16 power through a Phottix Pro basic reflector fitted with 30–degree Andoer grid, 1.8 meters from subject and slightly above it; and another Indra500 studio strobe on a Profoto light stand in Rembrandt position to camera left, 2 meters from subject and slightly above it, firing at ¼ power through a Phottix Pro 110–cm Luna octabox with double diffuser. White card reflectors on two sides.
Strobes set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hotshoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo GR3543XLS tripod with Arca–Swiss Cube C1 geared head. Nikon Z7 camera body in zenithal position on a Neewer C–stand, Micro–Nikkor 60mm f/2.8 macro lens.
My son Liem dressed as Eggs, the Box Troll for a contest on Amazon's facebook page.
Lighting was 1 YN560 in the "high voltage" box at 1/2 power.
Fuji X-T1
Fuji xf 56mm f/1.2 @ f/5.6
ISO 200
1/180s
2 YN560 in a Phottix 36" double folding umbrella (love the compactness of this umbrella). Umbrella and flash mounted on a monopod with a Phottix multi-boom, hand-held by my wife above, and camera left. Flashes was set to 1/2 power as well.
on a side note, my monopod, multi-boom, double folding umbrella combo is excellent when you are on your own. The monopod extends to 72", plus another 16" for the Phottix multi-boom, giving a good range of placement of the light source. I can hold the monopod setup in my left hand while holding the Fuji X-T1 in my right hand.
Taken in old towne Petersburg where there are still cobblestone roads and old brick buildings.
A little bit more info can be found on my blog below.
Thanks for looking!
Explored on 9/21/2014
Phottix Photo of the week 10/22/14:
journal.phottix.com/weekly-photo/weekly-photo-box-troll/#...
Phottix Reflective Umbrella 60" (152cm)
07022013_IMG_5525 | self @ my third garage
Grazie amore di questo bellissimo regalo
Thanks honey for this beautiful gift
Strobist:
- Elinchrom D-Lite2it into Phottix Reflective Umbrella @ 2/5 power
- Lights triggered by Elinchrom Skyport Universal Speed Set
- Camera triggered by Pocket Wizard Plus II
Date: August 2018
Location: Novara
ph: Giovanni Riccioni
model: Giovanni Riccioni
Strobe:
*Speedlight 430EX II Canon off camera at right of camera with octabox
*Speedlight 580EX II Canon at left of camera with umbrella (behind the subject)
* Trigger Pixel King Wireless E-TTL Flash for Canon
Shutter Release: Phottix plato
In May 2020, as we were still in COVID lockdown, I had another go at overpowering the midday (or afternoon) Sun and lighting outdoor macro subjects with flash only.
The equipment was the same I had used previously: one of my Phottix Pro Mitros+ cobra flashes (connected to a Godox PB960 battery pack) on a Manfrotto Nano stand and triggered remotely by the Odin II flash controller on the handheld camera. The very short duration of the flash allowed me to freeze any movement of the subject due to the wind.
To obtain a soft light, I placed over the flash a Lastolite Ezybox 22 × 22–cm “Joe McNally” softbox with double diffuser —the best softbox I have ever found (and I’ve tried a few!) for cobra flashes. I had also done that for the previous series shot in April 2020, of which I uploaded a selection to Flickr but without mentioning that technical information that may be of interest to some “strobists”.
Male Anna's hummingbird (Calypte anna) hovering near a feeder.
I took this photo almost a year ago (April 2015), but only recently rediscovered it in my Aperture archives. I decided to work it up because I liked the colors so much. The hummingbird's position reminded me of a ballet dancer en pointe.
Strobist Info: SB-800 at 1/16 (+1/3) in mini softbox from camera left. SB-700 at 1/8 through umbrella from camera right. Phottix Strato II wireless trigger on SB-700 with wired sync cord from trigger to SB-800. I don't have it noted, but I believe the background was the shaded interior of a cardboard box.
Note: I composited the eye in from a different photo of the same bird because the bird was blinking in this frame.
My other hummingbird photos can be found here: www.flickr.com/photos/92747424@N05/albums/72157643388058603
Incar Magician, Dekaron
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Inaste (www.facebook.com/inastes.tears/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m; Edge Godox AD200 with 1/2 CTO gel
Harley Quinn, Injustice 2
Photographer: A.Z.Production Cosplay Photography (www.facebook.com/azproductioncosp)
Cosplayer: Tenkou Cosplay (www.facebook.com/tenkoucosplay/)
Setup: Main: Godox AD360 with Phottix Para-Pro 1.5m and purple gel; Edge, Background: Godox AD200 with MagBeam with stripe gobo and red gel.