The airline was formally established in 2001 (but had been operating since 1999 as a small operation) by Le Cocq's Stores in Alderney and was initially known as Le Cocq's Airlink. It started operations carrying perishable goods from Bournemouth to Alderney. Scheduled services were added on the same route on 1 February 2002. The Rockhopper name was adopted on 29 August 2003.[2] In 2004 ownership changed to Healthspan Leisure and in 2005, Jetstream aircraft were added to the fleet.[3] The company moved its main operating base from Alderney to Jersey in January 2006. Its Headquarters is now at Healthspan House, The Grange, St. Peter Port, Guernsey. The airline is wholly owned by the Healthspan Group.[2] The company changed the trading name from Rockhopper to Blue Islands on 14 February 2006. The move coincided with the delivery of the first of its new fleet of 19-seater BAe Jetstream aircraft and a new air link with the Isle of Man.

The deployment of the BAe Jetstream aircraft on inter-island services meant Blue Islands gained a majority share of the market from its competitor (according to Airliner World magazine), helped by the recent introduction of an hourly shuttle service between Guernsey and Jersey known as the Blue Shuttle. At December 2007, Blue Islands' estimated share of the inter-island market was reported to be over 50% and in December 2009 their market share had risen to 68%. Blue Islands went on to launch new routes from the Channel Islands to Paris-Beauvais (ceased July 2008), Southampton, Geneva and Zurich. However, by late 2010 their market share on the inter-island had fallen to below 50% and its main competitor Aurigny was regaining large shares in the Channel Islands market.[4]

Blue Islands have been offering cargo services on all their flights throughout their network for a number of years. They flew in unique Madagascan birds for Durrell Conservation Wildlife Trust from Zurich during June 2009[5]. In 2010 the airline added an ATR 42-320 and a Dornier 328-110 (leased from ScotAirways) to its fleet; the latter was retired shortly afterwards.[3] It emerged in July 2010 that Blue Islands had launched a bid with the States of Guernsey to buy its competitor, Aurigny Air Services. This caused much controversy in the Channel Islands, and a Facebook page in opposition of proposed buy-out gained 530 members. Those in favour of the deal claimed that it was nonsensical for Aurigny and Blue Islands to continue making such huge annual losses. The failure of the deal was announced on 14 September 2010.

A number of changes took place in 2011. Rob Veron was appointed as chairman and the Trislander fleet was repainted and refitted for a planned new hub at Alderney with routes to Southampton and Cherbourg, however the application was denied because the start date was within six months of the application date[6]. Blue Islands announced that a full withdrawal from Alderney would take place on 9 May 2011[7] (coincidentally Liberation Day), after 11 years of services.

In March 2011, it announced a new twice daily weekday route (with a once-daily flight on Sundays) from Jersey to London City Airport[8], and in April a route to Bristol was announced. Daily services were announced between Jersey and Manchester Airport[9] in September, along with the restoration of a three times weekly service to Bournemouth Airport[10], in competition with the airline's own more regular services to Southampton, as well as those of Flybe. In November, the planned retirement of the Trislander fleet was made public with the last day of operations on 4 December[11]. This was because they were 'too noisy, old and small'[12] - however, it is not the first time that the Trislanders have been under offer; one aircraft left Blue Islands for Great Barrier Airlines in New Zealand in March 2008, whilst the other two aircraft were under offer from an unnamed Caribbean airline in September 2010[13].

Descent of the Ganges is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29×13 m, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.

GEOGRAPHY

The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.

HISTORY

The relief was created to celebrate the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres . Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.

ARCHITECTURE

The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.

Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.

In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.

Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.

INTERPRETATIONS

In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.

The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.

Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.

One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.

WIKIPEDIA

Ramesseum; Memorial temple of Ramesses II;

The sheer size of the temples and the annexes (workshops and stores) is a clear indication of the importance of this complex in religious and economic terms. In addition to the storerooms in which raw materials and perishable foodstuffs such as corn, wine, oils, honey and incense were stored, there was also, in the north-western section, a treasure house which housed the most precious objects. This treasury belonged to a group of stores which was more monumental than the others, with a total of 12 storerooms which were laid out symmetrically on either side of the treasury.

APM Terminals Moín recently welcomed the first call of the Puerto Limón Express, part of Hapag-Lloyd’s revised weekly Caribbean Express Service (CES). The CES consists of five container ships with a capacity of 1,752 to 2,556 TEU. The vessels have a high reefer capacity of 350 to 600 connections.

With a name dedicated to APM Terminals Moín, this new service calling Moín offers highly competitive transit times from Costa Rica to the U.K., Netherlands, and Belgium with sailing times of just 13, 14 and 16 days respectively. The service was introduced specifically to meet the need of perishable refrigerated cargo.

Southbound the service offers some of the fastest transit times from North Europe to Puerto Limon, Costa Rica and is the only direct service from Rotterdam, Antwerp, London Gateway to Kingston, Jamaica.

Learn more at www.apmterminals.com/moin

Today, on my Day 18 of Shelter In Place and Governor Newsom's recommendation that people cover their nose & mouth in public, I started the day by driving to a medical facility in Rancho Mirage for an MRI. Most people wore masks...it was really eye opening to be out of the house. And I wore my mask into the bank! I took it off real fast. After the MRI I drove to a cannabis dispensary in Cathedral City, picked up a lot of cannabis and then went grocery shopping. I got most things on my list but yeast still can't be found. It's a brave new world out there. After shopping I came home, Took all the perishable food into the house and onto the island where Darek wiped it down with anti viral stuff while I thru my clothes into the washer and took a hot soapy shower.

Oh...and around 5 pm this evening we had a 4.? earthquake. Live goes on! Be safe friends & family!

Darek went to wrap the Valentines gift he got me, but noticed a PERISHABLE tag on it that said to Open or Freeze upon arrival. It molded! :oO

A two story mall-based Wal-Mart in Toronto suburb. Originally Hudson Bay Company department store then Sears Canada. Equipped with escalator and has food department with limited perishables. Entrance to mall present.

The 26th annual Community Christmas program for the Riverbend community in Illinois collected 19,252 items for those in need during the holiday season. The program, sponsored by United Way's Southwest Illinois Division and The Telegraph, wrapped up on Thursday, December 10, when more than 100 boxes were picked up from local businesses, dropped off at a central location, and then were sorted for distribution to the 17 recipient agencies. Items donated included non-perishable food, clothes, winter weather necessities like gloves, hats and scarves, blankets, towels, baby care items, hygiene items, and new toys. Community Christmas helps more than 6,000 people in need every year.

The LBB purchased 35 of the G6 series ventilated vans from 1932 till 1936 for Milk Traffic and other perishable stock. During the 1940s with the introduction of the I2 Kuhlwagen the G6 vans were transferred to Fruit Traffic, there are still about 20 G6 vans still employed in this role to this day.

APM Terminals Moín recently welcomed the first call of the Puerto Limón Express, part of Hapag-Lloyd’s revised weekly Caribbean Express Service (CES). The CES consists of five container ships with a capacity of 1,752 to 2,556 TEU. The vessels have a high reefer capacity of 350 to 600 connections.

With a name dedicated to APM Terminals Moín, this new service calling Moín offers highly competitive transit times from Costa Rica to the U.K., Netherlands, and Belgium with sailing times of just 13, 14 and 16 days respectively. The service was introduced specifically to meet the need of perishable refrigerated cargo.

Southbound the service offers some of the fastest transit times from North Europe to Puerto Limon, Costa Rica and is the only direct service from Rotterdam, Antwerp, London Gateway to Kingston, Jamaica.

Learn more at www.apmterminals.com/moin

Refrigerator with a mix of poorly stored and placed items for food safety and contributes to food waste; and food that was properly stored in resealable clear containers, on June 8, 2020, in San Antonio, TX. Foil covered can drink, iced coffee drink in an open container, and the open container of mushrooms are not good food safety storage practices. These along with the partially consumed soda placed behind other foods contribute to “out of sight, out of mind," and may be forgotten and wasted. Food is less likely to go bad when you use the more perishable and older items first. Also, storing food in clear containers can help you see what you have available in your fridge and pantry and can help you avoid buying food you already have. In the fridge, extend the life of your food by putting it in the right place. Transfer uneaten food from single use containers into sealable containers or wrapped securely.

For more FSIS Food Safety refrigerator tips please see - fsis.usda.gov/wps/portal/fsis/topics/food-safety-education/get-answers/food-safety-fact-sheets/safe-food-handling/refrigeration-and-food-safety/ct_index

USDA Photo by Lance Cheung.

Conrail PXSE-1 (Perishable Extra-Selkirk) pauses at Broadway Ave, adjacent to Frontier Yard, Buffalo NY for a crew change as TV-400 sneaks up on the main track.

Mid-Atlantic Gleaning Network (MAGNET) President and CEO Rev. Thomas Chandler provides the history of gleaning, that local farms produce more than can be commercially harvested, and how with more USDA volunteers, tons more produce can be gleaned in 2016, surpassing last year’s record, during the 2016 Feds Feed Families U.S. Department of Agriculture (USDA) Kickoff event in the Whitten Building patio, Washington, D.C. on Friday, June 17, 2016. This year’s theme is "Feds Fighting Hunger." USDA once again will lead the 2016 Feds Feed Families (FFF) campaign with the support of the Chief Human Capital Officers Council and other agency partners. The campaign will run through August 30, 2016. Launched in 2009 as part of President Obama's United We Serve campaign, Feds Feed Families was designed to help food banks and pantries stay stocked during summer months when they traditionally see a decrease in donations and an increase in need. In Washington, D.C., the Capital Area Food Bank receives collections and distributes them through its network of more than 500 partner organizations. Through the amazing generosity of federal employees, since 2009 the food drive has collected nearly 57.2 million pounds of food for those in need. Last year alone, more than 17.9 million pounds were donated and provided to food banks and pantries. All Federal agencies, including field components, are asked to participate in the campaign. The field agencies will share their collections with their local food banks with the goal of ensuring that the FFF campaign will stretch across America and be visible and active in every state. As in every year, employees are asked to bring non-perishable food items and place them into a designated collection box located in the Federal workplace or take them directly to a local food bank. Donations of fresh food (fruit, vegetables, herbs, nuts) can be made directly to a food pantry in your community - please visit www.ampleharvest.org to find one near you.

Learn more about most wanted items in area food banks from the Capital Area Food Bank . For those outside of the National Capital Area, visit www.feedingamerica.org for a list of regional food banks (non-perishable food only) or www.ampleharvest.org , for a list of local food pantries (fresh produce as well as non-perishable food) in your area to partner with and to send donations. They assist with arranging pick-up and weighing of your donations. In 2016, as part of Feds Feed Families, employees are encouraged to take advantage of gleaning (clearing fields of unused produce). Field employees can reach out to Society of St. Andrew for gleaning opportunities in their area. The Mid-Atlantic Gleaning Network (MAGNET) is another great partner at www.midatlanticgleaningnetwork.org . Volunteers can pick, sort and deliver fresh produce to food banks, churches and other partners. USDA Media by Lance Cheung.

MAHAVATAR BABAJI CAVE

Mahāvatār Bābājī (literally; Great Avatar Dear Father) is the name given to an Indian saint and yogi by Lahiri Mahasaya and several of his disciples,[2] who reported meeting him between 1861 and 1935. Some of these meetings were described by Paramahansa Yogananda in his book Autobiography of a Yogi, including a first-hand report of Yogananda's own meeting with the yogi.[3]Another first hand account was given by Yukteswar Giri in his book The Holy Science.[4] According to Sri M's autobiography (Apprenticed to a Himalayan Master) Babaji, was Shiva. In the second last chapter of his book, he mentions Babaji changing his form to that of Shiva. All of these accounts, along with additional reported meetings, are described in various biographies.[5][6][7]According to Yogananda's autobiography, Babaji has resided for at least hundreds of years in the remote Himalayan regions of India, seen in person by only a small number of disciples and others.[3][8] The death less Master is more than 2000 years old. He belongs to a very powerful lineage of Siddha Boganthar and Rishi Agastya as his Gurus. He acquired this deathless, non perishable body through tough yogik kriyas.

Again, according to his autobiography, shortly before Yogananda left for America in 1920, Babaji came to his home in Calcutta, where the young monk sat deeply praying for divine assurance regarding the mission he was about to undertake. Babaji said to him: "Follow the behest of your guru and go to America. Fear not; you shall be protected. You are the one I have chosen to spread the message of Kriya Yoga in the West

There are very few accounts of Babaji's childhood. One source of information is the book Babaji and the 18 Siddha Kriya Yoga tradition by Marshal Govindan.[9]According to Govindan, Babaji was named Nagarajan (king of serpents) by his parents. [8] V.T. Neelakantan and S.A.A. Ramaiah founded on 17 October 1952, (they claim – at the request of Babaji) a new organization, "Kriya Babaji Sangah," dedicated to the teaching of Babaji's Kriya Yoga. They claim that in 1953 Mahavatar Babaji told them that he was born on 30 November 203 CE in a small coastal village now known as Parangipettai, Cuddalore district of Tamil Nadu, India.[10] Babaji's Kriya Yoga Order of Acharyas Trust (Kriya Babaji Sangah) and their branch organizations claim his place and date of birth.[10] He was a disciple of Bogar and his birth name is Nagarajan.[9][10]

In Paramahansa Yogananda's Autobiography of a Yogi, many references are made to Mahavatar Babaji, including from Lahirī and Sri Yukteshwar.[3] In his book The Second Coming of Christ, Yogananda states that Jesus Christ went to India and conferred with Mahavatar Babaji.[8] This would make Babaji at least 2000 years old.[11] According to Govindan's book, Babaji Nagaraj's father was the priest of the village's temple. Babaji revealed only those details which he believed to be formative as well as potentially instructive to his disciples. Govindan mentioned one incident like this: "One time Nagaraj's mother had got one rare jackfruit for a family feast and put it aside. Babaji was only 4 years old at that time. He found the jackfruit when his mother was not around and ate it all. When his mother came to know about it, she flew in blind rage and stuffed a cloth inside Babaji's mouth, nearly suffocating him, but he survived. Later on he thanked God for showing him that she was to be loved without attachment or illusion. His Love for his mother became unconditional and detached."[9]

When Nagaraj was about 5 years old, someone kidnapped him and sold him as a slave in Calcutta (now Kolkata). His new owner however was a kind man and he freed Nagaraj shortly thereafter. Nagaraj then joined a small group of wandering sannyāsin due to their radiant faces and love for God. During the next few years, he wandered from place to place, studying holy scriptures like the Vedas, Upanishad, Mahabharata, Ramayana, Bhagavad Gita.

According to Marshall Govindan's book, at the age of eleven, he made a difficult journey on foot and by boat with a group of ascetics to Kataragama, Sri Lanka. Nagaraj met Siddha Bhogarnathar and became his disciple. Nagaraj performed intensive yogic sadhana for a long time with him. Bhogarnathar inspired Nagaraj to seek his initiation into Kriya Kundalini Pranayam from Siddha Agastya. Babaji became a disciple of Siddha Agastya. Nagaraj was initiated into the secrets of Kriya Kundalini Pranayama or "Vasi Yogam". Babaji made a long pilgrimage to Badrinath and spent eighteen months practising yogic kriyataught to him by Siddha Agastya and Bhogarnathar. Babaji attained self-realization shortly thereafter.[9]

It is claimed that these revelations were made by Babaji himself to S.A.A. Ramaiah, a young graduate student in geology at the University of Madras and V.T. Neelakantan, a famous journalist, and close student of Annie Besant, President of the Theosophical Society and mentor of Krishnamurti. Babaji was said to have appeared to each of them independently and then brought them together to work for his Mission in 1942

By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

The spring house was a source of drinking water and a place for keeping perishable foods. Water from a spring flowed through the springhouse in a elevated wooden trough. Containers of perishable food, especially dairy products, were placed in the trough and were "refrigerated" by cool water flowing around them. During warm weather, crooks, barrels, and jars containing less perishable foods were stored in the springhouse. The building also protected food from wild and domestic animals. The springhouse was moved to the museum. (Source: National Park Service)

Heaps and heaps of Turkish Delight on display in one of the stores in the Spice Bazaar. A Turkish specialty, Turkish Delight is a delicious bite sized sweet made from sugar, corn starch, pomegranate honey (if it's a premium version) and plenty of pistachio nuts. Although a pack of Turkish Delight is an almost mandatory purchase when one visits Istanbul, most shopkeepers discourage from buying the packaged produce, saying that the open stuff is fresher, hence more tasty, you can pick the flavours you want, and they will package it for you fresh. (Istanbul, Turkey, Nov. 2014)

The Cathedral of Learning on the University of Pittsburgh campus was lit up for one extra night (tonight) as part of the Pittsburgh 250 Celebration to coincide with Light Up Night and to collect non-perishables to help those in need during this holiday season.

They went back to the first "Gutenberg Press" motif, which I think looked a bit better than the odd colorful Gothic one.

The comparison between a pair of cargo shorts attached to a wall with duct tape and a banana fastened to a wall is quite intriguing! Here are a few reasons why some might find the cargo shorts more appealing:

1. Practicality: Cargo shorts are functional and can be worn, offering pockets and durability. A banana, on the other hand, is perishable and has a limited lifespan.

2. Durability: Cargo shorts are made to last, often from tough materials like ripstop fabric. A banana will eventually rot, making it a temporary piece of art.

3. Humor and Commentary: While Maurizio Cattelan's banana artwork, "Comedian," was a provocative commentary on the art world, using cargo shorts could be seen as a humorous twist, poking fun at the original concept while adding a layer of practicality.

Ultimately, the value and appeal of art are subjective, and what one person finds amusing or meaningful, another might not.

Source: Conversation with Copilot, 11/28/2024

U.S. Department of Agriculture (USDA) Office of Human Resource Management (OHRM) Diversity, Recruitment, and Work/Life Division (DRWD) Acting Director and 2016 Feds Feed Families Chair Sabrina Ferguson-Ward (green outfit) hosts the 2016 Feds Feed Families USDA Kickoff event in the Whitten Building patio, Washington, D.C. on Friday, June 17, 2016. This year’s theme is "Feds Fighting Hunger."

USDA once again will lead the 2016 Feds Feed Families (FFF) campaign with the support of the Chief Human Capital Officers Council and other agency partners. The campaign will run through August 30, 2016. Launched in 2009 as part of President Obama's United We Serve campaign, Feds Feed Families was designed to help food banks and pantries stay stocked during summer months when they traditionally see a decrease in donations and an increase in need. In Washington, D.C., the Capital Area Food Bank receives collections and distributes them through its network of more than 500 partner organizations. Through the amazing generosity of federal employees, since 2009 the food drive has collected nearly 57.2 million pounds of food for those in need. Last year alone, more than 17.9 million pounds were donated and provided to food banks and pantries. All Federal agencies, including field components, are asked to participate in the campaign. The field agencies will share their collections with their local food banks with the goal of ensuring that the FFF campaign will stretch across America and be visible and active in every state. As in every year, employees are asked to bring non-perishable food items and place them into a designated collection box located in the Federal workplace or take them directly to a local food bank. Donations of fresh food (fruit, vegetables, herbs, nuts) can be made directly to a food pantry in your community - please visit www.ampleharvest.org to find one near you.

Learn more about most wanted items in area food banks from the Capital Area Food Bank . For those outside of the National Capital Area, visit www.feedingamerica.org for a list of regional food banks (non-perishable food only) or www.ampleharvest.org , for a list of local food pantries (fresh produce as well as non-perishable food) in your area to partner with and to send donations. They assist with arranging pick-up and weighing of your donations. In 2016, as part of Feds Feed Families, employees are encouraged to take advantage of gleaning (clearing fields of unused produce). Field employees can reach out to Society of St. Andrew for gleaning opportunities in their area. The Mid-Atlantic Gleaning Network (MAGNET) is another great partner at www.midatlanticgleaningnetwork.org . Volunteers can pick, sort and deliver fresh produce to food banks, churches and other partners. USDA Media by Lance Cheung.

Visit www.midohiofoodbank.org. Mario Lopez, host of Extra, visited Columbus on July 3 and, with Big Lots, encouraged attendees to help fight hunger in Central Ohio by bringing one or more non-perishable food items to donate to the Mid-Ohio Foodbank.

Priority perishable junk train

A closer view of the display of fresh spices in one of the stores inside the Spice Bazaar in Istanbul. Nothing that you cannot see in cities in India, Malaysia, Singapore, and even Dubai, but the ambience of the place and the displays did make it quite fascinating to see. And of course is the thrill of trying to see what spices they have here apart from what is found in other spice bazaars elsewhere in the world. (Istanbul, Turkey, Nov. 2014)

The heaps of fresh spices sort of reminded me of India, or Malaysia. Of course in India people are now increasingly going the way of pre-packaged spices bought from supermarkets. Apart from spices, this store in Istanbul's Spice Bazaar also sells nuts, condiments, and of course Turkish Delight, several cartons of which can be seen in the foreground. (Istanbul, Turkey, Nov. 2014)

Standard 5 73092 prepares to leave Waterloo station on 6 June 1966. Initially allocated to Patricroft shed in 1955, the engine subsequently spent periods at Shrewsbury, the Gloucester sheds and Bath Green Park before transferring to the Southern Region (Eastleigh) in March 1965. Seven months later it moved to Guildford from where it was withdrawn at the end of Southern steam on 9 July 1967. It was one of the few engines which worked on the last day taking a train of ‘perishables’ from Weymouth to Westbury and then returning to Weymouth for withdrawal.

Photographer unknown

Since antiquity, Nabeul is, in Tunisia, one of the major centers of pottery production, long the exclusive conditioning of perishable goods. In the 15th century, Djerbian potters introduced their art of ceramics. From the 17th century, the city, which has not experienced the decline of other ceramic centers (Tunis, Djerba), enriches both its range of subjects and its stylistic vocabulary, from Andalusian to Italian.

In Nabeul all types of pottery are made: porous, unglazed pottery, water cooling and food preservation, red culinary pottery from Italy, glazed ceramic, utility or decorative.

Unlike glazed ceramics, the enamelled ceramic requires two firings, decorations and varnishes being applied to the precooked object.

The traditional pottery, green and yellow, accompanied by brown patterns is more rare. It is replaced by artistic pottery, where the white or ivory backgrounds are covered with arabesques, fish and birds.

The creativity of craftsmen and their apprentices is also expressed in geometric

More than 340 Gannon University students, faculty and staff collected 8,277 pounds of non-perishable food items during the 33rd annual Golden Harvest Food Drive. The drive, held each fall, benefits the local Second Harvest Food Bank in Erie, Pa.

The perishables train that CSX operations in conjunction with Union Pacific is headed through Conneaut, Ohio, back out West where more produce will be loaded for transport to distribution centers in New York state. As is customary, the train operates with UP motive power.

Every item of non-perishable food collected at Wilmington University will be used to create "Thanksgiving in a Box" for as many Delaware families as possible.

Descent of the Ganges is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29 m × 13 m, it is a giant open-air relief carved of two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The bas-relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.

GEOGRAPHY

The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.

HISTORY

The Mamallapuram art, as it is known among archaeologists, is a creation on the occasion of a celebration of the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries),) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.

LAYOUT

The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres. Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.

ARCHITECTURE

The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.

Detailing of sculptures showing the Vishni temple to the right of the cleft

It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.

Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.

In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.

Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.

INTERPRETATIONS

In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.

The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.

Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.

One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.

WIKIPEDIA

Descent of the Ganges is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29 m × 13 m, it is a giant open-air relief carved of two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The bas-relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.

GEOGRAPHY

The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.

HISTORY

The Mamallapuram art, as it is known among archaeologists, is a creation on the occasion of a celebration of the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries),) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.

LAYOUT

The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres. Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.

ARCHITECTURE

The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.

Detailing of sculptures showing the Vishni temple to the right of the cleft

It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.

Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.

In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.

Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.

INTERPRETATIONS

In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.

The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.

Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.

One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.

WIKIPEDIA

Day at the range.

BESMAYA RANGE COMPLEX, Iraq – U.S. Army Sgt. Michael Peterson, forward observer, Company A, 1st Battalion, 14th Infantry Regiment, 1st Advise and Assist Task Force, 1st Infantry Division, watches a 500-pound bomb hit its mark during Joint Tactical Air Controller training at Besmaya Range, Iraq, March 17, 2011. During the training, Peterson, a native of Aurora, Colo. and other Army forward observers partnered with U.S. Air Force joint tactical air controllers, deployed to U.S. Division-North, to practice calling in combat air support assets maintaining perishable skills during their deployment in support of Operation New Dawn.

(U.S. Army photo by Spc. Andrew Ingram, USD-N PAO)

Mississippi Army National Guard Soldiers assigned to 1387th Quarter Master Company, headquartered in Greenville, Miss., assist with putting up a tent at the Joint Incident Support Base on St. Croix, U.S. Virgin Islands, Oct. 3, 2017. The ISB, operated by the National Guard, Federal Emergency Management Agency, and the Army Corps of Engineer, is where non-perishable food items, generators, tarps and fuel are staged before delivery to distribution points throughout the island of St. Croix. More than 200 Mississippi Guardsmen are in the Virgin Islands and Puerto Rico as part of Task Force Crazy Train to support hurricane relief efforts. (U.S. Army National Guard photo by Staff Sgt. Michael Williams)

Refrigerator with a mix of poorly stored and placed items for food safety and contributes to food waste; and food that was properly stored in resealable clear containers, on June 8, 2020, in San Antonio, TX. Foil covered can drink, iced coffee in an open container are not good food safety storage practices. These along with the partially consumed soda placed behind other foods contribute to “out of sight, out of mind," and may be forgotten and wasted. Food is less likely to go bad when you use the more perishable and older items first. Also, storing food in clear containers can help you see what you have available in your fridge and pantry and can help you avoid buying food you already have. In the fridge, extend the life of your food by putting it in the right place. Transfer uneaten food from single use containers into sealable containers or wrapped securely.

For more FSIS Food Safety refrigerator tips please see - fsis.usda.gov/wps/portal/fsis/topics/food-safety-education/get-answers/food-safety-fact-sheets/safe-food-handling/refrigeration-and-food-safety/ct_index

USDA Photo by Lance Cheung.

Descent of the Ganges is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29×13 m, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.

GEOGRAPHY

The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.

HISTORY

The relief was created to celebrate the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres . Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.

ARCHITECTURE

The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.

Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.

In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.

Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.

INTERPRETATIONS

In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.

The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.

Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.

One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.

WIKIPEDIA

Yes, even my pantry doesn't escape my organizational reach. These have been moved to the kitchen temporarily - it seems we have a mouse. EEEK!

No Music at Woodstock this year...

MAHAVATAR BABAJI CAVE

Mahāvatār Bābājī (literally; Great Avatar Dear Father) is the name given to an Indian saint and yogi by Lahiri Mahasaya and several of his disciples,[2] who reported meeting him between 1861 and 1935. Some of these meetings were described by Paramahansa Yogananda in his book Autobiography of a Yogi, including a first-hand report of Yogananda's own meeting with the yogi.[3]Another first hand account was given by Yukteswar Giri in his book The Holy Science.[4] According to Sri M's autobiography (Apprenticed to a Himalayan Master) Babaji, was Shiva. In the second last chapter of his book, he mentions Babaji changing his form to that of Shiva. All of these accounts, along with additional reported meetings, are described in various biographies.[5][6][7]According to Yogananda's autobiography, Babaji has resided for at least hundreds of years in the remote Himalayan regions of India, seen in person by only a small number of disciples and others.[3][8] The death less Master is more than 2000 years old. He belongs to a very powerful lineage of Siddha Boganthar and Rishi Agastya as his Gurus. He acquired this deathless, non perishable body through tough yogik kriyas.

Again, according to his autobiography, shortly before Yogananda left for America in 1920, Babaji came to his home in Calcutta, where the young monk sat deeply praying for divine assurance regarding the mission he was about to undertake. Babaji said to him: "Follow the behest of your guru and go to America. Fear not; you shall be protected. You are the one I have chosen to spread the message of Kriya Yoga in the West

There are very few accounts of Babaji's childhood. One source of information is the book Babaji and the 18 Siddha Kriya Yoga tradition by Marshal Govindan.[9]According to Govindan, Babaji was named Nagarajan (king of serpents) by his parents. [8] V.T. Neelakantan and S.A.A. Ramaiah founded on 17 October 1952, (they claim – at the request of Babaji) a new organization, "Kriya Babaji Sangah," dedicated to the teaching of Babaji's Kriya Yoga. They claim that in 1953 Mahavatar Babaji told them that he was born on 30 November 203 CE in a small coastal village now known as Parangipettai, Cuddalore district of Tamil Nadu, India.[10] Babaji's Kriya Yoga Order of Acharyas Trust (Kriya Babaji Sangah) and their branch organizations claim his place and date of birth.[10] He was a disciple of Bogar and his birth name is Nagarajan.[9][10]

In Paramahansa Yogananda's Autobiography of a Yogi, many references are made to Mahavatar Babaji, including from Lahirī and Sri Yukteshwar.[3] In his book The Second Coming of Christ, Yogananda states that Jesus Christ went to India and conferred with Mahavatar Babaji.[8] This would make Babaji at least 2000 years old.[11] According to Govindan's book, Babaji Nagaraj's father was the priest of the village's temple. Babaji revealed only those details which he believed to be formative as well as potentially instructive to his disciples. Govindan mentioned one incident like this: "One time Nagaraj's mother had got one rare jackfruit for a family feast and put it aside. Babaji was only 4 years old at that time. He found the jackfruit when his mother was not around and ate it all. When his mother came to know about it, she flew in blind rage and stuffed a cloth inside Babaji's mouth, nearly suffocating him, but he survived. Later on he thanked God for showing him that she was to be loved without attachment or illusion. His Love for his mother became unconditional and detached."[9]

When Nagaraj was about 5 years old, someone kidnapped him and sold him as a slave in Calcutta (now Kolkata). His new owner however was a kind man and he freed Nagaraj shortly thereafter. Nagaraj then joined a small group of wandering sannyāsin due to their radiant faces and love for God. During the next few years, he wandered from place to place, studying holy scriptures like the Vedas, Upanishad, Mahabharata, Ramayana, Bhagavad Gita.

According to Marshall Govindan's book, at the age of eleven, he made a difficult journey on foot and by boat with a group of ascetics to Kataragama, Sri Lanka. Nagaraj met Siddha Bhogarnathar and became his disciple. Nagaraj performed intensive yogic sadhana for a long time with him. Bhogarnathar inspired Nagaraj to seek his initiation into Kriya Kundalini Pranayam from Siddha Agastya. Babaji became a disciple of Siddha Agastya. Nagaraj was initiated into the secrets of Kriya Kundalini Pranayama or "Vasi Yogam". Babaji made a long pilgrimage to Badrinath and spent eighteen months practising yogic kriyataught to him by Siddha Agastya and Bhogarnathar. Babaji attained self-realization shortly thereafter.[9]

It is claimed that these revelations were made by Babaji himself to S.A.A. Ramaiah, a young graduate student in geology at the University of Madras and V.T. Neelakantan, a famous journalist, and close student of Annie Besant, President of the Theosophical Society and mentor of Krishnamurti. Babaji was said to have appeared to each of them independently and then brought them together to work for his Mission in 1942

By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

Visit www.midohiofoodbank.org. Mario Lopez, host of Extra, visited Columbus on July 3 and, with Big Lots, encouraged attendees to help fight hunger in Central Ohio by bringing one or more non-perishable food items to donate to the Mid-Ohio Foodbank.

Visit www.midohiofoodbank.org. Mario Lopez, host of Extra, visited Columbus on July 3 and, with Big Lots, encouraged attendees to help fight hunger in Central Ohio by bringing one or more non-perishable food items to donate to the Mid-Ohio Foodbank.

Every holiday season, the staff and patients of South Kona Physical Therapy donate food to the Hawai'i Island Food Basket. This is part of the Thanksgiving collection. Another collection will be made for Christmas.

1001 South Street Philadelphia PA

This store is slated to become an Acme Markets store by the end of the month. The Philadelphia stores seem to be the last of the Stores to be converted.

This store is on the ground floor of a parking garage. You take the elevators into lobby of the store. This store has received the 3rd version of the Fresh decor. Most of the perishables are gone and it seems that they are already cleaning the building. It's tough getting around the store due to many of the end caps pulled out to clean the flooring underneath.

This store is across the street from an incredibly busy Whole Foods. If Acme wants to compete here, they need to put more emphasis on prepared foods.

The Capitol Christmas Tree lighting ceremony was held on Tuesday, December 6, 2011 on the West lawn of the U. S. Capitol in Washington, D.C. In 1970 the Architect of the Capitol approached the United States Department of Agriculture Forest Service for assistance in providing a Capitol Christmas Tree; and since then, it has been an honor for one of our country’s National Forests to produce a tree for the holiday’s. 2011 will be the fourth time California has contributed the U.S. Capitol Christmas Tree. Known as "The People’s Tree", the 2011 Capitol Christmas Tree is a 63 ft., 118 year old, Sierra White Fir harvested from the Stanislaus National Forest in the Central Sierra Nevada Mountains of California. During the seven day tour of California in November citizens collected non-perishable food items to demonstrate the goodwill and generosity of California's people to share with those less fortunate during the holiday season. USDA Photo by Bob Nichols.