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Yellow Goat's-beard (Tragopogon dubius) - Sandy Hook National Seashore, New Jersey
I like the "Statue of Liberty" crown on this flower. It could be that the petals will eventually dwarf the sepal points, but it looks great at this point in its development, and it really stood out from everything within 50 feet of it!
It was the most beautiful evening for sunset, unfortunately the tide was rapidly going out and I couldn't quite get the shot I had been hoping for with more water over the rocks and longer big stopper type exposure.. but I think I was very very fortunate to just be there with fellow photographer (RF-edin) Rennos to see it.. and I guess at least one of us had filters packed to attempt to capture the beauty (sorry it was a funny story www.flickr.com/photos/40715570@N06/7160748040/in/photostream ) . Sure he would have done the scene more justice though...
Song that came to mind : www.youtube.com/watch?v=NGC1UjVJ99I
Perhaps once ago a bird might have dropped a seed into this old silo. On US Hwy 82 near Columbus MS.
Unknown insect, perhaps a bush cricket? ID welcomed!
UPDATE: Thank to Chris and Jo GB, I'm now thinking this is some type of meadow katydid (genus Conocephalus)...
Tamron SP Di 90mm F/2.8 (272E).
IMPORTANT:
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Thank you!
(IMGP9393_CrEtc)
Title / Titre :
Perhaps The Empress of Ireland /
Peut-être l'’Empress of Ireland
Creator(s) / Créateur(s) : Unknown / Inconnu
Date(s) : 1906 - 1914
Reference No. / Numéro de référence : ITEM 3194203, 3623043
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3194...;
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3623...
Location / Lieu : Unknown / Inconnu
Credit / Mention de source :
Library and Archives Canada, PA-116389 /
Bibliothèque et Archives Canada, PA-116389
Taken from "Warship Tour 2009", Tanjung Priuk harbor, organized by Wikimu Online Community, last Sunday..
I dont know why but I think I sucked this time.. :D
AF 50mm f1.4D on Nikon D40x
Perhaps the most beautiful window at All Saints is the Angel window by Powells c1900 on the west side of the north transept. It lights a chamber used for storage and has to be glimpsed through a door, thus is sadly missed by most visitors to the church. (the lower left angel was damaged by a scaffolder in the mid 1990s and now has a replacement head).
All Saints is Leamington Spa's cathedral-like main church, begun in 1843 over the site of a much more modest building. The bulk of the church was completed in the following years by J.C.Jackson, though the west end of the nave and the soaring south west tower were added in 1898-1902 by Sir Arthur Blomfield. It seems a crossing tower was originally intended but only the stump was built, owing to insufficient foundations or funds. Nevertheless a small clock tower with a spire was added off the north transept giving the church a distinctive outline.
The apse and transepts are largely French gothic in style (an odd choice for a Regency town) with elaborately traceried rose windows based on authentic examples in Rouen (alas without stained glass). The apse windows are amongst the tallest of their kind in an English parish church.
The interior is impressivelty spacious despite being somewhat gloomy. The west end was partitioned off to form gallery and parish rooms in c1990, (utilising the rood screen from the demolished Holy Trinity, Rugby). The only vestige of the medieval church is a small worn effigy of an abbot in the north transept porch.
The church has much glass of the Victorian period, the rich apse windows of 1851 being the work of Chance Bros of Birmingham and in part shown at the great exhibition. They were much improved by restoration in the late 1990s.
Trail encounter with lioness soon after a meal on her way to a watering hole; Kruger National Park, South Africa.
Not long ago, I was at Papago Park in Phoenix, AZ. I was hiking all over as I took pictures. One area had a great view of Hole in the Rock. I set my camera on a tripod and set the timer for fifteen seconds. I started flexing just for the heck of it. Soon after that, I heard lots of people screaming behind me. I then saw a scorpion run by me. It was carrying a tennis ball in its pincer. As it ran, it knocked over my water bottle. The scorpion made a strange sound. I then saw another scorpion crawl up a ravine. I think it was the mother because it was about ten times larger than the little one that startled me. The scorpions quickly ran away from me. I doubt that my flexing intimidated them. I heard a hummingbird behind me. When I turned around, I saw five ants on the mountain and more were climbing up from the other side. Within ten seconds, there were already about twenty on or near the mountain. In less than a minute, all of the people that were on the mountain were eaten. I quickly got back to my car. I covered myself up with a gym towel that I kept in the back seat. It was about forty-five minutes until all of the ants passed me by and headed further west toward Central Phoenix. As I slowly drove out of the park, I saw all kinds of human carnage and I saw many Scorpion parts. There was also a green tennis ball at the side of the road. A hummingbird hovered at the left side of my car and then flew off toward the south. Perhaps it was searching for a safer feeding place.
Dornie is a small former fishing village in the Lochalsh district in western Ross-shire Highlands of Scotland (2006 census). It is near the meeting point of Loch Duich, Loch Alsh and Loch Long.
The A87, the main road to Skye, passes just outside the village. Before the construction of the bridge, the main road passed through the centre of the village and crossed Loch Long via a short ferry ride. Amongst bagpipers, the tune "Dornie Ferry" is a well-known strathspey.
Eilean Donan is a famous castle on a nearby island. The village itself runs alongside the water hosting a variety of village homes, one tiny shop, a hotel and two bars.
St Duthac's Catholic Church dates from 1860 and was designed by architect Joseph A. Hansom. It is in the Gothic style with a stone reredos of polished granite shafts and a demi-octagonal stone pulpit, an unusual feature in a Scottish church.
In 2022, two people were injured in Dornie during the Skye and Lochalsh attacks.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
taken in parral chile 15 sec exposure...it was raining so everything was wet and reflecting the surrounding lights// see large
Perhaps Sir Walter Devereux who was killed at the battle of Pilleth in 1402 www.flickr.com/photos/52219527@N00/8668147060/ during the Glendwr Wars. His head rests on a ceremonial helmet with a moor's head crest. He wears a Lancastrian SS collar.
He was the son of Sir Walter Devereux of Bodenham by his wife Maud
His sister Anne m Roger Vaughan of Bredwardine , parents of Sir Roger Vaughan 1415 www.flickr.com/gp/52219527@N00/279804
He m Agnes daughter of Sir Thomas Crophull of Weobley by Sybil Delabere (Agnes m2 Sir John Marbury www.flickr.com/photos/52219527@N00/9100243164/ )
Children
1.Sir Walter b1387-1420 m Maud daughter of Thomas Bromwich Justice of Ireland by Catherine Oldcastle (parents of Elizabeth Milbourne www.flickr.com/photos/52219527@N00/8051041660/ )
2. John dsp
3. Richard dsp
4.Stephen dsp
5.Thomas dsp
6. Roger dsp
7.Elizabeth dsp
8.Margaret b 1395 dsp
Walter’s father was a retainer of the de Bohuns (family of 1st wife of lancastrian Henry lV) and sheriff of Somerset and Dorset and of Herefordshire. They were closely related to John, Lord Devereux, a friend of the Black Prince and member of Richard II’s council of regency, It was perhaps due to the latter’s influence that Walter began his career in the royal household, and he was a King’s esquire by the time of his first mention in the records on 8 Feb. 1382. On that day he and his father (who was then attending Parliament) were appointed to a royal commission, and at the same time he alone was granted the keeping of Builth castle during the minority of its owner, Roger Mortimer, earl of March.
By that autumn Devereux had made a valuable marriage to Agnes (then aged 11), grand daughter and heir of Sir John Crophill, who enfeoffed the couple of the manor of Newbold Verdon, Leic. In June 1383 Crophill died, and 2 months later Walter received custody of his estates (except those held by the widow in dower) during Agnes’s minority. Agnes came of age in September 1385 when (the widow being now dead) Devereux took full possession of the lands jure uxoris. They included the manor of Sutton Bonnington and lands at Arnold, Nottinghamshire, the manors of Cotesbach, Braunston and Hemington, Leicestershire, an estate at Market Rasen, Lincolnshire, and the manor of Weobley, Herefordshire, which last became his principal residence
The shield is of Devereux and Marbury
www.historyofparliamentonline.org/volume/1386-1421/member...
Perhaps one of the most colorful Osmia, Osmia versicolor, collected by Jelle Devalez on the Aegean Islands of Greece. Yet another snail shell nester. What would these species do if there were no snail shells and no snails to make them? Photography by Maggie Yuan.
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www.youtube.com/watch?v=S-_yvIsucOY
USGSBIML Photoshopping Technique: Note that we now have added using the burn tool at 50% opacity set to shadows to clean up the halos that bleed into the black background from "hot" color sections of the picture.
www.youtube.com/watch?v=Bdmx_8zqvN4
PDF of Basic USGSBIML Photography Set Up:
ftp://ftpext.usgs.gov/pub/er/md/laurel/Droege/How%20to%20Take%20MacroPhotographs%20of%20Insects%20BIML%20Lab2.pdf
Google Hangout Demonstration of Techniques:
plus.google.com/events/c5569losvskrv2nu606ltof8odo
or
www.youtube.com/watch?v=4c15neFttoU
Excellent Technical Form on Stacking:
Contact information:
Sam Droege
sdroege@usgs.gov
301 497 5840
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
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Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
This reminds me of a statue Aristotle but I can't find a reference for it.
Recently a sculpture of Aristotle that greeted in a similar pose was vandalized outside the ancient Greek city of Assos in Turkey.
Perhaps the least known of London's railway termini - Westminster Bridge Road station of the London Necropolis Company. From here funeral trains were run to Brookwood Cemetery in Surrey. The station closed in 1941 after suffering extensive air raid damage. 18th January 2018.
Perhaps more than any other Yordle, Lulu marches to the beat of her own drum. During her youth in Bandle City, she spent most of her time wandering alone in the forest or lost in a daydream.
CN | Bánh Bao
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