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The Thunderbirds Thunder Diamond formation performs the Diamond Bottom Up Pass maneuver during a practice show at Lakeland, Fla., April 24, 2015. (U.S. Air Force photo by Tech. Sgt. Manuel J. Martinez/Released)
Exotic Go-Go Dancer Performing in Bikini at Wild Thing Striptease Dance Club 13th & Arch Street Philadelphia Sepia August 1996
Performing at EAA AirVenture 2011. Interestingly, no two of the aircraft are exactly the same variant of the type.
Paul McCartney performing at Bonnaroo Music Festival in Manchester, Tennessee on June 14, 2013 -
Paul McCartney fine art photography prints by David Oppenheimer: 1-performance-impressions.pixels.com/collections/paul+mcc...
Art gallery and image licensing requests: performanceimpressions.com
Copyright 2026 David Oppenheimer
Performance Impressions Concert Photography Archives
CC week 25: Symmetry
To me, this is the prettiest building along the main highway through Eureka. It was built in 1990, and it does a fine job of doing honor to the town's Victorian architecture.
Taken on Monday 8th June during the MBNA Chester Music Festival produced by ChesterPerforms. For more information about the Music Festival and Chester Performs see:
www.chestermusicfestival.co.uk
#ChesterMusicFestival
Irish harpist Áine Minogue performed today in the All Seasons Barn at Wright-Locke Farm, with a mix of traditional and original songs, and a bit of history in between. I helped out with show setup and flagging patrons into their parking spots.
“I am the shark among the fishes, and the Ganges among the rivers.”
(Bhagavad Gita)
Every evening there is a Hindu ritual at Dasaswamedh ghat along the Ganges in Varanasi (Benaras).
It is called Ganga Aarti and it is performed by students from the Sanskrit University who will become Hindu priests like this young man who allowed me to stay very close in order to take many pictures.
The purpose of performing aarti is the waving of lighted wicks before the deities in a spirit of humility and gratitude, wherein faithful followers become immersed in God's divine form.
It symbolises the five elements:
space (akash), wind (vayu), light (tej), water (jal), and earth (pruthvi).
The blur effect is actually coming from the heavy smoke of the encense.
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ATLANTIC_CITY_NJ_April 30: Singer-songwriter,actor, Jessie McCartney performs
at The Pool After Dark, Harrah's Atlantic City on April 30, 2016. Photo: Tom Briglia/PhotoGraphics
Swiss-German-British postcard by News Productions, Baulmes / Filmwelt Berlin, Bakede / News Productions, Stroud, no. 56501. Photo: Collection Cinémathèque Suisse, Lausanne.Brigitte Bardot and Yves Robert in Les Grandes Manoeuvres / Summer Manoeuvres (René Clair, 1955), produced by Filmsonor and Rizzoli Films.
Beautiful French actress Brigitte Bardot (1934) was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she established herself as an animal rights activist and made vegetarianism sexy.
Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying a modeling career and found herself in May 1949 on the cover of the French magazine Elle. Her incredible beauty was readily apparent, Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand/Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953 she attended the Cannes Film Festival where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956 she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as ingénue or siren, often with an element of undress. She made her first US production in 1953 in Un acte d'amour/Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.
Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme/...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smashing success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. Woman's immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the shooting of Et Dieu créa la femme/And God Created Woman (1956), directed by her husband Roger Vadim, Brigitte Bardot had an affair with her co-star Jean-Louis Trintignant, who at that time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.
Et Dieu créa la femme/...And God Created Woman (Roger Vadim, 1956) helped her international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten' and fascination of her in America consisted of magazine photographs and dubbed over French films - good, bad, or indifferent, her films drew audiences - mainly men - into theaters like lemmings.BB appeared in light comedies like Doctor at Large (1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne/La Parisienne (Michel Boisrond, 1957) which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur/Love is my profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "this Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defense attorney Andre (Jean Gabin). Though Andre is able to shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960 postcards with this photograph outsold in Paris those of the Eiffel Tower.
Brigitte Bardot divorced Vadim in 1957 and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre/Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career. Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée/Private Life (1962), directed by Louis Malle has more than an element of autobiography in it. James Travers at Films de France: "Brigitte Bardot hadn’t quite reached the highpoint of her career when she agreed to make this film with high profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names, was based on an actual incident and is a resonant image of a celebrity in the mid-20th century. Soon afterward Bardot withdrew to the seclusion of Southern France.
Brigitte Bardot's other husbands were German millionaire playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men including Sami Frey, her co-star in La Vérité/The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Godard's critically acclaimed film Le Mépris/Contempt (Jean-Luc Godard, 1963). She was also featured along with such notable actors as Alain Delon in Amours célèbres/Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires/Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses/Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury, and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.
Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973 just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976 she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewelry and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990's she became also outspoken in her criticism of immigration, interracial relationships, Islam in France, and homosexuality. Her husband Bernard d'Ormal is a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularizing bikini swimwear, in early films such as Manina/Woman without a Veil (1952), in her appearances at Cannes and in many photoshoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."
Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (Films de France), Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Found image. This card was posted in Sutton in 1914 by L Cobley who appears in the photograph. She says she is returning to Harlesdon and will have to get used to housekeeping again. The card is partially tinted.
The 2019 Lincoln Luminarium organised by LPAC (Lincoln Performing Arts Centre) and located outside the Main Administrivia building of the University of Lincoln, in Lincoln, Lincolnshire.
A luminarium is a massive inflated sculpture people can walk through inside it is a maze of winding paths and soaring domes. Founder, designer and artistic director of Architects of Air, Alan Parkinson, has been designing and making these luminariums for the past 25 years.
Since 1992 more than 3 million visitors in over 40 countries across 5 continents have been welcomed into Architects of Air’s monumental luminaria, immersed in radiant colour that comes simply from daylight shining through the luminarium’s fabric.
The luminarium visiting Lincoln is called Miracoco and is one of seven which tour the world, the others are named Albesila, Katena, Arboria, Pentalum, Mirazozo and Amococo. All luminaria are of a similar large scale (1000m2 /10,000ft2) and are modular to adapt to different sites.
The luminaria have been seen in a great variety of contexts: at festivals of music, theatre, science & dance, at arts centres & museums, at community, corporate & school events, architecture & design related events, etc. The luminaria is also presented as a stand-alone event e.g. as part of a civic summer programme.
Information Source:
Water skiing was invented in 1922 when Ralph Samuelson used a pair of boards as skis and a clothesline as a tow rope on Lake Pepin in Lake City, Minnesota. The sport remained a little-known activity for several years. Then, Samuelson performed shows from Michigan to Florida. In 1966, the American Water Ski Association formally acknowledged Samuelson as the first water skiier on record. Samuelson was also the first ski racer, first to go over a jump ramp, first to slalom ski, and the first to put on a water ski show.[1] He experimented with different positions on the skis for several days until July 2, 1922. Finally, Ralph discovered that leaning backwards in the water with ski tips up and poking out of the water at the tip was optimal. His brother Ben towed him and they reached a speed of 20 miles per hour. Samuelson also achieved the first ski jump on July 8, 1925 using a greased 4 feet (1.2 m) by 16 feet (4.9 m) ramp, making him the first water ski jumper.
Original Caption: Black Bongo Player Performs At The International Amphitheater In Chicago As Part Of The Annual Push 'black Expo' In The Fall Of 1973. The Annual Event Showcases Black Talent Educational Opportunities, Stars, Art And Products To Provide Blacks With An Awareness Of Their Heritage And Capabilities, And Help Them Towards A Better Life, 10/1973
U.S. National Archives’ Local Identifier: 412-DA-13860
Photographer: White, John H, 1945-
Subjects:
African-American
Chicago (Cook county, Illinois, United States)
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: catalog.archives.gov/id/556312
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Performing Yocchore (よっちょれ) at the JCCC’s annual Oshougatsu Kai in January.
(Photo by Canada East DD2: www.flickr.com/photos/114379743@N05/)