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This is a model of the SMAP Spacecraft. Free high quality step-by-step instructions and a parts list are available at Rebrickable! The instructions also include additional educational information about the SMAP Spacecraft.
SMAP launched on January 31, 2015 and will collect data for at least three years. SMAP will monitor drought, predict floods, assist crop productivity, improve weather forecasting, and study links between the water, energy, and carbon cycles
Excerpt: "Jack, with his dry wit, had made up nicknames for a lot of areas in the park but The Liars’ Club was probably his best. He loved this place where old timers would gather in the mornings to sit and share “war stories” or talk about who had the worst health ailment. The Liars’ Club was usually Jack’s last stop on his early field rounds and he livened the group up with his own stories. Thanks Jack, for making the park a better place. We miss you."
www.delnorwiggins.org/pdf/volunteer_news/April_2014.pdf
ABC's and 123's L is for Liar's (Club)
This photo shows a Thaloid Liverwort (non-vascular plant) found growing at the edge of a pond on Frances and David Dover's acreage. You can see the rhizoids that anchor it, also a few tiny water creatures (seen on friend Sandy's hand). Well found, Sandy, as this is a tracked liverwort (S2). We have only seen it at one location in Calgary, along the edge of one of the ponds at Pearce Estate. I was at that location in 2008 and again on 27 August 2013, when it was discovered there.
"In ancient times, it was believed that liverworts cured diseases of the liver, hence the name. In Old English, the word liverwort literally means liver plant. This probably stemmed from the superficial appearance of some thalloid liverworts (which resemble a liver in outline), and led to the common name of the group as hepatics, from the Latin word hēpaticus for "belonging to the liver". An unrelated flowering plant, Hepatica, is sometimes also referred to as liverwort because it was once also used in treating diseases of the liver. This archaic relationship of plant form to function was based in the "Doctrine of Signatures".
The greatest impact of Liverworts is through the reduction of erosion along streambanks, their collection and retention of water in tropical forests, and the formation of soil crusts in deserts and polar regions. However, a few species are used by humans directly. A few species, such as Riccia fluitans, are aquatic thallose liverworts sold for use in aquariums. Their thin, slender branches float on the water's surface and provide habitat for both small invertebrates and the fish that feed on them." From Wikipedia.
en.wikipedia.org/wiki/Marchantiophyta
I will copy and paste the description I posted on Flickr from our first visit to the Dover's property, on 7 August 2015:
"Yesterday, 7 August 2015, four of us were extremely fortunate to have the chance to visit the home and highly varied topographic 62-acre property belonging to Frances and David Dover. We felt honoured and privileged to meet and spend time with Frances and David, and also their daughter Carolyn and her husband Clair. A delightful family who welcomed us so warmly into their home and land.
This acreage of grassland, forest, rolling hills - and special gardens - is not far from Millarville, SW of Calgary. In fact, it's in an area that I often drive through when I only have time for, or only feel like doing, a short drive. Amazing what little gems exist out there.
This is not just a beautiful property, but is very special for various reasons. For one thing, read any history of Alberta and you will find the Dover family, including David's mother, Mary Dover. Second, among the trees and open "lawns", there are Peony flower beds, containing 100-150 heritage Peonies, each one different, that have now multiplied to more than 300 plants. Unfortunately, they bloomed a couple of weeks early this year, and all the flowers had gone to seed. Another open area had a different kind of ground cover - Thyme, which smelled wonderful. If I remember correctly, this was the open space where the Calgary Philharmonic Orchestra performed on one occasion!
There are two large ponds on the property and another smaller area of water that they hope to turn into a Japanese Garden. It was while walking around the latter that a large brown 'shape' could be seen through the dense trees - a handsome Moose buck. I will look properly at the four or so photos I just managed to get and will slip one of them into my photostream sometime soon, just for the record, definitely not for the photo quality : ) This was also where a Great Horned Owl was seen flying through the trees by some of us (not me, ha!).
There are grassy paths winding through the acreage, up and down hill, that take David seven hours to mow. They are not pristine, velvety paths, but instead, they seem to take nothing away from the wildness of the whole area. One of the animals that have passed through is the Cougar. In fact, several years ago, I saw a video taken on a nearby (or adjacent?) property, where a 'kill' and night-time camera had been set up and a total of six different Cougar individuals were seen!
Even the Dover's home is unique and beautiful. It is completely built of concrete - floors, walls, ceilings, roof, deck, and so on. A Hummingbird feeder and regular bird feeders, set up on the patio, attract a variety of birds. We sat on the patio after our walk to eat our packed lunches - and to enjoy a delicious Orange Pound Cake that Frances had made for us, along with refreshing Iced Tea - thank you so much for this, Frances! Yesterday, while I was waiting for one of three tiny Calliope Hummingbirds to come back, I was lucky enough to see a little Mountain Chickadee, along with many Pine Siskins. We could also hear a Red-tailed Hawk in the area.
There is just so much I could write about this visit and family. Instead, or for now, I will add several links to more information on the Internet. This was a memorable day for us. Thank you so much, Frances and David, Carolyn and Clair, for being so kind and welcoming us into your home and gardens.
books.google.ca/books?id=Tr36Tq_gadcC&pg=PA290&lp...
www.westernwheel.com/article/20110727/WHE06/307279983/-1/...
David's mother, Mary Dover (her father was A. E. Cross), was "a dynamic and distinguished Calgarian, particularly known for her work with the military during World War II." As well as being an army officer, and an alderman, she was also a preservationist. See the following link.
www.albertachampions.org/champions-mary_dover.htm#.VcY1KP...
ww2.glenbow.org/search/archivesMainResults.aspx?XC=/searc...
glencoe.org/documents/10184/637479/The-History-of-Elbow-P... page 44-45 ."
Sole agents- Belsize, De Dion, FN, Minerva, Itala, Delage & Commercial Cars, Triumph. NSU, & FN Motor - Cycles,
HEAD GARAGE WORKS PIERIE ST ADELAIDE
See head office here.. collections.slsa.sa.gov.au/resource/B+1163
Thanks to Ian Sutton for this link to an add in the Canberra Times.. Which I must edit on Trove! nla.gov.au/nla.news-page663328
We never knew it was here when we drove past in 2002
See a good history here.. silvertonestudio.com.au/wp-content/uploads/2021/04/Eyes-a...
Eyes and Crowle Story.
(courtesy of the Vintage and Veteran Motorcycle Club of SA)
In early 1906 William Crowle and Robert Eyes established the motor firm Eyes & Crowle, Limited. They began in Adelaide, South Australia, and were “Sole Agents” for many makes of motorcars and motorcycles over time. Mr Crowle had much experience in this area as he had “mastered all the details of the business” by working in and managing motor and electrical organisations in America, England and Europe prior to setting up business in Adelaide. The firm initially started selling bicycles and motor cycles, but over time the motor car section of the business grew until it became their major operation as well as looking after the servicing of motor vehicles and selling related accessories.
In 1908 the company went public and a new garage was opened across the country in Sydney. The next few years proved to be very expansive for the firm. They opened new businesses in country S.A., in places such as Burra, Mount Gambier, and Cowell. By 1911 the acre-sized main property at 75-79 Pirie St. Adelaide employed 50 people and sold, on average, 100 cars a year. Even though the company was selling many more different makes of cars compared to motorcycles, the average annual sales of Triumph motor cycles (100 per annum) were about the same as the total motor car sales.
The Advertiser called the company “one of the largest, as well as one of the most efficiently equipped, motor garages and motor works in the Commonwealth” in an article which also claimed that, population-based, “South Australia has long had the reputation of possessing more motor vehicles than any other country in the world.” The bulk of the company's business became selling motor cars, and some of their selection of “The World’s Best Cars” they sold included Buick, De Dion Bouton, F.I.A.T., Minerva, Crossley, Clement, Darracq, Sunbeam, Delage, F.N., Sizaire et Naudin, Maudslay, Itala, K.R.I.T., Durant, Rugby, Belsize, Packard, Hupmobile, Cardillac, Bean, as well as “Commer” Motor Lorries. Eyes & Crowle sold a much smaller variety of motorcycles.
Unfortunately, times and fortunes change. Several factors combined to influence Eyes & Crowle’s eventual demise. Eyes & Crowle lost the agency for Buick, a brand that is still going today. By the late 1920s the business was starting to wind down. Maybe their future would have been different if they had retained Buick or picked up the Ford agency which had belonged to Duncan & Fraser. Anyway, in February 1930, Eyes & Crowle’s managing director Mr H. W. Reid left to head Autocars Ltd in Adelaide. Shortly after that move, Autocars Ltd took over the selling of Rugby-Durant vehicles from Eyes & Crowle as well as the selling of Nash cars and Federal trucks. By May 1st 1930 the centrally located and well know premises of Eyes & Crowle had been taken over by the ‘Lewis’ firm and was being used as a parking station and servicing centre. The remaining stock of second hand vehicles were sold off at bargain prices. Today, the original Eyes & Crowle building is opposite a Subway business.
National Police Week 35th Candlelight Vigil Ceremony on the National Mall in Washington DC on Saturday night, 13 May 2023 by Elvert Barnes Photography
ROLL CALL OF HEROES NAMES
nleomf.org/wp-content/uploads/2023/04/roll-call-2023-FINA...
National Law Enforcement Officers Memorial Fund 35th CANDLELIGHT VIGIL 2023 website at nleomf.org/memorial/programs/national-police-week-2023/ca...
National Law Enforcement Officers Memorial 2023 NATIONAL POLICE WEEK at nleomf.org/memorial/programs/national-police-week-2023/
Elvert Barnes 32nd NATIONAL POLICE WEEK 2023 docu-project at elvertxbarnes.com/police-week
Elvert Barnes May 2023 at elvertxbarnes.com/2023
Elvert Barnes former NPW CANDLELIGHT VIGIL docu-proect at elvertbarnes.com/NPWCandleVigil.html
Visitors translate a DNA sequence (a row of wooden blocks) into a sequence of amino acids using wooden “translator blocks”. They then use a static version of the FASTA database to look up a set of prescribed amino acid sequences to find out which organism the amino acid sequence is from.
www.ebi.ac.uk/training/schools/relate/ (unfortunately a dead link from the EBI)
www.yourgenome.org/downloads/function_finder_forweb.pdf (dead link from yourgenome.org) see www.yourgenome.org/activities/function-finders
at DNA, Diversity and You via www.sanger.ac.uk and www.ebi.ac.uk
-Crònica Pedals de Foc en 2 dies i varies pluges i tempestes-
Etapa 2 PDF 2018
Equip: Bicicleta Trek Superfly 29’’ + llums davant i darrera + gps + casc + ulleres + ass savers.
Inicialment volia portar bikepacking a la tija, però me la vaig deixar a Barcelona, així que no tenia opció, a carregar l’esquena amb la motxilla on portava un entrepà, fruits secs, barretes i gels, una jaqueta d’abric esportiva, un impermeable per la pluja, piles pel gps que em marcava el track, un carregador de USB amb diferents cables pels diferents dispositius (llums bici, mòbil, etc), Buf pel coll, mapa, armilla fluorescent per travessar el túnel de Vielha, bossa de 2 litres d’aigua, un Maillot net de recanvi, uns pantalons curts per passar la nit a l’alberg, mitjons de recanvi, guants.
-Comença la jornada al Alberg la Torre de la Vall Fosca, on he fet la nit, he descansat més o menys bé, a pesar de l’adrenalina que encara em corria per les cames després d’estar tot el dia pedalant.
Esmorzar amb el company de Saragossa comentant la jornada que ens espera i intercanviant impressions de ciclisme, viatjar en bici, etc.
Carregar aigua, buidar necessitats, preparar material, mirar radars i meteo, veure que plou i que no pinta molt bé. De fet, el senyor del l’alberg de matí em diu que m’ho pensi per què ara toca una forta pujada on arribes a uns 2300 metres d’alçada i on després es pedala per aquella alçada durant uns 20km, sense pobles o refugis, sense res que tapi, molt exposat al que passi, i sembla que hi ha tempesta, m’aconsella no fer-ho encara que reconeix que ell de jove ha fet moltes animalades. És un bon consell d’algú de la zona, però començo la marxa amb la idea d’anar veient que em trobo i deicidir sobre la marxa.
Començo amb pluja fina, i conforme avanço la pluja i els llamps cauen cada cop amb més força i en la direcció que vaig. Prenc la decisió de para a Espuy, quant tot just acabo de començar, paro i penso que ja decidiré segons vegi com evoluciona la tempesta, prenc un cafè a l’únic bar que trobo a Espuy. Parlo amb la senyora del bar i un client, parlem del temps i de l’esport, etc. Ja vaig pensant en possibilitats de postposar el repte i fer la etapa al dia següent, es veia molt negre. Pensava en pedalar per la zona, i tornar a l’Alberg a veure si tenien habitació una altre nit, no tenia cap reserva.
Parlant amb el client del bar veig que una llum entra per la finestra del bar, veig un petit clar al cel en la direcció que vaig, això em treu els dubtes del cap i decideixo continuar, tot i que ja he perdut uns 30/40 minuts més. Torno a sortir tard en definitiva, són les 9:40/50
Començo la gran pujada, llarga i dura, i vaig tenint estones de pluja, de sol, de núvols, de no veure res, i de veure el paisatge també però només moments puntuals. El temps està molt canviant, però no acaba de passar res molt greu, continuo pujant.
A 2 km del final de la pujada, casi 2000 m d’alçada em trobo entre la boira –o núvol- una parella que fa també la mateixa ruta, però la fan en 3 o 4 dies, ells només tenen que arribar a Espot, el noi em comenta que la va fer fa molts anys i que ja li va agafar una gran tempesta per aquesta zona.
Parlem una mica, faig alguna foto i continuem, cadascú al seu ritme.
El noi em comenta que queden 1,5km al cim, i més o menys és així, arribo adalt i no es veu res, sembla el típic lloc on es veu paisatge a banda i banda, però que només el pots intuir ja que estic dins d’un núvol.
Prenc 2 barretes, bec aigua em poso la jaqueta per que fa fred, també el buf i començo la baixada.
De cop i volta el núvol es va esvaint i començo a veure per on baixo i el paisatge espectacular de zona mitja alta de muntanya –entre 2000 i 2300m- el sol em toca la cara i això reconforta. Comença un puja baixa que després de la gran pujada es veu fàcil i començo a pedalar amb força, les endorfines pugen i em motivo. 20km molt macos per zona alta on el temps estava molt canviant també, estones de sol, estones de núvols on no veies 2 metres davant, estones que semblava Mordor, estones de calor, estones de fred fins arribar a la baixada.
En aquests 20 km he tingut una sensació de pèrdua de pressió a la roda de darrera, i cada cop anava a més, em paro ho comprovo i si! Efectivament, tenia la roda amb pèrdua de pressió, no se perquè, no sembla punxada, penso que només em queda baixar a Espot, on vull dinar, i així aprofitar el temps, mentres dino canviar pneumàtic i allà segur que trobaré alguna tenda que me deixin un inflador de pau amb mesurador de pressió. Amb molta delicadesa i el cos endavant sobre la bici inicio la baixada, a estones amb molta pedra i a les zones més tècniques posant peu a terra. Durant la baixada passo per l’estació d’Espot Esquí i també se’m creuen uns cérvols just davant meu, espectacle natural a tocar.
Arribo a Espot amb la roda gairebé sense pressió, però sense haver perdut molt temps. Trio un restaurant on demano un menú amb crema de carbassó i canelons de segon, mentres em porten el dinar canvio pneumàtic sense haver trobat cap punxada. Acabo de dinar amb la bici apunt, m’apropo a una tenda on em deixen l’inflador i deixo tot apunt per començar la marxa de nou.
Després d’Espot em trobo una pujada d’asfalt i uns senders amb caiguda a la dreta, però molt macos i amb vistes a tota la Vall d’Aneu, molt xulo i més o menys clicable per a mi.
Fa millor temps i no plou. Pedalant per senders pistes i carreteres secundaries, vaig passant per pobles amb esglésies romàniques típiques de la zona, no tinc pressa però sense pausa arribo a la carretera de la Bonaigua on haig d’agafar el desviament a Sorpe i rodejar tot el cim de la Bonaigua, i aparèixer per Montgarri i arribar al Pla de Beret. Això es tradueix en uns 30 km de pujada més suau que altres però a estones molt dura també i molta estona pujant.
Tot comença travessant una vall on en la direcció que vaig està molt núvol i torna a pintar malament, a més corre un vent de cara fort i fred que a pesar d’anar en pujada i fent esforç, em posa el fred al cos. Després d’una estona tinc el primer ‘bajón’ dels 2 dies, em trobo una mica fluix, no se si són les hores, l’acumulació, els canvis de temperatura constants, el vent fred que em dona a la cara. Paro em menjo 2 barretes, em poso el buff, agafo aire i torno a començar amb més calma.
La pujada es fa llarga, però al arribar a la zona de pista que porta a Montgarri, es tot més maco, no entra tant d’aire, la pujada es suavitza i puc pedalar amb més força, em recupero del ‘bajón’ pujo amb força. A pesar d’això, la pujada es continua fent llarga i cada cop amb més desnivell.
Passo per Montgarri, poblat antic i en runes, ja el conec i no paro, més endavant arribo al refugi de Montgarri, on se que em queda poc però son les 20:15 i queda poc de llum, està tot núvol i plovisqueja, fa fred, em menjo un tros d’entrepà que em quedava, barreta, aigua i endavant.
El tram de Montagrri al Pla de Beret no és molt llarg però té unes pujades amb desnivells molt bèsties i ja estic ‘tocadet’, així que en un moment molt dur, prenc un gel –primer i únic gel que prenc en tota la PDF- agafo forces o placebo, segons es miri, i tiro amunt, arribo al pla de Beret on no es veu res, tot núvol i negre, plou i cada cop més, es comencen a escoltar trons. No paro per què son les 20:45 i queda poca llum i amb els núvols encara menys.
Em poso molt ràpid tot l’abric que tinc i el impermeable i començo a baixar una baixada que la conec i la he fet varies vegades, per sort, ja que cada cop es veu menys, plou molt, el fang i la pluja em van a la cara i no veig res, no tinc ulleres transparents i no em puc tapar la cara i els ulls, vaig menjant fang literalment, mentres baixo el més ràpid possible.
La baixada es torna mig èpica mig perillosa, tinc llums però cada cop es veu menys, vaig travessant camins i pobles, alguns trams de camí estan envoltats d’arbres, és aquí on no es veu res, només la meva llum, el meu cap va fent fotos del moment, un ciclista sol baixant per camins amb molt desnivell i pedres, amb la única il·luminació de la seva pròpia llum davantera... però no tinc temps de parar a fer la foto, a més amb la gopro no surten bé aquestes fotos de nit.
L’ultim tram de la PDF per sort és per carretera, i el faig tope, a lo que puc, arribo a Vielha a les 21:30, el cel s’habia obert una mica, i al menys tenia un mínim de llum fins arribar aquí, molt just però repte assolit, em paro a l’esglèsia de Vielha i paro ja descansat després d’aquest últim sprint oer arribar no molt tard. Després vaig directe a demanar una pizza al ‘Don Geppetto’ pizzeria de Vielha on fan unes pizzes genials, avui sense cap mena de dubte és el que tocava, entro a la pizzeria i tothom em mira com si fos un extraterrestre, es de nit i estic de fang fins als... la cara com si hagués fet la Paris-Roubaix. Després d’això toca gaudir del descans i del repte assolit.
Hi ha gent que la fa en un dia, inclús en 10 hores el que guanya la PDF non stop he vist, però per a mi això està molt bé tal i com anava, carregat i en autosuficiència. Gràcies a tots!
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-Crónica Pedales de Fuego en 2 días y varias lluvias y tormentas-
Etapa 2 PDF 2018
Equipo: Bicicleta Trek Superfly 29 '' + luces delantera y trasera + gps + casco + gafas + ass savers.
Inicialmente quería llevar bikepacking al tallo, pero me la dejé en Barcelona, así que no tenía opción, a cargar la espalda con la mochila donde llevaba un bocadillo, frutos secos, barritas y geles, una chaqueta de abrigo deportiva, un impermeable para la lluvia, pilas por gps que me marcaba el track, un cargador de USB con diferentes cables por los diferentes dispositivos (luces bici, móvil, etc), Buf por el cuello, mapa, chaleco fluorescente para atravesar el túnel de Vielha, bolsa de 2 litros de agua, un Maillot neto de recambio, un pantalón corto para pasar la noche en el albergue, calcetines de repuesto, guantes.
-Comienza la jornada en el Albergue la Torre de la Vall Fosca, donde he hecho la noche, he descansado más o menos bien, a pesar de la adrenalina que todavía me corría por las piernas después de estar todo el día pedaleando.
Desayuno con el compañero de Zaragoza comentando la jornada que nos espera y intercambiando impresiones de ciclismo, viajar en bici, etc.
Cargar agua, vaciar necesidades, preparar material, mirar radares y meteo, ver que llueve y que no pinta muy bien. De hecho, el señor del albergue de mañana me dice que me lo piense por qué ahora toca una fuerte subida donde llegas a unos 2300 metros de altura y donde luego se pedalea por aquella altura durante unos 20km, sin pueblos o refugios , sin nada que tape, muy expuesto a lo que pase, y parece que hay tormenta, me aconseja no hacerlo aunque reconoce que él joven ha hecho muchas animaladas. Es un buen consejo de alguien de la zona, pero empiezo la marcha con la idea de ir viendo que me encuentro y deicida sobre la marcha.
Empiezo con lluvia fina, y conforme avanzo la lluvia y los rayos caen cada vez con más fuerza y en la dirección que voy. Tomo la decisión de para a Espuy, cuanto acabo de empezar, paro y pienso que ya decidiré según vea cómo evoluciona la tormenta, tomo un café en el único bar que echo Espuy. Hablo con la señora del bar y un cliente, hablamos del tiempo y del deporte, etc. Ya pensando en posibilidades de posponer el reto y hacer la etapa al día siguiente, se veía muy negro. Pensaba en pedalear por la zona, y volver al Albergue a ver si tenían habitación otra noche, no tenía ninguna reserva.
Hablando con el cliente del bar veo que una luz entra por la ventana del bar, veo un pequeño claro en el cielo en la dirección que voy, eso me saca las dudas de la cabeza y decido continuar, aunque ya he perdido unos 30/40 minutos más. Vuelvo a salir tarde en definitiva, son las 9: 40/50
Comienzo la gran subida, larga y dura, y voy teniendo ratos de lluvia, de sol, de nubes, de no ver nada, y de ver el paisaje también pero sólo momentos puntuales. El tiempo está muy cambiante, pero no acaba de pasar nada muy grave, sigo subiendo.
A 2 km del final de la subida, casi 2000 m de altura me encuentro entre la niebla -o nube- una pareja que hace también la misma ruta, pero la hacen en 3 o 4 días, ellos sólo tienen que llegar a Espot, el chico me comenta que la hizo hace muchos años y que ya le tomó una gran tormenta para esta zona.
Hablemos un poco, hago alguna foto y seguimos, cada uno a su ritmo.
El chico me comenta que quedan 1,5km en la cima, y más o menos es así, llego arriba y no se ve nada, parece el típico lugar donde se ve paisaje a ambos lados, pero que sólo lo puedes intuir ya que estoy dentro de una nube.
Tomo 2 barritas, bebo agua me pongo la chaqueta para que hace frío, también el soplo y empiezo la bajada.
De repente la nube se va desvaneciendo y comienzo a ver por donde me bajo y el paisaje espectacular de zona media alta de montaña -entre 2000 y 2300m- el sol me toca la cara y eso reconforta. Comienza un sube baja que después de la gran subida se ve fácil y comienzo a pedalear con fuerza, las endorfinas suben y me motivo. 20km muy bonitos por zona alta donde el tiempo estaba muy cambiante también, ratos de sol, ratos de nubes donde no veías 2 metros delante, ratos que parecía Mordor, ratos de calor, ratos de frío hasta llegar a la bajada.
En estos 20 km he tenido una sensación de pérdida de presión en la rueda trasera, y cada vez iba a más, me paro lo compruebo y si! Efectivamente, tenía la rueda con pérdida de presión, no se porque, no parece pinchazo, pienso que sólo me queda bajar en Espot, donde quiero comer, y así aprovechar el tiempo, mientras dino cambiar neumático y allí seguro que encontraré alguna tienda que me dejen un inflador de paz con medidor de presión. Con mucha delicadeza y el cuerpo adelante sobre la bici inicio la bajada, a ratos con mucha piedra y en las zonas más técnicas poniendo pie en tierra. Durante la bajada paso por la estación de Espot Esquí y también me cruzan unos ciervos justo delante de mí, espectáculo natural a tocar.
Llego a Espot con la rueda casi sin presión, pero sin haber perdido mucho tiempo. Trio un restaurante donde pido un menú con crema de calabacín y canelones de segundo, mientras me traen el almuerzo cambio neumático sin haber encontrado ningún pinchazo. Acabo de comer con la bici apunte, me acerco a una tienda donde me dejan el inflador y dejo todo listo para empezar la marcha de nuevo.
Después de Espot me encuentro una subida de asfalto y unos senderos con caída a la derecha, pero muy bonitos y con vistas a todo el Valle de Aneu, muy chulo y más o menos clicable para mí.
Hace mejor tiempo y no llueve. Pedaleando por senderos pistas y carreteras secundarias, voy pasando por pueblos con iglesias románicas típicas de la zona, no tengo prisa pero sin pausa llego a la carretera de la Bonaigua donde tengo que coger el desvío a Sorpe y rodear toda la cima de la Bonaigua , y apareció por Montgarri y llegar al Pla de Beret. Esto se traduce en unos 30 km de subida más suave que otros pero a ratos muy dura también y mucho rato subiendo.
Todo comienza atravesando un valle donde en la dirección que voy está muy nube y vuelve a pintar mal, además corre un viento de cara fuerte y frío que a pesar de ir en subida y haciendo esfuerzo, me pone el frío en el cuerpo. Después de un rato tengo el primer 'bajón' de los 2 días, me encuentro un poco flojo, no se si son las horas, la acumulación, los cambios de temperatura constantes, el viento frío que me da en la cara. Paro me como 2 barritas, me pongo el buff, cojo aire y vuelvo a empezar con más calma.
La subida se hace larga, pero al llegar a la zona de pista que lleva a Montgarri, es todo más bonito, no entra tanto de aire, la subida se suaviza y puedo pedalear con más fuerza, me recupero del 'bajón' subo con fuerza. A pesar de ello, la subida se sigue haciendo larga y cada vez con más desnivel.
Paso por Montgarri, poblado antiguo y en ruinas, ya lo conozco y no paro, más adelante llego al refugio de Montgarri, donde se que me queda poco pero son las 20:15 y queda poco de luz, está todo nube y llovizna, hace frío, me como un trozo de bocadillo que me quedaba, barrita, agua y adelante.
El tramo de Montagrri el Pla de Beret no es muy largo pero tiene unas subidas con desniveles muy bestias y ya estoy 'tocadet', así que en un momento muy duro, tomo un gel -primer y único hielo que tomo en toda PDF- cojo fuerzas o placebo, según se mire, y tiro arriba, llego al Pla de Beret donde no se ve nada, todo nube y negro, llueve y cada vez más, se empiezan a escuchar truenos. No paro por qué son las 20:45 y queda poca luz y con las nubes aún menos.
Me pongo muy rápido todo el abrigo que tengo y el impermeable y comienzo a bajar una bajada que la conozco y la he hecho varias veces, por suerte, ya que cada vez se ve menos, llueve mucho, el barro y la lluvia me en la cara y no veo nada, no tengo gafas transparentes y no me puedo tapar la cara y los ojos, voy comiendo barro literalmente, mientras bajo lo más rápido posible.
La bajada se vuelve medio épica medio peligrosa, tengo luces pero cada vez se ve menos, voy atravesando caminos y pueblos, algunos tramos de camino están rodeados de árboles, es aquí donde no se ve nada, sólo mi luz, mi cabeza va haciendo fotos del momento, un ciclista solo bajando por caminos con mucho desnivel y piedras, con la única iluminación de su propia luz delantera ... pero no tengo tiempo de parar a hacer la foto, además con la GoPro no salen bien estas fotos de noche.
El último tramo de la PDF por suerte es por carretera, y el haya tope, a lo que puedo, llego a Vielha a las 21:30, el cielo se había abierto un poco, y al menos tenía un mínimo de luz hasta llegar aquí, muy justo pero reto alcanzado, me paro en la iglesia de Vielha y paro ya descansado después de este último sprint oer llegar no muy tarde. Luego directo a pedir una pizza en el Don Geppetto 'pizzería de Vielha donde hacen unas pizzas geniales, hoy sin lugar a dudas es lo que tocaba, entro en la pizzería y todos me miran como si fuera un extraterrestre, es de noche y estoy de barro hasta los ... la cara como si hubiera hecho la Paris-Roubaix. Después de esto toca disfrutar del descanso y del reto alcanzado.
Hay gente que la hace en un día, incluso en 10 horas lo que gana la PDF non stop he visto, pero para mí eso está muy bien tal y como iba, cargado y en autosuficiencia. Gracias a todos!
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022. Dr. Claudio Parisi Presicce, the Via Dell’ Impero: Exhibit - “1932, the Prehistoric Elephant and the Lost Velia Hill.” The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022). RARA 2022 (08/04/2022). wp.me/pbMWvy-2Az
Foto: The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April 2022).
www.flickr.com/photos/imperial_fora_of_rome/51991671340
1). ROMA - Mostra: Dott. Claudio Parisi Presicce, “1932, l’elefante e il colle perduto.” Mercati di Traiano Museo dei Fori Imperiali. (08/04 - 24/05/2022).
Foto: Maria Barosso (1879-1960), Veduta dell’abside della Basilica di Massenzio e del Colosseo durante gli sventramenti della Velia 1932; in: Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991172388
Una selezione di circa 100 opere, tra reperti archelogici, progetti grafici, oggetti d’arte e video, alcuni esposti per la prima volta, racconta la storia della perduta Velia e del “suo” elefante.
A 90 anni dalla scoperta, sono stati restaurati i resti fossili di elefante (Elephas antiquus) trovati alla base della collina Velia. L’intervento ha costituito l’occasione per proporre un insieme di opere, che gettano luce su un settore dell’area archeologica centrale interessato negli anni Trenta del Novecento da distruzioni e trasformazioni urbanistiche profonde. Un centinaio di queste opere, tra cui reperti archeologici, progetti grafici e opere d’arte, interamente provenienti dalle collezioni capitoline, alcuni dei quali identificati in occasione di recenti ricerche ed esposti al pubblico per la prima volta, compongono questa mostra.
Foto: Roma, I Fori Imperiali & Via Dell’ Impero (1930-32); in: SIMARTWEB (04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991671005
Fonte / source:
— Mercati di Traiano Museo dei Fori Imperiali (07/04/2022).
www.mercatiditraiano.it/node/1010561
S.v., Roma - Claudio Parisi Presicce: "1932, l’elefante e il colle perduto." Mercati di Traiano Museo dei Fori Imperiali; in: UTV artivisive / You-Tube (07 April 2022) [1:32].
Roma - Il sovrintendente Claudio Parisi Presicce spiega il ritrovamento nel 1932 dell'elefante (Elephas antiquus) sull'antica collina Velia a Roma, durante il suo sbancamento verso il Colosseo per la costruzione di via dei Fori Imperiali.
Fonte / source:
— UTV artivisive / You-Tube (07 April 2022) [1:32].
www.youtube.com/watch?v=mectu34sY-M
2). ROME - Dr. Claudio Parisi Presicce, The Via Dell’ Impero: Exhibit - “1932, the Prehistoric Elephant and the Lost Velia Hill.” The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022).
Foto: cla_green, Su Via dei Fori Imperiali; in: Instagram (06/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991394239
New Exhibit of Architectural Remains, Archaeological Evidence - Antiquity to the Modern Era & Historical Documentation for the Clearing and Removal of the Velia Hill and the Systemization of the Via Dell’ Impero in the Early 1930s. The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022).
Foto: Plan 1 - Rome, the Via Dell’ Impero & the Velia Hill (1931-32): General topographical plan of Ancient & Modern Rome; in: Dr. Raffaella Ciofani / Facebook (07/04/2022). With additional photos by M. G. Conde (08/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51990114002
Rome, the construction of the Via Dell’ Impero / now Via dei Fori Imperiali - In just two years, between 1931 and 1932, a hill was excavated in the heart of Rome, the Velia, which extended between the slopes of the Oppian Hill and the Palatine Hill, separating the area of the Imperial Forums from the Colosseum.
Foto: Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51990114097
The price paid by the artistic and archaeological heritage, due to this excavation, was very high: the archaeological stratification was affected, which proved to be very rich in evidence from the Roman era. But the most surprising discovery was made on May 20, 1932, when numerous remains of fossil fauna came to light, including the elephant skull and tusk Elephas Palaeoloxodon antiquus, which is the most famous find. The exhibition was directed by Claudio Parisi Presicce, Nicoletta Bernacchio, Isabella Damiani, Stefania Fogagnolo & Massimiliano Munzi, The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022).
Foto: Plan 2: Rome, the Via Dell’ Impero & the Velia Hill & the Palazzo Rivaldi (1931-32): General topographical plan of Ancient & Modern Rome; in: Dr. Raffaella Ciofani / Facebook (07/04/2022). With additional photos by M. G. Conde (08/04/2022). www.flickr.com/photos/imperial_fora_of_rome/51990114002
The new exhibit - "1932, l’elefante e il colle perduto” = “1932, the Prehistoric Elephant and the Lost Velia Hill,” at the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022), with the aim of the exhibit to present a brief historical overview of the early 1930s Fascist era clearing and removal of the Velia Hill and the systemization of the Via Dell’ Impero & displaying a variety of the archaeological evidence dating from Antiquity to the Modern Era, then, hurriedly recovered during the course of the very rapid & limited excavations.
Foto: MOSTRE – STORIA – Al tempo non si nasconde. 1932 L’ELEFANTE E IL COLLE PERDUTO. A Roma dall’8 Aprile 2022 Mercati di Traiano (07/04/2022). www6367.wordpress.com
www.flickr.com/photos/imperial_fora_of_rome/51990114012
The exhibition also has on display a collection of a variety of historical documentation (= general plans, illustrations, photographs & paintings) from the early 1930s, as Italian archaeologists - Antonio M. Colini, Guglielmo Gatti, Giuseppe Marchetti-Longhi & Antonio Munoz; along with Italian Architects - Italo Gismondi & S. De Angelis & Italian illustrators - Maria Barosso and Odoardo Ferretti, and others, all attempting to record and report as best as possible on what archaeological artifacts and architectural remains that were recovered during the face-paced demolishing & clearing process of the area of the Velia Hill.
Foto: Mimmo Frassineti, Exhibition L’Elefante e il Colle Perduto, Mercati di Traiano. Rome, Italy – 07 Apr 2022; in:
Shutterstock (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991394414
Fortunately, since early 2021 onwards, a great deal of much of the work of these Italian scholars etc, as mentioned above, their formerly unpublished historical documentation & works from the early 1930s, now on display the current exhibit - “1932, the Prehistoric Elephant and the Lost Velia Hill’ (2022), as well other related historical documentation & works on the 1930s Fascist era systemization of the Via Dell’ Impero,, has been recently converted into new publicly accessible online digital archives by the various Archives and Museums of the City of Rome (2021 onwards), for instant, see:
Foto: Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991172373
— ROMA — Maria Barosso (1879-1960), Veduta dell'abside della Basilica di Massenzio e del Colosseo durante gli sventramenti della Velia 1932 sec. XX secondo quarto; in: SIMARTWEB: ROMA CULTURE / SOVRINTENDENZA CAPITOLINA / COMUNE DI ROMA (01/ 2020 [= 04/2022]).
www.simart.comune.roma.it/dettaglio-bene/-427503963
Foto: Maria Barosso (1879-1960), Veduta dell’abside della Basilica di Massenzio e del Colosseo durante gli sventramenti della Velia 1932 sec. XX secondo quarto; in: SIMARTWEB (04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991110476
Notizie storico-critiche
Tra gli anni Venti e Trenta, Maria Barosso realizza una serie di acquerelli che illustrano i lavori per l'isolamento del Campidoglio, per l'apertura dei Fori Imperiali e della Via del Mare. L'artista si colloca, quindi, accanto alla schiera di disegnatori e fotografi, incaricati dal Governatorato di Roma di documentare l'opera di modernizzazione urbanistica della capitale. Nel disegno Maria viene celebrato il valore estetico dell'operazione di sventramento della Velia, considerata allora indispensabile per ottenere un panorama grandioso come sfondo del Colosseo.
Foto: Roma, I Fori Imperiali & Via Dell’ Impero (1930-32); in: SIMARTWEB (04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991394189
Riferimenti bibliografici
Ecole romaine 1925-1945, Milano 1997, pp. 136-137 n.37.
The Villa of the mysteries in Pompeii: ancient ritual, modern muse, (a cura di Gazda, Elaine K.), Ann Arbor 2000, pp. 129-137.
Leone, Rossella, Fori Imperiali demolizioni e scavi: fotografie 1924-1940, (Roma sparita e Roma che sparisce: iconografia delle demolizioni nelle raccolte del Museo di Roma), (a cura di Leone, Rossella; Margiotta, Anita), Milano 2007, pp. 26-45.
Fonte / source:
ROMA — Maria Barosso (1879-1960) [04/2022]); in:
Foto: Roma, I Fori Imperiali & Via Dell’ Impero (1930-32); in: SIMARTWEB (04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51990113802
— SIMARTWEB: Presenta una selezione del sistematico lavoro di catalogazione scientifica condotto dalla Sovrintendenza Capitolina ai Beni Culturali. ROMA CULTURE / SOVRINTENDENZA CAPITOLINA / COMUNE DI ROMA www.simart.comune.roma.it/ (early January 2021 onwards).
Foto: Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991671290
Fonte / source, foto:
— MOSTRE – STORIA – Al tempo non si nasconde. 1932 L’ELEFANTE E IL COLLE PERDUTO. A Roma dall’8 Aprile 2022 Mercati di Traiano (07/04/2022).
www6367.wordpress.com/2022/04/07/mostre-storia-al-tempo-n...
— Raffaella Ciofani, Giornalista pubblicista e architetto a Rivista: "Eventi Culturali Magazine". Facebook (07/04/2022). www.facebook.com/profile.php?id=100079088525767
— Mimmo Frassineti, Exhibition L'Elefante e il Colle Perduto, Mercati di Traiano. Rome, Italy - 07 Apr 2022; in: Shutterstock (07/04/2022).
www.shutterstock.com/editorial/image-editorial/exhibition...
— cla_green, Su Via dei Fori Imperiali; in: Instagram (06/04/2022).
www.instagram.com/p/CcD4i-BtuYM/
Foto: Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991671250
Fonte / source, foto; in:
RARA 2010-2022 romaarcheologiaerestauroarchitettura.wordpress.com/ =
— Plan 1: Rome, the Via Dell' Impero & the Velia Hill (1931-32): General topographical plan of Ancient & Modern Rome; in: Dr. Raffaella Ciofani / Facebook (07/04/2022).
With additional inserted images:
--- ROMA - Armando Bruni, "Resti di elefante preistorico rinvenuti durante i lavori per la costruzione di Via Dell'impero (05/1932); RARA 2010-22 (03/2013).
--- ROMA - “Il Nuovo Volta Di Roma – Quale ampiezza per la Via del Monte? IL GIORNALE D’ITALIA (06/07/1932): 3.
--- ROMA – “I resti di elefante preistorico nello scavo accanto al Colosseo.” IL GIORNALE D’ITALIA (24/05/1932): 3.
--- ROMA - Arch. Italo Gismondi (1941) - I FORI IMPERIALI RICOSTRUZIONE DI I. GISMONDI / AMBIENTAZIONE VOLUMETRICA, FORI IMPERIALI E VELIA (ASSAR P. ALTEMPS, INV. 1955). [published in B/W in the exhibit catalogue]; cited from: F. Fedora (ed.), Ricostruire l' antico prima virtuale Italo Gismondi Un architetto per l' archeologia (1887-1974). Rome (2007), pg. 68 / fig. 3. With the Colored vision of I. Gismondi, "AMBIENTAZIONE VOLUMETRICA, FORI IMPERIALI E VELIA," courtesy of ELECTA UFFICIO NEWS Mostra - Italo Gismondi (04/2007).
--- ROMA - Antonio Munoz & Italo Gismondi, "Ipotesi di sistemazione del muro di contenimento di Villa Rivaldi su progetto di Antonio Muñoz (disegno di S. De Angelis). Museo di Roma, MR-42232" [c. 1930?], in: Pier Federico Caliari (2017), "De prospectiva muniendi" [Italiano | English], p. 88; in: Luca Basso Peressut & Pier Federico Caliari (eds.), Piranesi Prix de Rome Progetti per la nuova Via dei Fori Imperiali. Rome: AIÓN EDIZIONI (2017) [PDF 1-16]. RE.PUBLIC@POLIMI Research Publications at Politecnico di Milano (2017).
--- ROMA - Arch. Italo Gismondi & Domus Praefecti Urbi | Velia: Roma, I Fori Imperiali / Velia / Via dell' Impero (1932): La Domus di età Imperiale ritrovata (e distrutta) sulla Velia durante gli scavi per la realizzazione di Via dell' Impero nel 1932. (Da: Sartorio), in: Archeologia Viva, n. 6, 1986 [2011].
--- ROMA - "Lungo La Via Dell'Impero - La Ricostruzione di un'antica templetto." Il Messaggero (10/11/1932):5. S.v., Maria Barosso, "Avanzi di edicola rinvenuti durante gli scavi per la realizzazione di via dell'Impero." (1932a); in: Museo di Roma - Gabinetto delle Stampe / SMART (04/2021).
Dr. Raffaella Ciofani / Facebook (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991394474
Fonte / source, foto; in:
RARA 2010-2022 romaarcheologiaerestauroarchitettura.wordpress.com/ =
— Plan 2: Rome, the Via Dell' Impero, the Velia Hill & the Palazzo Rivaldi (1931-32): General topographical plan of Ancient & Modern Rome; in: Dr. Raffaella Ciofani / Facebook (07/04/2022).
With additional inserted images:
--- ROMA – Forse qui la Collezione Torlonia? Il Palazzo Silvestri Rivaldi costituisce un’opportunità irripetibile per l’auspicata realizzazione del nuovo museo. Il Giornale dell’Arte, No. 404 (01/2020).
--- ROMA - Aerial view of the Velia Hill and Palazo Rivaldi (c. 1911); in: Roma - “Confronto tra un’immagine aerea del 1910 circa della zona compresa tra il Colosseo e il Vittoriano; tra le differenze più evidenti si notano il Vittoriano ancora in costruzione, la presenza della Meta Sudans vicino all’Arco di Costantino, e soprattutto gli edifici ancora in piedi, demoliti successivamente per l’apertura di Via dell’Impero (oggi Via dei Fori Imperiali).”
ROMA IERI OGGI REPHOTOGRAPHY (11 June, 2014).
--- ROMA - Attraverso le Cartoline d’Epoca… (Le Cartoline Originali appartengono all’autore degli articoli). Via dell’Impero vista con le cartoline d’epoca, da Maurizio Giorgi & Mauro Pecchioli, TorrinoNews.com - TorrinoNews.it (09/08/2009).
---ROMA - John Henry Packer, The Archaeology of Rome: 2: The Forum Romanum and the via sacra. J. Packer & Company (1876).
--- ROMA - Via dell'Impero, nascita di una strada - Musei Capitolini / Musei in Comune Roma: FLICKR (22 July 2009). www.flickr.com/photos/museiincomuneroma/
--- ROMA - Camilla Capitani, "Santa Maria della Neve al Colosseo. Dal primo insediamento al prospetto settecentesco." Bollettino d'Arte No. 124 (aprile-giugno 2003): 67-90 [in PDF].
--- ROMA - Foto: Donatella al ninfeo di villa Silvestri-Rivaldi; in: LA SAPIENZA / CITERA & IUC-CINA (02/2021) = Progetto Ad Templum Pacis / Progetto integrato di gestione, fruizione e valorizzazione di villa Silvestri-Rivaldi in via del Colosseo a Roma. MIBACT/DGERIC, LA SAPIENZA/CITERA & IUC-CINA (02/2021).
Foto: Antonella Aquiloni, Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021).
www.flickr.com/photos/imperial_fora_of_rome/51986240782
3). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022. VIA DELL’ IMPERO e “1932, L’ELEFANTE E IL COLLE PERDUTO”; in: Museo di Fori Imperiali (07/04/2022).” ROMATODAY (07/04/2022). S.v., Vedi anche: Roma e l’era pliocenica e i resti di elefante scoperti sul Campidoglio (fine del XIX secolo?), il Foro Romano ([ = una zanna di un ippopotamo] c. 1900-07?), la Velia (1932) e il Foro di Cesare (1941?). Anche: Antonella Aquiloni, Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021) & Dott.ssa Rossella Rea, La Repubblica (10/10/2009): 1 & 27. wp.me/pbMWvy-2Am
I love the Chronodex design but I'm a night owl so Patrick's original design doesn't suit my needs. I came across Jo Larsen Burnett's modification of Patrick's Chronodex and saw how versatile it is. No time shown, and all I needed was to add my own mod - adding another ring within to make space for my night activities. Works great! If anyone wants it, let me know and I'll upload a PDF version.
Patrick's:
scription.typepad.com/blog/2011/11/scription-chronodex-we...
Jo Larsen Burnett's:
jolarsenburnett.blogspot.com/2012/01/patrick-ngs-chromode...
Secrets revealed of the Abode of Chaos (112 pages, adult only) >>>
"999" English version with English subtitles is available >>>
HD movie - scenario thierry Ehrmann - filmed by Etienne Perrone
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voir les secrets de la Demeure du Chaos avec 112 pages très étranges (adult only)
999 : visite initiatique au coeur de la Demeure du Chaos insufflée par l'Esprit de la Salamandre
Film HD d'Etienne PERRONE selon un scénario original de thierry Ehrmann.
courtesy of Organ Museum
©2011 www.AbodeofChaos.org
Scription Chronodex Weekly Planner 2012 - free download with the cost of a prayer
(www.flickr.com/photos/moleskineart/6364230271/in/photostream)
Finally made up my mind to create my own diary for 2012 a week ago, here I go sharing with you all! But first please give me a little support, my Dad recovered from prostate cancer but at the same time developed Parkinson's disease a few years ago. In the past week he has deteriorated a lot, bed bound finally, no more speech, I'm the last person he can recognize. It is so tough for Mom as a care taker. All I ask for is your sincere prayers, as you download this creation, for my Dad and Mom, so that he can go peacefully proud of his sons, and she can start to explore this new world with us. What a courageous woman she is.
(www.flickr.com/photos/moleskineart/6361903821/in/photostream)
Thanks to my Dad's dedication to Chinese painting and art, I had my implicit training early in life and became a visual person yet unafraid to look deep into the subject matters. For years, I bought diaries but none of them satisfied my visual and creative needs.
(www.flickr.com/photos/moleskineart/6335595394/in/photostream)
Since the beginning of the diary making business, every single diary is made by representing time in fixed grids. To challenge this right representation, after exploring in deep thoughts the essence of my own perfect diary, I present to you my Chronodex idea.
Come to think of it, the paper which makes up a diary originated from trees, when the sheets of paper are bound together in the middle, it is almost like foliages stemming from a tree's trunk. Each page is like a branch, each opened page is a week, each day is like a beautiful flower grew from that page, consist of petals of your day's time slices.
You may argue that this format is still slicing time into blocks and far from the fractal nature, but soon as you start using it, you will find that time is no longer right, instead you will find fluidity through free notations.
The more important time slices can be drawn larger, activities can be dots or pies (petals if you will) depending on duration or importance, space on a page is no longer limited to grids. Basically you can roam freely and be amazed how beautiful your week can be.
What's more is that your mind gradually deviate from the rigid format a typical diary imposes on you, reactivity soon flourishes. Imagine the effect happening in weeks! And I'm not kidding.
(www.flickr.com/photos/moleskineart/6364164607/in/photostream)
Scription Chronodex Weekly Planner 2012 (Jan - Jun) Download
(just remember to pray for my Dad and Mom, sincerely)
It is done with the Midori Traveler's Notebook size in mind, even if you don't own a Traveler's Notebook, you can still use it without the leather cover.
Hong Kong Holiday version
Japanese Holiday version
Free of Holidays version
To grow your own diary, after downloading the PDF version of your choice, print it out double sided (duplex) in landscape mode on A4 papers. Be sure to print it out 100% without scale, left/right binding (try the first few pages on your printer and settings and you'll see what I mean). Check the sequence after the print out.
(www.flickr.com/photos/moleskineart/6364170655/in/photostream)
(www.flickr.com/photos/moleskineart/6364175293/in/photostream)
(www.flickr.com/photos/moleskineart/6364180447/in/photostream)
Next, cut away the left and right portion of the A4 paper according to the cut line.
(www.flickr.com/photos/moleskineart/6364185407/in/photostream)
(www.flickr.com/photos/moleskineart/6364191991/in/photostream)
Now here's the interesting part of the binding. Use a chisel to punch holes on both ends of the spine and stitch the pages up. You can staple them together just the same. This method will get you a bound notebook but ready for a cool bookmark which I will mention in a moment.
(www.flickr.com/photos/moleskineart/6364194541/in/photostream)
(www.flickr.com/photos/moleskineart/6364200541/in/photostream)
(www.flickr.com/photos/moleskineart/6364206651/in/photostream)
(www.flickr.com/photos/moleskineart/6364210857/in/photostream)
(www.flickr.com/photos/moleskineart/6364216463/in/photostream)
To create a bookmark, simple take a piece of hard paper, cut it the way I showed above. Slide it between the papers of the current week, the slide 90 degree up following the spine to have the tab exposed on top of the diary (I hope I'm describing it right). There you go! a bookmark with a tab extruding from the top of your diary.
This cool bookmark invention based on the way you bind your diary is so useful and flexible, you will find it amazing when you reach the 12th week of the year! Tell me about that in a few months.
(www.flickr.com/photos/moleskineart/6364223093/in/photostream)
The last part of my Chronodex journey was to make a cool diary cover. Thanks for my family's tolerance, I had a little free time in broad daylight having fun doing it, 2 cups of coffee, listening to audiobook through my iPhone/Jambox combo.
(www.flickr.com/photos/oxothuk/6352848866/)
Small features are infused into the diary, I hope you will enjoy the little tibits, do explore the "Boarding pass to success" idea. If you are interested, I will be sharing the July - December version, which is still in stage zero. Fellow Scription reader Boris from Russia already had a taste of the Chronodex, so go ahead and try yours. Your feedback and comment is what keeps me going, please do pray.
More on Scription blog: scription.typepad.com/blog/2011/11/scription-chronodex-we...
Ka puta Matariki ka rere Whānui. Ko te tohu tēnā o te tau e!
Matariki re-appears, Whānui starts its flight. Being the sign of the [new] year!
Twinkling in the winter skies of June, Matariki (the Māori name for the cluster of stars also known as the Pleiades) signals the Māori New Year. Traditionally, it was a time for remembering the dead, and celebrating new life. In recent times, observing Matariki has become popular again, with a resurgence of cultural activities to mark the occasion.
Various Māori iwi celebrated Matariki at different times. Some held festivities when Matariki was first seen in the dawn sky; others celebrated after the full moon rose or at the beginning of the next new moon.
The lunar calendar, maramataka, is an important feature within Māori society and has also seen a revival in recent years. Maramataka has been used as a guide for when to hunt certain animals and cultivate foods – planting, harvesting and garden preparation – as well as reading a person’s spiritual needs. Together, Matariki and maramataka can help Māori prepare for te tau hou, the new year.
We’re celebrating maramataka and Matariki 2019 with a series of photographs published in the 1968 School Journal and now held at Archives New Zealand Te Rua Mahara o te Kāwanatanga.
The image above is from the story “Maori foods: kiekie”.
Author: Amelia Batistich
Photographer: Helen Buttfield
School Journals 1968 Part 3 no 2 [29 items; book enclosed; includes artwork of Volger, Clouston, Raponi, Ball, Harris
Archives reference: AAAD 699 W2953 Box 22 / m
collections.archives.govt.nz/en/web/arena/search#/?q=R165...
For more information about Matariki go to: www.twoa.ac.nz/Pages/Te-Iwa-o-Matariki
You can download a maramataka from Te Papa’s website here: www.tepapa.govt.nz/sites/default/files/maramataka-poster.pdf
For more information use our “ask an archivist” link on our website: www.archives.govt.nz
Material from Archives New Zealand Te Rua Mahara o te Kāwanatanga
You can see a man clearing snow from the roof in this shot
I have noticed this building several times while travelling on the California Zephyr At last i found out that it is the old soda springs Station on Donner Pass in California. It is now for sale or has been sold as condominiums The area is very popular with visitors to the local ski resort and people that just love it up in the mountains There are a few photos i have taken a different times and some links that may be of interest attached .. The Donner summit historical society uses part of the building as far as i'm aware
This Image also appears in 'Amtrak train Routes'
Historic Soda Springs Station
21501 Donner Pass Road
Soda Springs, CA 95728
comments, invites, notes, tags & critiques always welcomed!
published on Que Pasa magazine!!! www.casiano.com/quepasa/assets/PDFs/quepasa_history3.pdf
NIK_6736
M-319.
Escala 1/43.
Mini Cooper (1961-1975).
Fabricado por "AUTHI" en Landaben (España), entre los años 1973 y 1975.
Pilen.
Hecho en España / Made in Spain.
Años 70.
El Mini Cooper aparecía ya en el catálogo de Pilen del año 1971 con el nº 319 (Mini Cooper) y el nº 320 (Mini Cooper Cromado).
En el catálogo del año 1975 se añade otra variante de este modelo con el nº 291 (Mini Cooper Rallye).
Las variantes nº 319 y nº 291 permanecieron en el catálogo de Pilen, con seguridad hasta el año 1981, y probablemente siguieron en el mercado hasta el año 1983. (?)
More info:
pilen.jimdofree.com/cat%C3%A1logos/
-----------------------------------------------------
PILEN - Historia
"Pilen nació en Ibi (Alicante) a finales de los 60, creada por Pilar y Enrique Climent (de ahí Pil-En); éste ya comercializaba en compañía de sus hermanos los juguetes Clim.
Al principio fabricaron miniaturas de Fórmula 1 a escala 1:36, pero en seguida se pasaron a la 1:43 copiando moldes de las marcas Corgi, Tekno, Politoys, Mebetoys...
Obtuvieron de la casa francesa Dinky el permiso para fabricar sus modelos en España.
Sus coches tuvieron numerosas variantes (hasta cromados), distintos tipos de ruedas, etc. Se asociaron a otras marcas, como las holandesas AHC, Artec, Oto y Doorkey, la venezolana Juguinsa y la española Guiloy."
(...)
"Los fundadores de PILEN son Enrique Climent Gisbert y su esposa, Pilar.
De ahí el logotipo de la marca, formado por las primeras letras de sus nombres. Debajo, las iniciales del fundador, Enrique Climent Gisbert. [ECG]
(...)
--------------------------------
"Hacia 1962, uno de los socios fundadores de la fábrica juguetera Climent Hermanos, S.L, D. Enrique Climent Gisbert, decide abandonar la firma familiar para crear su propia empresa junto a su mujer Pilar (PIL-ar y EN-rique)."
(...)
"La primera línea de productos estará compuesta por una serie de pistolas y revólveres hechos de fundición de material zamack."
El 23 de enero de 1970 se regularizarán como sociedad anónima bajo la marca comercial PILEN."
(...)
"Poco a poco fueron abandonando la primera gama de juguetes para centrarse de manera completa en la fabricación de miniaturas de metal reproducidos a escala."
(...)
"Fue una empresa que tuvo gran protagonismo al gozar sus juguetes de mucha aceptación.
En el año 1983 cesó sus actividades (...). Desde la propia firma se auspiciaría poco después la creación de otra sociedad llamada Artec, que abrió sus actividades en el año 1988 y que (...) seguían ofreciendo unos juguetes de gran calidad (consiguieron un Molinillo de Plata el mismo año que se lanzaron al mercado como marca."
Fuentes:
"La industria juguetera en Ibi, 1905-2005", edición del Ayuntamiento de Ibi, 2005.
More info:
pilen.jimdofree.com/coches-1-43/
myspace.com/pilenmania/mixes/classic-mis-fotos-569751
foro.autoescala.net/index.php?threads/miniaturas-espa%C3%...
www.paolorampinieditore.it/wp-content/uploads/2015/02/AUT...
wikivisually.com/wiki/Auto_Pilen
minicarmuseum.com/database/pdf/autopilen1977.pdf
thevintagetoyadvertiser.org/tag/auto-pilen/
-------------------------------------------------------
Auto Pilen
From Wikipedia, the free encyclopedia
"Auto Pilen was a diecast line of model cars made in Ibi, Alicante, in southeastern Spain by Pilen S.A..
Models were produced from the 1970s through the mid-1990s mostly in 1:43 scale.
A majority of the castings were inherited from French Dinky. The company was started in the 1960s, diecasting items like colorful metal sailboats and key chains.
In the late 1980s. Pilen was apparently bought by AHC of the Netherlands."
(...)
"Pilen made at least 50 different models, in the most convoluted story of diecast seconds and recasts of any successful diecast manufacturer (Colleccion Auto Pilen. No date).
Dies were apparently used or copied from a variety of other companies including French Dinky, Corgi Toys, Solido, Mebetoys, Tekno, Politoys (Polistil), and possibly some Mercury models."
(...)
"Pilen's model selection appears taken (whether by direct copying from blueprints or through available dies) from a variety of other producers, especially French Dinky Toys. Some tools from Meccano s.a. were transferred from Calais to Pilen in Spain so the models made by Pilen were Dinky castings – the base plate of which had been modified from MADE IN FRANCE to MADE IN SPAIN. For example, the Talbot/Simca/Chrysler 1100 saloon, Renault 12 saloon, Mercedes 250 coupe, Ferrari P5, Citroën CX Pallas, and Matra-Simca Bagheera were French Dinky castings (Dinky Toys Encyclopaedia). Later versions of these cars, though, did not say Dinky anywhere on the base plates.
So, from 1974 until 1981, several French Dinky Toys passenger cars were made by Pilen.
Bickford says that originally there was an agreement to market the French Dinkys in Spain, but most were sold under the Pilen brand name (Bickford 2009).
The French dies were used, but of course the base plates were altered, hiding that fact. These cars were almost exactly similar to the French dies, but with Pilen's own paint finishes."
(...)
"Auto Pilen also made a line of Matchbox-sized 1/64 scale cars, but these are more rare. Besides a SEAT 131 Wagon, a SEAT Ritmo, a Renault 4F (Van), a Peugeot 504, and a Range Rover – among others – were made but little is known about them."
(...)
"Pilen maintained a close association with other Spanish toy makers also headquartered in Alicante like Joal, Guiloy, Guisval, and Mira."
(...)
"Around 1980 there was a Pilen connection with Holland OTO, which had taken over Dutch Efsi Toys.
A 1980 Auto Pilen catalog shows many of the revered Efsi vehicles like the Model T series and many Efsi trucks continued as a line Pilen 1980 (Bras 2012).
Around 1990, there was also a connection with the Dutch diecast company AHC which appears to have bought Holland Oto and thus Auto Pilen (Bickford 2009). AHC has since shared dies and traditionally Pilen stamped cars can be found in both AHC and Holland OTO labeled boxes (Bickford 2009; Johnson 1998, p. 15)."
(...)
"With the bankruptcy of Doorkey in the early 1990s, Auto Pilen disappeared.
The last new models with the Pilen name appeared at this time.
In its time, Auto-Pilen was the king of the knock-off and die-cast second. Perusal of the model lineup shows castings were copies or closely copied vehicles from several different companies (Collection Auto Pilen).
Models were precisely crafted in a professional and uniform-looking range from leftover castings that had previously been in use elsewhere. Pilen appears to have been the most successful company ever at using second hand castings – yet so very nicely reconfigured."
Source: en.wikipedia.org/wiki/Auto_Pilen
More info:
www.gamas43.com/Dinky_SP/DinkyEsp.html
myspace.com/pilenmania/mixes/classic-dinky-espa-a-fabrica...
pilen.jimdofree.com/asociaci%C3%B3n-con-otras-marcas-i/
pilen.jimdofree.com/asociaci%C3%B3n-con-otras-marcas-ii/
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Mini
From Wikipedia, the free encyclopedia
"The Mini is a small economy car made by the British Motor Corporation (BMC) and its successors from 1959 until 2000. The original is considered a British icon of the 1960s.
Its space-saving transverse engine front-wheel drive layout – allowing 80 percent of the area of the car's floorpan to be used for passengers and luggage – influenced a generation of car makers.
In 1999 the Mini was voted the second most influential car of the 20th century, behind the Ford Model T, and ahead of the Citroën DS and Volkswagen Beetle.
This distinctive two-door car was designed for BMC by Sir Alec Issigonis.
It was manufactured at the Longbridge and Cowley plants in England, the Victoria Park/Zetland British Motor Corporation (Australia) factory in Sydney, Australia, and later also in Spain (Authi), Belgium, Chile, Italy (Innocenti), Malta, Portugal, South Africa, Uruguay, Venezuela and Yugoslavia.
The Mini Mark I had three major UK updates – the Mark II, the Clubman and the Mark III. Within these was a series of variations, including an estate car, a pick-up truck, a van and the Mini Moke – a jeep-like buggy.
The performance versions, the Mini Cooper and Cooper "S," were successful as rally cars, winning the Monte Carlo Rally in 1964, 1965 and 1967. In 1966, the first-placed Mini was disqualified after the finish, under a controversial decision that the car's headlights were against the rules.
On introduction in August 1959 the Mini was marketed under the Austin and Morris names, as the Austin Seven and Morris Mini-Minor. The Austin Seven was renamed Austin Mini in January 1962 and Mini became a marque in its own right in 1969.
In 1980 it once again became the Austin Mini and in 1988 the Rover Mini.
BMW acquired the Rover Group (formerly British Leyland) in 1994, and sold the greater part of it in 2000, but retained the rights to build cars using the MINI name."
(...)
- Mark I Mini: 1959–1967.
- Mark II Mini: 1967–1970.
- Mark III: 1969–1976 (ADO20).
- Mark IV and onwards: 1976–2000.
(...)
-------------------------------------------------------------------------
Mini Cooper and Cooper S: 1961–1971; 1990-2000.
"Issigonis' friend John Cooper, owner of the Cooper Car Company and designer and builder of Formula One and rally cars, saw the potential of the Mini for competition. Issigonis was initially reluctant to see the Mini in the role of a performance car, but after John Cooper appealed to BMC management, the two men collaborated to create the Mini Cooper. The Austin Mini Cooper and Morris Mini Cooper debuted in 1961.
The 848 cc (51.7 cu in) engine from the Morris Mini-Minor was given a longer stroke to increase capacity to 997 cubic centimetres (60.8 cu in) increasing power from 34 to 55 bhp (25 to 41 kW). The car featured a racing-tuned engine, twin SU carburettors, a closer-ratio gearbox and front disc brakes, uncommon at the time in a small car. One thousand units of this version were commissioned by management, intended for and designed to meet the homologation rules of Group 2 rally racing.
The 997 cc engine was replaced by a shorter stroke 998 cc unit in 1964. In 1962, Rhodesian John Love became the first non-British racing driver to win the British Saloon Car Championship driving a Mini Cooper.
A more powerful Mini Cooper, dubbed the "S", was developed in tandem and released in 1963.
Featuring a 1071 cc engine with a 70.61 mm bore and nitrided steel crankshaft and strengthened bottom end to allow further tuning; and larger servo-assisted disc brakes, 4,030 Cooper S cars were produced and sold until the model was updated in August 1964.
Cooper also produced two S models specifically for circuit racing in the under 1,000 cc and under 1,300 cc classes respectively, rated at 970 cc (59 cu in) and a 1,275 cc (77.8 cu in), both had a 70.61 mm (2.780 in) bore and both were also offered to the public. The smaller-engine model was not well received, and only 963 had been built when the model was discontinued in 1965. The 1,275 cc Cooper S models continued in production until 1971.
Sales of the Mini Cooper were as follows: 64,000 Mark I Coopers with 997 cc or 998 cc engines; 19,000 Mark I Cooper S with 970 cc, 1,071 cc or 1,275 cc engines; 16,000 Mark II Coopers with 998 cc engines; 6,300 Mark II Cooper S with 1,275 cc engines. There were no Mark III Coopers and just 1,570 Mark III Cooper S.
In 1971, the Mini Cooper design was licensed in Italy by Innocenti and in 1973 to Spain by Authi (Automoviles de Turismo Hispano-Ingleses), which began to produce the Innocenti Mini Cooper 1300 and the Authi Mini Cooper 1300, respectively. The Cooper name was discontinued from the UK Mini range at this time.
A new Mini Cooper named the RSP (Rover Special Products) was briefly relaunched in 1990–1991, with slightly lower performance than the 1960s Cooper. It proved popular and a new Cooper-marked Mini went into full production in late 1991.
From 1992, Coopers were fitted with a fuel-injected version of the 1,275 cc engine, and in 1997 a multi-point fuel injected engine was introduced, along with a front-mounted radiator and various safety improvements."
(...)
------
Mini
Manufacturer
Britain
British Motor Corporation (1959–1968)
British Leyland (1968–1986)
Rover Group (1986–2000)
International
Innocenti [Italy]
Authi (1968-1975) [Spain]
BMC Australia
BMC South Africa
Leyland Australia
Arica (Chile)
Also called
Austin 850
Austin Mini
Austin Partner
Austin Seven
Innocenti Mini (1965-1975)
Leyland Mini
Morris 850
Morris Mascot
Morris Mini
Riley Elf
Rover Mini
Wolseley 1000
Wolseley Hornet
Production
1959–2000
Cowley plant, Oxford (1959-1968)
Longbridge plant, Birmingham (1959-2000)
Designer
Sir Alec Issigonis
Class
City car (A)
Body style
2-door saloon
2-door estate
2-door van
2-door coupe utility
Layout
FF layout
Related
Mini Moke
Austin Metro
Innocenti Mini (1974-1982)
Mini Wildgoose
Mini Marcos
Engine
848 cc, 970 cc, 997 cc, 998 cc, 1,071 cc, 1,098 cc, 1,275 cc I4 (A-series)
Transmission
4-speed manual
4-speed automatic
5-speed manual (optional extra on some later models)
Dimensions
Wheelbase
2,036 mm (80.2 in) (saloon)
2,138 mm (84.2 in) (estate and commercials)
Length
3,054 mm (120.2 in) (saloon)
3,299 mm (129.9 in) (estate and commercials)
3,300 mm (130 in) (Wolseley Hornet/Riley Elf)
Width
1,397 mm (55.0 in)
Height
1,346 mm (53.0 in)
Kerb weight
617–686 kg (1,360–1,512 lb)
Source:
en.wikipedia.org/wiki/Mini#Mini_Cooper_and_Cooper_S:_1961...
More info:
Presidential Candidate 總統候選人
www.google.com/search?hl=en&noj=1&biw=1367&bi...
www.bing.com/images/search?q=%e9%a6%ac%e5%a4%a9%e4%ba%ae+...
atomzone.co.uk/images/search/TianLiang+Maa%2C+Taiwan+Pres...
flickr.akitomo.net/TianLiang+Maa%2C+Taiwan+Presidential+C...
snap.nl.sg/searchflickr.aspx?q=TianLiang+Maa%2C+Taiwan+Pr...
www.google.com/search?q=DPP+Taiwan+recommended+parliament...
whotalking.com/flickr/TianLiang+Maa,+Taiwan+Presidential+...
atomzone.co.uk/images/search/%E9%A6%AC%E5%A4%A9%E4%BA%AE+...
Tianliang Ma
~ a Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
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Google Books
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scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
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聲音藝術的審美角度, 大學雜誌, 天然
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為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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Japan Photos and Pictures
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University of California, Berkeley period
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University of Michigan period
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University of Oxford period
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University of Glamorgan period
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University of Huddersfield period
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art galleries uk
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Mitrasites system
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articles.whmsoft
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German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
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More of our calendars: redstamp.com/calendars
Dr. J.G.H. (Sjeng) Tans: www.parlement.com/id/vg09lla2k0x8/j_g_h_sjeng_tans
Caius Spronken: rkd.nl/explore/artists/74458
"Commissie Tans adviseert minister naast medische faculteit nog te stichten: Wis- en natuurkunde, Biologie, Menswetenschappen, Theologie, Sociologie. Achtste in 1974 open". Limburgsch Dagblad van 24-9-1970: resolver.kb.nl/resolve?urn=ddd:010541402:mpeg21:a0195
"Achtste Medische faculteit nadert enige beslissende stadia" (met foto van Tans). NRC Handelsblad van 13-8-1973: resolver.kb.nl/resolve?urn=KBNRC01:000032816:mpeg21:a0068
"MFM koopt klooster". Limburgsch Dagblad van 15-8-1973: resolver.kb.nl/resolve?urn=ddd:010561021:mpeg21:a0188
Bijeenkomst van Burgemeester en Wethouders Maastricht, Gedeputeerde Staten en de voorbereidingscommissie Dr. J. Tans. Aan de rechterzijde gouverneur Dr. Ch.J.M.A. van Rooy met deputés. Aan het einde burgemeester Mr. A.M.I.H. Baeten, wethouders R. de Vries en Ing. F.J.H. Huntjens, adjunct gemeentesecretaris H.J. Hameleers, Hr. Matti griffier van gedeputeerde staten, Hr. Ensinck, Hr. v.d. Woude, Hr. Lebens en Hr. van Rooy. Onderwerp: terreinkeuze van de Universiteit. Jaarboek 1972; blz. 8-10:
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Installatie van de Commissie Tans: rhclimburgpubliek.hosting.deventit.net/detail.php?nav_id=...
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"Terrein universiteit Limburg gekozen". De Volkskrant van
15-2-1967: resolver.kb.nl/resolve?urn=ABCDDD:010847943:mpeg21:a0230
"Commissie-Tans meent: Maastricht kan in 1974 starten met faculteit". De Tijd van 10-10-1970: resolver.kb.nl/resolve?urn=ddd:110612245:mpeg21:a0152
De Volkskrant van 10-10-1970: resolver.kb.nl/resolve?urn=ABCDDD:010848548:mpeg21:a0242
"Medische studie Maastricht. Faculteit kan in 74 werken". De Volkskrant van 10-10-1970: resolver.kb.nl/resolve?urn=ABCDDD:010848548:mpeg21:a0242
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Minister de Braauw komt zich orienteren. Jezuïetenklooster in 1972 ter beschikking „achtste". Limburgsch Dagblad van 7-8-1971: resolver.kb.nl/resolve?urn=ddd:010555962:mpeg21:a0386
Problemen rond vertraging universiteit. Achtste in of buiten de stad?, door Dick A. van Ruler. Limburgsch Dagblad van 28-5-1970: resolver.kb.nl/resolve?urn=ddd:010541177:mpeg21:a0197
"Achtste in centrum Maastricht?", door Dick A. van Ruler, Limburgsch Dagblad van 29-5-1970: resolver.kb.nl/resolve?urn=ddd:010541178:mpeg21:a0259
"Problemen rond de vestiging van Limburgs Universiteit (III). Let op de projectontwikkelaars", door Dick A. van Ruler. Limburgsch Dagblad van 30-5-1970: resolver.kb.nl/resolve?urn=ddd:010541179:mpeg21:a0434
"Alternatief plan voor universiteit Maastricht". De Volkskrant
2-6-1970: resolver.kb.nl/resolve?urn=ABCDDD:010848462:mpeg21:a0137
SWOL ongerust over onzekerheid regeringsbeleid rond 'Achtste'. Limburgsch Dagblad van 30-7-1971: resolver.kb.nl/resolve?urn=ddd:010556009:mpeg21:a0200
"Commissie Tans: Faculteit centrum gezondheidszorg in Limburg. Achtste kan in 1974 van start". Limburgsch Dagblad van 20-6-1970: resolver.kb.nl/resolve?urn=ddd:010541148:mpeg21:a0451
"Voor Universiteit Limburg. Sloop Jezuïetenkerk wekt protesten. Kloostertuin blijft dicht voor publiek". De Volkskrant van 22-1-1976: resolver.kb.nl/resolve?urn=ABCDDD:010880846:mpeg21:a0217
Foto van de aanbieding eindverslag commissie van voorbereiding medische faculteit aan staatssecretaris Dr. G. Klein van onderwijs en wetenschappen. Van links naar rechts: Dr. G. Klein, Dr. J. Tans; voorzitter CV/MFM, Dr. Tan; medewerker, Dr. A. Rottier; plv. voorzitter CV/MFM, Ir. C.A. Doets; lid CV/MFM sinds 30-03-1972, Burgemeester Mr. A. Baeten en J. Sondag; lid CV/MFM sinds 08-08-1973:
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De schilder Hans Truijen met een portret van Dr. J. Tans: rhclimburgpubliek.hosting.deventit.net/detail.php?nav_id=...
Hans Truijen: rkd.nl/explore/artists/78325
"Monument aangeboden ter herinnering aan Dr. Sjeng Tans.
Op vrijdag 2 september 2016 is op het plein voor Maastricht University School of Business and Economics, de plaats waar de Universiteit Maastricht ooit begon, een monument onthuld ter herinnering aan Dr. Sjeng Tans. Het monument is gemaakt op initiatief van het Comité Dr. J. Tans 2016 en gerealiseerd door beeldend kunstenaar Caius Spronken.
De universiteit is vergroeid met het straatbeeld van Maastricht en Dr. Sjeng Tans verdient mede daarom in Maastricht een blijvende en waardige plek die herinnert aan zijn betekenis voor Maastricht en de regio. Om die reden is het Comité Dr. J. Tans een actie gestart om een monument voor hem op te richten, daar waar het allemaal begon, in het hart van de stad. Het monument is een geschenk aan de stad Maastricht en haar burgers. Dit initiatief heeft belangrijke steun ontvangen van de gemeente Maastricht, de provincie Limburg, het Academisch Ziekenhuis Maastricht, de Universiteit Maastricht, de stichting Elisabeth Strouven, de stichting Kanunnik Salden/Nieuwenhof en het Universiteitsfonds Limburg/SWOL.
Het College van Bestuur van de Universiteit Maastricht dankt de initiatiefnemers voor het feit dat zij juist in het jubileumjaar van de universiteit deze bijzondere actie hebben ondernomen.
Na zijn politieke loopbaan in de Tweede Kamer, gemeenteraad en Provinciale Staten was Tans voorzitter van de Commissie Voorbereiding Medische Faculteit Maastricht, die de oprichting van de Universiteit Maastricht voorbereidde. In 1977 werd hij voorzitter van het eerste college van bestuur van die universiteit. Als oprichter wordt hij op de Universiteit Maastricht nog geëerd in de jaarlijkse Tanslezing, de Tanspenning (penning voor belangrijke verdiensten voor de universiteit) en de dr. Tanslaan en het dr. Tans-gebouw van het azM in Randwijck":
www.maastrichtuniversity.nl/nl/nieuws/monument-aangeboden...
“Een kruistocht voor het Socialisme; Sjeng Tans en de doorbraak-verkiezingen van 1956”, dr. Annemieke Klijn, opgenomen in het “Jaarboek 1996” van het “Documentatiecentrum Nederlandse Politieke Partijen” in Groningen.
“Onze man uit Maastricht”, biografie van dr. J.G.H. Tans, door dr. Annemieke Klijn; Rijksuniversiteit Maastricht; uitgeverij SUN, 2001.
Citaat uit “Honderd jaar over de rooien; de sociaal-democratie in Limburg van 1889 tot 1989”, door Jan Reerink, Piet Wetzels en dr. Annemieke Klijn; Sittard 1989:
"Het werk moest trouwens gedaan worden door enkelen. Velen uit die tijd herinneren zich de secretaris van het gewest, Johan van der Woude, als iemand die voortdurend op zijn motorfiets door heel Limburg rijdend zijn aktiviteiten ontplooide, als opbouwwerker avant-la-lettre kwam hij nieuwe afdelingen oprichten".
www.flickr.com/photos/hans_r_van_der_woude/33565068916/
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Omstreeks 1870 is op deze locatie een klooster gebouwd voor de Jezuïten, ontworpen door de Jezuïtenpater architect Albert Slootmaekers, geb. Breda 15-6-1814, ovl. Sittard 4-4-1875, zoon van Aegidius Slootmaekers, winkelier, en Eleonora Elsen: www.jezuieten.org/person/albert-slootmaekers-sj/
Inschrijving Bevolkingsregister Maastricht: www.archieven.nl/mi/1540/?mivast=1540&miadt=38&mi...
zoeken.hetnieuweinstituut.nl/nl/personen/detail/918412b0-...
Afbeeldingen klooster:
Tongersestraat 53. Sloop dragonderkazerne, bouw klooster paters Jezuïeten:
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In 1882 is het klooster uitgebreid onder architectuur van Jezuïtenpater architect Antonius Dijkmans, geb. 1851, ovl. Katwijk a/d Rijn 17-6-1922.
Hij was in 1901 de architect van de Kathedraal van Jakarta, in samenwerking met architect Marius Jan Hulswit, geb. Amsterdam 2-1-1862, ovl. Batavia 10-1-1921.
Overlijdensbericht Pater A. Dijkmans S.J. De Maasbode van
18-6-1922: resolver.kb.nl/resolve?urn=MMKB04:000192059:mpeg21:a0048
Architect Marius Jan Hulswit: zoeken.hetnieuweinstituut.nl/nl/personen/detail/b81adace-...
Antonius Dijkmans vertrok in 1888 vanuit Rotterdam naar Batavia. Bataviaasch Nieuwsblad van
19-3-1888: resolver.kb.nl/resolve?urn=ddd:110617330:mpeg21:a0051
"Kerkwijding te Batavia". De Tijd van 25-5-1901: resolver.kb.nl/resolve?urn=ddd:010407953:mpeg21:a0084
"De inwijding der nieuwe Roomsch-Katholieke Kerk te Batavia op den 21sten April 1901". Dijkmans was al voor de inwijding naar Holland teruggekeerd wegens ziekte. De Locomotief: Samarangsch handels- en advertentie-blad van 25-4-1901:https://resolver.kb.nl/resolve?urn=ddd:010298501:mpeg21:a0122
De Maasbode van 26-5-1901: resolver.kb.nl/resolve?urn=MMKB04:000181357:mpeg21:a0046
De Sumatra Post van 24-6-1904: resolver.kb.nl/resolve?urn=ddd:010321330:mpeg21:a0031
"Het nieuwe Jesuietencollege te Maastricht. Plechtige eerste steenlegging". De Maasbode van 25-6-1938: resolver.kb.nl/resolve?urn=MMKB04:000193128:mpeg21:a0079
Aanbesteding. Limburger Koerier van 19-1-1938: resolver.kb.nl/resolve?urn=ddd:010985840:mpeg21:a0116
"Het St. Bonifacius-Studiehuis te Maastricht". Limburger Koerier van 28-1-1938: resolver.kb.nl/resolve?urn=ddd:010985848:mpeg21:a0129
Foto van het Studiehuis in aanbouw. De Maasbode van 28-9-1938: resolver.kb.nl/resolve?urn=MMKB04:000190620:mpeg21:a0114
Architect ir. A.H.J. Swinkels (1900-1971):
www.kerkgebouwen-in-limburg.nl/architecten/swinkels
www.architectenaandemaas.com/nl/bureau/erfgoed-architecte...
"Het St. Bonifacius-Studiehuis te Maastricht. Door een gelukkige omstandigheid bleef dit wetenschappelijke centrum voor de stad behouden. Mooi bouwwerk met architectonische vondsten". Limburger Koerier van 28-1-1938: resolver.kb.nl/resolve?urn=ddd:010985848:mpeg21:a0126
"Theologicum der Paters Jesuiten. Geslaagde reconstructie van 18e eeuwsche poort".
Limburgsch Dagblad van 8-11-1939: resolver.kb.nl/resolve?urn=ddd:010948490:mpeg21:a0050
"Grondwerker door instorting bedolven en gedood". Zaans Volksblad: sociaal-democratisch dagblad van 20-12-1939: resolver.kb.nl/resolve?urn=ddd:010944518:mpeg21:a0072
"Voor het nieuwe ziekenhuis te Maastricht. Een detailleering van de plannen". De architect was Jos Cuypers (1861-1949), zoon van de beroemde architect Pierre Cuypers (1827-1921). Limburger Koerier van 13-3-1935 en 14-3-1935: resolver.kb.nl/resolve?urn=ddd:011025470:mpeg21:a0139
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Plan van Ed Cuypers (1859-1927) en A.H.J. Swinkels voor een nieuw ziekenhuis in Maastricht. Limburger Koerier van 9-3-1935: resolver.kb.nl/resolve?urn=ddd:011025467:mpeg21:a0078
Maastricht den 4 Januari. Gisteren is op order van de magistraat gepubliceert, dat alle burgers en ingezetenen, die ietsten lasten van de Fransche bezetting te eisschen hebben, hunne pretensien den 6, 7 en 8 dezer moeten opgeven aan den heer de Lorme, groot-major van deze stad, met verbod om verder iets aan de Fransche troupen te borgen, enz.
Hollandsche Historische Courant van 9-1-1749: resolver.kb.nl/resolve?urn=ddd:010965025:mpeg21:a0007
Gisteren is van wegens zyn Doorluchtige Hoogheyd de Heere Prince Erf-Stadhouder en de Prins Bisschop van Luyk onze Magistraat aldus verandert:
Tot Burgemeesteren
Luykse Heeren: Licentiaat Olislagers
Brabantse Heeren: Mr. Godart van Slijpe
Tot Schepenen
Luykse Heeren:
Licentiaat Guill. de Reguile President
Munnix Dieudonné Huberte Membrede Joppen
Kamps
Brabantse Heeren:
Mr. Hendrik Pesters President
Mr. L. Ghysen
Mr. R.W.D. Pillera
Mr. Cornelis Rosa van der Haar
F. van der Craght
Mr. W. Brull
Mr. Q. Reininck junior
Gezwoore-Raaden
Luykse Heeren:
Licentiaat Roosen
Joés Crutz
De Matthys
Vliex
Brabantse Heeren:
Mr. J.W. Heidevier
Mr. J.H. Reininck senior
N. Poppelaar
Dr. Pellerin
Paaymeesters
Luykse Heeren:
Licentiaat van Aken
Brabantse Heeren:
Johannes Bogaart
Oprechte Haerlemsche Courant van 6-5-1749: resolver.kb.nl/resolve?urn=ddd:011224099:mpeg21:a0002
Willem IV (1711-1751), Karel Hendrik Friso, prins van Oranje, vorst van Nassau-Dietz, de eerste erfstadhouder van de Republiek der Verenigde Provinciën, gehuwd met Anna van Hannover:
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Dr. Pellerin is Adrianus (Adrien) Pellerin (ook Pelerin), Med. Dr. en Anatomie Professor te Maastricht. Oprechte Haerlemsche Courant van 19-9-1771: resolver.kb.nl/resolve?urn=ddd:010799925:mpeg21:a0008
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Adrianus Pelerin (1698-1771) werd in 1738 benoemd als eerste professor in de anatomie en chirurgie in Maastricht. Hij stond aan de wieg van het medisch onderwijs in Maastricht. De bedoeling van zijn anatomische lessen was om de medische zorg in het militair hospitaal van de garnizoenstad Maastricht te verbeteren.
Pelerin was verbonden aan de Illustere School in Maastricht, een instelling die studenten voorbereidde op een verdere universitaire studie. Een Maastrichtse bachelor opleiding avant la lettre. Tijdens zijn opleiding heeft Pelerin onderzoek verricht naar het toen endemische ziektebeeld van pokken. Hij promoveerde in 1719 in Leiden op het proefschrift “de Variolis”. Dit proefschrift heeft waarschijnlijk bijgedragen aan de vroegtijdige invoering van de pokkenvaccinatie in Maastricht.
Sinds 1996 kent de Pelerin Stichting de Pelerin wetenschapsprijs toe aan het beste onderzoek verricht door een assistent in het MUMC+. De Pelerin Stichting wil daardoor de kwaliteit en de continuïteit van academische patiëntenzorg bevorderen. Daarmee volgt de Stichting de voetsporen van haar naamgever professor Adrianus Pelerin:
Bron: pelerinsymposium.nl/geschiedenis.php
Adrien Pelerin werd op 22 juni 1698 geboren te Leiden, als zoon van de brouwer Adrien Pelerin uit Saint Quentin en Marie Chrouët uit Olne, vlakbij Luik. De familie Chrouët was een gerenommeerd artsengeslacht in de regio rondom Luik. Pelerin gebruikte later in publicaties de naam Pelerin Chrouët, mogelijk om zijn verbondenheid met de familie te benadrukken...…………..
Op 8 juni 1736 wordt Pelerin door de Raad van State benoemd tot doctor medicinae van het Militair Hospitaal in Maastricht. De reden waarom Pelerin Leiden verliet en voor de benoeming in Maastricht koos, is niet bekend. Mogelijk speelde de familie Chrouët een rol, zijn artsenfamilie van moederszijde afkomstig uit Olne nabij Maastricht...……………
Pelerin woonde in het centrum van de stad aan het Vrijthof, op loopafstand van het stadhuis waar hij vele jaren actief was als schepen en gezworene in het stadsbestuur. Dat stadsbestuur had destijds wel een bijzondere signatuur. Maastricht werd ‘tweeherig’, dat wil zeggen gezamenlijk bestuurd door de katholieke prins-bisschop uit Luik en de gereformeerde hertog van Brabant. Het stadsbestuur was daarom paritair samengesteld uit Luikse en Brabantse – lees katholieke en gereformeerde – leden. Om de broederlijke samenwerking te benadrukken werd het stadsbestuur ondeelbaar betiteld als de ‘Indivieze Raad’. Behalve voor het stadsbestuur had deze tweeherigheid ook consequenties voor het onderwijs; een katholieke en een gereformeerde Latijnse school bestonden naast elkaar. Pelerin was lid van de gereformeerde Waalse Gemeente, en regent van het gereformeerde weeshuis. Hij had als vooraanstaand burger dan ook zitting in het stadsbestuur namens de ‘Brabantse kant’:
www.ntvg.nl/artikelen/eerste-hoogleraar-geneeskunde-maast...
"De IIlustre School te Maastricht en haar Hoogleraren (1683-1794)", door Ferd. Sassen.
N.V. Noord-Hollandsche Uitgevers Maatschappij Amsterdam, London 1972.
Mededelingen der Koninklijke Nederlandse Akademie van Wetenschappen. Afd. Letterkunde. Nieuwe Reeks, Deel 25, no. 1.
Adrien Pelerin-Chrouet (1698-1771): dictionnaire-journalistes.gazettes18e.fr/journaliste/626a...
Familie Pelerin te Maastricht, 18e eeuw:
www.archieven.nl/mi/1540/?mivast=1540&mizig=210&m...
Adrien Pelerin's zoon Adrien Louis Pelerin, geb. Maastricht 10-1-1738, ovl. Houthem (buitengoed Ravensbosch) 5-5-1804, tr. Maastricht (Waalse kerk) 15-9- 1765 Anne Elisabeth Collard, geb. Maastricht 28-10-1736, ovl. Maastricht 15-3-1809. Uit dit huwelijk zijn zeven kinderen in Maastricht geboren en aldaar Waals gedoopt.
Haar broers mr. Alexander Quirinus Collard (1735-1808) en mr. Isaac Collard (1738-1823), bezetten belangrijke posten in de Brabantse magistraat.
Verkoop van een gedeelte van de bibliotheek van wylen de Wel. Ed. Heer A. Pellerin, Med. Dr. en Anatomie Professor te Maastricht. Oprechte Haerlemsche Courant van 19-9-1771: resolver.kb.nl/resolve?urn=ddd:010799925:mpeg21:a0008