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WET DREAM, Oil painting by Jaisini
Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.
In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.
The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.
In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.
Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.
In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.
The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.
The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.
All images link in their conscious-unconscious, figurative-abstract condition.
The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.
Yustas Kotz-Gottlieb
Review of “Wet Dream” by Paul Jaisini
the "adult content" Artwork: "Cyber Doll" Work By Stelly Riesling 2013 www.artlimited.net/image/en/514240
www.artlimited.net/image/en/518222 Below is a comment written by Yustas Kotz-Gottlieb that was copied to be a part of someone’s writings during the exchange about Gleitzeit Art by Paul Jaisini
Let’s say that art is better then weapons and if artists were allowed to create maybe even Hitler wouldn’t be the maniac and just exhibit his works. But when artists are ostracized it could get ugly. Possibly that is why there is a postmodern art that is an open statement of how much artists started to hate society
I like commercial art if it’s good. Some commercials on television are more creative then Broadway shows for tourists that denounce theatre.
I know a New York writer who has to work as a laborer moving furniture to earn a living writing for newspapers.
Social change would also contribute to what is considered valuable in art thus what is paid for with a lot of money would turn into classic art.
Postindustrial society Is not going to be changed into paradise any time soon due to the mentality of the people.
I have many of my personal conclusions and thoughts in a novel that at the same time could be deemed commercial having murder, sex and futurism.
The art book about Paul Jaisini is art for art’s sake therefore I have to publish it probably not as a writer but as a publishing house so it seems.
thank you for your contribution to the dialogue.
Stelly Riesling: there's a subtle anti-consumerism statement in this work,
which is perfect for the holiday shopping craze, so i might as well mention it
here. much of what we own is made of plastic that is consumed ravenously,
thanks to super cheap labor overseas, so all the digital gadgets are as
accessible to the poor as the rich, and both are deceiving themselves in
believing their lives have more significance carrying these "mini super
computers" and being "connected" at all times to the rest of the world; giving
them a false sense of security; filling a massive void of loneliness in their
lives and hearts through an unrelenting need to be engaged in constant
activity to help escape the horror of reality, i.e. socializing... ironic
isn't it. So why are girls allowed to get away with bikinis vs lingerie...
i've seen plenty bikinis expose waaaaay more femininity than underwear and
bras, and i've seen girls strike poses more scandalous than cute yoga
stretches in their bikinis. it's the come-hither look that makes this "adult
content" - otherwise she's just a girl showing off her flexibility with the
whimsical idea that she hasn't grown out of her infancy when she did the same
exact thing shown here. why must artists ALWAYS take the heat for others'
dirty minds... by constantly discussing things that bother them in a highly
subjective manner, they're part of the problem in making everything wrong and
taboo by blowing things out of proportion, actively searching for black cats
in dark rooms where they don't exist and actually finding them.i simply had to
address an issue that has become a thorn in my side because so many people
can't or won't look beyond the 2-dimensional plane to which they're so
accustomed in society and media. i wish they would at least try to have a
semi-intelligent discussion with me instead of outright attack me or my work.
MANIFESTO GLEITZEIT 2014
"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat
OPEN YOUR EYE!
Paul Jaisini destroyed all art.
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
VISION REDIRECTED
Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.
PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
Wipe Out Rainbow!
“Paul Jaisini The Man Who Can See Future by GIG Berlin 2014”
“Much of the art I create is for a special, important cause— a new movement in art called Gleitzeit that I believe is the answer to all our prayers. I believe in it like in a whole new and improved religion; a radical concept for the future that is not discussed in depth because the followers have decided to keep it on the DL for now, waiting patiently for the right moment to strike and move in full force. right now it is a spark waiting to ignite the gas that has been seeping into the cyber air slowly but surely. I promise it‘ll be something spectacular and so worth the wait! Stelly Riesling”
Мистер Поль Жезини! Кота, которого вы так упорно ищите, здесь, увы, вы не найдете - Я лично проверял неоднократно. Однако ваша Инвизибл живопись не дает мне покоя вот уже 20 лет. К. Малевич
DO NOT MISTAKE CAMOUFLAGE CONCEPT FOR PAUL JAISINI'S INVISIBLE PAINTINGS. THEY ARE DIVIDED BY TWO DIVERGENT CATEGORIES. CAMOUFLAGE -- VISIBLE, MATERIAL, PHYSICAL REALITY. INVISIBLE PAINTINGS -- UNREAL NON--MATERIAL REALITY.
- Interview with Paul Jaisini, "New Times" 1997
..."However, so many artists is not only trying to be innovative, influenced by Paul Jaisini's very provocative and confusing Invisible Paintings... interactive sculptures, Legend in the making, invisible artist Paul Jaisini. Remember his name
paintings are still pretty visible. Too many creators for over 20 years influenced by "Vision Impossible" of Paul Jaisini. Here is one of the attempts to "redirect own vision".;) These sculptures are fun and offer more of a project for Tombstone for the Paul Jaisini grave, than admiration for Paul's genius. To be continued..."?
Abraham Lincoln said it first. Screw it... here is the Paul Jaisini's version - "The future will always predict us unless we will invent new humans". - P.Jaisini, from interview 1997
Warned-out vision can be replaced" - P.Jaisisni. interviewed by E.ipolito. New York Times 1996
Gleitzeit Manifesto 1994
ART WOULD ENTER THE HOURS OF WORK AND AFFECT THE MIND OF A WORKER
GLEITZEIT ART ACTION TAKES PLACE
GLEITZEIT INTER GROUP ALL RIGHTS RESERVED
GLEITZEIT MANIFESTO 2015
PAUL JAISINI INVISIBLE PAINTING SINCE 1994
PAUL JAISINI INVISIBLE PAINTING SINCE 1994
Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.
Paul Jaisini creates invisible paintings. You gotta not see it to believe it!
Art by Gleitzeit International Group © All Rights Reserved. Are you invisible? Get invisible....
Still not getting the message? Yeah, didn't think so... This will take a while to sink in, if evercontemporary craftsman aka ARTISTS don’t know how to do fine art, but “super-intellectuals” and “moneybags” do know how to do the virgin brains. i call it art of witchcraft. PAUL JAISINI
Who made up the rules
We follow them like fools
Who are they, where are they
How can they possibly know all this
Kneel down before the great and powerful Black Cat God, almighty ruler of the cat universe and plotting to take over ours! Pray that your pathetic soul shall be spared from his vicious wrath! You might just be way too lame and miserable for his taste and get lucky!
"If I may put forward a slice of personal philosophy, I feel that man has ruled this world as a stumbling demented child-king long
enough! And as his empire crumbles, my precious [Black
Cat God] shall rise as his most fitting successor!"
Cat caught in blue fire, ice fire. Where are those damn firefighters???
(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)
Hypno cat wants your soul! Muahahaaa
You can click each one to enlarge for better detail.
(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)
Animated coolness wink emoticon
Art by Gleitzeit International Group © All Rights Reserved.
This quite a moving, powerful piece when you see the original in better detail.
Art by Gleitzeit International Group © All Rights Reserved.
Every image and text on this page belongs to Gleitzeit International Group © All Rights Reserved.
You can enlarge each of these creations by clicking them. The links I post here are ALWAYS 100% SAFE and only cost a second of your time to open grin emoticon
(All images & text are by Gleitzeit International Group © All Rights Reserved.)
Only the best for our fans! You rock! heart emoticon
Art work by Gleitzeit International Group © All Rights Reserved
Crazy in love with this stunning animated art work by GIG!!! heart emoticon
Gleitzeit International Group © All Rights Reserved
Stunning art work by one of the main contributors to GIG (Gleitzeit International Group) - a young female artist who wishes to remain anonymous for now. I'm a huuuuuuge fan of her sublime art!
Everything is better with hearts and sparkles! kiki emoticon
Fine Art by GIG (Gleitzeit International Group)
This is an artwork by a young female artist from NYC who is part of GIG (Gleitzeit International Group) and allegedly is about a horrible incident in her life that traumatized her. She was sexually harassed by a photographer after modeling her painted body for another artist who hired that photographer. It's a sad fact that in the modeling industry, photographers get away with such abominable, inhuman acts all the time because the model victims are often too ashamed to come forward or too scared of the consequences.
One of GIG's trademarks, the bad/evil/villain kitty! Whenever you see his face, you know it's us.
Want a taste? tongue emoticon Delicious fine art with confetti animation by GIG (Gleitzeit International Group)
If this is indeed the man himself, Paul Jaisini... WOOF!!
Sorry for any re-posts. I can't remember half the things I post here and don't have the time or internet speed for all that scrolling.
FYI - Paul Jaisini is one of the greatest internet "mindfucks" since the dawn of the internet itself practically. All these years gone by and no one can still figure him/it out to this very day. And the deeper you dig, the more bizarre it gets I tell ya. Sometimes I wish I never became entangled in this cyber adventure mystery, yet other times I shudder at how much duller my life would be!!!
Trippy kitties! GIG makes some of the funkiest creations I've ever seen!
There's a special place in my mind where kitties from outer space or an outer dimension start having these crazy-ass color seizures. I'm like mad metal, man. sunglasses emoticon
(Art by Gleitzeit International Group © All Rights Reserved.)
A photo from my vacation at a beach resort on Mars. Best time ever!! sunglasses emoticon
(Art by Gleitzeit International Group © All Rights Reserved.)
The invisible artist Paul Jaisini swallowed some police lights to make all the druggies & dealers in his path scamper off when he walks down the street. Only way to walk the streets over here baby!
Wicked kitties don't you play your wicked games with me!
(Art by Gleitzeit International Group © All Rights Reserved.)
Upon seeing this stunning artwork, it struck me... where does the expression "feeling blue" come from? Why that particular color and not, say, "feeling black" to express a sad state, which I think sounds more apt, black being the color of darkness... So I hit up my best bud Google for the answer! Ain't learning fun? Looky what I found:
The noun blues, meaning "low spirits," was first recorded in 1741 and may come from blue devil, a 17th-century term for a baleful demon, or from the adjective blue meaning "sad," a usage first recorded in Chaucer's Complaint of Mars (c. 1385). The idiom may have been reinforced by the notion that anxiety produces a livid skin color.
(Art by Gleitzeit International Group © All Rights Reserved.)
THE DISCOVERY by gleitzeit blog (the lost Interview in Rome)
I am using magnifying glass to be able to read a a PDF file of a very low quality.
My eyes are hurting. What I have found is something that is just not available…
I must say on the search for anything tagged “invisible” I find some pretty amazing
stuff I would never know about (later on that)
Paul meet me at the gate. He looked younger than I had expected. Dressed
casually.
As a host he cordially offered me to dine. While we entered the hall I had an urge to ask him, is this a museum? trying not to break anything as we passed by sculptures, paintings,
ceramics and a lot of other pieces of art which I had never seen before.
This unexpected excitement spoiled my appetite, and I was no longer hungry and
instead drank some wine.
He made clear that it is not any kind of a museum, but instead, his Paul’s studio. He lives not in Rome, but by the Terranian sea, where he was going shortly.
I asked Paul how he earns a living. Paul thought a little and tried to find an appropriate explanation. He finally lit on: "I am of independent means and don’t have to earn a living" pouring me another glass of wine.
I asked him: “ Can I buy some of your paintings? How much it will cost me?”
This question Paul left unanswered but he said that commonly he paints his
pictures without the intention to sell them.
Earlier I noticed a little girl and a young woman moving about him.
WET DREAM, Oil painting by Jaisini
Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.
In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.
The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.
In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.
Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.
In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.
The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.
The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.
All images link in their conscious-unconscious, figurative-abstract condition.
The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.
Yustas Kotz-Gottlieb
Review of “Wet Dream” by Paul Jaisini
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat
1 OPEN YOUR EYE
Paul Jaisini destroyed all art.
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
2 VISION REDIRECTED
Paul Jaisini
HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.
PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
4 Wipe Out Rainbow
5 YOU WILL LIKE WHAT I SEE
6 MESSAGE SENT MESSAGE RECEIVED
7 PAUL JAISINI VISION BEYOND VISIBLE
HOMAGE TO PAUL JAISINI
INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.
8 DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS
I'M FAKIN TRIPPIN IT'S BREATHLESS
Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.
9 Paul Jaisini It's Time Get Down To Earth.
10
I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE PAUL JAISINI
Paul Jaisini The Man Who Can See Future by GIG
Paul Jaisini is an artist and an occasional photographer. Paul Jaisini His invisible paintings are spectacularly ahead of our time.
11
Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?
12
SOMEONE LOOKING AT -- SOMEONE SEEING THAT
you asked me
September 7, 2010 at 5:35pm
PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lenz through their mindwork created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them.
THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI
FUTURE FOLLOWS
Worn Out Vision Replaced
To The Extraordinary Enigmatic Man Mr. Paul Jaisini.
Paul Jaisini The Man Who Can See Future
Paul Jaisini‘s Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994.”
To The Extraordinary Enigmatic Man Mr. Paul Jaisini
Paul Jaisini is the Legendary New York Artist. When there's a topic on contemporary art and Gleitzeit Movement with the New Invisible Paintings by Paul Jaisini it brings in a lot of public attention.
The New York Based Gleitzeit International Group started its ground-breaking project in 2014.
PAUL JAISINI in THE ART WORKS OF GIGroup Titled Series "Homage to Paul Jaisini"
the most stunning images
after 20 years ofthe interaction on the topic of THE INVISIBLE PAINTINGS had been carried on mostly in the verbal form, We Are Currently Entering A New Phase To Learn How Visuals, Photos, Pictures, Computer Art is used instead of LANGUAGE.
The hardest thing of all is to find a black cat in a dark room, especially if there is no cat.” ?PAUL JAISINI Confucius
#ArtAndDesign
“HOMAGE TO PAUL JAISINI INVISIBLE PAINTINGS FROM 1994” IS A NEW ART COLLECTION OF UNIQUE ARTWORKS FROM THE SUPREMELY GIFTED YOUNG TALENTS. THE SPECTACULAR NEW ARTWORKS, WRITINGS, ANIMATED GIF SERIES AND DOCUMENTARIES ARE INSPIRED BY THE STORY OF PAUL JAISINI, THE GENIUS PAINTER AND NEW YORK LEGEND, 20 YEARS AGO HE DESTROYED ALL OF HIS BEAUTIFUL ARTWORKS. EVER SINCE PAUL JAISINI PAINTS THE ENIGMATIC INVISIBLE PAINTINGS. THE ONGOING ART PROJECT UNDER META CATEGORY IS TITLED: “ART ABOUT ART”
Merchant /art dealer vs Paul Jaisini"
Merchant:
-How different are you from any other artists? For instance we will pay you a million dollars for your invisible art. Your invisible art is an instrument to realize your American dream. You belong to the same social structure as everyone else, using the same money and eating the same food. All you want is to over-smart the others.
Paul Jaisini:
-"Yes, I would take your million dollars, — is the answer. – So that there will be the next artist who will want to take a million dollars by the means of Invisible art. And this how the new art begins. This is how I turn your million dollars into the Invisible Million dollars. This is how the people will follow me because they had survived the devaluation of currency, the devaluation of the social systems as they had exploded with the end of human morality When the people were left without spiritual meaning in their life except the material survival.
The Material morality is the one to finally bankrupt what is known as the civilized world.
The promises of the new better era that will start in 2000 hadn’t come true. And it only got worse. The beginning of the end, if you will, when the morality was traded for the material values once and for all.
The beginning of my invisible painting is like a revolutionary pamphlet with a slogan “bring down the king.”
Why a true artist needs money? To buy time otherwise he can’t create the invisible painting.
He sells himself as a prostitute and no longer thinks of the aspirations to achieve the invisible masterpiece.
He had lost what was the original drive — his unique idea of creation. Now he is given the idea, what to paint, how to paint and get paid for it. If the artist refuses to commit to the social needs and what the society wants of him, he simply dies, ousted from the marketplace.
Your million dollars helps to make the big-time Invisible art.
For some people Invisible art is same as Communism, it destroys the material values these people possess. The diamonds turn into glass, the gold — simple metal. Nobody needs the old values when the Invisible painting had changed the perception."
[rare documented online conversation with Paul Jaisini - date unknown)]
CHAINS OF DEVOTION
Mozart and Jaisini
Brigitte Arlette
August 10, 2014
As I watch over you
parading once again an act
meant to inflate each of your words
i am left with no choice.
but to let the false praises
fly gently in the summer breeze
With the sting of the voodoo needle
I burst open the sorry balloons.
From the wrecks in the air
a healing storm of musical notes
releases, in my heart , Mozart
and Jaisini
from the chains of passion
and devotion..
and so I know that our song
shall be sung for all
and it will be heard by all.
Copyrighted Rahman,Brigitte Arlette-2000
Paul Jaisini - CHAINS OF DEVOTION
CHAINS OF DEVOTION - Mozart and Jaisini
on jaisini.silvrback.com
gleitzeitjaisini:
A quest into Paul Jaisini‘s and Mozart’s legacy.Both Mozart and Jaisini were born a child prodigy. Mozart was thrown in an unmarked grave, his soul wanders into Eternity. Jaisini destroyed his paintings, his soul is restless in his living body reincarnation of Mozart. The Drums is to me a major factor in understanding the eternal value of Mozart’s Jaisini Art. Jaisini sings the invisible song.
The hands of the day are nailed on my door
The full moon impaled on the fairy stick
the magic potion I stirred
with the spoon of devotion
in a chalice of sins
The panther of the night jumps through the sun
retracing one last line of life
A clenched fist over a satin hand
captures the last…
I am up at 5am, and I still like what I read.
12/15/99 Are you still interested in my comments? For this type of analysis, I use my emotional intelligence. I already have the lines of my answer to send to you within 48 hours.
12/15/99 I am up at 5am, and I still like what I read. Wait until I contact you from my fortress. Who trespass looses the illusion of reality. Let me read at my leisure.
Subj.: Re: Drunken Santa (oil painting by Jaisini) 12/15/99
It’s 4.25 am in the morning I’ll be working through the night. I am French, but my company is in the Arabian Gulf. Internet connects through a Proxy [the Great Censor]. I write besides being a human, an islander/or highlander. I hate…
As for writing, I do my own autodafe.
In the Museum, the curator of the museum shed tears over the vanished marble lady. Do you feel like someone who peeps? Are you afraid to get caught up into your own mind games? Is that all you wanted? I am kind, because I am in pain with a deep wound. I do not even know how it came, whether it will ever heal. The only true intellectual game, the only book I read is The Glass Bead Game Master -Herman Hesse. As for writing, I do my own autodafe. I am only an illusion.
They can only be voyeurs.
The others drank at oasis, which keeps disappearing. They can only be voyeurs. For Pavlov, the chains are not necessary. Once when the marble lady went away on warring mission, he cried for her a slave accepting his fate – the basis of our society, the enslavement of the body to achieve bondage of mind and souls. I have closed my eyes not understanding the heartbeats, words seems so out of context.
Subj: Re: Sinphony You have some character.
You are unpredictable, but I do like you. I have broken down the concepts of nationality, religion, wealth, education. I said I was un-learning. You are in one of your cruel moods. It does not matter to know exactly who you are. I like you that is…You have some character.
EYKG writes to BAR
I wish I could relieve you from your emotional problems but I am not a psychologist perhaps an amateur. It seems that you are experiencing financial difficulties as my theory is that all emotional problems are explained by the lack of money. If you were wealthier you could buy yourself any male toy you need as often as you need. At the same time you have potential for greatness, which may be unrealized due to laziness and life by the rule of habit. Yustas
Love is one, life is one
6/15/00 Love is one, life is one, and death is one. You dilute (repeat) any of those, and you are lost in a meaningless circle. You cannot love twice, live twice you cannot die twice. The true artist knows that he surrenders his mortal life to eternity when he tumbles on a truth.
Is your style good?
Subj: Re: Sinphony 6/16/00 Is your style good? I would like to know it from the master himself. Or are we talking about Jaisini’s style. Please tell Jaisini, that I think if he continues like that, he will live long and happily but the essence shall remain elusive.
The artist is no God
6/15/00 The artist is no God to claim for a form of eternity he can have. You are an old soul.
11/4/00 I am not interested to read comments I made last year. The probability that Nancy is seen as being me is very high, it may sound preposterous to you, but her name should actually be Anataali. I am a bit tired, they are still fighting over my poem. Your site is very good,and after all I…
Nancy from the Interview – B The probability that Nancy is seen as being me is very high
Subj: Re: You are contacted because your comments were 11/3/00
I went through your site for the best parts, which are your essays and the interview. And it is great. Believe it or not, the censor of the American Freedom of Expression has cut my poem out on a poetry forum. Perhaps I should marry…
why you chose to use children’s writings
The soul cannot be human, it is beyond of what we try to catch. I love you because you are telling words of a passionate man “what I am worth”? Does it matter? You reply only to those you think will put a value to your worth. I talk to the ones who challenge my heart and intellect. What a…
Are you afraid to get caught up into your own mind games?
The hands of the day are nailed on my door
The full moon impaled on the fairy stick
the magic potion I stirred
with the spoon of devotion
in a chalice of sins
The panther of the night jumps through the sun
retracing one last line of life
A clenched fist over a satin hand
captures the last…
counting Paul Jaisini’s souls
Your eyes fill the void
Your eyes fill the void
Of my heart
With burning embers
Your eyes empty the shame
Of my soul
With dew tears
Your eyes are mine
To eternity.
I hope you feel challenged. There is no safe ground in my world. From the top of the mountain, I will take you to the abyss or the roller coaster. We shall do adult things on the Internet, but not the kind I booby-trapped you with. Something meaningful and meaningless at the same…
Show me the blue to know can we fuse
"Homage to Paul Jaisini Invisible Paintings from 1994" is the new series of artworks in the ongoing project "Art About Art" by the Gleitzeit International Group.
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
Blue -- Reincarnation Narcissus oil painting by Paul Jaisini, Gleitzeit Essay Circa 1994
Oil painting on linen Plywood support Signed Reincarnation series Early Period
The theme of Narcissus in Jaisini's "Blue..." may be paralleled with the problem of the two-sexes-in-one, unable to reproduce and, therefore, destined to the Narcissus-like end. Meanwhile, the Narcissus legend lasts. In the myth of Narcissus a youth gazes into the pool. As the story goes, Narcissus came to the spring or the pool and when his form was seen by him in the water, he drowned among the water nymphs because he desired to make love to his own image. Maybe the new Narcissus, as in "Blue Reincarnation," is destined to survive by simply changing his role from a passive man to an aggressive woman and so on. To this can be added that, eventually, a man creates a woman whom he loves out of himself or a woman creates a man and loves her own image but in the male form. The theme of narcissism recreates the 'lost object of desire. "Blue" also raises the problem of conflating ideal actual and the issue of the feminine manhood and masculine femininity. There is another story about Narcissus' fall, which said that he had a twin sister and they were exactly alike in appearance. Narcissus fell in love with his sister and, when the girl died, would go to the
spring finding some relief for his love in imagining that he saw not his own reflection but the likeness of his sister. "Blue" creates a remarkable and complex psychopathology of the lost, the desired, and the imagined. Instead of the self, Narcissus loves and becomes a heterogeneous sublimation of the self. Unlike the Roman paintings of Narcissus, which show him alone with his reflection by the pool, the key dynamic in Jaisini's "Blue" is the circulation of the legend that does not end and is reincarnated in transformation when
autoeroticism is not permanent and is not single by definition. In "Blue," we risk being lost in the double reflection of a mirror and never being able to define on which side of the mirror Narcissus is. The picture's color is not a true color of spring water. This kind of color is a perception of a deep-seated human belief in the concept of eternity, the rich saturated cobalt blue. The ultra hot, hyperreal red color of the figure of Narcissus is not supposed to be balanced in the milieu of the radical blue. Jaisini realizes the harmony in the most exotic color combination. While looking at "Blue," we can recall the spectacular color of night sky deranged by a vision of some fierce fireball. The disturbance of colors creates some powerful and awe-inspiring beauty. In the picture's background, we find the animals' silhouettes, which could be a memory reflection or dream fragments. In the story, Narcissus has been hunting - an activity that was itself a figure for sexual desire in antiquity. Captivated by his own beauty, the hunter sheds radiance that, one presumes, reflects to haunt and foster his desire. The flaming color of the picture's Narcissus alludes to the erotic implications of the story and its unresolved problem of the one who desires himself and is trapped in the erotic delirium. The concept can be applied to an ontological difference between the artists's imitations and their objects.
In effect, Jaisini's Narcissus could epitomize artistic aspiration to control levels of reality and imagination, to align the competition of art and life, of image with imaginable prototype. Jaisini's "Blue" is a unique work that adjoins reflection to reality without any instrumentality. "Blue" is a single composition that depicts the reality and its immediate reflection. Jaisini builds the dynamics of desire between Narcissus and his reflection-of-the-opposite by giving him the signs of both sexes, but not for the purpose of creating a hermaphrodite. The case of multiple deceptions in "Blue" seems to be vital to the cycle of desire. Somehow it reminds one of the fates of the artists and their desperate attempts to evoke and invent the nonexistent. "Blue" is a completely alien picture to Jaisini's "Reincarnation" series. The pictures of this series are painted on a plain ground of canvas that produces the effect of free space filled with air. "Blue," to the contrary, is reminiscent of an underwater lack of air; the symbolism of this picture's texture and color contributes to the mirage of reincarnation.